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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12D7C8 it is the complementary color #ED2837. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12D7C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12D7C8 shade: #17D7C3, #28E9D6, #39FBE9, #4AFFFC and #5BFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12D7C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12D7C8 shade: #12D7C8, #01C5B5, #00B3A2, #00A18F and #008F7C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12D7C8 shade: #11D9C9, #11D994, #11D95E, #11D928 and #30D911

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12D7C8 shade: #11D9C9, #11B2D9, #117CD9, #1146D9 and #1111D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12D7C8 shade matches the following richer shades: #11D9C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12D7C8 shade: #11D9C9, #24C6B9, #37B3A9, #4AA099 and #5D8D89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12D7C8 shade: #11D95E, #11D993, #11D9C8, #11B4D9 and #117FD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12D7C8 shade: #0B8C82, #0EB2A6, #11D9C9, #26EDDE and #4CF0E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12D7C8 shade: #12D7C8, #2811D9 and #D97811

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12D7C8 shade: #12D7C8, #C811D9 and #D9C811

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12D7C8 shade: #12D7C8, #2811D9, #D91122 and #C1D911

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12D7C8 shade: #12D7C8, #6411D9, #D91122 and #85D911

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 7 / 16

HEX #12D7C8

RGB 18 215 200

HSL 175.43, 0.85%, 0.46%

LAB 77.82, -46.08, -4.92

 

Complementary color

CMYK 0 / 83 / 77 / 7

HEX #ED2837

RGB 237 40 55

HSL 355.43, 0.85%, 0.54%

LAB 51.61, 71.6, 42.55

 

CMYK 89 / 0 / 9 / 16

HEX #17D7C3

RGB 23 215 195

HSL 173.75, 0.81%, 0.47%

LAB 77.71, -47.25, -2.39

 

CMYK 83 / 0 / 8 / 9

HEX #28E9D6

RGB 40 233 214

HSL 174.09, 0.81%, 0.54%

LAB 83.75, -48.66, -3.6

 

CMYK 77 / 0 / 7 / 2

HEX #39FBE9

RGB 57 251 233

HSL 174.43, 0.96%, 0.6%

LAB 89.74, -49.77, -4.71

 

CMYK 71 / 0 / 1 / 0

HEX #4AFFFC

RGB 74 255 252

HSL 179.01, 1%, 0.65%

LAB 91.69, -44.61, -11.66

 

CMYK 64 / 0 / 0 / 0

HEX #5BFFFF

RGB 91 255 255

HSL 180, 1%, 0.68%

LAB 92.12, -41.61, -12.54

 

CMYK 92 / 0 / 7 / 16

HEX #12D7C8

RGB 18 215 200

HSL 175.43, 0.85%, 0.46%

LAB 77.82, -46.08, -4.92

 

CMYK 99 / 0 / 8 / 23

HEX #01C5B5

RGB 1 197 181

HSL 175.1, 0.99%, 0.39%

LAB 71.74, -44.24, -3.61

 

CMYK 100 / 0 / 9 / 30

HEX #00B3A2

RGB 0 179 162

HSL 174.3, 1%, 0.35%

LAB 65.63, -41.91, -2.16

 

CMYK 100 / 0 / 11 / 37

HEX #00A18F

RGB 0 161 143

HSL 173.29, 1%, 0.32%

LAB 59.41, -39.5, -0.64

 

CMYK 100 / 0 / 13 / 44

HEX #008F7C

RGB 0 143 124

HSL 172.03, 1%, 0.28%

LAB 53.06, -37.05, 0.94

 

CMYK 92 / 0 / 7 / 15

HEX #11D9C9

RGB 17 217 201

HSL 175.2, 0.85%, 0.46%

LAB 78.44, -46.69, -4.53

 

CMYK 92 / 0 / 32 / 15

HEX #11D994

RGB 17 217 148

HSL 159.3, 0.85%, 0.46%

LAB 77.21, -59.87, 21.86

 

CMYK 92 / 0 / 57 / 15

HEX #11D95E

RGB 17 217 94

HSL 143.1, 0.85%, 0.46%

LAB 76.41, -69.36, 47.72

 

CMYK 92 / 0 / 82 / 15

HEX #11D928

RGB 17 217 40

HSL 126.9, 0.85%, 0.46%

LAB 76.01, -74.41, 67.51

 

CMYK 78 / 0 / 92 / 15

HEX #30D911

RGB 48 217 17

HSL 110.7, 0.85%, 0.46%

LAB 76.25, -72.5, 72.38

 

CMYK 92 / 0 / 7 / 15

HEX #11D9C9

RGB 17 217 201

HSL 175.2, 0.85%, 0.46%

LAB 78.44, -46.69, -4.53

 

CMYK 92 / 18 / 0 / 15

HEX #11B2D9

RGB 17 178 217

HSL 191.7, 0.85%, 0.46%

LAB 67.25, -23.51, -30.11

 

CMYK 92 / 43 / 0 / 15

HEX #117CD9

RGB 17 124 217

HSL 207.9, 0.85%, 0.46%

LAB 51.32, 7.05, -55.19

 

CMYK 92 / 68 / 0 / 15

HEX #1146D9

RGB 17 70 217

HSL 224.1, 0.85%, 0.46%

LAB 36.95, 41.66, -78.56

 

CMYK 92 / 92 / 0 / 15

HEX #1111D9

RGB 17 17 217

HSL 240, 0.85%, 0.46%

LAB 28.19, 66.83, -93.09

 

CMYK 92 / 0 / 7 / 15

HEX #11D9C9

RGB 17 217 201

HSL 175.2, 0.85%, 0.46%

LAB 78.44, -46.69, -4.53

 

CMYK 92 / 0 / 7 / 15

HEX #11D9C9

RGB 17 217 201

HSL 175.2, 0.85%, 0.46%

LAB 78.44, -46.69, -4.53

 

CMYK 82 / 0 / 7 / 22

HEX #24C6B9

RGB 36 198 185

HSL 175.19, 0.69%, 0.46%

LAB 72.41, -41.85, -4.78

 

CMYK 69 / 0 / 6 / 30

HEX #37B3A9

RGB 55 179 169

HSL 175.16, 0.53%, 0.46%

LAB 66.46, -35.67, -4.75

 

CMYK 54 / 0 / 4 / 37

HEX #4AA099

RGB 74 160 153

HSL 175.12, 0.37%, 0.46%

LAB 60.69, -27.6, -4.25

 

CMYK 34 / 0 / 3 / 45

HEX #5D8D89

RGB 93 141 137

HSL 175, 0.21%, 0.46%

LAB 55.26, -17.11, -3.04

 

CMYK 92 / 0 / 57 / 15

HEX #11D95E

RGB 17 217 94

HSL 143.1, 0.85%, 0.46%

LAB 76.41, -69.36, 47.72

 

CMYK 92 / 0 / 32 / 15

HEX #11D993

RGB 17 217 147

HSL 159, 0.85%, 0.46%

LAB 77.19, -60.09, 22.36

 

CMYK 92 / 0 / 8 / 15

HEX #11D9C8

RGB 17 217 200

HSL 174.9, 0.85%, 0.46%

LAB 78.41, -46.97, -4.04

 

CMYK 92 / 17 / 0 / 15

HEX #11B4D9

RGB 17 180 217

HSL 191.1, 0.85%, 0.46%

LAB 67.85, -24.53, -29.19

 

CMYK 92 / 41 / 0 / 15

HEX #117FD9

RGB 17 127 217

HSL 207, 0.85%, 0.46%

LAB 52.18, 5.2, -53.81

 

CMYK 92 / 0 / 7 / 45

HEX #0B8C82

RGB 11 140 130

HSL 175.35, 0.85%, 0.3%

LAB 52.33, -33.36, -3.59

 

CMYK 92 / 0 / 7 / 30

HEX #0EB2A6

RGB 14 178 166

HSL 175.61, 0.85%, 0.38%

LAB 65.5, -39.81, -4.55

 

CMYK 92 / 0 / 7 / 15

HEX #11D9C9

RGB 17 217 201

HSL 175.2, 0.85%, 0.46%

LAB 78.44, -46.69, -4.53

 

CMYK 84 / 0 / 6 / 7

HEX #26EDDE

RGB 38 237 222

HSL 175.48, 0.85%, 0.54%

LAB 85.13, -48.31, -5.79

 

CMYK 68 / 0 / 5 / 6

HEX #4CF0E4

RGB 76 240 228

HSL 175.61, 0.85%, 0.62%

LAB 86.73, -44.23, -6.5

 

CMYK 92 / 0 / 7 / 16

HEX #12D7C8

RGB 18 215 200

HSL 175.43, 0.85%, 0.46%

LAB 77.82, -46.08, -4.92

 

CMYK 82 / 92 / 0 / 15

HEX #2811D9

RGB 40 17 217

HSL 246.9, 0.85%, 0.46%

LAB 29.06, 67.29, -91.62

 

CMYK 0 / 45 / 92 / 15

HEX #D97811

RGB 217 120 17

HSL 30.9, 0.85%, 0.46%

LAB 60.09, 31.87, 64.1

 

CMYK 92 / 0 / 7 / 16

HEX #12D7C8

RGB 18 215 200

HSL 175.43, 0.85%, 0.46%

LAB 77.82, -46.08, -4.92

 

CMYK 8 / 92 / 0 / 15

HEX #C811D9

RGB 200 17 217

HSL 294.9, 0.85%, 0.46%

LAB 49.12, 82.9, -57.95

 

CMYK 0 / 8 / 92 / 15

HEX #D9C811

RGB 217 200 17

HSL 54.9, 0.85%, 0.46%

LAB 79.67, -10.45, 78.62

 

CMYK 92 / 0 / 7 / 16

HEX #12D7C8

RGB 18 215 200

HSL 175.43, 0.85%, 0.46%

LAB 77.82, -46.08, -4.92

 

CMYK 82 / 92 / 0 / 15

HEX #2811D9

RGB 40 17 217

HSL 246.9, 0.85%, 0.46%

LAB 29.06, 67.29, -91.62

 

CMYK 0 / 92 / 84 / 15

HEX #D91122

RGB 217 17 34

HSL 354.9, 0.85%, 0.46%

LAB 46, 69.77, 46.99

 

CMYK 11 / 0 / 92 / 15

HEX #C1D911

RGB 193 217 17

HSL 67.2, 0.85%, 0.46%

LAB 82.38, -28.93, 79.89

 

CMYK 92 / 0 / 7 / 16

HEX #12D7C8

RGB 18 215 200

HSL 175.43, 0.85%, 0.46%

LAB 77.82, -46.08, -4.92

 

CMYK 54 / 92 / 0 / 15

HEX #6411D9

RGB 100 17 217

HSL 264.9, 0.85%, 0.46%

LAB 34.23, 70.51, -82.88

 

CMYK 0 / 92 / 84 / 15

HEX #D91122

RGB 217 17 34

HSL 354.9, 0.85%, 0.46%

LAB 46, 69.77, 46.99

 

CMYK 39 / 0 / 92 / 15

HEX #85D911

RGB 133 217 17

HSL 85.2, 0.85%, 0.46%

LAB 78.84, -51.83, 75.58

 

Description

Color code: HEX #12D7C8 | qconv.com Color code: HEX #12D7C8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 215 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 215 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 7% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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