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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17B2F6 it is the complementary color #E84D09. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17B2F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17B2F6 shade: #1CB2F1, #2DC4FF, #3ED6FF, #4FE8FF and #60FAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17B2F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17B2F6 shade: #17B2F6, #06A0E3, #008ED0, #007CBD and #006AAA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17B2F6 shade: #17B2F6, #1776F6, #173AF6, #3117F6 and #6D17F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17B2F6 shade: #17B2F6, #1776F6, #173AF6 and #1717F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17B2F6 shade matches the following richer shades: #17B2F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17B2F6 shade: #17B2F6, #2BABE3, #3EA3CF, #519BBC and #6594A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17B2F6 shade: #17F6C2, #17EFF6, #17B3F6, #1778F6 and #173CF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17B2F6 shade: #067FB5, #089CDD, #17B2F6, #3FBFF8 and #67CCF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17B2F6 shade: #17B2F6, #8717F6 and #F6E017

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17B2F6 shade: #17B2F6, #F617B3 and #B3F617

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17B2F6 shade: #17B2F6, #8717F6, #F65A17 and #87F617

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17B2F6 shade: #17B2F6, #CA17F6, #F65A17 and #44F617

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 28 / 0 / 4

HEX #17B2F6

RGB 23 178 246

HSL 198.3, 0.93%, 0.53%

LAB 68.52, -13.2, -43.99

 

Complementary color

CMYK 0 / 67 / 96 / 9

HEX #E84D09

RGB 232 77 9

HSL 18.3, 0.93%, 0.47%

LAB 54.54, 57.67, 63.28

 

CMYK 88 / 26 / 0 / 5

HEX #1CB2F1

RGB 28 178 241

HSL 197.75, 0.88%, 0.53%

LAB 68.34, -14.71, -41.54

 

CMYK 82 / 23 / 0 / 0

HEX #2DC4FF

RGB 45 196 255

HSL 196.86, 1%, 0.59%

LAB 74.35, -18.32, -39.71

 

CMYK 76 / 16 / 0 / 0

HEX #3ED6FF

RGB 62 214 255

HSL 192.75, 1%, 0.62%

LAB 79.81, -25.92, -31.25

 

CMYK 69 / 9 / 0 / 0

HEX #4FE8FF

RGB 79 232 255

HSL 187.84, 1%, 0.65%

LAB 85.3, -32.66, -22.83

 

CMYK 62 / 2 / 0 / 0

HEX #60FAFF

RGB 96 250 255

HSL 181.89, 1%, 0.69%

LAB 90.82, -38.62, -14.47

 

CMYK 91 / 28 / 0 / 4

HEX #17B2F6

RGB 23 178 246

HSL 198.3, 0.93%, 0.53%

LAB 68.52, -13.2, -43.99

 

CMYK 97 / 30 / 0 / 11

HEX #06A0E3

RGB 6 160 227

HSL 198.19, 0.95%, 0.46%

LAB 62.28, -10.71, -43.39

 

CMYK 100 / 32 / 0 / 18

HEX #008ED0

RGB 0 142 208

HSL 199.04, 1%, 0.41%

LAB 55.99, -7.74, -42.7

 

CMYK 100 / 34 / 0 / 26

HEX #007CBD

RGB 0 124 189

HSL 200.63, 1%, 0.37%

LAB 49.6, -4.46, -41.98

 

CMYK 100 / 38 / 0 / 33

HEX #006AAA

RGB 0 106 170

HSL 202.59, 1%, 0.33%

LAB 43.08, -0.99, -41.29

 

CMYK 91 / 28 / 0 / 4

HEX #17B2F6

RGB 23 178 246

HSL 198.3, 0.93%, 0.53%

LAB 68.52, -13.2, -43.99

 

CMYK 91 / 52 / 0 / 4

HEX #1776F6

RGB 23 118 246

HSL 214.44, 0.93%, 0.53%

LAB 51.6, 22.28, -70.98

 

CMYK 91 / 76 / 0 / 4

HEX #173AF6

RGB 23 58 246

HSL 230.58, 0.93%, 0.53%

LAB 37.59, 58.76, -93.98

 

CMYK 80 / 91 / 0 / 4

HEX #3117F6

RGB 49 23 246

HSL 247, 0.93%, 0.53%

LAB 33.81, 73.51, -100.24

 

CMYK 56 / 91 / 0 / 4

HEX #6D17F6

RGB 109 23 246

HSL 263.14, 0.93%, 0.53%

LAB 38.76, 76.67, -91.88

 

CMYK 91 / 28 / 0 / 4

HEX #17B2F6

RGB 23 178 246

HSL 198.3, 0.93%, 0.53%

LAB 68.52, -13.2, -43.99

 

CMYK 91 / 52 / 0 / 4

HEX #1776F6

RGB 23 118 246

HSL 214.44, 0.93%, 0.53%

LAB 51.6, 22.28, -70.98

 

CMYK 91 / 76 / 0 / 4

HEX #173AF6

RGB 23 58 246

HSL 230.58, 0.93%, 0.53%

LAB 37.59, 58.76, -93.98

 

CMYK 91 / 91 / 0 / 4

HEX #1717F6

RGB 23 23 246

HSL 240, 0.93%, 0.53%

LAB 32.81, 72.95, -101.94

 

CMYK 91 / 28 / 0 / 4

HEX #17B2F6

RGB 23 178 246

HSL 198.3, 0.93%, 0.53%

LAB 68.52, -13.2, -43.99

 

CMYK 91 / 28 / 0 / 4

HEX #17B2F6

RGB 23 178 246

HSL 198.3, 0.93%, 0.53%

LAB 68.52, -13.2, -43.99

 

CMYK 81 / 25 / 0 / 11

HEX #2BABE3

RGB 43 171 227

HSL 198.26, 0.77%, 0.53%

LAB 65.89, -14.75, -37.69

 

CMYK 70 / 21 / 0 / 19

HEX #3EA3CF

RGB 62 163 207

HSL 198.21, 0.6%, 0.53%

LAB 63.11, -15, -30.93

 

CMYK 57 / 18 / 0 / 26

HEX #519BBC

RGB 81 155 188

HSL 198.5, 0.44%, 0.53%

LAB 60.62, -13.41, -24.08

 

CMYK 40 / 12 / 0 / 34

HEX #6594A9

RGB 101 148 169

HSL 198.53, 0.28%, 0.53%

LAB 58.8, -10.3, -16.04

 

CMYK 91 / 0 / 21 / 4

HEX #17F6C2

RGB 23 246 194

HSL 166.01, 0.93%, 0.53%

LAB 86.99, -59.95, 11.55

 

CMYK 91 / 3 / 0 / 4

HEX #17EFF6

RGB 23 239 246

HSL 181.88, 0.93%, 0.53%

LAB 86.29, -43.14, -16.67

 

CMYK 91 / 27 / 0 / 4

HEX #17B3F6

RGB 23 179 246

HSL 198.03, 0.93%, 0.53%

LAB 68.81, -13.74, -43.53

 

CMYK 91 / 51 / 0 / 4

HEX #1778F6

RGB 23 120 246

HSL 213.9, 0.93%, 0.53%

LAB 52.14, 21.02, -70.11

 

CMYK 91 / 76 / 0 / 4

HEX #173CF6

RGB 23 60 246

HSL 230.04, 0.93%, 0.53%

LAB 37.96, 57.7, -93.36

 

CMYK 97 / 30 / 0 / 29

HEX #067FB5

RGB 6 127 181

HSL 198.51, 0.94%, 0.37%

LAB 50.16, -9.07, -36.49

 

CMYK 96 / 29 / 0 / 13

HEX #089CDD

RGB 8 156 221

HSL 198.31, 0.93%, 0.45%

LAB 60.82, -10.61, -42.34

 

CMYK 91 / 28 / 0 / 4

HEX #17B2F6

RGB 23 178 246

HSL 198.3, 0.93%, 0.53%

LAB 68.52, -13.2, -43.99

 

CMYK 75 / 23 / 0 / 3

HEX #3FBFF8

RGB 63 191 248

HSL 198.49, 0.93%, 0.61%

LAB 72.95, -16.3, -38.09

 

CMYK 59 / 18 / 0 / 2

HEX #67CCF9

RGB 103 204 249

HSL 198.49, 0.92%, 0.69%

LAB 77.82, -16.78, -31.01

 

CMYK 91 / 28 / 0 / 4

HEX #17B2F6

RGB 23 178 246

HSL 198.3, 0.93%, 0.53%

LAB 68.52, -13.2, -43.99

 

CMYK 45 / 91 / 0 / 4

HEX #8717F6

RGB 135 23 246

HSL 270.13, 0.93%, 0.53%

LAB 41.87, 78.96, -86.63

 

CMYK 0 / 9 / 91 / 4

HEX #F6E017

RGB 246 224 23

HSL 54.08, 0.93%, 0.53%

LAB 88.43, -10.04, 85.58

 

CMYK 91 / 28 / 0 / 4

HEX #17B2F6

RGB 23 178 246

HSL 198.3, 0.93%, 0.53%

LAB 68.52, -13.2, -43.99

 

CMYK 0 / 91 / 27 / 4

HEX #F617B3

RGB 246 23 179

HSL 318.03, 0.93%, 0.53%

LAB 55.54, 85.46, -25.32

 

CMYK 27 / 0 / 91 / 4

HEX #B3F617

RGB 179 246 23

HSL 78.03, 0.93%, 0.53%

LAB 89.65, -47.25, 84.52

 

CMYK 91 / 28 / 0 / 4

HEX #17B2F6

RGB 23 178 246

HSL 198.3, 0.93%, 0.53%

LAB 68.52, -13.2, -43.99

 

CMYK 45 / 91 / 0 / 4

HEX #8717F6

RGB 135 23 246

HSL 270.13, 0.93%, 0.53%

LAB 41.87, 78.96, -86.63

 

CMYK 0 / 63 / 91 / 4

HEX #F65A17

RGB 246 90 23

HSL 18.03, 0.93%, 0.53%

LAB 58.94, 57.25, 63.79

 

CMYK 45 / 0 / 91 / 4

HEX #87F617

RGB 135 246 23

HSL 89.87, 0.93%, 0.53%

LAB 87.55, -62.18, 81.93

 

CMYK 91 / 28 / 0 / 4

HEX #17B2F6

RGB 23 178 246

HSL 198.3, 0.93%, 0.53%

LAB 68.52, -13.2, -43.99

 

CMYK 18 / 91 / 0 / 4

HEX #CA17F6

RGB 202 23 246

HSL 288.16, 0.93%, 0.53%

LAB 51.64, 87.17, -70.27

 

CMYK 0 / 63 / 91 / 4

HEX #F65A17

RGB 246 90 23

HSL 18.03, 0.93%, 0.53%

LAB 58.94, 57.25, 63.79

 

CMYK 72 / 0 / 91 / 4

HEX #44F617

RGB 68 246 23

HSL 107.89, 0.93%, 0.53%

LAB 85.61, -77.9, 79.53

 

Description

Color code: HEX #17B2F6 | qconv.com Color code: HEX #17B2F6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 178 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 178 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 28 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 28% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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