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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17BDBA it is the complementary color #E84245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17BDBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17BDBA shade: #1CBDB5, #2DCFC8, #3EE1DB, #4FF3EE and #60FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17BDBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17BDBA shade: #17BDBA, #06ABA7, #009994, #008781 and #00756E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17BDBA shade: #17BEBB, #17BE8E, #17BE61, #17BE34 and #27BE17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17BDBA shade: #17BEBB, #1794BE, #1767BE, #173ABE and #1717BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17BDBA shade matches the following richer shades: #17BEBB and #06CFCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17BDBA shade: #17BEBB, #28ADAA, #3A9B9A, #4B8A89 and #5C7978

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17BDBA shade: #17BE5F, #17BE8C, #17BEB9, #1797BE and #176BBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17BDBA shade: #0E7573, #139997, #17BEBB, #1CE3DF and #41E7E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17BDBA shade: #17BDBA, #3317BE and #BE7617

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17BDBA shade: #17BDBA, #B917BE and #BEB917

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17BDBA shade: #17BDBA, #3317BE, #BE171D and #A2BE17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17BDBA shade: #17BDBA, #6517BE, #BE171D and #70BE17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 2 / 26

HEX #17BDBA

RGB 23 189 186

HSL 178.92, 0.78%, 0.42%

LAB 69.56, -38.42, -9.57

 

Complementary color

CMYK 0 / 72 / 70 / 9

HEX #E84245

RGB 232 66 69

HSL 358.92, 0.78%, 0.58%

LAB 53.47, 63.32, 36.49

 

CMYK 85 / 0 / 4 / 26

HEX #1CBDB5

RGB 28 189 181

HSL 177.02, 0.74%, 0.43%

LAB 69.45, -39.58, -6.97

 

CMYK 78 / 0 / 3 / 19

HEX #2DCFC8

RGB 45 207 200

HSL 177.41, 0.64%, 0.49%

LAB 75.67, -40.82, -8.06

 

CMYK 72 / 0 / 3 / 12

HEX #3EE1DB

RGB 62 225 219

HSL 177.79, 0.73%, 0.56%

LAB 81.83, -41.77, -9.05

 

CMYK 67 / 0 / 2 / 5

HEX #4FF3EE

RGB 79 243 238

HSL 178.17, 0.87%, 0.63%

LAB 87.94, -42.49, -9.94

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 88 / 0 / 2 / 26

HEX #17BDBA

RGB 23 189 186

HSL 178.92, 0.78%, 0.42%

LAB 69.56, -38.42, -9.57

 

CMYK 96 / 0 / 2 / 33

HEX #06ABA7

RGB 6 171 167

HSL 178.55, 0.93%, 0.35%

LAB 63.31, -36.65, -8.38

 

CMYK 100 / 0 / 3 / 40

HEX #009994

RGB 0 153 148

HSL 178.04, 1%, 0.3%

LAB 57, -34.4, -7.04

 

CMYK 100 / 0 / 4 / 47

HEX #008781

RGB 0 135 129

HSL 177.33, 1%, 0.26%

LAB 50.59, -31.88, -5.6

 

CMYK 100 / 0 / 6 / 54

HEX #00756E

RGB 0 117 110

HSL 176.41, 1%, 0.23%

LAB 44.01, -29.31, -4.1

 

CMYK 88 / 0 / 2 / 25

HEX #17BEBB

RGB 23 190 187

HSL 178.92, 0.78%, 0.42%

LAB 69.89, -38.58, -9.62

 

CMYK 88 / 0 / 25 / 25

HEX #17BE8E

RGB 23 190 142

HSL 162.75, 0.78%, 0.42%

LAB 68.72, -50.71, 13.29

 

CMYK 88 / 0 / 49 / 25

HEX #17BE61

RGB 23 190 97

HSL 146.59, 0.78%, 0.42%

LAB 67.93, -59.84, 35.93

 

CMYK 88 / 0 / 73 / 25

HEX #17BE34

RGB 23 190 52

HSL 130.42, 0.78%, 0.42%

LAB 67.47, -65.46, 55.46

 

CMYK 79 / 0 / 88 / 25

HEX #27BE17

RGB 39 190 23

HSL 114.25, 0.78%, 0.42%

LAB 67.52, -65.57, 63.91

 

CMYK 88 / 0 / 2 / 25

HEX #17BEBB

RGB 23 190 187

HSL 178.92, 0.78%, 0.42%

LAB 69.89, -38.58, -9.62

 

CMYK 88 / 22 / 0 / 25

HEX #1794BE

RGB 23 148 190

HSL 195.09, 0.78%, 0.42%

LAB 57.15, -16.75, -30.69

 

CMYK 88 / 46 / 0 / 25

HEX #1767BE

RGB 23 103 190

HSL 211.26, 0.78%, 0.42%

LAB 43.65, 10.02, -52.04

 

CMYK 88 / 69 / 0 / 25

HEX #173ABE

RGB 23 58 190

HSL 227.43, 0.78%, 0.42%

LAB 31.64, 39.51, -71.61

 

CMYK 88 / 88 / 0 / 25

HEX #1717BE

RGB 23 23 190

HSL 240, 0.78%, 0.42%

LAB 25.3, 57.67, -82.12

 

CMYK 88 / 0 / 2 / 25

HEX #17BEBB

RGB 23 190 187

HSL 178.92, 0.78%, 0.42%

LAB 69.89, -38.58, -9.62

 

CMYK 97 / 0 / 1 / 19

HEX #06CFCC

RGB 6 207 204

HSL 179.1, 0.94%, 0.42%

LAB 75.47, -41.81, -10.56

 

CMYK 88 / 0 / 2 / 25

HEX #17BEBB

RGB 23 190 187

HSL 178.92, 0.78%, 0.42%

LAB 69.89, -38.58, -9.62

 

CMYK 77 / 0 / 2 / 32

HEX #28ADAA

RGB 40 173 170

HSL 178.65, 0.62%, 0.42%

LAB 64.36, -34.45, -8.45

 

CMYK 63 / 0 / 1 / 39

HEX #3A9B9A

RGB 58 155 154

HSL 179.38, 0.46%, 0.42%

LAB 58.67, -27.99, -7.87

 

CMYK 46 / 0 / 1 / 46

HEX #4B8A89

RGB 75 138 137

HSL 179.05, 0.3%, 0.42%

LAB 53.47, -20.48, -5.79

 

CMYK 24 / 0 / 1 / 53

HEX #5C7978

RGB 92 121 120

HSL 177.93, 0.14%, 0.42%

LAB 48.64, -10.61, -2.87

 

CMYK 88 / 0 / 50 / 25

HEX #17BE5F

RGB 23 190 95

HSL 145.87, 0.78%, 0.42%

LAB 67.9, -60.17, 36.89

 

CMYK 88 / 0 / 26 / 25

HEX #17BE8C

RGB 23 190 140

HSL 162.04, 0.78%, 0.42%

LAB 68.68, -51.18, 14.31

 

CMYK 88 / 0 / 3 / 25

HEX #17BEB9

RGB 23 190 185

HSL 178.2, 0.78%, 0.42%

LAB 69.83, -39.17, -8.61

 

CMYK 88 / 21 / 0 / 25

HEX #1797BE

RGB 23 151 190

HSL 194.01, 0.78%, 0.42%

LAB 58.07, -18.37, -29.27

 

CMYK 88 / 44 / 0 / 25

HEX #176BBE

RGB 23 107 190

HSL 209.82, 0.78%, 0.42%

LAB 44.82, 7.46, -50.16

 

CMYK 88 / 0 / 2 / 54

HEX #0E7573

RGB 14 117 115

HSL 178.83, 0.79%, 0.26%

LAB 44.31, -26.81, -6.64

 

CMYK 88 / 0 / 1 / 40

HEX #139997

RGB 19 153 151

HSL 179.1, 0.78%, 0.34%

LAB 57.23, -32.57, -8.39

 

CMYK 88 / 0 / 2 / 25

HEX #17BEBB

RGB 23 190 187

HSL 178.92, 0.78%, 0.42%

LAB 69.89, -38.58, -9.62

 

CMYK 88 / 0 / 2 / 11

HEX #1CE3DF

RGB 28 227 223

HSL 178.79, 0.78%, 0.5%

LAB 82.12, -44.3, -10.79

 

CMYK 72 / 0 / 1 / 9

HEX #41E7E4

RGB 65 231 228

HSL 178.92, 0.78%, 0.58%

LAB 83.9, -41.61, -10.73

 

CMYK 88 / 0 / 2 / 26

HEX #17BDBA

RGB 23 189 186

HSL 178.92, 0.78%, 0.42%

LAB 69.56, -38.42, -9.57

 

CMYK 73 / 88 / 0 / 25

HEX #3317BE

RGB 51 23 190

HSL 250.06, 0.78%, 0.42%

LAB 26.83, 58.79, -79.53

 

CMYK 0 / 38 / 88 / 25

HEX #BE7617

RGB 190 118 23

HSL 34.13, 0.78%, 0.42%

LAB 56.05, 21.59, 57.92

 

CMYK 88 / 0 / 2 / 26

HEX #17BDBA

RGB 23 189 186

HSL 178.92, 0.78%, 0.42%

LAB 69.56, -38.42, -9.57

 

CMYK 3 / 88 / 0 / 25

HEX #B917BE

RGB 185 23 190

HSL 298.2, 0.78%, 0.42%

LAB 45.14, 75.39, -48.86

 

CMYK 0 / 3 / 88 / 25

HEX #BEB917

RGB 190 185 23

HSL 58.2, 0.78%, 0.42%

LAB 73.35, -14.44, 71.75

 

CMYK 88 / 0 / 2 / 26

HEX #17BDBA

RGB 23 189 186

HSL 178.92, 0.78%, 0.42%

LAB 69.56, -38.42, -9.57

 

CMYK 73 / 88 / 0 / 25

HEX #3317BE

RGB 51 23 190

HSL 250.06, 0.78%, 0.42%

LAB 26.83, 58.79, -79.53

 

CMYK 0 / 88 / 85 / 25

HEX #BE171D

RGB 190 23 29

HSL 357.84, 0.78%, 0.42%

LAB 40.65, 61.7, 42.68

 

CMYK 15 / 0 / 88 / 25

HEX #A2BE17

RGB 162 190 23

HSL 70.06, 0.78%, 0.42%

LAB 72.61, -28.85, 70.25

 

CMYK 88 / 0 / 2 / 26

HEX #17BDBA

RGB 23 189 186

HSL 178.92, 0.78%, 0.42%

LAB 69.56, -38.42, -9.57

 

CMYK 47 / 88 / 0 / 25

HEX #6517BE

RGB 101 23 190

HSL 268.02, 0.78%, 0.42%

LAB 32.03, 62.99, -70.77

 

CMYK 0 / 88 / 85 / 25

HEX #BE171D

RGB 190 23 29

HSL 357.84, 0.78%, 0.42%

LAB 40.65, 61.7, 42.68

 

CMYK 41 / 0 / 88 / 25

HEX #70BE17

RGB 112 190 23

HSL 88.02, 0.78%, 0.42%

LAB 69.71, -48, 66.65

 

Description

Color code: HEX #17BDBA | qconv.com Color code: HEX #17BDBA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 189 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 189 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 2 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 2% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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