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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #17A065 it is the complementary color #E85F9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #17A065. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #17A065 shade: #1CA060, #2DB273, #3EC486, #4FD699 and #60E8AC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #17A065. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #17A065 shade: #17A065, #068E52, #007C3F, #006A2C and #005819

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #17A065 shade: #16A065, #16A040, #16A01B, #37A016 and #5DA016

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #17A065 shade: #16A065, #16A08A, #1691A0, #166CA0 and #1647A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #17A065 shade matches the following richer shades: #16A065 and #08AF67

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #17A065 shade: #16A065, #259163, #348261, #43745F and #52655D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #17A065 shade: #16A01B, #16A040, #16A064, #16A089 and #1692A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #17A065 shade: #0C5837, #117C4E, #16A065, #1CC47C and #29E091

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #17A065 shade: #17A065, #1637A0 and #A02D16

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #17A065 shade: #17A065, #6416A0 and #A06416

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #17A065 shade: #17A065, #1637A0, #A01652 and #A08016

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #17A065 shade: #17A065, #2016A0, #A01652 and #97A016

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 37 / 37

HEX #17A065

RGB 23 160 101

HSL 154.16, 0.75%, 0.36%

LAB 58.29, -48.37, 21.29

 

Complementary color

CMYK 0 / 59 / 34 / 9

HEX #E85F9A

RGB 232 95 154

HSL 334.16, 0.75%, 0.64%

LAB 59.59, 58.61, -4.87

 

CMYK 83 / 0 / 40 / 37

HEX #1CA060

RGB 28 160 96

HSL 150.91, 0.7%, 0.37%

LAB 58.26, -48.91, 23.98

 

CMYK 75 / 0 / 35 / 30

HEX #2DB273

RGB 45 178 115

HSL 151.58, 0.6%, 0.44%

LAB 64.67, -49.85, 22.35

 

CMYK 68 / 0 / 32 / 23

HEX #3EC486

RGB 62 196 134

HSL 152.24, 0.53%, 0.51%

LAB 71.03, -50.41, 20.88

 

CMYK 63 / 0 / 29 / 16

HEX #4FD699

RGB 79 214 153

HSL 152.89, 0.62%, 0.57%

LAB 77.31, -50.72, 19.53

 

CMYK 59 / 0 / 26 / 9

HEX #60E8AC

RGB 96 232 172

HSL 153.53, 0.75%, 0.64%

LAB 83.54, -50.86, 18.29

 

CMYK 86 / 0 / 37 / 37

HEX #17A065

RGB 23 160 101

HSL 154.16, 0.75%, 0.36%

LAB 58.29, -48.37, 21.29

 

CMYK 96 / 0 / 42 / 44

HEX #068E52

RGB 6 142 82

HSL 153.53, 0.92%, 0.29%

LAB 51.83, -46.72, 23.11

 

CMYK 100 / 0 / 49 / 51

HEX #007C3F

RGB 0 124 63

HSL 150.48, 1%, 0.24%

LAB 45.32, -44.25, 25.13

 

CMYK 100 / 0 / 58 / 58

HEX #006A2C

RGB 0 106 44

HSL 144.91, 1%, 0.21%

LAB 38.71, -41.15, 27.22

 

CMYK 100 / 0 / 72 / 65

HEX #005819

RGB 0 88 25

HSL 137.05, 1%, 0.17%

LAB 31.92, -37.63, 29.09

 

CMYK 86 / 0 / 37 / 37

HEX #16A065

RGB 22 160 101

HSL 154.35, 0.76%, 0.36%

LAB 58.28, -48.45, 21.27

 

CMYK 86 / 0 / 60 / 37

HEX #16A040

RGB 22 160 64

HSL 138.26, 0.76%, 0.36%

LAB 57.73, -54.85, 39.75

 

CMYK 86 / 0 / 83 / 37

HEX #16A01B

RGB 22 160 27

HSL 122.17, 0.76%, 0.36%

LAB 57.45, -58.34, 53.86

 

CMYK 66 / 0 / 86 / 37

HEX #37A016

RGB 55 160 22

HSL 105.65, 0.76%, 0.36%

LAB 58.05, -53.3, 55.92

 

CMYK 42 / 0 / 86 / 37

HEX #5DA016

RGB 93 160 22

HSL 89.13, 0.76%, 0.36%

LAB 59.46, -42.28, 57.71

 

CMYK 86 / 0 / 37 / 37

HEX #16A065

RGB 22 160 101

HSL 154.35, 0.76%, 0.36%

LAB 58.28, -48.45, 21.27

 

CMYK 86 / 0 / 14 / 37

HEX #16A08A

RGB 22 160 138

HSL 170.43, 0.76%, 0.36%

LAB 59.11, -39.36, 1.77

 

CMYK 86 / 9 / 0 / 37

HEX #1691A0

RGB 22 145 160

HSL 186.52, 0.76%, 0.36%

LAB 55.03, -25.55, -16.85

 

CMYK 86 / 33 / 0 / 37

HEX #166CA0

RGB 22 108 160

HSL 202.61, 0.76%, 0.36%

LAB 43.41, -4.97, -34.85

 

CMYK 86 / 56 / 0 / 37

HEX #1647A0

RGB 22 71 160

HSL 218.7, 0.76%, 0.36%

LAB 32.29, 19.14, -52.66

 

CMYK 86 / 0 / 37 / 37

HEX #16A065

RGB 22 160 101

HSL 154.35, 0.76%, 0.36%

LAB 58.28, -48.45, 21.27

 

CMYK 95 / 0 / 41 / 31

HEX #08AF67

RGB 8 175 103

HSL 154.13, 0.91%, 0.36%

LAB 63.09, -54.41, 26.58

 

CMYK 86 / 0 / 37 / 37

HEX #16A065

RGB 22 160 101

HSL 154.35, 0.76%, 0.36%

LAB 58.28, -48.45, 21.27

 

CMYK 74 / 0 / 32 / 43

HEX #259163

RGB 37 145 99

HSL 154.44, 0.59%, 0.36%

LAB 53.54, -41.21, 15.99

 

CMYK 60 / 0 / 25 / 49

HEX #348261

RGB 52 130 97

HSL 154.62, 0.43%, 0.36%

LAB 48.96, -32.28, 10.83

 

CMYK 42 / 0 / 18 / 55

HEX #43745F

RGB 67 116 95

HSL 154.29, 0.27%, 0.36%

LAB 44.96, -21.88, 6.45

 

CMYK 19 / 0 / 8 / 60

HEX #52655D

RGB 82 101 93

HSL 154.74, 0.1%, 0.36%

LAB 41.04, -8.98, 2.15

 

CMYK 86 / 0 / 83 / 37

HEX #16A01B

RGB 22 160 27

HSL 122.17, 0.76%, 0.36%

LAB 57.45, -58.34, 53.86

 

CMYK 86 / 0 / 60 / 37

HEX #16A040

RGB 22 160 64

HSL 138.26, 0.76%, 0.36%

LAB 57.73, -54.85, 39.75

 

CMYK 86 / 0 / 38 / 37

HEX #16A064

RGB 22 160 100

HSL 153.91, 0.76%, 0.36%

LAB 58.26, -48.66, 21.79

 

CMYK 86 / 0 / 14 / 37

HEX #16A089

RGB 22 160 137

HSL 170, 0.76%, 0.36%

LAB 59.08, -39.64, 2.3

 

CMYK 86 / 9 / 0 / 37

HEX #1692A0

RGB 22 146 160

HSL 186.09, 0.76%, 0.36%

LAB 55.35, -26.06, -16.37

 

CMYK 86 / 0 / 38 / 65

HEX #0C5837

RGB 12 88 55

HSL 153.95, 0.76%, 0.2%

LAB 32.55, -30.7, 13.05

 

CMYK 86 / 0 / 37 / 51

HEX #117C4E

RGB 17 124 78

HSL 154.21, 0.76%, 0.28%

LAB 45.75, -39.85, 17.28

 

CMYK 86 / 0 / 37 / 37

HEX #16A065

RGB 22 160 101

HSL 154.35, 0.76%, 0.36%

LAB 58.28, -48.45, 21.27

 

CMYK 86 / 0 / 37 / 23

HEX #1CC47C

RGB 28 196 124

HSL 154.29, 0.75%, 0.44%

LAB 70.3, -56.6, 25.1

 

CMYK 82 / 0 / 35 / 12

HEX #29E091

RGB 41 224 145

HSL 154.1, 0.75%, 0.52%

LAB 79.52, -61.42, 26.59

 

CMYK 86 / 0 / 37 / 37

HEX #17A065

RGB 23 160 101

HSL 154.16, 0.75%, 0.36%

LAB 58.29, -48.37, 21.29

 

CMYK 86 / 66 / 0 / 37

HEX #1637A0

RGB 22 55 160

HSL 225.65, 0.76%, 0.36%

LAB 27.96, 30.04, -59.75

 

CMYK 0 / 72 / 86 / 37

HEX #A02D16

RGB 160 45 22

HSL 10, 0.76%, 0.36%

LAB 36.76, 46.23, 40.45

 

CMYK 86 / 0 / 37 / 37

HEX #17A065

RGB 23 160 101

HSL 154.16, 0.75%, 0.36%

LAB 58.29, -48.37, 21.29

 

CMYK 38 / 86 / 0 / 37

HEX #6416A0

RGB 100 22 160

HSL 273.91, 0.76%, 0.36%

LAB 28.96, 56.27, -57.85

 

CMYK 0 / 38 / 86 / 37

HEX #A06416

RGB 160 100 22

HSL 33.91, 0.76%, 0.36%

LAB 47.81, 18.33, 49.88

 

CMYK 86 / 0 / 37 / 37

HEX #17A065

RGB 23 160 101

HSL 154.16, 0.75%, 0.36%

LAB 58.29, -48.37, 21.29

 

CMYK 86 / 66 / 0 / 37

HEX #1637A0

RGB 22 55 160

HSL 225.65, 0.76%, 0.36%

LAB 27.96, 30.04, -59.75

 

CMYK 0 / 86 / 49 / 37

HEX #A01652

RGB 160 22 82

HSL 333.91, 0.76%, 0.36%

LAB 35.31, 56.65, 2.02

 

CMYK 0 / 20 / 86 / 37

HEX #A08016

RGB 160 128 22

HSL 46.09, 0.76%, 0.36%

LAB 55.04, 2.45, 55.92

 

CMYK 86 / 0 / 37 / 37

HEX #17A065

RGB 23 160 101

HSL 154.16, 0.75%, 0.36%

LAB 58.29, -48.37, 21.29

 

CMYK 80 / 86 / 0 / 37

HEX #2016A0

RGB 32 22 160

HSL 244.35, 0.76%, 0.36%

LAB 21.65, 49.55, -70.15

 

CMYK 0 / 86 / 49 / 37

HEX #A01652

RGB 160 22 82

HSL 333.91, 0.76%, 0.36%

LAB 35.31, 56.65, 2.02

 

CMYK 6 / 0 / 86 / 37

HEX #97A016

RGB 151 160 22

HSL 63.91, 0.76%, 0.36%

LAB 63.16, -18.82, 62.33

 

Description

Color code: HEX #17A065 | qconv.com Color code: HEX #17A065 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 160 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 160 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 37 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 37% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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