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Color name
HEX #136FAF

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #136FAF it is the complementary color #EC9050. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #136FAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #136FAF shade: #186FAA, #2981BD, #3A93D0, #4BA5E3 and #5CB7F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #136FAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #136FAF shade: #136FAF, #025D9C, #004B89, #003976 and #002763

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #136FAF shade: #136EAE, #1344AE, #131BAE, #3513AE and #5F13AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #136FAF shade: #136EAE, #1344AE, #131BAE and #1313AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #136FAF shade matches the following richer shades: #136EAE and #0371BE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #136FAF shade: #136EAE, #236B9E, #32698F, #42667F and #52636F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #136FAF shade: #13AE99, #1399AE, #1370AE, #1347AE and #131DAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #136FAF shade: #0B3F64, #0F5789, #136EAE, #1786D3 and #2C9AE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #136FAF shade: #136FAF, #7013AE and #AEAE13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #136FAF shade: #136FAF, #AE1370 and #70AE13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #136FAF shade: #136FAF, #7013AE, #AE5113 and #51AE13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #136FAF shade: #136FAF, #9E13AE, #AE5113 and #22AE13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 37 / 0 / 31

HEX #136FAF

RGB 19 111 175

HSL 204.62, 0.8%, 0.38%

LAB 45.08, -1.2, -41.02

 

Complementary color

CMYK 0 / 39 / 66 / 7

HEX #EC9050

RGB 236 144 80

HSL 24.62, 0.8%, 0.62%

LAB 68.28, 29.31, 47.94

 

CMYK 86 / 35 / 0 / 33

HEX #186FAA

RGB 24 111 170

HSL 204.25, 0.75%, 0.38%

LAB 44.89, -2.78, -38.4

 

CMYK 78 / 32 / 0 / 26

HEX #2981BD

RGB 41 129 189

HSL 204.32, 0.64%, 0.45%

LAB 51.66, -4.78, -38.69

 

CMYK 72 / 29 / 0 / 18

HEX #3A93D0

RGB 58 147 208

HSL 204.4, 0.61%, 0.52%

LAB 58.34, -6.33, -38.93

 

CMYK 67 / 27 / 0 / 11

HEX #4BA5E3

RGB 75 165 227

HSL 204.47, 0.73%, 0.59%

LAB 64.92, -7.54, -39.15

 

CMYK 63 / 26 / 0 / 4

HEX #5CB7F6

RGB 92 183 246

HSL 204.55, 0.9%, 0.66%

LAB 71.42, -8.51, -39.35

 

CMYK 89 / 37 / 0 / 31

HEX #136FAF

RGB 19 111 175

HSL 204.62, 0.8%, 0.38%

LAB 45.08, -1.2, -41.02

 

CMYK 99 / 40 / 0 / 39

HEX #025D9C

RGB 2 93 156

HSL 204.55, 0.97%, 0.31%

LAB 38.27, 1.63, -40.64

 

CMYK 100 / 45 / 0 / 46

HEX #004B89

RGB 0 75 137

HSL 207.15, 1%, 0.27%

LAB 31.44, 5.43, -40.05

 

CMYK 100 / 52 / 0 / 54

HEX #003976

RGB 0 57 118

HSL 211.02, 1%, 0.23%

LAB 24.43, 9.68, -39.46

 

CMYK 100 / 61 / 0 / 61

HEX #002763

RGB 0 39 99

HSL 216.36, 1%, 0.19%

LAB 17.24, 14.37, -38.86

 

CMYK 89 / 37 / 0 / 32

HEX #136EAE

RGB 19 110 174

HSL 204.77, 0.8%, 0.38%

LAB 44.73, -0.97, -41.01

 

CMYK 89 / 61 / 0 / 32

HEX #1344AE

RGB 19 68 174

HSL 221.03, 0.8%, 0.38%

LAB 32.54, 26.61, -60.65

 

CMYK 89 / 84 / 0 / 32

HEX #131BAE

RGB 19 27 174

HSL 236.9, 0.8%, 0.38%

LAB 23.6, 51.14, -75.41

 

CMYK 70 / 89 / 0 / 32

HEX #3513AE

RGB 53 19 174

HSL 253.16, 0.8%, 0.38%

LAB 24.57, 55.86, -73.74

 

CMYK 45 / 89 / 0 / 32

HEX #5F13AE

RGB 95 19 174

HSL 269.42, 0.8%, 0.38%

LAB 29.3, 59.64, -65.77

 

CMYK 89 / 37 / 0 / 32

HEX #136EAE

RGB 19 110 174

HSL 204.77, 0.8%, 0.38%

LAB 44.73, -0.97, -41.01

 

CMYK 89 / 61 / 0 / 32

HEX #1344AE

RGB 19 68 174

HSL 221.03, 0.8%, 0.38%

LAB 32.54, 26.61, -60.65

 

CMYK 89 / 84 / 0 / 32

HEX #131BAE

RGB 19 27 174

HSL 236.9, 0.8%, 0.38%

LAB 23.6, 51.14, -75.41

 

CMYK 89 / 89 / 0 / 32

HEX #1313AE

RGB 19 19 174

HSL 240, 0.8%, 0.38%

LAB 22.51, 54.39, -77.22

 

CMYK 89 / 37 / 0 / 32

HEX #136EAE

RGB 19 110 174

HSL 204.77, 0.8%, 0.38%

LAB 44.73, -0.97, -41.01

 

CMYK 98 / 41 / 0 / 25

HEX #0371BE

RGB 3 113 190

HSL 204.71, 0.97%, 0.38%

LAB 46.37, 2.76, -47.69

 

CMYK 89 / 37 / 0 / 32

HEX #136EAE

RGB 19 110 174

HSL 204.77, 0.8%, 0.38%

LAB 44.73, -0.97, -41.01

 

CMYK 78 / 32 / 0 / 38

HEX #236B9E

RGB 35 107 158

HSL 204.88, 0.64%, 0.38%

LAB 43.27, -3.8, -33.87

 

CMYK 65 / 27 / 0 / 44

HEX #32698F

RGB 50 105 143

HSL 204.52, 0.48%, 0.38%

LAB 42.41, -5.71, -26.26

 

CMYK 48 / 20 / 0 / 50

HEX #42667F

RGB 66 102 127

HSL 204.59, 0.32%, 0.38%

LAB 41.52, -5.55, -17.94

 

CMYK 26 / 11 / 0 / 56

HEX #52636F

RGB 82 99 111

HSL 204.83, 0.15%, 0.38%

LAB 41, -3.44, -8.91

 

CMYK 89 / 0 / 12 / 32

HEX #13AE99

RGB 19 174 153

HSL 171.87, 0.8%, 0.38%

LAB 63.93, -41.5, 0.36

 

CMYK 89 / 12 / 0 / 32

HEX #1399AE

RGB 19 153 174

HSL 188.13, 0.8%, 0.38%

LAB 58.02, -25.15, -20.3

 

CMYK 89 / 36 / 0 / 32

HEX #1370AE

RGB 19 112 174

HSL 204, 0.8%, 0.38%

LAB 45.34, -2.2, -40.04

 

CMYK 89 / 59 / 0 / 32

HEX #1347AE

RGB 19 71 174

HSL 219.87, 0.8%, 0.38%

LAB 33.35, 24.58, -59.33

 

CMYK 89 / 83 / 0 / 32

HEX #131DAE

RGB 19 29 174

HSL 236.13, 0.8%, 0.38%

LAB 23.91, 50.22, -74.89

 

CMYK 89 / 37 / 0 / 61

HEX #0B3F64

RGB 11 63 100

HSL 204.94, 0.8%, 0.22%

LAB 25.4, -1.46, -26.37

 

CMYK 89 / 36 / 0 / 46

HEX #0F5789

RGB 15 87 137

HSL 204.59, 0.8%, 0.3%

LAB 35.45, -1.54, -33.64

 

CMYK 89 / 37 / 0 / 32

HEX #136EAE

RGB 19 110 174

HSL 204.77, 0.8%, 0.38%

LAB 44.73, -0.97, -41.01

 

CMYK 89 / 36 / 0 / 17

HEX #1786D3

RGB 23 134 211

HSL 204.57, 0.8%, 0.46%

LAB 53.96, -1.03, -47.59

 

CMYK 81 / 33 / 0 / 9

HEX #2C9AE7

RGB 44 154 231

HSL 204.71, 0.8%, 0.54%

LAB 61.15, -3.77, -47.35

 

CMYK 89 / 37 / 0 / 31

HEX #136FAF

RGB 19 111 175

HSL 204.62, 0.8%, 0.38%

LAB 45.08, -1.2, -41.02

 

CMYK 36 / 89 / 0 / 32

HEX #7013AE

RGB 112 19 174

HSL 276, 0.8%, 0.38%

LAB 31.73, 61.77, -61.68

 

CMYK 0 / 0 / 89 / 32

HEX #AEAE13

RGB 174 174 19

HSL 60, 0.8%, 0.38%

LAB 68.98, -15.91, 68.43

 

CMYK 89 / 37 / 0 / 31

HEX #136FAF

RGB 19 111 175

HSL 204.62, 0.8%, 0.38%

LAB 45.08, -1.2, -41.02

 

CMYK 0 / 89 / 36 / 32

HEX #AE1370

RGB 174 19 112

HSL 324, 0.8%, 0.38%

LAB 38.96, 63.52, -11.43

 

CMYK 36 / 0 / 89 / 32

HEX #70AE13

RGB 112 174 19

HSL 84, 0.8%, 0.38%

LAB 64.77, -41.47, 63.26

 

CMYK 89 / 37 / 0 / 31

HEX #136FAF

RGB 19 111 175

HSL 204.62, 0.8%, 0.38%

LAB 45.08, -1.2, -41.02

 

CMYK 36 / 89 / 0 / 32

HEX #7013AE

RGB 112 19 174

HSL 276, 0.8%, 0.38%

LAB 31.73, 61.77, -61.68

 

CMYK 0 / 53 / 89 / 32

HEX #AE5113

RGB 174 81 19

HSL 24, 0.8%, 0.38%

LAB 45.54, 34.67, 49.9

 

CMYK 53 / 0 / 89 / 32

HEX #51AE13

RGB 81 174 19

HSL 96, 0.8%, 0.38%

LAB 63.4, -51.71, 61.54

 

CMYK 89 / 37 / 0 / 31

HEX #136FAF

RGB 19 111 175

HSL 204.62, 0.8%, 0.38%

LAB 45.08, -1.2, -41.02

 

CMYK 9 / 89 / 0 / 32

HEX #9E13AE

RGB 158 19 174

HSL 293.81, 0.8%, 0.38%

LAB 39.23, 68.83, -49.17

 

CMYK 0 / 53 / 89 / 32

HEX #AE5113

RGB 174 81 19

HSL 24, 0.8%, 0.38%

LAB 45.54, 34.67, 49.9

 

CMYK 80 / 0 / 89 / 32

HEX #22AE13

RGB 34 174 19

HSL 114.19, 0.8%, 0.38%

LAB 62.22, -61.57, 60.06

 

Description

Color code: HEX #136FAF | qconv.com Color code: HEX #136FAF | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 111 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 111 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 37 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 37% 0% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

28% - http://www.c...
Link: http://www.cresco-hokuriku.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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