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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12B5E2 it is the complementary color #ED4A1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12B5E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12B5E2 shade: #17B5DD, #28C7F0, #39D9FF, #4AEBFF and #5BFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12B5E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12B5E2 shade: #12B5E2, #01A3CF, #0091BC, #007FA9 and #006D96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12B5E2 shade: #12B5E2, #127DE2, #1245E2, #1712E2 and #4F12E2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12B5E2 shade: #12B5E2, #127DE2, #1245E2 and #1212E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12B5E2 shade matches the following richer shades: #12B5E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12B5E2 shade: #12B5E2, #26AACE, #399EBA, #4D93A7 and #618893

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12B5E2 shade: #12E29D, #12E2D4, #12B8E2, #1281E2 and #1249E2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12B5E2 shade: #0C7896, #0F96BC, #12B5E2, #2FC5EE and #56CFF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12B5E2 shade: #12B5E2, #6512E2 and #E2B812

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12B5E2 shade: #12B5E2, #E212B8 and #B8E212

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12B5E2 shade: #12B5E2, #6512E2, #E23B12 and #8FE212

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12B5E2 shade: #12B5E2, #A412E2, #E23B12 and #50E212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 20 / 0 / 11

HEX #12B5E2

RGB 18 181 226

HSL 192.98, 0.85%, 0.48%

LAB 68.51, -21.95, -33.1

 

Complementary color

CMYK 0 / 69 / 88 / 7

HEX #ED4A1D

RGB 237 74 29

HSL 12.98, 0.85%, 0.52%

LAB 55.06, 60.73, 58.22

 

CMYK 90 / 18 / 0 / 13

HEX #17B5DD

RGB 23 181 221

HSL 192.12, 0.81%, 0.48%

LAB 68.35, -23.42, -30.61

 

CMYK 83 / 17 / 0 / 6

HEX #28C7F0

RGB 40 199 240

HSL 192.3, 0.87%, 0.55%

LAB 74.57, -25.2, -31.32

 

CMYK 78 / 15 / 0 / 0

HEX #39D9FF

RGB 57 217 255

HSL 191.52, 1%, 0.61%

LAB 80.58, -27.9, -30.07

 

CMYK 71 / 8 / 0 / 0

HEX #4AEBFF

RGB 74 235 255

HSL 186.63, 1%, 0.65%

LAB 86.05, -34.69, -21.69

 

CMYK 64 / 1 / 0 / 0

HEX #5BFDFF

RGB 91 253 255

HSL 180.73, 1%, 0.68%

LAB 91.55, -40.72, -13.39

 

CMYK 92 / 20 / 0 / 11

HEX #12B5E2

RGB 18 181 226

HSL 192.98, 0.85%, 0.48%

LAB 68.51, -21.95, -33.1

 

CMYK 100 / 21 / 0 / 19

HEX #01A3CF

RGB 1 163 207

HSL 192.82, 0.99%, 0.41%

LAB 62.26, -19.67, -32.32

 

CMYK 100 / 23 / 0 / 26

HEX #0091BC

RGB 0 145 188

HSL 193.72, 1%, 0.37%

LAB 55.97, -16.82, -31.41

 

CMYK 100 / 25 / 0 / 34

HEX #007FA9

RGB 0 127 169

HSL 194.91, 1%, 0.33%

LAB 49.55, -13.84, -30.51

 

CMYK 100 / 27 / 0 / 41

HEX #006D96

RGB 0 109 150

HSL 196.4, 1%, 0.29%

LAB 42.97, -10.72, -29.63

 

CMYK 92 / 20 / 0 / 11

HEX #12B5E2

RGB 18 181 226

HSL 192.98, 0.85%, 0.48%

LAB 68.51, -21.95, -33.1

 

CMYK 92 / 45 / 0 / 11

HEX #127DE2

RGB 18 125 226

HSL 209.13, 0.85%, 0.48%

LAB 52.16, 9.96, -58.91

 

CMYK 92 / 69 / 0 / 11

HEX #1245E2

RGB 18 69 226

HSL 225.29, 0.85%, 0.48%

LAB 37.62, 45.57, -82.61

 

CMYK 90 / 92 / 0 / 11

HEX #1712E2

RGB 23 18 226

HSL 241.44, 0.85%, 0.48%

LAB 29.68, 69.03, -95.79

 

CMYK 65 / 92 / 0 / 11

HEX #4F12E2

RGB 79 18 226

HSL 257.6, 0.85%, 0.48%

LAB 33.11, 70.98, -89.99

 

CMYK 92 / 20 / 0 / 11

HEX #12B5E2

RGB 18 181 226

HSL 192.98, 0.85%, 0.48%

LAB 68.51, -21.95, -33.1

 

CMYK 92 / 45 / 0 / 11

HEX #127DE2

RGB 18 125 226

HSL 209.13, 0.85%, 0.48%

LAB 52.16, 9.96, -58.91

 

CMYK 92 / 69 / 0 / 11

HEX #1245E2

RGB 18 69 226

HSL 225.29, 0.85%, 0.48%

LAB 37.62, 45.57, -82.61

 

CMYK 92 / 92 / 0 / 11

HEX #1212E2

RGB 18 18 226

HSL 240, 0.85%, 0.48%

LAB 29.54, 68.96, -96.02

 

CMYK 92 / 20 / 0 / 11

HEX #12B5E2

RGB 18 181 226

HSL 192.98, 0.85%, 0.48%

LAB 68.51, -21.95, -33.1

 

CMYK 92 / 20 / 0 / 11

HEX #12B5E2

RGB 18 181 226

HSL 192.98, 0.85%, 0.48%

LAB 68.51, -21.95, -33.1

 

CMYK 82 / 17 / 0 / 19

HEX #26AACE

RGB 38 170 206

HSL 192.86, 0.69%, 0.48%

LAB 64.66, -21.78, -28.03

 

CMYK 69 / 15 / 0 / 27

HEX #399EBA

RGB 57 158 186

HSL 193.02, 0.53%, 0.48%

LAB 60.67, -19.89, -22.96

 

CMYK 54 / 12 / 0 / 35

HEX #4D93A7

RGB 77 147 167

HSL 193.33, 0.37%, 0.48%

LAB 57.3, -16.26, -17.27

 

CMYK 34 / 7 / 0 / 42

HEX #618893

RGB 97 136 147

HSL 193.2, 0.2%, 0.48%

LAB 54.3, -10.65, -10.22

 

CMYK 92 / 0 / 31 / 11

HEX #12E29D

RGB 18 226 157

HSL 160.1, 0.85%, 0.48%

LAB 80.15, -61.16, 21.21

 

CMYK 92 / 0 / 6 / 11

HEX #12E2D4

RGB 18 226 212

HSL 175.96, 0.85%, 0.48%

LAB 81.44, -47.42, -5.96

 

CMYK 92 / 19 / 0 / 11

HEX #12B8E2

RGB 18 184 226

HSL 192.12, 0.85%, 0.48%

LAB 69.4, -23.49, -31.72

 

CMYK 92 / 43 / 0 / 11

HEX #1281E2

RGB 18 129 226

HSL 207.98, 0.85%, 0.48%

LAB 53.3, 7.49, -57.08

 

CMYK 92 / 68 / 0 / 11

HEX #1249E2

RGB 18 73 226

HSL 224.13, 0.85%, 0.48%

LAB 38.52, 43.11, -81.11

 

CMYK 92 / 20 / 0 / 41

HEX #0C7896

RGB 12 120 150

HSL 193.04, 0.85%, 0.32%

LAB 46.6, -16.4, -23.98

 

CMYK 92 / 20 / 0 / 26

HEX #0F96BC

RGB 15 150 188

HSL 193.18, 0.85%, 0.4%

LAB 57.6, -18.97, -28.87

 

CMYK 92 / 20 / 0 / 11

HEX #12B5E2

RGB 18 181 226

HSL 192.98, 0.85%, 0.48%

LAB 68.51, -21.95, -33.1

 

CMYK 80 / 17 / 0 / 7

HEX #2FC5EE

RGB 47 197 238

HSL 192.88, 0.85%, 0.56%

LAB 74, -24.28, -31.1

 

CMYK 64 / 14 / 0 / 5

HEX #56CFF1

RGB 86 207 241

HSL 193.16, 0.85%, 0.64%

LAB 77.85, -23.6, -26.74

 

CMYK 92 / 20 / 0 / 11

HEX #12B5E2

RGB 18 181 226

HSL 192.98, 0.85%, 0.48%

LAB 68.51, -21.95, -33.1

 

CMYK 55 / 92 / 0 / 11

HEX #6512E2

RGB 101 18 226

HSL 263.94, 0.85%, 0.48%

LAB 35.38, 72.47, -86.15

 

CMYK 0 / 19 / 92 / 11

HEX #E2B812

RGB 226 184 18

HSL 47.88, 0.85%, 0.48%

LAB 76.37, 1.71, 76.35

 

CMYK 92 / 20 / 0 / 11

HEX #12B5E2

RGB 18 181 226

HSL 192.98, 0.85%, 0.48%

LAB 68.51, -21.95, -33.1

 

CMYK 0 / 92 / 19 / 11

HEX #E212B8

RGB 226 18 184

HSL 312.12, 0.85%, 0.48%

LAB 51.91, 82.71, -34.18

 

CMYK 19 / 0 / 92 / 11

HEX #B8E212

RGB 184 226 18

HSL 72.12, 0.85%, 0.48%

LAB 84.29, -36.7, 81.01

 

CMYK 92 / 20 / 0 / 11

HEX #12B5E2

RGB 18 181 226

HSL 192.98, 0.85%, 0.48%

LAB 68.51, -21.95, -33.1

 

CMYK 55 / 92 / 0 / 11

HEX #6512E2

RGB 101 18 226

HSL 263.94, 0.85%, 0.48%

LAB 35.38, 72.47, -86.15

 

CMYK 0 / 74 / 92 / 11

HEX #E23B12

RGB 226 59 18

HSL 11.83, 0.85%, 0.48%

LAB 51.08, 62.4, 58.33

 

CMYK 37 / 0 / 92 / 11

HEX #8FE212

RGB 143 226 18

HSL 83.94, 0.85%, 0.48%

LAB 81.99, -51.98, 78.2

 

CMYK 92 / 20 / 0 / 11

HEX #12B5E2

RGB 18 181 226

HSL 192.98, 0.85%, 0.48%

LAB 68.51, -21.95, -33.1

 

CMYK 27 / 92 / 0 / 11

HEX #A412E2

RGB 164 18 226

HSL 282.12, 0.85%, 0.48%

LAB 43.97, 79.1, -71.71

 

CMYK 0 / 74 / 92 / 11

HEX #E23B12

RGB 226 59 18

HSL 11.83, 0.85%, 0.48%

LAB 51.08, 62.4, 58.33

 

CMYK 65 / 0 / 92 / 11

HEX #50E212

RGB 80 226 18

HSL 102.12, 0.85%, 0.48%

LAB 79.69, -69.74, 75.38

 

Description

Color code: HEX #12B5E2 | qconv.com Color code: HEX #12B5E2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 181 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 181 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 20 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 20% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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