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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12B144 it is the complementary color #ED4EBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12B144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12B144 shade: #17B13F, #28C352, #39D565, #4AE778 and #5BF98B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12B144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12B144 shade: #12B144, #019F31, #008D1E, #007B0B and #006900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12B144 shade: #11B043, #11B018, #35B011, #60B011 and #8AB011

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12B144 shade: #11B043, #11B06E, #11B099, #119CB0 and #1171B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12B144 shade matches the following richer shades: #11B043 and #01C03D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12B144 shade: #11B043, #21A049, #30914F, #408154 and #50715A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12B144 shade: #36B011, #11B016, #11B041, #11B06B and #11B095

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12B144 shade: #0A6526, #0D8A35, #11B043, #15D551 and #2AE966

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12B144 shade: #12B144, #1160B0 and #B01121

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12B144 shade: #12B144, #4111B0 and #B04111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12B144 shade: #12B144, #1160B0, #B01180 and #B06011

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12B144 shade: #12B144, #1131B0, #B01180 and #B09011

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 62 / 31

HEX #12B144

RGB 18 177 68

HSL 138.87, 0.82%, 0.38%

LAB 63.33, -60.16, 44.36

 

Complementary color

CMYK 0 / 67 / 21 / 7

HEX #ED4EBB

RGB 237 78 187

HSL 318.87, 0.82%, 0.62%

LAB 59.01, 70.99, -24.74

 

CMYK 87 / 0 / 64 / 31

HEX #17B13F

RGB 23 177 63

HSL 135.58, 0.77%, 0.39%

LAB 63.33, -60.38, 46.6

 

CMYK 79 / 0 / 58 / 24

HEX #28C352

RGB 40 195 82

HSL 136.26, 0.66%, 0.46%

LAB 69.53, -62.09, 45.18

 

CMYK 73 / 0 / 53 / 16

HEX #39D565

RGB 57 213 101

HSL 136.92, 0.65%, 0.53%

LAB 75.7, -63.23, 43.7

 

CMYK 68 / 0 / 48 / 9

HEX #4AE778

RGB 74 231 120

HSL 137.58, 0.77%, 0.6%

LAB 81.82, -63.97, 42.22

 

CMYK 63 / 0 / 44 / 2

HEX #5BF98B

RGB 91 249 139

HSL 138.23, 0.93%, 0.67%

LAB 87.89, -64.42, 40.78

 

CMYK 90 / 0 / 62 / 31

HEX #12B144

RGB 18 177 68

HSL 138.87, 0.82%, 0.38%

LAB 63.33, -60.16, 44.36

 

CMYK 99 / 0 / 69 / 38

HEX #019F31

RGB 1 159 49

HSL 138.23, 0.99%, 0.31%

LAB 57.1, -57.7, 45.71

 

CMYK 100 / 0 / 79 / 45

HEX #008D1E

RGB 0 141 30

HSL 132.77, 1%, 0.28%

LAB 50.85, -54.03, 46.59

 

CMYK 100 / 0 / 91 / 52

HEX #007B0B

RGB 0 123 11

HSL 125.37, 1%, 0.24%

LAB 44.5, -49.79, 46.15

 

CMYK 100 / 0 / 100 / 59

HEX #006900

RGB 0 105 0

HSL 120, 1%, 0.21%

LAB 38.03, -44.89, 43.32

 

CMYK 90 / 0 / 62 / 31

HEX #11B043

RGB 17 176 67

HSL 138.87, 0.82%, 0.38%

LAB 62.99, -60.04, 44.41

 

CMYK 90 / 0 / 86 / 31

HEX #11B018

RGB 17 176 24

HSL 122.64, 0.82%, 0.38%

LAB 62.71, -63.63, 59.36

 

CMYK 70 / 0 / 90 / 31

HEX #35B011

RGB 53 176 17

HSL 106.42, 0.82%, 0.38%

LAB 63.22, -59.22, 61.43

 

CMYK 45 / 0 / 90 / 31

HEX #60B011

RGB 96 176 17

HSL 90.19, 0.82%, 0.38%

LAB 64.63, -47.92, 63.18

 

CMYK 22 / 0 / 90 / 31

HEX #8AB011

RGB 138 176 17

HSL 74.34, 0.82%, 0.38%

LAB 66.9, -32.29, 65.99

 

CMYK 90 / 0 / 62 / 31

HEX #11B043

RGB 17 176 67

HSL 138.87, 0.82%, 0.38%

LAB 62.99, -60.04, 44.41

 

CMYK 90 / 0 / 38 / 31

HEX #11B06E

RGB 17 176 110

HSL 155.09, 0.82%, 0.38%

LAB 63.59, -52.91, 23.52

 

CMYK 90 / 0 / 13 / 31

HEX #11B099

RGB 17 176 153

HSL 171.32, 0.82%, 0.38%

LAB 64.54, -42.47, 1.25

 

CMYK 90 / 11 / 0 / 31

HEX #119CB0

RGB 17 156 176

HSL 187.55, 0.82%, 0.38%

LAB 59, -26.11, -19.92

 

CMYK 90 / 36 / 0 / 31

HEX #1171B0

RGB 17 113 176

HSL 203.77, 0.82%, 0.38%

LAB 45.72, -2.16, -40.6

 

CMYK 90 / 0 / 62 / 31

HEX #11B043

RGB 17 176 67

HSL 138.87, 0.82%, 0.38%

LAB 62.99, -60.04, 44.41

 

CMYK 99 / 0 / 68 / 25

HEX #01C03D

RGB 1 192 61

HSL 138.85, 0.99%, 0.38%

LAB 68.05, -66.37, 52.57

 

CMYK 90 / 0 / 62 / 31

HEX #11B043

RGB 17 176 67

HSL 138.87, 0.82%, 0.38%

LAB 62.99, -60.04, 44.41

 

CMYK 79 / 0 / 54 / 37

HEX #21A049

RGB 33 160 73

HSL 138.9, 0.66%, 0.38%

LAB 57.99, -52.35, 35.69

 

CMYK 67 / 0 / 46 / 43

HEX #30914F

RGB 48 145 79

HSL 139.18, 0.5%, 0.38%

LAB 53.43, -43.28, 26.95

 

CMYK 50 / 0 / 35 / 49

HEX #408154

RGB 64 129 84

HSL 138.46, 0.34%, 0.38%

LAB 48.8, -31.54, 18.17

 

CMYK 29 / 0 / 20 / 56

HEX #50715A

RGB 80 113 90

HSL 138.18, 0.17%, 0.38%

LAB 44.59, -17.09, 9.01

 

CMYK 69 / 0 / 90 / 31

HEX #36B011

RGB 54 176 17

HSL 106.04, 0.82%, 0.38%

LAB 63.24, -59.02, 61.46

 

CMYK 90 / 0 / 88 / 31

HEX #11B016

RGB 17 176 22

HSL 121.89, 0.82%, 0.38%

LAB 62.7, -63.71, 59.8

 

CMYK 90 / 0 / 63 / 31

HEX #11B041

RGB 17 176 65

HSL 138.11, 0.82%, 0.38%

LAB 62.97, -60.28, 45.29

 

CMYK 90 / 0 / 39 / 31

HEX #11B06B

RGB 17 176 107

HSL 153.96, 0.82%, 0.38%

LAB 63.53, -53.52, 25.05

 

CMYK 90 / 0 / 15 / 31

HEX #11B095

RGB 17 176 149

HSL 169.81, 0.82%, 0.38%

LAB 64.44, -43.56, 3.32

 

CMYK 90 / 0 / 62 / 60

HEX #0A6526

RGB 10 101 38

HSL 138.46, 0.82%, 0.22%

LAB 36.95, -39.3, 28.32

 

CMYK 91 / 0 / 62 / 46

HEX #0D8A35

RGB 13 138 53

HSL 139.2, 0.83%, 0.3%

LAB 50.12, -49.77, 36.15

 

CMYK 90 / 0 / 62 / 31

HEX #11B043

RGB 17 176 67

HSL 138.87, 0.82%, 0.38%

LAB 62.99, -60.04, 44.41

 

CMYK 90 / 0 / 62 / 16

HEX #15D551

RGB 21 213 81

HSL 138.75, 0.82%, 0.46%

LAB 75.04, -69.56, 51.94

 

CMYK 82 / 0 / 56 / 9

HEX #2AE966

RGB 42 233 102

HSL 138.85, 0.81%, 0.54%

LAB 81.69, -71.47, 50.39

 

CMYK 90 / 0 / 62 / 31

HEX #12B144

RGB 18 177 68

HSL 138.87, 0.82%, 0.38%

LAB 63.33, -60.16, 44.36

 

CMYK 90 / 45 / 0 / 31

HEX #1160B0

RGB 17 96 176

HSL 210.19, 0.82%, 0.38%

LAB 40.6, 8.58, -48.77

 

CMYK 0 / 90 / 81 / 31

HEX #B01121

RGB 176 17 33

HSL 353.96, 0.82%, 0.38%

LAB 37.37, 59.08, 36.34

 

CMYK 90 / 0 / 62 / 31

HEX #12B144

RGB 18 177 68

HSL 138.87, 0.82%, 0.38%

LAB 63.33, -60.16, 44.36

 

CMYK 63 / 90 / 0 / 31

HEX #4111B0

RGB 65 17 176

HSL 258.11, 0.82%, 0.38%

LAB 25.74, 57.82, -72.97

 

CMYK 0 / 63 / 90 / 31

HEX #B04111

RGB 176 65 17

HSL 18.11, 0.82%, 0.38%

LAB 42.84, 43.26, 48.67

 

CMYK 90 / 0 / 62 / 31

HEX #12B144

RGB 18 177 68

HSL 138.87, 0.82%, 0.38%

LAB 63.33, -60.16, 44.36

 

CMYK 90 / 45 / 0 / 31

HEX #1160B0

RGB 17 96 176

HSL 210.19, 0.82%, 0.38%

LAB 40.6, 8.58, -48.77

 

CMYK 0 / 90 / 27 / 31

HEX #B01180

RGB 176 17 128

HSL 318.11, 0.82%, 0.38%

LAB 39.9, 66.06, -19.95

 

CMYK 0 / 45 / 90 / 31

HEX #B06011

RGB 176 96 17

HSL 29.81, 0.82%, 0.38%

LAB 49.05, 27.47, 53.37

 

CMYK 90 / 0 / 62 / 31

HEX #12B144

RGB 18 177 68

HSL 138.87, 0.82%, 0.38%

LAB 63.33, -60.16, 44.36

 

CMYK 90 / 72 / 0 / 31

HEX #1131B0

RGB 17 49 176

HSL 227.92, 0.82%, 0.38%

LAB 27.98, 39.71, -69.35

 

CMYK 0 / 90 / 27 / 31

HEX #B01180

RGB 176 17 128

HSL 318.11, 0.82%, 0.38%

LAB 39.9, 66.06, -19.95

 

CMYK 0 / 18 / 90 / 31

HEX #B09011

RGB 176 144 17

HSL 47.92, 0.82%, 0.38%

LAB 60.97, 0.83, 62.58

 

Description

Color code: HEX #12B144 | qconv.com Color code: HEX #12B144 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 177 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 177 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 62 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 62% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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