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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #13285D it is the complementary color #ECD7A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #13285D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #13285D shade: #182858, #293A6B, #3A4C7E, #4B5E91 and #5C70A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #13285D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #13285D shade: #13285D, #02164A, #000437, #000024 and #000011

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #13285D shade: #13285D, #13145D, #25135D, #39135D and #4D135D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #13285D shade: #13285D, #13145D and #13135D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #13285D shade matches the following richer shades: #13285D, #092466 and #00206F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #13285D shade: #13285D, #1C2C54, #252F4A, #2E3341 and #373738

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #13285D shade: #13505D, #133D5D, #13295D, #13155D and #24135D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #13285D shade: #050A18, #0C193A, #13285D, #1A367F and #2145A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #13285D shade: #13285D, #55135D and #465D13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #13285D shade: #13285D, #5D1329 and #295D13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #13285D shade: #13285D, #55135D, #5D4613 and #1A5D13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #13285D shade: #13285D, #5D134E, #5D4613 and #135D21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 57 / 0 / 64

HEX #13285D

RGB 19 40 93

HSL 222.97, 0.66%, 0.22%

LAB 17.67, 12.92, -34.15

 

Complementary color

CMYK 0 / 9 / 31 / 7

HEX #ECD7A2

RGB 236 215 162

HSL 42.97, 0.66%, 0.78%

LAB 86.53, -0.47, 28.84

 

CMYK 73 / 55 / 0 / 65

HEX #182858

RGB 24 40 88

HSL 225, 0.57%, 0.22%

LAB 17.54, 11.63, -31.03

 

CMYK 62 / 46 / 0 / 58

HEX #293A6B

RGB 41 58 107

HSL 224.55, 0.45%, 0.29%

LAB 25.44, 9.74, -30.74

 

CMYK 54 / 40 / 0 / 51

HEX #3A4C7E

RGB 58 76 126

HSL 224.12, 0.37%, 0.36%

LAB 33.08, 8.43, -30.51

 

CMYK 48 / 35 / 0 / 43

HEX #4B5E91

RGB 75 94 145

HSL 223.71, 0.32%, 0.43%

LAB 40.48, 7.47, -30.37

 

CMYK 44 / 32 / 0 / 36

HEX #5C70A4

RGB 92 112 164

HSL 223.33, 0.28%, 0.5%

LAB 47.68, 6.72, -30.3

 

CMYK 80 / 57 / 0 / 64

HEX #13285D

RGB 19 40 93

HSL 222.97, 0.66%, 0.22%

LAB 17.67, 12.92, -34.15

 

CMYK 97 / 70 / 0 / 71

HEX #02164A

RGB 2 22 74

HSL 223.33, 0.95%, 0.15%

LAB 9.65, 16.18, -34.36

 

CMYK 100 / 93 / 0 / 78

HEX #000437

RGB 0 4 55

HSL 235.64, 1%, 0.11%

LAB 3.28, 15.91, -31.23

 

CMYK 100 / 100 / 0 / 86

HEX #000024

RGB 0 0 36

HSL 240, 1%, 0.07%

LAB 1.15, 8.09, -20.19

 

CMYK 100 / 100 / 0 / 93

HEX #000011

RGB 0 0 17

HSL 240, 1%, 0.03%

LAB 0.37, 2.57, -6.99

 

CMYK 80 / 57 / 0 / 64

HEX #13285D

RGB 19 40 93

HSL 222.97, 0.66%, 0.22%

LAB 17.67, 12.92, -34.15

 

CMYK 80 / 78 / 0 / 64

HEX #13145D

RGB 19 20 93

HSL 239.19, 0.66%, 0.22%

LAB 12.15, 27.25, -43.18

 

CMYK 60 / 80 / 0 / 64

HEX #25135D

RGB 37 19 93

HSL 254.59, 0.66%, 0.22%

LAB 13.53, 30.24, -40.86

 

CMYK 39 / 80 / 0 / 64

HEX #39135D

RGB 57 19 93

HSL 270.81, 0.66%, 0.22%

LAB 16.13, 33.89, -36.49

 

CMYK 17 / 80 / 0 / 64

HEX #4D135D

RGB 77 19 93

HSL 287.03, 0.66%, 0.22%

LAB 19.37, 38.21, -31.1

 

CMYK 80 / 57 / 0 / 64

HEX #13285D

RGB 19 40 93

HSL 222.97, 0.66%, 0.22%

LAB 17.67, 12.92, -34.15

 

CMYK 80 / 78 / 0 / 64

HEX #13145D

RGB 19 20 93

HSL 239.19, 0.66%, 0.22%

LAB 12.15, 27.25, -43.18

 

CMYK 80 / 80 / 0 / 64

HEX #13135D

RGB 19 19 93

HSL 240, 0.66%, 0.22%

LAB 11.92, 27.9, -43.56

 

CMYK 80 / 57 / 0 / 64

HEX #13285D

RGB 19 40 93

HSL 222.97, 0.66%, 0.22%

LAB 17.67, 12.92, -34.15

 

CMYK 91 / 65 / 0 / 60

HEX #092466

RGB 9 36 102

HSL 222.58, 0.84%, 0.22%

LAB 16.89, 18.7, -41.38

 

CMYK 100 / 71 / 0 / 56

HEX #00206F

RGB 0 32 111

HSL 222.7, 1%, 0.22%

LAB 16.41, 24.82, -48.06

 

CMYK 80 / 57 / 0 / 64

HEX #13285D

RGB 19 40 93

HSL 222.97, 0.66%, 0.22%

LAB 17.67, 12.92, -34.15

 

CMYK 67 / 48 / 0 / 67

HEX #1C2C54

RGB 28 44 84

HSL 222.86, 0.5%, 0.22%

LAB 18.75, 7.88, -26.39

 

CMYK 50 / 36 / 0 / 71

HEX #252F4A

RGB 37 47 74

HSL 223.78, 0.33%, 0.22%

LAB 19.72, 4.3, -18.08

 

CMYK 29 / 22 / 0 / 75

HEX #2E3341

RGB 46 51 65

HSL 224.21, 0.17%, 0.22%

LAB 21.32, 1.67, -9.46

 

CMYK 2 / 2 / 0 / 78

HEX #373738

RGB 55 55 56

HSL 240, 0.01%, 0.22%

LAB 23.1, 0.23, -0.63

 

CMYK 80 / 14 / 0 / 64

HEX #13505D

RGB 19 80 93

HSL 190.54, 0.66%, 0.22%

LAB 31.03, -13.99, -13.1

 

CMYK 80 / 34 / 0 / 64

HEX #133D5D

RGB 19 61 93

HSL 205.95, 0.66%, 0.22%

LAB 24.53, -2.06, -23.19

 

CMYK 80 / 56 / 0 / 64

HEX #13295D

RGB 19 41 93

HSL 222.16, 0.66%, 0.22%

LAB 17.98, 12.18, -33.65

 

CMYK 80 / 77 / 0 / 64

HEX #13155D

RGB 19 21 93

HSL 238.38, 0.66%, 0.22%

LAB 12.38, 26.6, -42.79

 

CMYK 61 / 80 / 0 / 64

HEX #24135D

RGB 36 19 93

HSL 253.78, 0.66%, 0.22%

LAB 13.42, 30.08, -41.04

 

CMYK 79 / 58 / 0 / 91

HEX #050A18

RGB 5 10 24

HSL 224.21, 0.66%, 0.06%

LAB 2.85, 1.49, -8.07

 

CMYK 79 / 57 / 0 / 77

HEX #0C193A

RGB 12 25 58

HSL 223.04, 0.66%, 0.14%

LAB 9.63, 7.94, -23.08

 

CMYK 80 / 57 / 0 / 64

HEX #13285D

RGB 19 40 93

HSL 222.97, 0.66%, 0.22%

LAB 17.67, 12.92, -34.15

 

CMYK 80 / 57 / 0 / 50

HEX #1A367F

RGB 26 54 127

HSL 223.37, 0.66%, 0.3%

LAB 24.92, 17.89, -44.32

 

CMYK 80 / 57 / 0 / 37

HEX #2145A1

RGB 33 69 161

HSL 223.13, 0.66%, 0.38%

LAB 32.15, 21.92, -53.48

 

CMYK 80 / 57 / 0 / 64

HEX #13285D

RGB 19 40 93

HSL 222.97, 0.66%, 0.22%

LAB 17.67, 12.92, -34.15

 

CMYK 9 / 80 / 0 / 64

HEX #55135D

RGB 85 19 93

HSL 293.51, 0.66%, 0.22%

LAB 20.78, 40.06, -28.76

 

CMYK 25 / 0 / 80 / 64

HEX #465D13

RGB 70 93 19

HSL 78.65, 0.66%, 0.22%

LAB 36.32, -20.46, 37.08

 

CMYK 80 / 57 / 0 / 64

HEX #13285D

RGB 19 40 93

HSL 222.97, 0.66%, 0.22%

LAB 17.67, 12.92, -34.15

 

CMYK 0 / 80 / 56 / 64

HEX #5D1329

RGB 93 19 41

HSL 342.16, 0.66%, 0.22%

LAB 19.85, 34.62, 5.77

 

CMYK 56 / 0 / 80 / 64

HEX #295D13

RGB 41 93 19

HSL 102.16, 0.66%, 0.22%

LAB 34.7, -31.84, 34.93

 

CMYK 80 / 57 / 0 / 64

HEX #13285D

RGB 19 40 93

HSL 222.97, 0.66%, 0.22%

LAB 17.67, 12.92, -34.15

 

CMYK 9 / 80 / 0 / 64

HEX #55135D

RGB 85 19 93

HSL 293.51, 0.66%, 0.22%

LAB 20.78, 40.06, -28.76

 

CMYK 0 / 25 / 80 / 64

HEX #5D4613

RGB 93 70 19

HSL 41.35, 0.66%, 0.22%

LAB 31.24, 4.16, 32.87

 

CMYK 72 / 0 / 80 / 64

HEX #1A5D13

RGB 26 93 19

HSL 114.32, 0.66%, 0.22%

LAB 34.18, -35.98, 34.25

 

CMYK 80 / 57 / 0 / 64

HEX #13285D

RGB 19 40 93

HSL 222.97, 0.66%, 0.22%

LAB 17.67, 12.92, -34.15

 

CMYK 0 / 80 / 16 / 64

HEX #5D134E

RGB 93 19 78

HSL 312.16, 0.66%, 0.22%

LAB 21.37, 39.36, -17.67

 

CMYK 0 / 25 / 80 / 64

HEX #5D4613

RGB 93 70 19

HSL 41.35, 0.66%, 0.22%

LAB 31.24, 4.16, 32.87

 

CMYK 80 / 0 / 65 / 64

HEX #135D21

RGB 19 93 33

HSL 131.35, 0.66%, 0.22%

LAB 34.14, -35.82, 27.68

 

Description

Color code: HEX #13285D | qconv.com Color code: HEX #13285D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 40 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 40 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 57 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 57% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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