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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #137200 it is the complementary color #EC8DFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #137200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #137200 shade: #187200, #29840E, #3A9621, #4BA834 and #5CBA47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #137200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #137200 shade: #137200, #026000, #004E00, #003C00 and #002A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #137200 shade: #127000, #307000, #4F7000, #6D7000 and #705400

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #137200 shade: #127000, #00700B, #007029, #007048 and #007066

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #137200 shade matches the following richer shades: #127000

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #137200 shade: #127000, #186709, #1E5E12, #24541B and #2A4B24

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #137200 shade: #4E7000, #307000, #127000, #00700B and #007029

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #137200 shade: #041D00, #0B4600, #127000, #199900 and #20C200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #137200 shade: #137200, #006C70 and #70003F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #137200 shade: #137200, #001270 and #700012

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #137200 shade: #137200, #006C70, #5D0070 and #700300

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #137200 shade: #137200, #004A70, #5D0070 and #702500

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 100 / 55

HEX #137200

RGB 19 114 0

HSL 110, 1%, 0.22%

LAB 41.49, -45.6, 46.19

 

Complementary color

CMYK 7 / 45 / 0 / 0

HEX #EC8DFF

RGB 236 141 255

HSL 290, 1%, 0.78%

LAB 72.3, 53.43, -42.07

 

CMYK 79 / 0 / 100 / 55

HEX #187200

RGB 24 114 0

HSL 107.37, 1%, 0.22%

LAB 41.58, -44.83, 46.3

 

CMYK 69 / 0 / 89 / 48

HEX #29840E

RGB 41 132 14

HSL 106.27, 0.81%, 0.29%

LAB 48.27, -47.07, 49.02

 

CMYK 61 / 0 / 78 / 41

HEX #3A9621

RGB 58 150 33

HSL 107.18, 0.64%, 0.36%

LAB 54.89, -48.43, 49.83

 

CMYK 55 / 0 / 69 / 34

HEX #4BA834

RGB 75 168 52

HSL 108.1, 0.53%, 0.43%

LAB 61.44, -49.2, 49.51

 

CMYK 51 / 0 / 62 / 27

HEX #5CBA47

RGB 92 186 71

HSL 109.04, 0.45%, 0.5%

LAB 67.91, -49.6, 48.65

 

CMYK 83 / 0 / 100 / 55

HEX #137200

RGB 19 114 0

HSL 110, 1%, 0.22%

LAB 41.49, -45.6, 46.19

 

CMYK 98 / 0 / 100 / 62

HEX #026000

RGB 2 96 0

HSL 118.75, 1%, 0.19%

LAB 34.76, -41.91, 40.71

 

CMYK 100 / 0 / 100 / 69

HEX #004E00

RGB 0 78 0

HSL 120, 1%, 0.15%

LAB 27.98, -36.54, 35.25

 

CMYK 100 / 0 / 100 / 76

HEX #003C00

RGB 0 60 0

HSL 120, 1%, 0.12%

LAB 20.95, -30.7, 28.41

 

CMYK 100 / 0 / 100 / 84

HEX #002A00

RGB 0 42 0

HSL 120, 1%, 0.08%

LAB 13.57, -24.56, 19.44

 

CMYK 84 / 0 / 100 / 56

HEX #127000

RGB 18 112 0

HSL 110.36, 1%, 0.22%

LAB 40.76, -45.1, 45.6

 

CMYK 57 / 0 / 100 / 56

HEX #307000

RGB 48 112 0

HSL 94.29, 1%, 0.22%

LAB 41.56, -38.38, 46.57

 

CMYK 29 / 0 / 100 / 56

HEX #4F7000

RGB 79 112 0

HSL 77.68, 1%, 0.22%

LAB 43.14, -26.85, 48.48

 

CMYK 3 / 0 / 100 / 56

HEX #6D7000

RGB 109 112 0

HSL 61.61, 1%, 0.22%

LAB 45.41, -13.18, 51.19

 

CMYK 0 / 25 / 100 / 56

HEX #705400

RGB 112 84 0

HSL 45, 1%, 0.22%

LAB 37.45, 4.47, 45.65

 

CMYK 84 / 0 / 100 / 56

HEX #127000

RGB 18 112 0

HSL 110.36, 1%, 0.22%

LAB 40.76, -45.1, 45.6

 

CMYK 100 / 0 / 90 / 56

HEX #00700B

RGB 0 112 11

HSL 125.89, 1%, 0.22%

LAB 40.59, -46.47, 42.7

 

CMYK 100 / 0 / 63 / 56

HEX #007029

RGB 0 112 41

HSL 141.96, 1%, 0.22%

LAB 40.81, -43.67, 31.25

 

CMYK 100 / 0 / 36 / 56

HEX #007048

RGB 0 112 72

HSL 158.57, 1%, 0.22%

LAB 41.31, -37.78, 14.72

 

CMYK 100 / 0 / 9 / 56

HEX #007066

RGB 0 112 102

HSL 174.64, 1%, 0.22%

LAB 42.07, -29.45, -2.15

 

CMYK 84 / 0 / 100 / 56

HEX #127000

RGB 18 112 0

HSL 110.36, 1%, 0.22%

LAB 40.76, -45.1, 45.6

 

CMYK 84 / 0 / 100 / 56

HEX #127000

RGB 18 112 0

HSL 110.36, 1%, 0.22%

LAB 40.76, -45.1, 45.6

 

CMYK 77 / 0 / 91 / 60

HEX #186709

RGB 24 103 9

HSL 110.43, 0.84%, 0.22%

LAB 37.69, -40.68, 40.75

 

CMYK 68 / 0 / 81 / 63

HEX #1E5E12

RGB 30 94 18

HSL 110.53, 0.68%, 0.22%

LAB 34.65, -35.49, 35.14

 

CMYK 57 / 0 / 68 / 67

HEX #24541B

RGB 36 84 27

HSL 110.53, 0.51%, 0.22%

LAB 31.34, -28.74, 27.7

 

CMYK 44 / 0 / 52 / 71

HEX #2A4B24

RGB 42 75 36

HSL 110.77, 0.35%, 0.22%

LAB 28.52, -21.07, 19.45

 

CMYK 30 / 0 / 100 / 56

HEX #4E7000

RGB 78 112 0

HSL 78.21, 1%, 0.22%

LAB 43.08, -27.28, 48.4

 

CMYK 57 / 0 / 100 / 56

HEX #307000

RGB 48 112 0

HSL 94.29, 1%, 0.22%

LAB 41.56, -38.38, 46.57

 

CMYK 84 / 0 / 100 / 56

HEX #127000

RGB 18 112 0

HSL 110.36, 1%, 0.22%

LAB 40.76, -45.1, 45.6

 

CMYK 100 / 0 / 90 / 56

HEX #00700B

RGB 0 112 11

HSL 125.89, 1%, 0.22%

LAB 40.59, -46.47, 42.7

 

CMYK 100 / 0 / 63 / 56

HEX #007029

RGB 0 112 41

HSL 141.96, 1%, 0.22%

LAB 40.81, -43.67, 31.25

 

CMYK 86 / 0 / 100 / 89

HEX #041D00

RGB 4 29 0

HSL 111.72, 1%, 0.06%

LAB 8.17, -15.16, 11.96

 

CMYK 84 / 0 / 100 / 73

HEX #0B4600

RGB 11 70 0

HSL 110.57, 1%, 0.14%

LAB 25.11, -31.99, 32.76

 

CMYK 84 / 0 / 100 / 56

HEX #127000

RGB 18 112 0

HSL 110.36, 1%, 0.22%

LAB 40.76, -45.1, 45.6

 

CMYK 84 / 0 / 100 / 40

HEX #199900

RGB 25 153 0

HSL 110.2, 1%, 0.3%

LAB 55.06, -56.92, 57.07

 

CMYK 84 / 0 / 100 / 24

HEX #20C200

RGB 32 194 0

HSL 110.1, 1%, 0.38%

LAB 68.67, -68.13, 67.99

 

CMYK 83 / 0 / 100 / 55

HEX #137200

RGB 19 114 0

HSL 110, 1%, 0.22%

LAB 41.49, -45.6, 46.19

 

CMYK 100 / 4 / 0 / 56

HEX #006C70

RGB 0 108 112

HSL 182.14, 1%, 0.22%

LAB 41.05, -24.19, -9.73

 

CMYK 0 / 100 / 44 / 56

HEX #70003F

RGB 112 0 63

HSL 326.25, 1%, 0.22%

LAB 23.01, 47.06, -4.54

 

CMYK 83 / 0 / 100 / 55

HEX #137200

RGB 19 114 0

HSL 110, 1%, 0.22%

LAB 41.49, -45.6, 46.19

 

CMYK 100 / 84 / 0 / 56

HEX #001270

RGB 0 18 112

HSL 230.36, 1%, 0.22%

LAB 13.25, 34.39, -53.95

 

CMYK 0 / 100 / 84 / 56

HEX #700012

RGB 112 0 18

HSL 350.36, 1%, 0.22%

LAB 21.9, 44.11, 25.07

 

CMYK 83 / 0 / 100 / 55

HEX #137200

RGB 19 114 0

HSL 110, 1%, 0.22%

LAB 41.49, -45.6, 46.19

 

CMYK 100 / 4 / 0 / 56

HEX #006C70

RGB 0 108 112

HSL 182.14, 1%, 0.22%

LAB 41.05, -24.19, -9.73

 

CMYK 17 / 100 / 0 / 56

HEX #5D0070

RGB 93 0 112

HSL 289.82, 1%, 0.22%

LAB 21.93, 50.37, -39.28

 

CMYK 0 / 97 / 100 / 56

HEX #700300

RGB 112 3 0

HSL 1.61, 1%, 0.22%

LAB 21.98, 42.99, 33.27

 

CMYK 83 / 0 / 100 / 55

HEX #137200

RGB 19 114 0

HSL 110, 1%, 0.22%

LAB 41.49, -45.6, 46.19

 

CMYK 100 / 34 / 0 / 56

HEX #004A70

RGB 0 74 112

HSL 200.36, 1%, 0.22%

LAB 29.58, -4.57, -27.43

 

CMYK 17 / 100 / 0 / 56

HEX #5D0070

RGB 93 0 112

HSL 289.82, 1%, 0.22%

LAB 21.93, 50.37, -39.28

 

CMYK 0 / 67 / 100 / 56

HEX #702500

RGB 112 37 0

HSL 19.82, 1%, 0.22%

LAB 26.06, 31.65, 37.31

 

Description

Color code: HEX #137200 | qconv.com Color code: HEX #137200 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 114 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 114 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 100 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 100% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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