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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #133083 it is the complementary color #ECCF7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #133083. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #133083 shade: #18307E, #294291, #3A54A4, #4B66B7 and #5C78CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #133083. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #133083 shade: #133083, #021E70, #000C5D, #00004A and #000037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #133083 shade: #122F81, #131281, #311281, #4F1281 and #6D1281

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #133083 shade: #122F81 and #121281

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #133083 shade matches the following richer shades: #122F81 and #06298D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #133083 shade: #122F81, #1E3475, #2A3A69, #36405D and #424651

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #133083 shade: #126B81, #124D81, #123081, #121281 and #301281

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #133083 shade: #081439, #0D225D, #122F81, #173CA5 and #1C49C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #133083 shade: #133083, #7A1281 and #5C8112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #133083 shade: #133083, #811230 and #308112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #133083 shade: #133083, #7A1281, #816312 and #198112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #133083 shade: #133083, #811267, #816312 and #12812C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 63 / 0 / 49

HEX #133083

RGB 19 48 131

HSL 224.46, 0.75%, 0.29%

LAB 23.31, 23.05, -49.48

 

Complementary color

CMYK 0 / 12 / 47 / 7

HEX #ECCF7C

RGB 236 207 124

HSL 44.46, 0.75%, 0.71%

LAB 83.92, -0.49, 44.77

 

CMYK 81 / 62 / 0 / 51

HEX #18307E

RGB 24 48 126

HSL 225.88, 0.68%, 0.29%

LAB 23.05, 21.5, -46.74

 

CMYK 72 / 54 / 0 / 43

HEX #294291

RGB 41 66 145

HSL 225.58, 0.56%, 0.36%

LAB 30.43, 18.75, -46.53

 

CMYK 65 / 49 / 0 / 36

HEX #3A54A4

RGB 58 84 164

HSL 225.28, 0.48%, 0.44%

LAB 37.7, 16.67, -46.25

 

CMYK 59 / 44 / 0 / 28

HEX #4B66B7

RGB 75 102 183

HSL 225, 0.43%, 0.51%

LAB 44.83, 15.04, -45.99

 

CMYK 54 / 41 / 0 / 21

HEX #5C78CA

RGB 92 120 202

HSL 224.73, 0.51%, 0.58%

LAB 51.81, 13.75, -45.76

 

CMYK 85 / 63 / 0 / 49

HEX #133083

RGB 19 48 131

HSL 224.46, 0.75%, 0.29%

LAB 23.31, 23.05, -49.48

 

CMYK 98 / 73 / 0 / 56

HEX #021E70

RGB 2 30 112

HSL 224.73, 0.96%, 0.22%

LAB 16.06, 26.78, -49.28

 

CMYK 100 / 87 / 0 / 64

HEX #000C5D

RGB 0 12 93

HSL 232.26, 1%, 0.18%

LAB 9.43, 30.86, -47.72

 

CMYK 100 / 100 / 0 / 71

HEX #00004A

RGB 0 0 74

HSL 240, 1%, 0.15%

LAB 4.47, 29.36, -42.91

 

CMYK 100 / 100 / 0 / 78

HEX #000037

RGB 0 0 55

HSL 240, 1%, 0.11%

LAB 2.49, 17.51, -32.5

 

CMYK 86 / 64 / 0 / 49

HEX #122F81

RGB 18 47 129

HSL 224.32, 0.76%, 0.29%

LAB 22.82, 22.85, -49.03

 

CMYK 85 / 86 / 0 / 49

HEX #131281

RGB 19 18 129

HSL 240.54, 0.76%, 0.29%

LAB 16.29, 41.01, -59.8

 

CMYK 62 / 86 / 0 / 49

HEX #311281

RGB 49 18 129

HSL 256.76, 0.76%, 0.29%

LAB 18.67, 43.3, -55.77

 

CMYK 39 / 86 / 0 / 49

HEX #4F1281

RGB 79 18 129

HSL 272.97, 0.76%, 0.29%

LAB 22.58, 47.22, -49.19

 

CMYK 16 / 86 / 0 / 49

HEX #6D1281

RGB 109 18 129

HSL 289.19, 0.76%, 0.29%

LAB 27.49, 52.36, -41

 

CMYK 86 / 64 / 0 / 49

HEX #122F81

RGB 18 47 129

HSL 224.32, 0.76%, 0.29%

LAB 22.82, 22.85, -49.03

 

CMYK 86 / 86 / 0 / 49

HEX #121281

RGB 18 18 129

HSL 240, 0.76%, 0.29%

LAB 16.24, 40.96, -59.88

 

CMYK 86 / 64 / 0 / 49

HEX #122F81

RGB 18 47 129

HSL 224.32, 0.76%, 0.29%

LAB 22.82, 22.85, -49.03

 

CMYK 96 / 71 / 0 / 45

HEX #06298D

RGB 6 41 141

HSL 224.44, 0.92%, 0.29%

LAB 22.12, 31.14, -57.7

 

CMYK 86 / 64 / 0 / 49

HEX #122F81

RGB 18 47 129

HSL 224.32, 0.76%, 0.29%

LAB 22.82, 22.85, -49.03

 

CMYK 74 / 56 / 0 / 54

HEX #1E3475

RGB 30 52 117

HSL 224.83, 0.59%, 0.29%

LAB 23.73, 15.8, -39.92

 

CMYK 60 / 45 / 0 / 59

HEX #2A3A69

RGB 42 58 105

HSL 224.76, 0.43%, 0.29%

LAB 25.38, 9.22, -29.55

 

CMYK 42 / 31 / 0 / 64

HEX #36405D

RGB 54 64 93

HSL 224.62, 0.27%, 0.29%

LAB 27.41, 4.27, -18.54

 

CMYK 19 / 14 / 0 / 68

HEX #424651

RGB 66 70 81

HSL 224, 0.1%, 0.29%

LAB 29.74, 1.05, -7.13

 

CMYK 86 / 17 / 0 / 49

HEX #126B81

RGB 18 107 129

HSL 191.89, 0.76%, 0.29%

LAB 41.58, -16.39, -19.2

 

CMYK 86 / 40 / 0 / 49

HEX #124D81

RGB 18 77 129

HSL 208.11, 0.76%, 0.29%

LAB 31.86, 1.96, -34.43

 

CMYK 86 / 63 / 0 / 49

HEX #123081

RGB 18 48 129

HSL 223.78, 0.76%, 0.29%

LAB 23.09, 22.14, -48.57

 

CMYK 86 / 86 / 0 / 49

HEX #121281

RGB 18 18 129

HSL 240, 0.76%, 0.29%

LAB 16.24, 40.96, -59.88

 

CMYK 63 / 86 / 0 / 49

HEX #301281

RGB 48 18 129

HSL 256.22, 0.76%, 0.29%

LAB 18.57, 43.2, -55.95

 

CMYK 86 / 65 / 0 / 78

HEX #081439

RGB 8 20 57

HSL 225.31, 0.75%, 0.13%

LAB 7.65, 10.76, -25.58

 

CMYK 86 / 63 / 0 / 64

HEX #0D225D

RGB 13 34 93

HSL 224.25, 0.75%, 0.21%

LAB 15.59, 16.65, -37.55

 

CMYK 86 / 64 / 0 / 49

HEX #122F81

RGB 18 47 129

HSL 224.32, 0.76%, 0.29%

LAB 22.82, 22.85, -49.03

 

CMYK 86 / 64 / 0 / 35

HEX #173CA5

RGB 23 60 165

HSL 224.37, 0.76%, 0.37%

LAB 29.74, 28.71, -59.84

 

CMYK 86 / 64 / 0 / 21

HEX #1C49C9

RGB 28 73 201

HSL 224.39, 0.76%, 0.45%

LAB 36.42, 34.3, -70.18

 

CMYK 85 / 63 / 0 / 49

HEX #133083

RGB 19 48 131

HSL 224.46, 0.75%, 0.29%

LAB 23.31, 23.05, -49.48

 

CMYK 5 / 86 / 0 / 49

HEX #7A1281

RGB 122 18 129

HSL 296.22, 0.76%, 0.29%

LAB 29.8, 54.84, -37.16

 

CMYK 29 / 0 / 86 / 49

HEX #5C8112

RGB 92 129 18

HSL 80, 0.76%, 0.29%

LAB 49.52, -29.01, 50

 

CMYK 85 / 63 / 0 / 49

HEX #133083

RGB 19 48 131

HSL 224.46, 0.75%, 0.29%

LAB 23.31, 23.05, -49.48

 

CMYK 0 / 86 / 63 / 49

HEX #811230

RGB 129 18 48

HSL 343.78, 0.76%, 0.29%

LAB 27.61, 46.51, 12.8

 

CMYK 63 / 0 / 86 / 49

HEX #308112

RGB 48 129 18

HSL 103.78, 0.76%, 0.29%

LAB 47.46, -44.14, 47.38

 

CMYK 85 / 63 / 0 / 49

HEX #133083

RGB 19 48 131

HSL 224.46, 0.75%, 0.29%

LAB 23.31, 23.05, -49.48

 

CMYK 5 / 86 / 0 / 49

HEX #7A1281

RGB 122 18 129

HSL 296.22, 0.76%, 0.29%

LAB 29.8, 54.84, -37.16

 

CMYK 0 / 23 / 86 / 49

HEX #816312

RGB 129 99 18

HSL 43.78, 0.76%, 0.29%

LAB 43.7, 4.33, 46.2

 

CMYK 81 / 0 / 86 / 49

HEX #198112

RGB 25 129 18

HSL 116.22, 0.76%, 0.29%

LAB 46.91, -48.8, 46.68

 

CMYK 85 / 63 / 0 / 49

HEX #133083

RGB 19 48 131

HSL 224.46, 0.75%, 0.29%

LAB 23.31, 23.05, -49.48

 

CMYK 0 / 86 / 20 / 49

HEX #811267

RGB 129 18 103

HSL 314.05, 0.76%, 0.29%

LAB 29.61, 52.25, -20.81

 

CMYK 0 / 23 / 86 / 49

HEX #816312

RGB 129 99 18

HSL 43.78, 0.76%, 0.29%

LAB 43.7, 4.33, 46.2

 

CMYK 86 / 0 / 66 / 49

HEX #12812C

RGB 18 129 44

HSL 134.05, 0.76%, 0.29%

LAB 46.99, -47.43, 36.87

 

Description

Color code: HEX #133083 | qconv.com Color code: HEX #133083 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 48 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 48 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 63 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 63% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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