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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12CE88 it is the complementary color #ED3177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12CE88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12CE88 shade: #17CE83, #28E096, #39F2A9, #4AFFBC and #5BFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12CE88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12CE88 shade: #12CE88, #01BC75, #00AA62, #00984F and #00863C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12CE88 shade: #11CE88, #11CE55, #11CE22, #34CE11 and #66CE11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12CE88 shade: #11CE88, #11CEBB, #11AECE, #117CCE and #1149CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12CE88 shade matches the following richer shades: #11CE88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12CE88 shade: #11CE88, #24BC83, #36AA7E, #48977A and #5A8575

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12CE88 shade: #11CE21, #11CE53, #11CE86, #11CEB8 and #11B2CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12CE88 shade: #0B8256, #0EA86F, #11CE88, #1EEB9F and #44EEAF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12CE88 shade: #12CE88, #1134CE and #CE3A11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12CE88 shade: #12CE88, #8611CE and #CE8611

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12CE88 shade: #12CE88, #1134CE, #CE115A and #CEAB11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12CE88 shade: #12CE88, #2711CE, #CE115A and #B8CE11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 34 / 19

HEX #12CE88

RGB 18 206 136

HSL 157.66, 0.84%, 0.44%

LAB 73.58, -58.38, 23.2

 

Complementary color

CMYK 0 / 79 / 50 / 7

HEX #ED3177

RGB 237 49 119

HSL 337.66, 0.84%, 0.56%

LAB 53.53, 72.97, 7.07

 

CMYK 89 / 0 / 36 / 19

HEX #17CE83

RGB 23 206 131

HSL 155.41, 0.8%, 0.45%

LAB 73.52, -59.14, 25.75

 

CMYK 82 / 0 / 33 / 12

HEX #28E096

RGB 40 224 150

HSL 155.87, 0.75%, 0.52%

LAB 79.59, -60.49, 24.11

 

CMYK 76 / 0 / 30 / 5

HEX #39F2A9

RGB 57 242 169

HSL 156.32, 0.88%, 0.59%

LAB 85.62, -61.47, 22.6

 

CMYK 71 / 0 / 26 / 0

HEX #4AFFBC

RGB 74 255 188

HSL 157.79, 1%, 0.65%

LAB 90.14, -60.27, 19.17

 

CMYK 64 / 0 / 19 / 0

HEX #5BFFCF

RGB 91 255 207

HSL 162.44, 1%, 0.68%

LAB 90.89, -53.55, 10.52

 

CMYK 91 / 0 / 34 / 19

HEX #12CE88

RGB 18 206 136

HSL 157.66, 0.84%, 0.44%

LAB 73.58, -58.38, 23.2

 

CMYK 99 / 0 / 38 / 26

HEX #01BC75

RGB 1 188 117

HSL 157.22, 0.99%, 0.37%

LAB 67.47, -56.52, 24.97

 

CMYK 100 / 0 / 42 / 33

HEX #00AA62

RGB 0 170 98

HSL 154.59, 1%, 0.33%

LAB 61.33, -53.97, 26.92

 

CMYK 100 / 0 / 48 / 40

HEX #00984F

RGB 0 152 79

HSL 151.18, 1%, 0.3%

LAB 55.09, -51.23, 28.94

 

CMYK 100 / 0 / 55 / 47

HEX #00863C

RGB 0 134 60

HSL 146.87, 1%, 0.26%

LAB 48.73, -48.28, 30.97

 

CMYK 92 / 0 / 34 / 19

HEX #11CE88

RGB 17 206 136

HSL 157.78, 0.85%, 0.44%

LAB 73.57, -58.43, 23.19

 

CMYK 92 / 0 / 59 / 19

HEX #11CE55

RGB 17 206 85

HSL 141.59, 0.85%, 0.44%

LAB 72.84, -67.15, 47.62

 

CMYK 92 / 0 / 83 / 19

HEX #11CE22

RGB 17 206 34

HSL 125.4, 0.85%, 0.44%

LAB 72.48, -71.66, 65.79

 

CMYK 75 / 0 / 92 / 19

HEX #34CE11

RGB 52 206 17

HSL 108.89, 0.85%, 0.44%

LAB 72.83, -68.69, 69.55

 

CMYK 50 / 0 / 92 / 19

HEX #66CE11

RGB 102 206 17

HSL 93.02, 0.85%, 0.44%

LAB 74.19, -57.46, 71.23

 

CMYK 92 / 0 / 34 / 19

HEX #11CE88

RGB 17 206 136

HSL 157.78, 0.85%, 0.44%

LAB 73.57, -58.43, 23.19

 

CMYK 92 / 0 / 9 / 19

HEX #11CEBB

RGB 17 206 187

HSL 173.97, 0.85%, 0.44%

LAB 74.73, -45.9, -2.46

 

CMYK 92 / 16 / 0 / 19

HEX #11AECE

RGB 17 174 206

HSL 190.16, 0.85%, 0.44%

LAB 65.63, -25.18, -26.55

 

CMYK 92 / 40 / 0 / 19

HEX #117CCE

RGB 17 124 206

HSL 206.03, 0.85%, 0.44%

LAB 50.68, 2.78, -49.99

 

CMYK 92 / 65 / 0 / 19

HEX #1149CE

RGB 17 73 206

HSL 222.22, 0.85%, 0.44%

LAB 36.63, 35.64, -72.74

 

CMYK 92 / 0 / 34 / 19

HEX #11CE88

RGB 17 206 136

HSL 157.78, 0.85%, 0.44%

LAB 73.57, -58.43, 23.19

 

CMYK 92 / 0 / 34 / 19

HEX #11CE88

RGB 17 206 136

HSL 157.78, 0.85%, 0.44%

LAB 73.57, -58.43, 23.19

 

CMYK 81 / 0 / 30 / 26

HEX #24BC83

RGB 36 188 131

HSL 157.5, 0.68%, 0.44%

LAB 68.01, -51.39, 18.26

 

CMYK 68 / 0 / 26 / 33

HEX #36AA7E

RGB 54 170 126

HSL 157.24, 0.52%, 0.44%

LAB 62.54, -42.83, 13.45

 

CMYK 52 / 0 / 19 / 41

HEX #48977A

RGB 72 151 122

HSL 157.97, 0.35%, 0.44%

LAB 56.99, -31.53, 7.94

 

CMYK 32 / 0 / 12 / 48

HEX #5A8575

RGB 90 133 117

HSL 157.67, 0.19%, 0.44%

LAB 52.1, -18.53, 3.91

 

CMYK 92 / 0 / 84 / 19

HEX #11CE21

RGB 17 206 33

HSL 125.08, 0.85%, 0.44%

LAB 72.48, -71.71, 66.03

 

CMYK 92 / 0 / 60 / 19

HEX #11CE53

RGB 17 206 83

HSL 140.95, 0.85%, 0.44%

LAB 72.82, -67.4, 48.5

 

CMYK 92 / 0 / 35 / 19

HEX #11CE86

RGB 17 206 134

HSL 157.14, 0.85%, 0.44%

LAB 73.53, -58.85, 24.19

 

CMYK 92 / 0 / 11 / 19

HEX #11CEB8

RGB 17 206 184

HSL 173.02, 0.85%, 0.44%

LAB 74.65, -46.73, -0.96

 

CMYK 92 / 14 / 0 / 19

HEX #11B2CE

RGB 17 178 206

HSL 188.89, 0.85%, 0.44%

LAB 66.84, -27.19, -24.7

 

CMYK 92 / 0 / 34 / 49

HEX #0B8256

RGB 11 130 86

HSL 157.82, 0.84%, 0.28%

LAB 47.89, -40.93, 15.58

 

CMYK 92 / 0 / 34 / 34

HEX #0EA86F

RGB 14 168 111

HSL 157.79, 0.85%, 0.36%

LAB 61, -49.88, 19.47

 

CMYK 92 / 0 / 34 / 19

HEX #11CE88

RGB 17 206 136

HSL 157.78, 0.85%, 0.44%

LAB 73.57, -58.43, 23.19

 

CMYK 87 / 0 / 32 / 8

HEX #1EEB9F

RGB 30 235 159

HSL 157.76, 0.84%, 0.52%

LAB 83.02, -63.36, 24.12

 

CMYK 71 / 0 / 26 / 7

HEX #44EEAF

RGB 68 238 175

HSL 157.76, 0.83%, 0.6%

LAB 84.73, -57.31, 18.29

 

CMYK 91 / 0 / 34 / 19

HEX #12CE88

RGB 18 206 136

HSL 157.66, 0.84%, 0.44%

LAB 73.58, -58.38, 23.2

 

CMYK 92 / 75 / 0 / 19

HEX #1134CE

RGB 17 52 206

HSL 228.89, 0.85%, 0.44%

LAB 31.88, 48.57, -80.58

 

CMYK 0 / 72 / 92 / 19

HEX #CE3A11

RGB 206 58 17

HSL 13.02, 0.85%, 0.44%

LAB 47.22, 56.46, 54.29

 

CMYK 91 / 0 / 34 / 19

HEX #12CE88

RGB 18 206 136

HSL 157.66, 0.84%, 0.44%

LAB 73.58, -58.38, 23.2

 

CMYK 35 / 92 / 0 / 19

HEX #8611CE

RGB 134 17 206

HSL 277.14, 0.85%, 0.44%

LAB 37.71, 71.6, -70.63

 

CMYK 0 / 35 / 92 / 19

HEX #CE8611

RGB 206 134 17

HSL 37.14, 0.85%, 0.44%

LAB 61.84, 19.71, 64.72

 

CMYK 91 / 0 / 34 / 19

HEX #12CE88

RGB 18 206 136

HSL 157.66, 0.84%, 0.44%

LAB 73.58, -58.38, 23.2

 

CMYK 92 / 75 / 0 / 19

HEX #1134CE

RGB 17 52 206

HSL 228.89, 0.85%, 0.44%

LAB 31.88, 48.57, -80.58

 

CMYK 0 / 92 / 56 / 19

HEX #CE115A

RGB 206 17 90

HSL 336.83, 0.85%, 0.44%

LAB 44.6, 69.47, 11.41

 

CMYK 0 / 17 / 92 / 19

HEX #CEAB11

RGB 206 171 17

HSL 48.89, 0.85%, 0.44%

LAB 71.07, -0.24, 71.64

 

CMYK 91 / 0 / 34 / 19

HEX #12CE88

RGB 18 206 136

HSL 157.66, 0.84%, 0.44%

LAB 73.58, -58.38, 23.2

 

CMYK 81 / 92 / 0 / 19

HEX #2711CE

RGB 39 17 206

HSL 246.98, 0.85%, 0.44%

LAB 27.54, 64.39, -87.77

 

CMYK 0 / 92 / 56 / 19

HEX #CE115A

RGB 206 17 90

HSL 336.83, 0.85%, 0.44%

LAB 44.6, 69.47, 11.41

 

CMYK 11 / 0 / 92 / 19

HEX #B8CE11

RGB 184 206 17

HSL 66.98, 0.85%, 0.44%

LAB 78.68, -27.44, 76.72

 

Description

Color code: HEX #12CE88 | qconv.com Color code: HEX #12CE88 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 206 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 206 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 34 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 34% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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