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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12E4A5 it is the complementary color #ED1B5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12E4A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12E4A5 shade: #17E4A0, #28F6B3, #39FFC6, #4AFFD9 and #5BFFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12E4A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12E4A5 shade: #12E4A5, #01D292, #00C07F, #00AE6C and #009C59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12E4A5 shade: #12E2A4, #12E26B, #12E233, #29E212 and #61E212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12E4A5 shade: #12E2A4, #12E2DC, #12B0E2, #1278E2 and #1240E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12E4A5 shade matches the following richer shades: #12E2A4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12E4A5 shade: #12E2A4, #26CE9C, #39BA94, #4DA78C and #619384

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12E4A5 shade: #12E235, #12E26C, #12E2A4, #12E2DB and #12B1E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12E4A5 shade: #0C966C, #0FBC88, #12E2A4, #2FEEB5 and #56F1C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12E4A5 shade: #12E4A5, #1227E2 and #E25012

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12E4A5 shade: #12E4A5, #A412E2 and #E2A412

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12E4A5 shade: #12E4A5, #1227E2, #E21250 and #E2CD12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12E4A5 shade: #12E4A5, #3B12E2, #E21250 and #B8E212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 28 / 11

HEX #12E4A5

RGB 18 228 165

HSL 162, 0.85%, 0.48%

LAB 80.92, -60.13, 18.11

 

Complementary color

CMYK 0 / 89 / 62 / 7

HEX #ED1B5A

RGB 237 27 90

HSL 342, 0.85%, 0.52%

LAB 51.3, 75.54, 21.54

 

CMYK 90 / 0 / 30 / 11

HEX #17E4A0

RGB 23 228 160

HSL 160.1, 0.82%, 0.49%

LAB 80.85, -61.01, 20.62

 

CMYK 84 / 0 / 27 / 4

HEX #28F6B3

RGB 40 246 179

HSL 160.49, 0.92%, 0.56%

LAB 86.81, -62.4, 19.07

 

CMYK 78 / 0 / 22 / 0

HEX #39FFC6

RGB 57 255 198

HSL 162.73, 1%, 0.61%

LAB 90.08, -60.05, 13.91

 

CMYK 71 / 0 / 15 / 0

HEX #4AFFD9

RGB 74 255 217

HSL 167.4, 1%, 0.65%

LAB 90.77, -53.64, 5.13

 

CMYK 64 / 0 / 7 / 0

HEX #5BFFEC

RGB 91 255 236

HSL 173.05, 1%, 0.68%

LAB 91.6, -46.57, -3.47

 

CMYK 92 / 0 / 28 / 11

HEX #12E4A5

RGB 18 228 165

HSL 162, 0.85%, 0.48%

LAB 80.92, -60.13, 18.11

 

CMYK 100 / 0 / 30 / 18

HEX #01D292

RGB 1 210 146

HSL 161.63, 0.99%, 0.41%

LAB 74.94, -58.29, 19.78

 

CMYK 100 / 0 / 34 / 25

HEX #00C07F

RGB 0 192 127

HSL 159.69, 1%, 0.38%

LAB 68.92, -55.9, 21.61

 

CMYK 100 / 0 / 38 / 32

HEX #00AE6C

RGB 0 174 108

HSL 157.24, 1%, 0.34%

LAB 62.81, -53.39, 23.53

 

CMYK 100 / 0 / 43 / 39

HEX #009C59

RGB 0 156 89

HSL 154.23, 1%, 0.31%

LAB 56.58, -50.75, 25.52

 

CMYK 92 / 0 / 27 / 11

HEX #12E2A4

RGB 18 226 164

HSL 162.12, 0.85%, 0.48%

LAB 80.29, -59.61, 17.75

 

CMYK 92 / 0 / 53 / 11

HEX #12E26B

RGB 18 226 107

HSL 145.67, 0.85%, 0.48%

LAB 79.38, -70.29, 45.24

 

CMYK 92 / 0 / 77 / 11

HEX #12E233

RGB 18 226 51

HSL 129.52, 0.85%, 0.48%

LAB 78.9, -76.2, 67.14

 

CMYK 82 / 0 / 92 / 11

HEX #29E212

RGB 41 226 18

HSL 113.37, 0.85%, 0.48%

LAB 78.99, -75.87, 74.5

 

CMYK 57 / 0 / 92 / 11

HEX #61E212

RGB 97 226 18

HSL 97.21, 0.85%, 0.48%

LAB 80.17, -65.83, 75.96

 

CMYK 92 / 0 / 27 / 11

HEX #12E2A4

RGB 18 226 164

HSL 162.12, 0.85%, 0.48%

LAB 80.29, -59.61, 17.75

 

CMYK 92 / 0 / 3 / 11

HEX #12E2DC

RGB 18 226 220

HSL 178.27, 0.85%, 0.48%

LAB 81.67, -45.16, -9.87

 

CMYK 92 / 22 / 0 / 11

HEX #12B0E2

RGB 18 176 226

HSL 194.42, 0.85%, 0.48%

LAB 67.03, -19.34, -35.4

 

CMYK 92 / 47 / 0 / 11

HEX #1278E2

RGB 18 120 226

HSL 210.58, 0.85%, 0.48%

LAB 50.75, 13.08, -61.18

 

CMYK 92 / 72 / 0 / 11

HEX #1240E2

RGB 18 64 226

HSL 226.73, 0.85%, 0.48%

LAB 36.53, 48.56, -84.41

 

CMYK 92 / 0 / 27 / 11

HEX #12E2A4

RGB 18 226 164

HSL 162.12, 0.85%, 0.48%

LAB 80.29, -59.61, 17.75

 

CMYK 92 / 0 / 27 / 11

HEX #12E2A4

RGB 18 226 164

HSL 162.12, 0.85%, 0.48%

LAB 80.29, -59.61, 17.75

 

CMYK 82 / 0 / 24 / 19

HEX #26CE9C

RGB 38 206 156

HSL 162.14, 0.69%, 0.48%

LAB 74.16, -52.52, 13.42

 

CMYK 69 / 0 / 20 / 27

HEX #39BA94

RGB 57 186 148

HSL 162.33, 0.53%, 0.48%

LAB 68.11, -43.95, 9.23

 

CMYK 54 / 0 / 16 / 35

HEX #4DA78C

RGB 77 167 140

HSL 162, 0.37%, 0.48%

LAB 62.6, -33.61, 5.84

 

CMYK 34 / 0 / 10 / 42

HEX #619384

RGB 97 147 132

HSL 162, 0.2%, 0.48%

LAB 57.15, -20.26, 2.61

 

CMYK 92 / 0 / 77 / 11

HEX #12E235

RGB 18 226 53

HSL 130.1, 0.85%, 0.48%

LAB 78.91, -76.07, 66.54

 

CMYK 92 / 0 / 52 / 11

HEX #12E26C

RGB 18 226 108

HSL 145.96, 0.85%, 0.48%

LAB 79.39, -70.15, 44.78

 

CMYK 92 / 0 / 27 / 11

HEX #12E2A4

RGB 18 226 164

HSL 162.12, 0.85%, 0.48%

LAB 80.29, -59.61, 17.75

 

CMYK 92 / 0 / 3 / 11

HEX #12E2DB

RGB 18 226 219

HSL 177.98, 0.85%, 0.48%

LAB 81.64, -45.44, -9.38

 

CMYK 92 / 22 / 0 / 11

HEX #12B1E2

RGB 18 177 226

HSL 194.13, 0.85%, 0.48%

LAB 67.32, -19.87, -34.94

 

CMYK 92 / 0 / 28 / 41

HEX #0C966C

RGB 12 150 108

HSL 161.74, 0.85%, 0.32%

LAB 55.05, -43.66, 12.94

 

CMYK 92 / 0 / 28 / 26

HEX #0FBC88

RGB 15 188 136

HSL 161.97, 0.85%, 0.4%

LAB 67.91, -51.8, 15.39

 

CMYK 92 / 0 / 27 / 11

HEX #12E2A4

RGB 18 226 164

HSL 162.12, 0.85%, 0.48%

LAB 80.29, -59.61, 17.75

 

CMYK 80 / 0 / 24 / 7

HEX #2FEEB5

RGB 47 238 181

HSL 162.09, 0.85%, 0.56%

LAB 84.53, -58.35, 14.85

 

CMYK 64 / 0 / 20 / 5

HEX #56F1C2

RGB 86 241 194

HSL 161.81, 0.85%, 0.64%

LAB 86.4, -51.58, 10.83

 

CMYK 92 / 0 / 28 / 11

HEX #12E4A5

RGB 18 228 165

HSL 162, 0.85%, 0.48%

LAB 80.92, -60.13, 18.11

 

CMYK 92 / 83 / 0 / 11

HEX #1227E2

RGB 18 39 226

HSL 233.94, 0.85%, 0.48%

LAB 31.97, 61.65, -91.98

 

CMYK 0 / 65 / 92 / 11

HEX #E25012

RGB 226 80 18

HSL 17.88, 0.85%, 0.48%

LAB 53.97, 54.51, 60.24

 

CMYK 92 / 0 / 28 / 11

HEX #12E4A5

RGB 18 228 165

HSL 162, 0.85%, 0.48%

LAB 80.92, -60.13, 18.11

 

CMYK 27 / 92 / 0 / 11

HEX #A412E2

RGB 164 18 226

HSL 282.12, 0.85%, 0.48%

LAB 43.97, 79.1, -71.71

 

CMYK 0 / 27 / 92 / 11

HEX #E2A412

RGB 226 164 18

HSL 42.12, 0.85%, 0.48%

LAB 71.39, 12.27, 72.64

 

CMYK 92 / 0 / 28 / 11

HEX #12E4A5

RGB 18 228 165

HSL 162, 0.85%, 0.48%

LAB 80.92, -60.13, 18.11

 

CMYK 92 / 83 / 0 / 11

HEX #1227E2

RGB 18 39 226

HSL 233.94, 0.85%, 0.48%

LAB 31.97, 61.65, -91.98

 

CMYK 0 / 92 / 65 / 11

HEX #E21250

RGB 226 18 80

HSL 342.12, 0.85%, 0.48%

LAB 48.49, 73.56, 23.53

 

CMYK 0 / 9 / 92 / 11

HEX #E2CD12

RGB 226 205 18

HSL 53.94, 0.85%, 0.48%

LAB 81.77, -9.09, 80.43

 

CMYK 92 / 0 / 28 / 11

HEX #12E4A5

RGB 18 228 165

HSL 162, 0.85%, 0.48%

LAB 80.92, -60.13, 18.11

 

CMYK 74 / 92 / 0 / 11

HEX #3B12E2

RGB 59 18 226

HSL 251.83, 0.85%, 0.48%

LAB 31.47, 70, -92.75

 

CMYK 0 / 92 / 65 / 11

HEX #E21250

RGB 226 18 80

HSL 342.12, 0.85%, 0.48%

LAB 48.49, 73.56, 23.53

 

CMYK 19 / 0 / 92 / 11

HEX #B8E212

RGB 184 226 18

HSL 72.12, 0.85%, 0.48%

LAB 84.29, -36.7, 81.01

 

Description

Color code: HEX #12E4A5 | qconv.com Color code: HEX #12E4A5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 228 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 228 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 28 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 28% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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