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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #136728 it is the complementary color #EC98D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #136728. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #136728 shade: #186723, #297936, #3A8B49, #4B9D5C and #5CAF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #136728. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #136728 shade: #136728, #025515, #004302, #003100 and #001F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #136728 shade: #126728, #146712, #2B6712, #426712 and #586712

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #136728 shade: #126728, #12673E, #126755, #126267 and #124B67

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #136728 shade matches the following richer shades: #126728 and #097123

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #136728 shade: #126728, #1C5D2D, #265331, #304936 and #3A3F3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #136728 shade: #2A6712, #146712, #126728, #12673E and #126755

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #136728 shade: #06210D, #0C441A, #126728, #198A35 and #1FAD43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #136728 shade: #136728, #124167 and #67121F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #136728 shade: #136728, #281267 and #672812

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #136728 shade: #136728, #124167, #671252 and #673812

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #136728 shade: #136728, #122867, #671252 and #675212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 61 / 60

HEX #136728

RGB 19 103 40

HSL 135, 0.69%, 0.24%

LAB 37.83, -38.6, 28.34

 

Complementary color

CMYK 0 / 36 / 9 / 7

HEX #EC98D7

RGB 236 152 215

HSL 315, 0.69%, 0.76%

LAB 73.02, 40.6, -19.09

 

CMYK 77 / 0 / 66 / 60

HEX #186723

RGB 24 103 35

HSL 128.35, 0.62%, 0.25%

LAB 37.87, -38.45, 30.96

 

CMYK 66 / 0 / 55 / 53

HEX #297936

RGB 41 121 54

HSL 129.75, 0.49%, 0.32%

LAB 44.82, -39.28, 29.49

 

CMYK 58 / 0 / 47 / 45

HEX #3A8B49

RGB 58 139 73

HSL 131.11, 0.41%, 0.39%

LAB 51.66, -39.57, 27.98

 

CMYK 52 / 0 / 41 / 38

HEX #4B9D5C

RGB 75 157 92

HSL 132.44, 0.35%, 0.45%

LAB 58.4, -39.58, 26.55

 

CMYK 47 / 0 / 37 / 31

HEX #5CAF6F

RGB 92 175 111

HSL 133.73, 0.34%, 0.52%

LAB 65.03, -39.44, 25.21

 

CMYK 82 / 0 / 61 / 60

HEX #136728

RGB 19 103 40

HSL 135, 0.69%, 0.24%

LAB 37.83, -38.6, 28.34

 

CMYK 98 / 0 / 75 / 67

HEX #025515

RGB 2 85 21

HSL 133.73, 0.95%, 0.17%

LAB 30.79, -36.8, 29.76

 

CMYK 100 / 0 / 97 / 74

HEX #004302

RGB 0 67 2

HSL 121.79, 1%, 0.13%

LAB 23.73, -32.81, 30.52

 

CMYK 100 / 0 / 100 / 81

HEX #003100

RGB 0 49 0

HSL 120, 1%, 0.1%

LAB 16.49, -26.99, 23.19

 

CMYK 100 / 0 / 100 / 88

HEX #001F00

RGB 0 31 0

HSL 120, 1%, 0.06%

LAB 8.82, -17.96, 12.88

 

CMYK 83 / 0 / 61 / 60

HEX #126728

RGB 18 103 40

HSL 135.53, 0.7%, 0.24%

LAB 37.81, -38.75, 28.32

 

CMYK 81 / 0 / 83 / 60

HEX #146712

RGB 20 103 18

HSL 118.59, 0.7%, 0.24%

LAB 37.65, -40.85, 37.98

 

CMYK 58 / 0 / 83 / 60

HEX #2B6712

RGB 43 103 18

HSL 102.35, 0.7%, 0.24%

LAB 38.3, -35.46, 38.83

 

CMYK 36 / 0 / 83 / 60

HEX #426712

RGB 66 103 18

HSL 86.12, 0.7%, 0.24%

LAB 39.42, -27.24, 40.28

 

CMYK 15 / 0 / 83 / 60

HEX #586712

RGB 88 103 18

HSL 70.59, 0.7%, 0.24%

LAB 40.93, -17.61, 42.23

 

CMYK 83 / 0 / 61 / 60

HEX #126728

RGB 18 103 40

HSL 135.53, 0.7%, 0.24%

LAB 37.81, -38.75, 28.32

 

CMYK 83 / 0 / 40 / 60

HEX #12673E

RGB 18 103 62

HSL 151.06, 0.7%, 0.24%

LAB 38.16, -34.7, 16.4

 

CMYK 83 / 0 / 17 / 60

HEX #126755

RGB 18 103 85

HSL 167.29, 0.7%, 0.24%

LAB 38.7, -28.82, 3.29

 

CMYK 83 / 5 / 0 / 60

HEX #126267

RGB 18 98 103

HSL 183.53, 0.7%, 0.24%

LAB 37.56, -20.63, -9.46

 

CMYK 83 / 27 / 0 / 60

HEX #124B67

RGB 18 75 103

HSL 199.76, 0.7%, 0.24%

LAB 29.76, -7.28, -21.42

 

CMYK 83 / 0 / 61 / 60

HEX #126728

RGB 18 103 40

HSL 135.53, 0.7%, 0.24%

LAB 37.81, -38.75, 28.32

 

CMYK 92 / 0 / 69 / 56

HEX #097123

RGB 9 113 35

HSL 135, 0.85%, 0.24%

LAB 41.2, -43.97, 34.6

 

CMYK 83 / 0 / 61 / 60

HEX #126728

RGB 18 103 40

HSL 135.53, 0.7%, 0.24%

LAB 37.81, -38.75, 28.32

 

CMYK 70 / 0 / 52 / 64

HEX #1C5D2D

RGB 28 93 45

HSL 135.69, 0.54%, 0.24%

LAB 34.53, -32.13, 21.64

 

CMYK 54 / 0 / 41 / 67

HEX #265331

RGB 38 83 49

HSL 134.67, 0.37%, 0.24%

LAB 31.39, -24.12, 15.3

 

CMYK 34 / 0 / 26 / 71

HEX #304936

RGB 48 73 54

HSL 134.4, 0.21%, 0.24%

LAB 28.54, -14.26, 8.38

 

CMYK 8 / 0 / 6 / 75

HEX #3A3F3B

RGB 58 63 59

HSL 132, 0.04%, 0.24%

LAB 26.07, -3.01, 1.73

 

CMYK 59 / 0 / 83 / 60

HEX #2A6712

RGB 42 103 18

HSL 103.06, 0.7%, 0.24%

LAB 38.26, -35.76, 38.79

 

CMYK 81 / 0 / 83 / 60

HEX #146712

RGB 20 103 18

HSL 118.59, 0.7%, 0.24%

LAB 37.65, -40.85, 37.98

 

CMYK 83 / 0 / 61 / 60

HEX #126728

RGB 18 103 40

HSL 135.53, 0.7%, 0.24%

LAB 37.81, -38.75, 28.32

 

CMYK 83 / 0 / 40 / 60

HEX #12673E

RGB 18 103 62

HSL 151.06, 0.7%, 0.24%

LAB 38.16, -34.7, 16.4

 

CMYK 83 / 0 / 17 / 60

HEX #126755

RGB 18 103 85

HSL 167.29, 0.7%, 0.24%

LAB 38.7, -28.82, 3.29

 

CMYK 82 / 0 / 61 / 87

HEX #06210D

RGB 6 33 13

HSL 135.56, 0.69%, 0.08%

LAB 10.22, -15.74, 9.51

 

CMYK 82 / 0 / 62 / 73

HEX #0C441A

RGB 12 68 26

HSL 135, 0.7%, 0.16%

LAB 24.6, -28.2, 20.23

 

CMYK 83 / 0 / 61 / 60

HEX #126728

RGB 18 103 40

HSL 135.53, 0.7%, 0.24%

LAB 37.81, -38.75, 28.32

 

CMYK 82 / 0 / 62 / 46

HEX #198A35

RGB 25 138 53

HSL 134.87, 0.69%, 0.32%

LAB 50.26, -48.54, 36.36

 

CMYK 82 / 0 / 61 / 32

HEX #1FAD43

RGB 31 173 67

HSL 135.21, 0.7%, 0.4%

LAB 62.15, -57.83, 43.49

 

CMYK 82 / 0 / 61 / 60

HEX #136728

RGB 19 103 40

HSL 135, 0.69%, 0.24%

LAB 37.83, -38.6, 28.34

 

CMYK 83 / 37 / 0 / 60

HEX #124167

RGB 18 65 103

HSL 206.82, 0.7%, 0.24%

LAB 26.41, -0.77, -26.68

 

CMYK 0 / 83 / 70 / 60

HEX #67121F

RGB 103 18 31

HSL 350.82, 0.7%, 0.24%

LAB 21.64, 37.5, 15.53

 

CMYK 82 / 0 / 61 / 60

HEX #136728

RGB 19 103 40

HSL 135, 0.69%, 0.24%

LAB 37.83, -38.6, 28.34

 

CMYK 61 / 83 / 0 / 60

HEX #281267

RGB 40 18 103

HSL 255.53, 0.7%, 0.24%

LAB 14.75, 34.42, -45.48

 

CMYK 0 / 61 / 83 / 60

HEX #672812

RGB 103 40 18

HSL 15.53, 0.7%, 0.24%

LAB 25.09, 26.95, 27.75

 

CMYK 82 / 0 / 61 / 60

HEX #136728

RGB 19 103 40

HSL 135, 0.69%, 0.24%

LAB 37.83, -38.6, 28.34

 

CMYK 83 / 37 / 0 / 60

HEX #124167

RGB 18 65 103

HSL 206.82, 0.7%, 0.24%

LAB 26.41, -0.77, -26.68

 

CMYK 0 / 83 / 20 / 60

HEX #671252

RGB 103 18 82

HSL 314.82, 0.7%, 0.24%

LAB 23.42, 42.93, -17.01

 

CMYK 0 / 46 / 83 / 60

HEX #673812

RGB 103 56 18

HSL 26.82, 0.7%, 0.24%

LAB 28.79, 17.69, 31.41

 

CMYK 82 / 0 / 61 / 60

HEX #136728

RGB 19 103 40

HSL 135, 0.69%, 0.24%

LAB 37.83, -38.6, 28.34

 

CMYK 83 / 61 / 0 / 60

HEX #122867

RGB 18 40 103

HSL 224.47, 0.7%, 0.24%

LAB 18.48, 17.05, -39.43

 

CMYK 0 / 83 / 20 / 60

HEX #671252

RGB 103 18 82

HSL 314.82, 0.7%, 0.24%

LAB 23.42, 42.93, -17.01

 

CMYK 0 / 20 / 83 / 60

HEX #675212

RGB 103 82 18

HSL 45.18, 0.7%, 0.24%

LAB 35.91, 1.76, 38.15

 

Description

Color code: HEX #136728 | qconv.com Color code: HEX #136728 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 103 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 103 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 61 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 61% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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