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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12FB40 it is the complementary color #ED04BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12FB40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12FB40 shade: #17FB3B, #28FF4E, #39FF61, #4AFF74 and #5BFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12FB40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12FB40 shade: #12FB40, #01E92D, #00D71A, #00C507 and #00B300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12FB40 shade: #12FB40, #23FB12, #62FB12, #A1FB12 and #DFFB12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12FB40 shade: #12FB40, #12FB7F, #12FBBE, #12F9FB and #12BBFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12FB40 shade matches the following richer shades: #12FB40

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12FB40 shade: #12FB40, #26E84C, #39D458, #4DC164 and #60AD6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12FB40 shade: #64FB12, #26FB12, #12FB3D, #12FB7B and #12FBB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12FB40 shade: #02B826, #03E12F, #12FB40, #3BFC61 and #64FC82

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12FB40 shade: #12FB40, #12A2FB and #FB1245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12FB40 shade: #12FB40, #3D12FB and #FB3D12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12FB40 shade: #12FB40, #12A2FB, #FB12D0 and #FB6C12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12FB40 shade: #12FB40, #125CFB, #FB12D0 and #FBB112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 75 / 2

HEX #12FB40

RGB 18 251 64

HSL 131.85, 0.97%, 0.53%

LAB 86.75, -82.22, 70.77

 

Complementary color

CMYK 0 / 98 / 19 / 7

HEX #ED04BF

RGB 237 4 191

HSL 311.85, 0.97%, 0.47%

LAB 53.87, 86.71, -35.03

 

CMYK 91 / 0 / 76 / 2

HEX #17FB3B

RGB 23 251 59

HSL 129.47, 0.97%, 0.54%

LAB 86.75, -82.32, 72.34

 

CMYK 84 / 0 / 69 / 0

HEX #28FF4E

RGB 40 255 78

HSL 130.6, 1%, 0.58%

LAB 88.22, -80.84, 67.53

 

CMYK 78 / 0 / 62 / 0

HEX #39FF61

RGB 57 255 97

HSL 132.12, 1%, 0.61%

LAB 88.57, -77.27, 60.56

 

CMYK 71 / 0 / 55 / 0

HEX #4AFF74

RGB 74 255 116

HSL 133.92, 1%, 0.65%

LAB 89.03, -72.69, 52.93

 

CMYK 64 / 0 / 47 / 0

HEX #5BFF87

RGB 91 255 135

HSL 136.1, 1%, 0.68%

LAB 89.62, -67.18, 44.91

 

CMYK 93 / 0 / 75 / 2

HEX #12FB40

RGB 18 251 64

HSL 131.85, 0.97%, 0.53%

LAB 86.75, -82.22, 70.77

 

CMYK 100 / 0 / 81 / 9

HEX #01E92D

RGB 1 233 45

HSL 131.38, 0.99%, 0.46%

LAB 81, -79.1, 70.8

 

CMYK 100 / 0 / 88 / 16

HEX #00D71A

RGB 0 215 26

HSL 127.26, 1%, 0.42%

LAB 75.25, -75.16, 69.94

 

CMYK 100 / 0 / 96 / 23

HEX #00C507

RGB 0 197 7

HSL 122.13, 1%, 0.39%

LAB 69.43, -70.83, 67.72

 

CMYK 100 / 0 / 100 / 30

HEX #00B300

RGB 0 179 0

HSL 120, 1%, 0.35%

LAB 63.54, -66.08, 63.78

 

CMYK 93 / 0 / 75 / 2

HEX #12FB40

RGB 18 251 64

HSL 131.85, 0.97%, 0.53%

LAB 86.75, -82.22, 70.77

 

CMYK 86 / 0 / 93 / 2

HEX #23FB12

RGB 35 251 18

HSL 115.62, 0.97%, 0.53%

LAB 86.7, -83.27, 80.9

 

CMYK 61 / 0 / 93 / 2

HEX #62FB12

RGB 98 251 18

HSL 99.4, 0.97%, 0.53%

LAB 87.79, -73.8, 82.25

 

CMYK 36 / 0 / 93 / 2

HEX #A1FB12

RGB 161 251 18

HSL 83.18, 0.97%, 0.53%

LAB 90.14, -55.77, 85.13

 

CMYK 11 / 0 / 93 / 2

HEX #DFFB12

RGB 223 251 18

HSL 67.21, 0.97%, 0.53%

LAB 93.76, -32.52, 89.53

 

CMYK 93 / 0 / 75 / 2

HEX #12FB40

RGB 18 251 64

HSL 131.85, 0.97%, 0.53%

LAB 86.75, -82.22, 70.77

 

CMYK 93 / 0 / 49 / 2

HEX #12FB7F

RGB 18 251 127

HSL 148.07, 0.97%, 0.53%

LAB 87.32, -75.13, 45.6

 

CMYK 93 / 0 / 24 / 2

HEX #12FBBE

RGB 18 251 190

HSL 164.29, 0.97%, 0.53%

LAB 88.37, -62.97, 15.57

 

CMYK 93 / 1 / 0 / 2

HEX #12F9FB

RGB 18 249 251

HSL 180.52, 0.97%, 0.53%

LAB 89.32, -46.24, -14.74

 

CMYK 93 / 25 / 0 / 2

HEX #12BBFB

RGB 18 187 251

HSL 196.48, 0.97%, 0.53%

LAB 71.31, -16.47, -42.33

 

CMYK 93 / 0 / 75 / 2

HEX #12FB40

RGB 18 251 64

HSL 131.85, 0.97%, 0.53%

LAB 86.75, -82.22, 70.77

 

CMYK 93 / 0 / 75 / 2

HEX #12FB40

RGB 18 251 64

HSL 131.85, 0.97%, 0.53%

LAB 86.75, -82.22, 70.77

 

CMYK 84 / 0 / 67 / 9

HEX #26E84C

RGB 38 232 76

HSL 131.75, 0.81%, 0.53%

LAB 81.1, -74.5, 60.73

 

CMYK 73 / 0 / 58 / 17

HEX #39D458

RGB 57 212 88

HSL 132, 0.64%, 0.53%

LAB 75.24, -64.62, 49.19

 

CMYK 60 / 0 / 48 / 24

HEX #4DC164

RGB 77 193 100

HSL 131.9, 0.48%, 0.53%

LAB 69.92, -52.44, 37.14

 

CMYK 45 / 0 / 36 / 32

HEX #60AD6F

RGB 96 173 111

HSL 131.69, 0.32%, 0.53%

LAB 64.58, -37.4, 24.65

 

CMYK 60 / 0 / 93 / 2

HEX #64FB12

RGB 100 251 18

HSL 98.88, 0.97%, 0.53%

LAB 87.85, -73.35, 82.31

 

CMYK 85 / 0 / 93 / 2

HEX #26FB12

RGB 38 251 18

HSL 114.85, 0.97%, 0.53%

LAB 86.73, -83.02, 80.93

 

CMYK 93 / 0 / 76 / 2

HEX #12FB3D

RGB 18 251 61

HSL 131.07, 0.97%, 0.53%

LAB 86.73, -82.43, 71.7

 

CMYK 93 / 0 / 51 / 2

HEX #12FB7B

RGB 18 251 123

HSL 147.04, 0.97%, 0.53%

LAB 87.27, -75.74, 47.42

 

CMYK 93 / 0 / 26 / 2

HEX #12FBB9

RGB 18 251 185

HSL 163, 0.97%, 0.53%

LAB 88.27, -64.11, 18

 

CMYK 99 / 0 / 79 / 28

HEX #02B826

RGB 2 184 38

HSL 131.87, 0.98%, 0.36%

LAB 65.31, -65.92, 57.99

 

CMYK 99 / 0 / 79 / 12

HEX #03E12F

RGB 3 225 47

HSL 131.89, 0.97%, 0.45%

LAB 78.51, -76.75, 67.91

 

CMYK 93 / 0 / 75 / 2

HEX #12FB40

RGB 18 251 64

HSL 131.85, 0.97%, 0.53%

LAB 86.75, -82.22, 70.77

 

CMYK 77 / 0 / 62 / 1

HEX #3BFC61

RGB 59 252 97

HSL 131.81, 0.97%, 0.61%

LAB 87.69, -76.1, 59.57

 

CMYK 60 / 0 / 48 / 1

HEX #64FC82

RGB 100 252 130

HSL 131.84, 0.96%, 0.69%

LAB 88.89, -65.07, 46.42

 

CMYK 93 / 0 / 75 / 2

HEX #12FB40

RGB 18 251 64

HSL 131.85, 0.97%, 0.53%

LAB 86.75, -82.22, 70.77

 

CMYK 93 / 35 / 0 / 2

HEX #12A2FB

RGB 18 162 251

HSL 202.92, 0.97%, 0.53%

LAB 64.11, -2.67, -53.67

 

CMYK 0 / 93 / 73 / 2

HEX #FB1245

RGB 251 18 69

HSL 346.87, 0.97%, 0.53%

LAB 53.35, 79.08, 37.26

 

CMYK 93 / 0 / 75 / 2

HEX #12FB40

RGB 18 251 64

HSL 131.85, 0.97%, 0.53%

LAB 86.75, -82.22, 70.77

 

CMYK 76 / 93 / 0 / 2

HEX #3D12FB

RGB 61 18 251

HSL 251.07, 0.97%, 0.53%

LAB 34.78, 76.28, -101.42

 

CMYK 0 / 76 / 93 / 2

HEX #FB3D12

RGB 251 61 18

HSL 11.07, 0.97%, 0.53%

LAB 55.98, 69.26, 63.74

 

CMYK 93 / 0 / 75 / 2

HEX #12FB40

RGB 18 251 64

HSL 131.85, 0.97%, 0.53%

LAB 86.75, -82.22, 70.77

 

CMYK 93 / 35 / 0 / 2

HEX #12A2FB

RGB 18 162 251

HSL 202.92, 0.97%, 0.53%

LAB 64.11, -2.67, -53.67

 

CMYK 0 / 93 / 17 / 2

HEX #FB12D0

RGB 251 18 208

HSL 311.07, 0.97%, 0.53%

LAB 57.56, 90.27, -38.85

 

CMYK 0 / 57 / 93 / 2

HEX #FB6C12

RGB 251 108 18

HSL 23.18, 0.97%, 0.53%

LAB 62.74, 51.03, 68.06

 

CMYK 93 / 0 / 75 / 2

HEX #12FB40

RGB 18 251 64

HSL 131.85, 0.97%, 0.53%

LAB 86.75, -82.22, 70.77

 

CMYK 93 / 63 / 0 / 2

HEX #125CFB

RGB 18 92 251

HSL 220.94, 0.97%, 0.53%

LAB 45.29, 40.43, -84.08

 

CMYK 0 / 93 / 17 / 2

HEX #FB12D0

RGB 251 18 208

HSL 311.07, 0.97%, 0.53%

LAB 57.56, 90.27, -38.85

 

CMYK 0 / 29 / 93 / 2

HEX #FBB112

RGB 251 177 18

HSL 40.94, 0.97%, 0.53%

LAB 77.28, 16.14, 78.2

 

Description

Color code: HEX #12FB40 | qconv.com Color code: HEX #12FB40 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 251 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 251 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 75 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 75% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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