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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #137C80 it is the complementary color #EC837F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #137C80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #137C80 shade: #187C7B, #298E8E, #3AA0A1, #4BB2B4 and #5CC4C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #137C80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #137C80 shade: #137C80, #026A6D, #00585A, #004647 and #003434

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #137C80 shade: #137C80, #135F80, #134180, #132480 and #1F1380

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #137C80 shade: #137C80, #135F80, #134180, #132480 and #131380

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #137C80 shade matches the following richer shades: #137C80 and #07878C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #137C80 shade: #137C80, #1F7174, #2B6668, #375B5C and #435050

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #137C80 shade: #138049, #138067, #137D80, #135F80 and #134280

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #137C80 shade: #083738, #0D595C, #137C80, #189FA4 and #1DC2C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #137C80 shade: #137C80, #2C1380 and #805813

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #137C80 shade: #137C80, #80137D and #7D8013

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #137C80 shade: #137C80, #2C1380, #801613 and #678013

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #137C80 shade: #137C80, #4D1380, #801613 and #468013

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 3 / 0 / 50

HEX #137C80

RGB 19 124 128

HSL 182.2, 0.74%, 0.29%

LAB 47.12, -25.69, -10.16

 

Complementary color

CMYK 0 / 44 / 46 / 7

HEX #EC837F

RGB 236 131 127

HSL 2.2, 0.74%, 0.71%

LAB 66.21, 39.73, 20.1

 

CMYK 81 / 0 / 1 / 51

HEX #187C7B

RGB 24 124 123

HSL 179.4, 0.68%, 0.29%

LAB 47.03, -26.83, -7.34

 

CMYK 71 / 0 / 0 / 44

HEX #298E8E

RGB 41 142 142

HSL 180, 0.55%, 0.36%

LAB 53.78, -27.79, -8.33

 

CMYK 64 / 1 / 0 / 37

HEX #3AA0A1

RGB 58 160 161

HSL 180.58, 0.47%, 0.43%

LAB 60.44, -28.42, -9.2

 

CMYK 58 / 1 / 0 / 29

HEX #4BB2B4

RGB 75 178 180

HSL 181.14, 0.41%, 0.5%

LAB 67, -28.83, -9.98

 

CMYK 54 / 2 / 0 / 22

HEX #5CC4C7

RGB 92 196 199

HSL 181.68, 0.49%, 0.57%

LAB 73.47, -29.09, -10.69

 

CMYK 85 / 3 / 0 / 50

HEX #137C80

RGB 19 124 128

HSL 182.2, 0.74%, 0.29%

LAB 47.12, -25.69, -10.16

 

CMYK 98 / 3 / 0 / 57

HEX #026A6D

RGB 2 106 109

HSL 181.68, 0.96%, 0.22%

LAB 40.29, -24.05, -9.05

 

CMYK 100 / 2 / 0 / 65

HEX #00585A

RGB 0 88 90

HSL 181.33, 1%, 0.18%

LAB 33.39, -21.43, -7.66

 

CMYK 100 / 1 / 0 / 72

HEX #004647

RGB 0 70 71

HSL 180.85, 1%, 0.14%

LAB 26.26, -18.59, -6.17

 

CMYK 100 / 0 / 0 / 80

HEX #003434

RGB 0 52 52

HSL 180, 1%, 0.1%

LAB 18.82, -15.63, -4.6

 

CMYK 85 / 3 / 0 / 50

HEX #137C80

RGB 19 124 128

HSL 182.2, 0.74%, 0.29%

LAB 47.12, -25.69, -10.16

 

CMYK 85 / 26 / 0 / 50

HEX #135F80

RGB 19 95 128

HSL 198.17, 0.74%, 0.29%

LAB 37.63, -9.71, -24.71

 

CMYK 85 / 49 / 0 / 50

HEX #134180

RGB 19 65 128

HSL 214.68, 0.74%, 0.29%

LAB 28.05, 9.81, -39.89

 

CMYK 85 / 72 / 0 / 50

HEX #132480

RGB 19 36 128

HSL 230.64, 0.74%, 0.29%

LAB 19.88, 30.11, -53.22

 

CMYK 76 / 85 / 0 / 50

HEX #1F1380

RGB 31 19 128

HSL 246.61, 0.74%, 0.29%

LAB 17.06, 40.93, -57.85

 

CMYK 85 / 3 / 0 / 50

HEX #137C80

RGB 19 124 128

HSL 182.2, 0.74%, 0.29%

LAB 47.12, -25.69, -10.16

 

CMYK 85 / 26 / 0 / 50

HEX #135F80

RGB 19 95 128

HSL 198.17, 0.74%, 0.29%

LAB 37.63, -9.71, -24.71

 

CMYK 85 / 49 / 0 / 50

HEX #134180

RGB 19 65 128

HSL 214.68, 0.74%, 0.29%

LAB 28.05, 9.81, -39.89

 

CMYK 85 / 72 / 0 / 50

HEX #132480

RGB 19 36 128

HSL 230.64, 0.74%, 0.29%

LAB 19.88, 30.11, -53.22

 

CMYK 85 / 85 / 0 / 50

HEX #131380

RGB 19 19 128

HSL 240, 0.74%, 0.29%

LAB 16.32, 40.19, -59.11

 

CMYK 85 / 3 / 0 / 50

HEX #137C80

RGB 19 124 128

HSL 182.2, 0.74%, 0.29%

LAB 47.12, -25.69, -10.16

 

CMYK 95 / 4 / 0 / 45

HEX #07878C

RGB 7 135 140

HSL 182.26, 0.9%, 0.29%

LAB 51, -28, -11.4

 

CMYK 85 / 3 / 0 / 50

HEX #137C80

RGB 19 124 128

HSL 182.2, 0.74%, 0.29%

LAB 47.12, -25.69, -10.16

 

CMYK 73 / 3 / 0 / 55

HEX #1F7174

RGB 31 113 116

HSL 182.12, 0.58%, 0.29%

LAB 43.3, -22.59, -8.71

 

CMYK 59 / 2 / 0 / 59

HEX #2B6668

RGB 43 102 104

HSL 181.97, 0.41%, 0.29%

LAB 39.61, -18.34, -6.93

 

CMYK 40 / 1 / 0 / 64

HEX #375B5C

RGB 55 91 92

HSL 181.62, 0.25%, 0.29%

LAB 36.11, -12.59, -4.67

 

CMYK 16 / 0 / 0 / 69

HEX #435050

RGB 67 80 80

HSL 180, 0.09%, 0.29%

LAB 32.94, -5.11, -1.73

 

CMYK 85 / 0 / 43 / 50

HEX #138049

RGB 19 128 73

HSL 149.72, 0.74%, 0.29%

LAB 47.05, -42.28, 21.85

 

CMYK 85 / 0 / 20 / 50

HEX #138067

RGB 19 128 103

HSL 166.24, 0.74%, 0.29%

LAB 47.7, -35.13, 5.44

 

CMYK 85 / 2 / 0 / 50

HEX #137D80

RGB 19 125 128

HSL 181.65, 0.74%, 0.29%

LAB 47.45, -26.2, -9.67

 

CMYK 85 / 26 / 0 / 50

HEX #135F80

RGB 19 95 128

HSL 198.17, 0.74%, 0.29%

LAB 37.63, -9.71, -24.71

 

CMYK 85 / 48 / 0 / 50

HEX #134280

RGB 19 66 128

HSL 214.13, 0.74%, 0.29%

LAB 28.36, 9.11, -39.39

 

CMYK 86 / 2 / 0 / 78

HEX #083738

RGB 8 55 56

HSL 181.25, 0.75%, 0.13%

LAB 20.32, -14.49, -5.06

 

CMYK 86 / 3 / 0 / 64

HEX #0D595C

RGB 13 89 92

HSL 182.28, 0.75%, 0.21%

LAB 33.99, -20.1, -8

 

CMYK 85 / 3 / 0 / 50

HEX #137C80

RGB 19 124 128

HSL 182.2, 0.74%, 0.29%

LAB 47.12, -25.69, -10.16

 

CMYK 85 / 3 / 0 / 36

HEX #189FA4

RGB 24 159 164

HSL 182.14, 0.74%, 0.37%

LAB 59.59, -31.05, -12.24

 

CMYK 86 / 3 / 0 / 22

HEX #1DC2C8

RGB 29 194 200

HSL 182.11, 0.75%, 0.45%

LAB 71.57, -36.16, -14.22

 

CMYK 85 / 3 / 0 / 50

HEX #137C80

RGB 19 124 128

HSL 182.2, 0.74%, 0.29%

LAB 47.12, -25.69, -10.16

 

CMYK 66 / 85 / 0 / 50

HEX #2C1380

RGB 44 19 128

HSL 253.76, 0.74%, 0.29%

LAB 18.19, 42.06, -55.95

 

CMYK 0 / 31 / 85 / 50

HEX #805813

RGB 128 88 19

HSL 37.98, 0.74%, 0.29%

LAB 40.6, 10.37, 43.12

 

CMYK 85 / 3 / 0 / 50

HEX #137C80

RGB 19 124 128

HSL 182.2, 0.74%, 0.29%

LAB 47.12, -25.69, -10.16

 

CMYK 0 / 85 / 2 / 50

HEX #80137D

RGB 128 19 125

HSL 301.65, 0.74%, 0.29%

LAB 30.73, 55.13, -33.1

 

CMYK 2 / 0 / 85 / 50

HEX #7D8013

RGB 125 128 19

HSL 61.65, 0.74%, 0.29%

LAB 51.66, -13.89, 52.54

 

CMYK 85 / 3 / 0 / 50

HEX #137C80

RGB 19 124 128

HSL 182.2, 0.74%, 0.29%

LAB 47.12, -25.69, -10.16

 

CMYK 66 / 85 / 0 / 50

HEX #2C1380

RGB 44 19 128

HSL 253.76, 0.74%, 0.29%

LAB 18.19, 42.06, -55.95

 

CMYK 0 / 83 / 85 / 50

HEX #801613

RGB 128 22 19

HSL 1.65, 0.74%, 0.29%

LAB 27.32, 43.71, 31.06

 

CMYK 20 / 0 / 85 / 50

HEX #678013

RGB 103 128 19

HSL 73.76, 0.74%, 0.29%

LAB 49.94, -23.8, 50.38

 

CMYK 85 / 3 / 0 / 50

HEX #137C80

RGB 19 124 128

HSL 182.2, 0.74%, 0.29%

LAB 47.12, -25.69, -10.16

 

CMYK 40 / 85 / 0 / 50

HEX #4D1380

RGB 77 19 128

HSL 271.93, 0.74%, 0.29%

LAB 22.31, 46.33, -49.02

 

CMYK 0 / 83 / 85 / 50

HEX #801613

RGB 128 22 19

HSL 1.65, 0.74%, 0.29%

LAB 27.32, 43.71, 31.06

 

CMYK 45 / 0 / 85 / 50

HEX #468013

RGB 70 128 19

HSL 91.93, 0.74%, 0.29%

LAB 47.99, -36.96, 47.91

 

Description

Color code: HEX #137C80 | qconv.com Color code: HEX #137C80 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 124 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 124 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 3 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 3% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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