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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1397BC it is the complementary color #EC6843. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1397BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1397BC shade: #1897B7, #29A9CA, #3ABBDD, #4BCDF0 and #5CDFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1397BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1397BC shade: #1397BC, #0285A9, #007396, #006183 and #004F70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1397BC shade: #1298BE, #126ABE, #123CBE, #1712BE and #4512BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1397BC shade: #1298BE, #126ABE, #123CBE and #1212BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1397BC shade matches the following richer shades: #1298BE and #01A2CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1397BC shade: #1298BE, #238FAD, #34859C, #457C8B and #56727A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1397BC shade: #12BE87, #12BEB5, #1299BE, #126BBE and #123DBE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1397BC shade: #0B5C73, #0F7A98, #1298BE, #16B6E3 and #38C4EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1397BC shade: #1397BC, #5A12BE and #BE9E12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1397BC shade: #1397BC, #BE1299 and #99BE12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1397BC shade: #1397BC, #5A12BE, #BE3712 and #76BE12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1397BC shade: #1397BC, #8D12BE, #BE3712 and #43BE12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 20 / 0 / 26

HEX #1397BC

RGB 19 151 188

HSL 193.14, 0.82%, 0.41%

LAB 57.94, -19.3, -28.34

 

Complementary color

CMYK 0 / 56 / 72 / 7

HEX #EC6843

RGB 236 104 67

HSL 13.14, 0.82%, 0.59%

LAB 60.01, 48.77, 45.23

 

CMYK 87 / 17 / 0 / 28

HEX #1897B7

RGB 24 151 183

HSL 192.08, 0.77%, 0.41%

LAB 57.8, -20.74, -25.73

 

CMYK 80 / 16 / 0 / 21

HEX #29A9CA

RGB 41 169 202

HSL 192.3, 0.66%, 0.48%

LAB 64.25, -22.32, -26.43

 

CMYK 74 / 15 / 0 / 13

HEX #3ABBDD

RGB 58 187 221

HSL 192.52, 0.71%, 0.55%

LAB 70.64, -23.56, -27.05

 

CMYK 69 / 15 / 0 / 6

HEX #4BCDF0

RGB 75 205 240

HSL 192.73, 0.85%, 0.62%

LAB 76.95, -24.52, -27.6

 

CMYK 64 / 13 / 0 / 0

HEX #5CDFFF

RGB 92 223 255

HSL 191.78, 1%, 0.68%

LAB 83.06, -26.46, -26.21

 

CMYK 90 / 20 / 0 / 26

HEX #1397BC

RGB 19 151 188

HSL 193.14, 0.82%, 0.41%

LAB 57.94, -19.3, -28.34

 

CMYK 99 / 21 / 0 / 34

HEX #0285A9

RGB 2 133 169

HSL 192.93, 0.98%, 0.34%

LAB 51.44, -17.09, -27.56

 

CMYK 100 / 23 / 0 / 41

HEX #007396

RGB 0 115 150

HSL 194, 1%, 0.29%

LAB 44.89, -14.19, -26.63

HEX #007396

CMYK 100 / 26 / 0 / 49

HEX #006183

RGB 0 97 131

HSL 195.57, 1%, 0.26%

LAB 38.18, -11.06, -25.7

HEX #006183

CMYK 100 / 29 / 0 / 56

HEX #004F70

RGB 0 79 112

HSL 197.68, 1%, 0.22%

LAB 31.26, -7.75, -24.79

HEX #004F70

CMYK 91 / 20 / 0 / 25

HEX #1298BE

RGB 18 152 190

HSL 193.26, 0.83%, 0.41%

LAB 58.32, -19.19, -28.88

 

CMYK 91 / 44 / 0 / 25

HEX #126ABE

RGB 18 106 190

HSL 209.3, 0.83%, 0.41%

LAB 44.45, 7.8, -50.76

 

CMYK 91 / 68 / 0 / 25

HEX #123CBE

RGB 18 60 190

HSL 225.35, 0.83%, 0.41%

LAB 31.98, 38.01, -71.05

 

CMYK 88 / 91 / 0 / 25

HEX #1712BE

RGB 23 18 190

HSL 241.74, 0.83%, 0.41%

LAB 24.74, 59.36, -83.05

 

CMYK 64 / 91 / 0 / 25

HEX #4512BE

RGB 69 18 190

HSL 257.79, 0.83%, 0.41%

LAB 27.89, 61.42, -77.73

 

CMYK 91 / 20 / 0 / 25

HEX #1298BE

RGB 18 152 190

HSL 193.26, 0.83%, 0.41%

LAB 58.32, -19.19, -28.88

 

CMYK 91 / 44 / 0 / 25

HEX #126ABE

RGB 18 106 190

HSL 209.3, 0.83%, 0.41%

LAB 44.45, 7.8, -50.76

 

CMYK 91 / 68 / 0 / 25

HEX #123CBE

RGB 18 60 190

HSL 225.35, 0.83%, 0.41%

LAB 31.98, 38.01, -71.05

 

CMYK 91 / 91 / 0 / 25

HEX #1212BE

RGB 18 18 190

HSL 240, 0.83%, 0.41%

LAB 24.57, 59.26, -83.34

 

CMYK 91 / 20 / 0 / 25

HEX #1298BE

RGB 18 152 190

HSL 193.26, 0.83%, 0.41%

LAB 58.32, -19.19, -28.88

 

CMYK 100 / 22 / 0 / 19

HEX #01A2CF

RGB 1 162 207

HSL 193.11, 0.99%, 0.41%

LAB 61.96, -19.14, -32.79

 

CMYK 91 / 20 / 0 / 25

HEX #1298BE

RGB 18 152 190

HSL 193.26, 0.83%, 0.41%

LAB 58.32, -19.19, -28.88

 

CMYK 80 / 17 / 0 / 32

HEX #238FAD

RGB 35 143 173

HSL 193.04, 0.66%, 0.41%

LAB 55.09, -18.99, -24.19

 

CMYK 67 / 15 / 0 / 39

HEX #34859C

RGB 52 133 156

HSL 193.27, 0.5%, 0.41%

LAB 51.73, -16.99, -19.52

 

CMYK 50 / 11 / 0 / 45

HEX #457C8B

RGB 69 124 139

HSL 192.86, 0.34%, 0.41%

LAB 48.94, -13.84, -13.78

 

CMYK 30 / 7 / 0 / 52

HEX #56727A

RGB 86 114 122

HSL 193.33, 0.17%, 0.41%

LAB 46.2, -8.09, -7.73

 

CMYK 91 / 0 / 29 / 25

HEX #12BE87

RGB 18 190 135

HSL 160.81, 0.83%, 0.41%

LAB 68.54, -52.64, 16.81

 

CMYK 91 / 0 / 5 / 25

HEX #12BEB5

RGB 18 190 181

HSL 176.86, 0.83%, 0.41%

LAB 69.68, -40.6, -6.65

 

CMYK 91 / 19 / 0 / 25

HEX #1299BE

RGB 18 153 190

HSL 192.91, 0.83%, 0.41%

LAB 58.63, -19.72, -28.41

 

CMYK 91 / 44 / 0 / 25

HEX #126BBE

RGB 18 107 190

HSL 208.95, 0.83%, 0.41%

LAB 44.75, 7.16, -50.29

 

CMYK 91 / 68 / 0 / 25

HEX #123DBE

RGB 18 61 190

HSL 225, 0.83%, 0.41%

LAB 32.22, 37.37, -70.65

 

CMYK 90 / 20 / 0 / 55

HEX #0B5C73

RGB 11 92 115

HSL 193.27, 0.83%, 0.25%

LAB 35.91, -13.59, -19.39

 

CMYK 90 / 20 / 0 / 40

HEX #0F7A98

RGB 15 122 152

HSL 193.14, 0.82%, 0.33%

LAB 47.35, -16.61, -23.99

 

CMYK 91 / 20 / 0 / 25

HEX #1298BE

RGB 18 152 190

HSL 193.26, 0.83%, 0.41%

LAB 58.32, -19.19, -28.88

 

CMYK 90 / 20 / 0 / 11

HEX #16B6E3

RGB 22 182 227

HSL 193.17, 0.82%, 0.49%

LAB 68.88, -21.95, -33.08

 

CMYK 76 / 17 / 0 / 8

HEX #38C4EB

RGB 56 196 235

HSL 193.07, 0.82%, 0.57%

LAB 73.75, -23.88, -29.86

 

CMYK 90 / 20 / 0 / 26

HEX #1397BC

RGB 19 151 188

HSL 193.14, 0.82%, 0.41%

LAB 57.94, -19.3, -28.34

 

CMYK 53 / 91 / 0 / 25

HEX #5A12BE

RGB 90 18 190

HSL 265.12, 0.83%, 0.41%

LAB 30.22, 63.13, -73.8

 

CMYK 0 / 17 / 91 / 25

HEX #BE9E12

RGB 190 158 18

HSL 48.84, 0.83%, 0.41%

LAB 66.09, -0.41, 66.97

 

CMYK 90 / 20 / 0 / 26

HEX #1397BC

RGB 19 151 188

HSL 193.14, 0.82%, 0.41%

LAB 57.94, -19.3, -28.34

 

CMYK 0 / 91 / 19 / 25

HEX #BE1299

RGB 190 18 153

HSL 312.91, 0.83%, 0.41%

LAB 43.77, 71.87, -29

 

CMYK 19 / 0 / 91 / 25

HEX #99BE12

RGB 153 190 18

HSL 72.91, 0.83%, 0.41%

LAB 71.99, -32.67, 70.35

 

CMYK 90 / 20 / 0 / 26

HEX #1397BC

RGB 19 151 188

HSL 193.14, 0.82%, 0.41%

LAB 57.94, -19.3, -28.34

 

CMYK 53 / 91 / 0 / 25

HEX #5A12BE

RGB 90 18 190

HSL 265.12, 0.83%, 0.41%

LAB 30.22, 63.13, -73.8

 

CMYK 0 / 71 / 91 / 25

HEX #BE3712

RGB 190 55 18

HSL 12.91, 0.83%, 0.41%

LAB 43.83, 52.36, 50.18

 

CMYK 38 / 0 / 91 / 25

HEX #76BE12

RGB 118 190 18

HSL 85.12, 0.83%, 0.41%

LAB 69.98, -46.06, 67.89

 

CMYK 90 / 20 / 0 / 26

HEX #1397BC

RGB 19 151 188

HSL 193.14, 0.82%, 0.41%

LAB 57.94, -19.3, -28.34

 

CMYK 26 / 91 / 0 / 25

HEX #8D12BE

RGB 141 18 190

HSL 282.91, 0.83%, 0.41%

LAB 37.5, 69.21, -61.56

 

CMYK 0 / 71 / 91 / 25

HEX #BE3712

RGB 190 55 18

HSL 12.91, 0.83%, 0.41%

LAB 43.83, 52.36, 50.18

 

CMYK 65 / 0 / 91 / 25

HEX #43BE12

RGB 67 190 18

HSL 102.91, 0.83%, 0.41%

LAB 68.07, -60.87, 65.51

 

Description

Color code: HEX #1397BC | qconv.com Color code: HEX #1397BC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 151 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 151 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 20 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 20% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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