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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #137BCD it is the complementary color #EC8432. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #137BCD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #137BCD shade: #187BC8, #298DDB, #3A9FEE, #4BB1FF and #5CC3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #137BCD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #137BCD shade: #137BCD, #0269BA, #0057A7, #004594 and #003381

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #137BCD shade: #137BCD, #1348CD, #1316CD, #4113CD and #7313CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #137BCD shade: #137BCD, #1348CD, #1316CD and #1313CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #137BCD shade matches the following richer shades: #137BCD and #007DDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #137BCD shade: #137BCD, #2579BB, #3776A9, #497496 and #5B7284

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #137BCD shade: #13CDBA, #13AECD, #137CCD, #134ACD and #1319CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #137BCD shade: #0C4D81, #0F64A7, #137BCD, #1F90EA and #45A3ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #137BCD shade: #137BCD, #8913CD and #C7CD13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #137BCD shade: #137BCD, #CD137C and #7CCD13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #137BCD shade: #137BCD, #8913CD, #CD6313 and #57CD13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #137BCD shade: #137BCD, #C013CD, #CD6313 and #1FCD13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 40 / 0 / 20

HEX #137BCD

RGB 19 123 205

HSL 206.45, 0.83%, 0.44%

LAB 50.35, 3.11, -49.94

 

Complementary color

CMYK 0 / 44 / 79 / 7

HEX #EC8432

RGB 236 132 50

HSL 26.45, 0.83%, 0.56%

LAB 65.41, 34.18, 58.74

 

CMYK 88 / 39 / 0 / 22

HEX #187BC8

RGB 24 123 200

HSL 206.25, 0.79%, 0.44%

LAB 50.13, 1.46, -47.43

 

CMYK 81 / 36 / 0 / 14

HEX #298DDB

RGB 41 141 219

HSL 206.29, 0.71%, 0.51%

LAB 56.72, -0.85, -47.69

 

CMYK 76 / 33 / 0 / 7

HEX #3A9FEE

RGB 58 159 238

HSL 206.33, 0.84%, 0.58%

LAB 63.23, -2.71, -47.89

 

CMYK 71 / 31 / 0 / 0

HEX #4BB1FF

RGB 75 177 255

HSL 206, 1%, 0.65%

LAB 69.58, -4.89, -47.12

 

CMYK 64 / 24 / 0 / 0

HEX #5CC3FF

RGB 92 195 255

HSL 202.09, 1%, 0.68%

LAB 75.16, -12.14, -38.38

 

CMYK 91 / 40 / 0 / 20

HEX #137BCD

RGB 19 123 205

HSL 206.45, 0.83%, 0.44%

LAB 50.35, 3.11, -49.94

 

CMYK 99 / 44 / 0 / 27

HEX #0269BA

RGB 2 105 186

HSL 206.41, 0.98%, 0.37%

LAB 43.74, 6.16, -49.59

 

CMYK 100 / 48 / 0 / 35

HEX #0057A7

RGB 0 87 167

HSL 208.74, 1%, 0.33%

LAB 37.13, 10.03, -49.05

 

CMYK 100 / 53 / 0 / 42

HEX #004594

RGB 0 69 148

HSL 212.03, 1%, 0.29%

LAB 30.39, 14.26, -48.49

 

CMYK 100 / 60 / 0 / 49

HEX #003381

RGB 0 51 129

HSL 216.28, 1%, 0.25%

LAB 23.51, 18.84, -47.9

 

CMYK 91 / 40 / 0 / 20

HEX #137BCD

RGB 19 123 205

HSL 206.45, 0.83%, 0.44%

LAB 50.35, 3.11, -49.94

 

CMYK 91 / 65 / 0 / 20

HEX #1348CD

RGB 19 72 205

HSL 222.9, 0.83%, 0.44%

LAB 36.33, 35.99, -72.65

 

CMYK 91 / 89 / 0 / 20

HEX #1316CD

RGB 19 22 205

HSL 239.03, 0.83%, 0.44%

LAB 27.07, 62.17, -87.99

 

CMYK 68 / 91 / 0 / 20

HEX #4113CD

RGB 65 19 205

HSL 254.84, 0.83%, 0.44%

LAB 29.41, 64.73, -84.03

 

CMYK 44 / 91 / 0 / 20

HEX #7313CD

RGB 115 19 205

HSL 270.97, 0.83%, 0.44%

LAB 35.04, 68.84, -74.53

 

CMYK 91 / 40 / 0 / 20

HEX #137BCD

RGB 19 123 205

HSL 206.45, 0.83%, 0.44%

LAB 50.35, 3.11, -49.94

 

CMYK 91 / 65 / 0 / 20

HEX #1348CD

RGB 19 72 205

HSL 222.9, 0.83%, 0.44%

LAB 36.33, 35.99, -72.65

 

CMYK 91 / 89 / 0 / 20

HEX #1316CD

RGB 19 22 205

HSL 239.03, 0.83%, 0.44%

LAB 27.07, 62.17, -87.99

 

CMYK 91 / 91 / 0 / 20

HEX #1313CD

RGB 19 19 205

HSL 240, 0.83%, 0.44%

LAB 26.77, 63.1, -88.5

 

CMYK 91 / 40 / 0 / 20

HEX #137BCD

RGB 19 123 205

HSL 206.45, 0.83%, 0.44%

LAB 50.35, 3.11, -49.94

 

CMYK 100 / 44 / 0 / 13

HEX #007DDF

RGB 0 125 223

HSL 206.37, 1%, 0.44%

LAB 51.83, 8.22, -57.76

 

CMYK 91 / 40 / 0 / 20

HEX #137BCD

RGB 19 123 205

HSL 206.45, 0.83%, 0.44%

LAB 50.35, 3.11, -49.94

 

CMYK 80 / 35 / 0 / 27

HEX #2579BB

RGB 37 121 187

HSL 206.4, 0.67%, 0.44%

LAB 49.08, -1.18, -41.63

 

CMYK 67 / 30 / 0 / 34

HEX #3776A9

RGB 55 118 169

HSL 206.84, 0.51%, 0.44%

LAB 47.8, -3.49, -33.18

 

CMYK 51 / 23 / 0 / 41

HEX #497496

RGB 73 116 150

HSL 206.49, 0.35%, 0.44%

LAB 47.12, -4.9, -23.03

 

CMYK 31 / 14 / 0 / 48

HEX #5B7284

RGB 91 114 132

HSL 206.34, 0.18%, 0.44%

LAB 46.88, -3.87, -12.64

 

CMYK 91 / 0 / 9 / 20

HEX #13CDBA

RGB 19 205 186

HSL 173.87, 0.83%, 0.44%

LAB 74.41, -45.67, -2.39

 

CMYK 91 / 15 / 0 / 20

HEX #13AECD

RGB 19 174 205

HSL 190, 0.83%, 0.44%

LAB 65.61, -25.42, -26.03

 

CMYK 91 / 40 / 0 / 20

HEX #137CCD

RGB 19 124 205

HSL 206.13, 0.83%, 0.44%

LAB 50.64, 2.49, -49.47

 

CMYK 91 / 64 / 0 / 20

HEX #134ACD

RGB 19 74 205

HSL 222.26, 0.83%, 0.44%

LAB 36.83, 34.7, -71.84

 

CMYK 91 / 88 / 0 / 20

HEX #1319CD

RGB 19 25 205

HSL 238.06, 0.83%, 0.44%

LAB 27.41, 61.15, -87.42

 

CMYK 91 / 40 / 0 / 49

HEX #0C4D81

RGB 12 77 129

HSL 206.67, 0.83%, 0.28%

LAB 31.74, 1.46, -34.62

 

CMYK 91 / 40 / 0 / 35

HEX #0F64A7

RGB 15 100 167

HSL 206.45, 0.84%, 0.36%

LAB 41.23, 2.27, -42.47

 

CMYK 91 / 40 / 0 / 20

HEX #137BCD

RGB 19 123 205

HSL 206.45, 0.83%, 0.44%

LAB 50.35, 3.11, -49.94

 

CMYK 87 / 38 / 0 / 8

HEX #1F90EA

RGB 31 144 234

HSL 206.6, 0.83%, 0.52%

LAB 58.21, 2.16, -53.69

 

CMYK 71 / 31 / 0 / 7

HEX #45A3ED

RGB 69 163 237

HSL 206.43, 0.82%, 0.6%

LAB 64.62, -3.94, -45.13

 

CMYK 91 / 40 / 0 / 20

HEX #137BCD

RGB 19 123 205

HSL 206.45, 0.83%, 0.44%

LAB 50.35, 3.11, -49.94

 

CMYK 33 / 91 / 0 / 20

HEX #8913CD

RGB 137 19 205

HSL 278.06, 0.83%, 0.44%

LAB 38.18, 71.42, -69.25

 

CMYK 3 / 0 / 91 / 20

HEX #C7CD13

RGB 199 205 19

HSL 61.94, 0.83%, 0.44%

LAB 79.53, -20.62, 77.59

 

CMYK 91 / 40 / 0 / 20

HEX #137BCD

RGB 19 123 205

HSL 206.45, 0.83%, 0.44%

LAB 50.35, 3.11, -49.94

 

CMYK 0 / 91 / 40 / 20

HEX #CD137C

RGB 205 19 124

HSL 326.13, 0.83%, 0.44%

LAB 45.5, 71.72, -8.44

 

CMYK 40 / 0 / 91 / 20

HEX #7CCD13

RGB 124 205 19

HSL 86.13, 0.83%, 0.44%

LAB 74.82, -50.06, 71.84

 

CMYK 91 / 40 / 0 / 20

HEX #137BCD

RGB 19 123 205

HSL 206.45, 0.83%, 0.44%

LAB 50.35, 3.11, -49.94

 

CMYK 33 / 91 / 0 / 20

HEX #8913CD

RGB 137 19 205

HSL 278.06, 0.83%, 0.44%

LAB 38.18, 71.42, -69.25

 

CMYK 0 / 52 / 91 / 20

HEX #CD6313

RGB 205 99 19

HSL 25.81, 0.83%, 0.44%

LAB 53.97, 37.9, 58.39

 

CMYK 58 / 0 / 91 / 20

HEX #57CD13

RGB 87 205 19

HSL 98.06, 0.83%, 0.44%

LAB 73.37, -61.16, 70.05

 

CMYK 91 / 40 / 0 / 20

HEX #137BCD

RGB 19 123 205

HSL 206.45, 0.83%, 0.44%

LAB 50.35, 3.11, -49.94

 

CMYK 6 / 91 / 0 / 20

HEX #C013CD

RGB 192 19 205

HSL 295.81, 0.83%, 0.44%

LAB 47.08, 79.49, -54.41

 

CMYK 0 / 52 / 91 / 20

HEX #CD6313

RGB 205 99 19

HSL 25.81, 0.83%, 0.44%

LAB 53.97, 37.9, 58.39

 

CMYK 85 / 0 / 91 / 20

HEX #1FCD13

RGB 31 205 19

HSL 116.13, 0.83%, 0.44%

LAB 72.23, -70.93, 68.62

 

Description

Color code: HEX #137BCD | qconv.com Color code: HEX #137BCD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 123 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 123 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 40 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 40% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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