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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #131A94 it is the complementary color #ECE56B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #131A94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #131A94 shade: #181A8F, #292CA2, #3A3EB5, #4B50C8 and #5C62DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #131A94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #131A94 shade: #131A94, #020881, #00006E, #00005B and #000048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #131A94 shade: #131A94, #2F1394, #521394, #751394 and #941391

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #131A94 shade: #131A94 and #131394

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #131A94 shade matches the following richer shades: #131A94 and #050EA2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #131A94 shade: #131A94, #202687, #2E3279, #3C3E6C and #494A5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #131A94 shade: #136194, #133E94, #131B94, #2D1394 and #4F1394

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #131A94 shade: #090D4B, #0E1370, #131A94, #1820B9 and #1C27DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #131A94 shade: #131A94, #941383 and #4F9413

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #131A94 shade: #131A94, #94131B and #1B9413

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #131A94 shade: #131A94, #941383, #948C13 and #139424

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #131A94 shade: #131A94, #94135C, #948C13 and #13944B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 82 / 0 / 42

HEX #131A94

RGB 19 26 148

HSL 236.74, 0.77%, 0.33%

LAB 20.11, 43.27, -65.36

 

Complementary color

CMYK 0 / 3 / 55 / 7

HEX #ECE56B

RGB 236 229 107

HSL 56.74, 0.77%, 0.67%

LAB 89.36, -13.03, 59.3

 

CMYK 83 / 82 / 0 / 44

HEX #181A8F

RGB 24 26 143

HSL 238.99, 0.71%, 0.33%

LAB 19.7, 41.86, -62.91

 

CMYK 75 / 73 / 0 / 36

HEX #292CA2

RGB 41 44 162

HSL 238.51, 0.6%, 0.4%

LAB 26.39, 39.42, -63.5

 

CMYK 68 / 66 / 0 / 29

HEX #3A3EB5

RGB 58 62 181

HSL 238.05, 0.51%, 0.47%

LAB 33.31, 36.95, -63.49

 

CMYK 63 / 60 / 0 / 22

HEX #4B50C8

RGB 75 80 200

HSL 237.6, 0.53%, 0.54%

LAB 40.25, 34.73, -63.25

 

CMYK 58 / 55 / 0 / 14

HEX #5C62DB

RGB 92 98 219

HSL 237.17, 0.64%, 0.61%

LAB 47.14, 32.82, -62.92

 

CMYK 87 / 82 / 0 / 42

HEX #131A94

RGB 19 26 148

HSL 236.74, 0.77%, 0.33%

LAB 20.11, 43.27, -65.36

 

CMYK 98 / 94 / 0 / 49

HEX #020881

RGB 2 8 129

HSL 237.17, 0.97%, 0.26%

LAB 14.24, 44.65, -63.23

 

CMYK 100 / 100 / 0 / 57

HEX #00006E

RGB 0 0 110

HSL 240, 1%, 0.22%

LAB 10, 42.63, -58.06

 

CMYK 100 / 100 / 0 / 64

HEX #00005B

RGB 0 0 91

HSL 240, 1%, 0.18%

LAB 6.82, 37.05, -50.72

 

CMYK 100 / 100 / 0 / 72

HEX #000048

RGB 0 0 72

HSL 240, 1%, 0.14%

LAB 4.23, 28.26, -41.9

 

CMYK 87 / 82 / 0 / 42

HEX #131A94

RGB 19 26 148

HSL 236.74, 0.77%, 0.33%

LAB 20.11, 43.27, -65.36

 

CMYK 68 / 87 / 0 / 42

HEX #2F1394

RGB 47 19 148

HSL 253.02, 0.77%, 0.33%

LAB 20.86, 48.19, -64.06

 

CMYK 45 / 87 / 0 / 42

HEX #521394

RGB 82 19 148

HSL 269.3, 0.77%, 0.33%

LAB 24.94, 51.9, -57.17

 

CMYK 21 / 87 / 0 / 42

HEX #751394

RGB 117 19 148

HSL 285.58, 0.77%, 0.33%

LAB 30.37, 57.2, -48.1

 

CMYK 0 / 87 / 2 / 42

HEX #941391

RGB 148 19 145

HSL 301.4, 0.77%, 0.33%

LAB 35.61, 62.31, -37.54

 

CMYK 87 / 82 / 0 / 42

HEX #131A94

RGB 19 26 148

HSL 236.74, 0.77%, 0.33%

LAB 20.11, 43.27, -65.36

 

CMYK 87 / 87 / 0 / 42

HEX #131394

RGB 19 19 148

HSL 240, 0.77%, 0.33%

LAB 18.98, 46.6, -67.23

 

CMYK 87 / 82 / 0 / 42

HEX #131A94

RGB 19 26 148

HSL 236.74, 0.77%, 0.33%

LAB 20.11, 43.27, -65.36

 

CMYK 97 / 91 / 0 / 36

HEX #050EA2

RGB 5 14 162

HSL 236.56, 0.94%, 0.33%

LAB 19.86, 52.39, -74.38

 

CMYK 87 / 82 / 0 / 42

HEX #131A94

RGB 19 26 148

HSL 236.74, 0.77%, 0.33%

LAB 20.11, 43.27, -65.36

 

CMYK 76 / 72 / 0 / 47

HEX #202687

RGB 32 38 135

HSL 236.5, 0.62%, 0.33%

LAB 21.74, 32.62, -54.54

 

CMYK 62 / 59 / 0 / 53

HEX #2E3279

RGB 46 50 121

HSL 236.8, 0.45%, 0.33%

LAB 24.46, 21.54, -41.23

 

CMYK 44 / 43 / 0 / 58

HEX #3C3E6C

RGB 60 62 108

HSL 237.5, 0.29%, 0.33%

LAB 28.08, 12.26, -27.09

 

CMYK 22 / 21 / 0 / 63

HEX #494A5E

RGB 73 74 94

HSL 237.14, 0.13%, 0.33%

LAB 32.08, 4.47, -11.87

 

CMYK 87 / 34 / 0 / 42

HEX #136194

RGB 19 97 148

HSL 203.72, 0.77%, 0.33%

LAB 39.29, -3.14, -34.22

 

CMYK 87 / 58 / 0 / 42

HEX #133E94

RGB 19 62 148

HSL 220, 0.77%, 0.33%

LAB 28.7, 20.22, -51.22

 

CMYK 87 / 82 / 0 / 42

HEX #131B94

RGB 19 27 148

HSL 236.28, 0.77%, 0.33%

LAB 20.28, 42.75, -65.06

 

CMYK 70 / 87 / 0 / 42

HEX #2D1394

RGB 45 19 148

HSL 252.09, 0.77%, 0.33%

LAB 20.68, 48.03, -64.36

 

CMYK 47 / 87 / 0 / 42

HEX #4F1394

RGB 79 19 148

HSL 267.91, 0.77%, 0.33%

LAB 24.53, 51.51, -57.87

 

CMYK 88 / 83 / 0 / 71

HEX #090D4B

RGB 9 13 75

HSL 236.36, 0.79%, 0.16%

LAB 7.71, 23.94, -38.23

 

CMYK 88 / 83 / 0 / 56

HEX #0E1370

RGB 14 19 112

HSL 236.94, 0.78%, 0.25%

LAB 14, 34.46, -52.68

 

CMYK 87 / 82 / 0 / 42

HEX #131A94

RGB 19 26 148

HSL 236.74, 0.77%, 0.33%

LAB 20.11, 43.27, -65.36

 

CMYK 87 / 83 / 0 / 27

HEX #1820B9

RGB 24 32 185

HSL 237.02, 0.77%, 0.41%

LAB 25.95, 52.43, -78.07

 

CMYK 87 / 82 / 0 / 13

HEX #1C27DD

RGB 28 39 221

HSL 236.58, 0.78%, 0.49%

LAB 31.62, 60.4, -89.68

 

CMYK 87 / 82 / 0 / 42

HEX #131A94

RGB 19 26 148

HSL 236.74, 0.77%, 0.33%

LAB 20.11, 43.27, -65.36

 

CMYK 0 / 87 / 11 / 42

HEX #941383

RGB 148 19 131

HSL 307.91, 0.77%, 0.33%

LAB 34.8, 60.18, -30.16

 

CMYK 47 / 0 / 87 / 42

HEX #4F9413

RGB 79 148 19

HSL 92.09, 0.77%, 0.33%

LAB 54.96, -42.22, 54.23

 

CMYK 87 / 82 / 0 / 42

HEX #131A94

RGB 19 26 148

HSL 236.74, 0.77%, 0.33%

LAB 20.11, 43.27, -65.36

 

CMYK 0 / 87 / 82 / 42

HEX #94131B

RGB 148 19 27

HSL 356.28, 0.77%, 0.33%

LAB 31.44, 50.75, 31.9

 

CMYK 82 / 0 / 87 / 42

HEX #1B9413

RGB 27 148 19

HSL 116.28, 0.77%, 0.33%

LAB 53.45, -54.52, 52.32

 

CMYK 87 / 82 / 0 / 42

HEX #131A94

RGB 19 26 148

HSL 236.74, 0.77%, 0.33%

LAB 20.11, 43.27, -65.36

 

CMYK 0 / 87 / 11 / 42

HEX #941383

RGB 148 19 131

HSL 307.91, 0.77%, 0.33%

LAB 34.8, 60.18, -30.16

 

CMYK 0 / 5 / 87 / 42

HEX #948C13

RGB 148 140 19

HSL 56.28, 0.77%, 0.33%

LAB 57.17, -9.76, 57.96

 

CMYK 87 / 0 / 76 / 42

HEX #139424

RGB 19 148 36

HSL 127.91, 0.77%, 0.33%

LAB 53.43, -54.32, 47.06

 

CMYK 87 / 82 / 0 / 42

HEX #131A94

RGB 19 26 148

HSL 236.74, 0.77%, 0.33%

LAB 20.11, 43.27, -65.36

 

CMYK 0 / 87 / 38 / 42

HEX #94135C

RGB 148 19 92

HSL 326.05, 0.77%, 0.33%

LAB 32.99, 55.23, -8.17

 

CMYK 0 / 5 / 87 / 42

HEX #948C13

RGB 148 140 19

HSL 56.28, 0.77%, 0.33%

LAB 57.17, -9.76, 57.96

 

CMYK 87 / 0 / 49 / 42

HEX #13944B

RGB 19 148 75

HSL 146.05, 0.77%, 0.33%

LAB 53.84, -49.32, 29.49

 

Description

Color code: HEX #131A94 | qconv.com Color code: HEX #131A94 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 26 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 26 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 82 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 82% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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