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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #138F8A it is the complementary color #EC7075. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #138F8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #138F8A shade: #188F85, #29A198, #3AB3AB, #4BC5BE and #5CD7D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #138F8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #138F8A shade: #138F8A, #027D77, #006B64, #005951 and #00473E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #138F8A shade: #12908B, #129069, #129047, #129025 and #219012

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #138F8A shade: #12908B, #127390, #125190, #122F90 and #121290

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #138F8A shade matches the following richer shades: #12908B and #059D97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #138F8A shade: #12908B, #1F837F, #2D7673, #3A6866 and #475B5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #138F8A shade: #129047, #129068, #12908A, #127590 and #125390

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #138F8A shade: #094744, #0E6B68, #12908B, #17B4AE and #1CD9D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #138F8A shade: #138F8A, #251290 and #905712

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #138F8A shade: #138F8A, #8A1290 and #908A12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #138F8A shade: #138F8A, #251290, #901219 and #7D9012

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #138F8A shade: #138F8A, #4B1290, #901219 and #579012

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 3 / 44

HEX #138F8A

RGB 19 143 138

HSL 177.58, 0.77%, 0.32%

LAB 53.62, -31.83, -6.3

 

Complementary color

CMYK 0 / 53 / 50 / 7

HEX #EC7075

RGB 236 112 117

HSL 357.58, 0.77%, 0.68%

LAB 62.26, 48.29, 20.38

 

CMYK 83 / 0 / 7 / 44

HEX #188F85

RGB 24 143 133

HSL 174.96, 0.71%, 0.33%

LAB 53.53, -32.94, -3.54

 

CMYK 75 / 0 / 6 / 37

HEX #29A198

RGB 41 161 152

HSL 175.5, 0.59%, 0.4%

LAB 60.09, -33.97, -4.67

 

CMYK 68 / 0 / 4 / 30

HEX #3AB3AB

RGB 58 179 171

HSL 176.03, 0.51%, 0.46%

LAB 66.58, -34.67, -5.66

 

CMYK 62 / 0 / 4 / 23

HEX #4BC5BE

RGB 75 197 190

HSL 176.56, 0.51%, 0.53%

LAB 72.99, -35.15, -6.56

 

CMYK 57 / 0 / 3 / 16

HEX #5CD7D1

RGB 92 215 209

HSL 177.07, 0.61%, 0.6%

LAB 79.32, -35.46, -7.37

 

CMYK 87 / 0 / 3 / 44

HEX #138F8A

RGB 19 143 138

HSL 177.58, 0.77%, 0.32%

LAB 53.62, -31.83, -6.3

 

CMYK 98 / 0 / 5 / 51

HEX #027D77

RGB 2 125 119

HSL 177.07, 0.97%, 0.25%

LAB 46.99, -30.17, -5.05

 

CMYK 100 / 0 / 7 / 58

HEX #006B64

RGB 0 107 100

HSL 176.07, 1%, 0.21%

LAB 40.3, -27.68, -3.54

 

CMYK 100 / 0 / 9 / 65

HEX #005951

RGB 0 89 81

HSL 174.61, 1%, 0.17%

LAB 33.43, -25.01, -1.93

 

CMYK 100 / 0 / 13 / 72

HEX #00473E

RGB 0 71 62

HSL 172.39, 1%, 0.14%

LAB 26.32, -22.25, -0.2

 

CMYK 88 / 0 / 3 / 44

HEX #12908B

RGB 18 144 139

HSL 177.62, 0.78%, 0.32%

LAB 53.96, -32.07, -6.37

 

CMYK 88 / 0 / 27 / 44

HEX #129069

RGB 18 144 105

HSL 161.43, 0.78%, 0.32%

LAB 53.05, -41.54, 11.87

 

CMYK 88 / 0 / 51 / 44

HEX #129047

RGB 18 144 71

HSL 145.24, 0.78%, 0.32%

LAB 52.43, -48.67, 29.83

 

CMYK 88 / 0 / 74 / 44

HEX #129025

RGB 18 144 37

HSL 129.05, 0.78%, 0.32%

LAB 52.07, -53.07, 45.3

 

CMYK 77 / 0 / 88 / 44

HEX #219012

RGB 33 144 18

HSL 112.86, 0.78%, 0.32%

LAB 52.19, -52.42, 51.48

 

CMYK 88 / 0 / 3 / 44

HEX #12908B

RGB 18 144 139

HSL 177.62, 0.78%, 0.32%

LAB 53.96, -32.07, -6.37

 

CMYK 88 / 20 / 0 / 44

HEX #127390

RGB 18 115 144

HSL 193.81, 0.78%, 0.32%

LAB 44.81, -15.41, -23.19

 

CMYK 88 / 44 / 0 / 44

HEX #125190

RGB 18 81 144

HSL 210, 0.78%, 0.32%

LAB 34.04, 5.48, -40.15

 

CMYK 88 / 67 / 0 / 44

HEX #122F90

RGB 18 47 144

HSL 226.19, 0.78%, 0.32%

LAB 24.24, 28.89, -56.05

 

CMYK 88 / 88 / 0 / 44

HEX #121290

RGB 18 18 144

HSL 240, 0.78%, 0.32%

LAB 18.25, 45.75, -65.96

 

CMYK 88 / 0 / 3 / 44

HEX #12908B

RGB 18 144 139

HSL 177.62, 0.78%, 0.32%

LAB 53.96, -32.07, -6.37

 

CMYK 97 / 0 / 4 / 38

HEX #059D97

RGB 5 157 151

HSL 177.63, 0.94%, 0.32%

LAB 58.4, -35.12, -6.66

 

CMYK 88 / 0 / 3 / 44

HEX #12908B

RGB 18 144 139

HSL 177.62, 0.78%, 0.32%

LAB 53.96, -32.07, -6.37

 

CMYK 76 / 0 / 3 / 49

HEX #1F837F

RGB 31 131 127

HSL 177.6, 0.62%, 0.32%

LAB 49.56, -28.25, -5.9

 

CMYK 62 / 0 / 3 / 54

HEX #2D7673

RGB 45 118 115

HSL 177.53, 0.45%, 0.32%

LAB 45.29, -23.11, -5.11

 

CMYK 44 / 0 / 2 / 59

HEX #3A6866

RGB 58 104 102

HSL 177.39, 0.28%, 0.32%

LAB 40.83, -16.28, -3.82

 

CMYK 22 / 0 / 1 / 64

HEX #475B5A

RGB 71 91 90

HSL 177, 0.12%, 0.32%

LAB 37.04, -7.82, -1.94

 

CMYK 88 / 0 / 51 / 44

HEX #129047

RGB 18 144 71

HSL 145.24, 0.78%, 0.32%

LAB 52.43, -48.67, 29.83

 

CMYK 88 / 0 / 28 / 44

HEX #129068

RGB 18 144 104

HSL 160.95, 0.78%, 0.32%

LAB 53.03, -41.79, 12.4

 

CMYK 88 / 0 / 4 / 44

HEX #12908A

RGB 18 144 138

HSL 177.14, 0.78%, 0.32%

LAB 53.93, -32.37, -5.84

 

CMYK 88 / 19 / 0 / 44

HEX #127590

RGB 18 117 144

HSL 192.86, 0.78%, 0.32%

LAB 45.45, -16.53, -22.2

 

CMYK 88 / 42 / 0 / 44

HEX #125390

RGB 18 83 144

HSL 209.05, 0.78%, 0.32%

LAB 34.66, 4.15, -39.16

 

CMYK 87 / 0 / 4 / 72

HEX #094744

RGB 9 71 68

HSL 177.1, 0.78%, 0.16%

LAB 26.68, -19.08, -3.56

 

CMYK 87 / 0 / 3 / 58

HEX #0E6B68

RGB 14 107 104

HSL 178.06, 0.77%, 0.24%

LAB 40.59, -25.36, -5.54

 

CMYK 88 / 0 / 3 / 44

HEX #12908B

RGB 18 144 139

HSL 177.62, 0.78%, 0.32%

LAB 53.96, -32.07, -6.37

 

CMYK 87 / 0 / 3 / 29

HEX #17B4AE

RGB 23 180 174

HSL 177.71, 0.77%, 0.4%

LAB 66.43, -37.89, -7.61

 

CMYK 87 / 0 / 4 / 15

HEX #1CD9D1

RGB 28 217 209

HSL 177.46, 0.77%, 0.48%

LAB 78.74, -43.93, -8.36

 

CMYK 87 / 0 / 3 / 44

HEX #138F8A

RGB 19 143 138

HSL 177.58, 0.77%, 0.32%

LAB 53.62, -31.83, -6.3

 

CMYK 74 / 88 / 0 / 44

HEX #251290

RGB 37 18 144

HSL 249.05, 0.78%, 0.32%

LAB 19.39, 46.69, -64.04

 

CMYK 0 / 40 / 88 / 44

HEX #905712

RGB 144 87 18

HSL 32.86, 0.78%, 0.32%

LAB 42.44, 18.4, 45.89

 

CMYK 87 / 0 / 3 / 44

HEX #138F8A

RGB 19 143 138

HSL 177.58, 0.77%, 0.32%

LAB 53.62, -31.83, -6.3

 

CMYK 4 / 88 / 0 / 44

HEX #8A1290

RGB 138 18 144

HSL 297.14, 0.78%, 0.32%

LAB 33.67, 60.44, -40.13

 

CMYK 0 / 4 / 88 / 44

HEX #908A12

RGB 144 138 18

HSL 57.14, 0.78%, 0.32%

LAB 56.24, -10.55, 57.28

 

CMYK 87 / 0 / 3 / 44

HEX #138F8A

RGB 19 143 138

HSL 177.58, 0.77%, 0.32%

LAB 53.62, -31.83, -6.3

 

CMYK 74 / 88 / 0 / 44

HEX #251290

RGB 37 18 144

HSL 249.05, 0.78%, 0.32%

LAB 19.39, 46.69, -64.04

 

CMYK 0 / 88 / 83 / 44

HEX #901219

RGB 144 18 25

HSL 356.67, 0.78%, 0.32%

LAB 30.48, 49.75, 31.83

 

CMYK 13 / 0 / 88 / 44

HEX #7D9012

RGB 125 144 18

HSL 69.05, 0.78%, 0.32%

LAB 56.44, -22.25, 56.81

 

CMYK 87 / 0 / 3 / 44

HEX #138F8A

RGB 19 143 138

HSL 177.58, 0.77%, 0.32%

LAB 53.62, -31.83, -6.3

 

CMYK 48 / 88 / 0 / 44

HEX #4B1290

RGB 75 18 144

HSL 267.14, 0.78%, 0.32%

LAB 23.48, 50.33, -57.14

 

CMYK 0 / 88 / 83 / 44

HEX #901219

RGB 144 18 25

HSL 356.67, 0.78%, 0.32%

LAB 30.48, 49.75, 31.83

 

CMYK 40 / 0 / 88 / 44

HEX #579012

RGB 87 144 18

HSL 87.14, 0.78%, 0.32%

LAB 54.04, -37.78, 53.82

 

Description

Color code: HEX #138F8A | qconv.com Color code: HEX #138F8A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 143 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 143 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 3 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 3% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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