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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12AEAA it is the complementary color #ED5155. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12AEAA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12AEAA shade: #17AEA5, #28C0B8, #39D2CB, #4AE4DE and #5BF6F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12AEAA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12AEAA shade: #12AEAA, #019C97, #008A84, #007871 and #00665E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12AEAA shade: #12AFAB, #12AF81, #12AF56, #12AF2C and #22AF12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12AEAA shade: #12AFAB, #1289AF, #125EAF, #1234AF and #1212AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12AEAA shade matches the following richer shades: #12AFAB and #02BFBA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12AEAA shade: #12AFAB, #229F9C, #31908D, #41807E and #51706F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12AEAA shade: #12AF56, #12AF80, #12AFAA, #128AAF and #1260AF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12AEAA shade: #0A6462, #0E8A86, #12AFAB, #16D4CF and #2BE8E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12AEAA shade: #12AEAA, #2C12AF and #AF6B12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12AEAA shade: #12AEAA, #AA12AF and #AFAA12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12AEAA shade: #12AEAA, #2C12AF, #AF1217 and #95AF12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12AEAA shade: #12AEAA, #5B12AF, #AF1217 and #66AF12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 2 / 32

HEX #12AEAA

RGB 18 174 170

HSL 178.46, 0.81%, 0.38%

LAB 64.41, -36.63, -8.41

 

Complementary color

CMYK 0 / 66 / 64 / 7

HEX #ED5155

RGB 237 81 85

HSL 358.46, 0.81%, 0.62%

LAB 56.63, 60.09, 31.38

 

CMYK 87 / 0 / 5 / 32

HEX #17AEA5

RGB 23 174 165

HSL 176.42, 0.77%, 0.39%

LAB 64.3, -37.82, -5.77

 

CMYK 79 / 0 / 4 / 25

HEX #28C0B8

RGB 40 192 184

HSL 176.84, 0.66%, 0.45%

LAB 70.6, -39.11, -6.9

 

CMYK 73 / 0 / 3 / 18

HEX #39D2CB

RGB 57 210 203

HSL 177.25, 0.63%, 0.52%

LAB 76.85, -40.07, -7.91

 

CMYK 68 / 0 / 3 / 11

HEX #4AE4DE

RGB 74 228 222

HSL 177.66, 0.74%, 0.59%

LAB 83.03, -40.78, -8.83

 

CMYK 63 / 0 / 2 / 4

HEX #5BF6F1

RGB 91 246 241

HSL 178.06, 0.9%, 0.66%

LAB 89.15, -41.32, -9.68

 

CMYK 90 / 0 / 2 / 32

HEX #12AEAA

RGB 18 174 170

HSL 178.46, 0.81%, 0.38%

LAB 64.41, -36.63, -8.41

 

CMYK 99 / 0 / 3 / 39

HEX #019C97

RGB 1 156 151

HSL 178.06, 0.99%, 0.31%

LAB 58.05, -34.82, -7.18

 

CMYK 100 / 0 / 4 / 46

HEX #008A84

RGB 0 138 132

HSL 177.39, 1%, 0.27%

LAB 51.66, -32.36, -5.75

 

CMYK 100 / 0 / 6 / 53

HEX #007871

RGB 0 120 113

HSL 176.5, 1%, 0.24%

LAB 45.12, -29.8, -4.26

 

CMYK 100 / 0 / 8 / 60

HEX #00665E

RGB 0 102 94

HSL 175.29, 1%, 0.2%

LAB 38.39, -27.18, -2.7

 

CMYK 90 / 0 / 2 / 31

HEX #12AFAB

RGB 18 175 171

HSL 178.47, 0.81%, 0.38%

LAB 64.75, -36.78, -8.45

 

CMYK 90 / 0 / 26 / 31

HEX #12AF81

RGB 18 175 129

HSL 162.42, 0.81%, 0.38%

LAB 63.65, -48.21, 13.27

 

CMYK 90 / 0 / 51 / 31

HEX #12AF56

RGB 18 175 86

HSL 145.99, 0.81%, 0.38%

LAB 62.89, -56.92, 35.16

 

CMYK 90 / 0 / 75 / 31

HEX #12AF2C

RGB 18 175 44

HSL 129.94, 0.81%, 0.38%

LAB 62.48, -62.01, 53.27

 

CMYK 81 / 0 / 90 / 31

HEX #22AF12

RGB 34 175 18

HSL 113.89, 0.81%, 0.38%

LAB 62.54, -61.91, 60.54

 

CMYK 90 / 0 / 2 / 31

HEX #12AFAB

RGB 18 175 171

HSL 178.47, 0.81%, 0.38%

LAB 64.75, -36.78, -8.45

 

CMYK 90 / 22 / 0 / 31

HEX #1289AF

RGB 18 137 175

HSL 194.52, 0.81%, 0.38%

LAB 53.08, -16.4, -28.48

 

CMYK 90 / 46 / 0 / 31

HEX #125EAF

RGB 18 94 175

HSL 210.96, 0.81%, 0.38%

LAB 39.96, 9.54, -49.21

 

CMYK 90 / 70 / 0 / 31

HEX #1234AF

RGB 18 52 175

HSL 227.01, 0.81%, 0.38%

LAB 28.59, 37.5, -67.74

 

CMYK 90 / 90 / 0 / 31

HEX #1212AF

RGB 18 18 175

HSL 240, 0.81%, 0.38%

LAB 22.5, 55.01, -77.84

 

CMYK 90 / 0 / 2 / 31

HEX #12AFAB

RGB 18 175 171

HSL 178.47, 0.81%, 0.38%

LAB 64.75, -36.78, -8.45

 

CMYK 99 / 0 / 3 / 25

HEX #02BFBA

RGB 2 191 186

HSL 178.41, 0.98%, 0.38%

LAB 70.05, -40.13, -8.85

 

CMYK 90 / 0 / 2 / 31

HEX #12AFAB

RGB 18 175 171

HSL 178.47, 0.81%, 0.38%

LAB 64.75, -36.78, -8.45

 

CMYK 79 / 0 / 2 / 38

HEX #229F9C

RGB 34 159 156

HSL 178.56, 0.65%, 0.38%

LAB 59.47, -32.64, -7.88

 

CMYK 66 / 0 / 2 / 44

HEX #31908D

RGB 49 144 141

HSL 178.11, 0.49%, 0.38%

LAB 54.58, -27.86, -6.55

 

CMYK 49 / 0 / 2 / 50

HEX #41807E

RGB 65 128 126

HSL 178.1, 0.33%, 0.38%

LAB 49.58, -20.73, -5.18

 

CMYK 28 / 0 / 1 / 56

HEX #51706F

RGB 81 112 111

HSL 178.06, 0.16%, 0.38%

LAB 44.92, -11.36, -3.08

 

CMYK 90 / 0 / 51 / 31

HEX #12AF56

RGB 18 175 86

HSL 145.99, 0.81%, 0.38%

LAB 62.89, -56.92, 35.16

 

CMYK 90 / 0 / 27 / 31

HEX #12AF80

RGB 18 175 128

HSL 162.04, 0.81%, 0.38%

LAB 63.63, -48.45, 13.79

 

CMYK 90 / 0 / 3 / 31

HEX #12AFAA

RGB 18 175 170

HSL 178.09, 0.81%, 0.38%

LAB 64.72, -37.08, -7.94

 

CMYK 90 / 21 / 0 / 31

HEX #128AAF

RGB 18 138 175

HSL 194.14, 0.81%, 0.38%

LAB 53.39, -16.94, -28

 

CMYK 90 / 45 / 0 / 31

HEX #1260AF

RGB 18 96 175

HSL 210.19, 0.81%, 0.38%

LAB 40.56, 8.24, -48.25

 

CMYK 90 / 0 / 2 / 61

HEX #0A6462

RGB 10 100 98

HSL 178.67, 0.82%, 0.22%

LAB 37.95, -24.1, -5.8

 

CMYK 90 / 0 / 3 / 46

HEX #0E8A86

RGB 14 138 134

HSL 178.06, 0.82%, 0.3%

LAB 51.83, -31.02, -6.65

 

CMYK 90 / 0 / 2 / 31

HEX #12AFAB

RGB 18 175 171

HSL 178.47, 0.81%, 0.38%

LAB 64.75, -36.78, -8.45

 

CMYK 90 / 0 / 2 / 17

HEX #16D4CF

RGB 22 212 207

HSL 178.42, 0.81%, 0.46%

LAB 77.14, -42.61, -9.67

 

CMYK 81 / 0 / 2 / 9

HEX #2BE8E3

RGB 43 232 227

HSL 178.41, 0.8%, 0.54%

LAB 83.85, -44.42, -10.31

 

CMYK 90 / 0 / 2 / 32

HEX #12AEAA

RGB 18 174 170

HSL 178.46, 0.81%, 0.38%

LAB 64.41, -36.63, -8.41

 

CMYK 75 / 90 / 0 / 31

HEX #2C12AF

RGB 44 18 175

HSL 249.94, 0.81%, 0.38%

LAB 23.88, 55.94, -75.51

 

CMYK 0 / 39 / 90 / 31

HEX #AF6B12

RGB 175 107 18

HSL 34.01, 0.81%, 0.38%

LAB 51.47, 20.99, 54.89

 

CMYK 90 / 0 / 2 / 32

HEX #12AEAA

RGB 18 174 170

HSL 178.46, 0.81%, 0.38%

LAB 64.41, -36.63, -8.41

 

CMYK 3 / 90 / 0 / 31

HEX #AA12AF

RGB 170 18 175

HSL 298.09, 0.81%, 0.38%

LAB 41.33, 71.22, -46.27

 

CMYK 0 / 3 / 90 / 31

HEX #AFAA12

RGB 175 170 18

HSL 58.09, 0.81%, 0.38%

LAB 67.95, -13.44, 67.83

 

CMYK 90 / 0 / 2 / 32

HEX #12AEAA

RGB 18 174 170

HSL 178.46, 0.81%, 0.38%

LAB 64.41, -36.63, -8.41

 

CMYK 75 / 90 / 0 / 31

HEX #2C12AF

RGB 44 18 175

HSL 249.94, 0.81%, 0.38%

LAB 23.88, 55.94, -75.51

 

CMYK 0 / 90 / 87 / 31

HEX #AF1217

RGB 175 18 23

HSL 358.09, 0.81%, 0.38%

LAB 37.13, 58.39, 41.48

 

CMYK 15 / 0 / 90 / 31

HEX #95AF12

RGB 149 175 18

HSL 69.94, 0.81%, 0.38%

LAB 67.35, -27.22, 66.49

 

CMYK 90 / 0 / 2 / 32

HEX #12AEAA

RGB 18 174 170

HSL 178.46, 0.81%, 0.38%

LAB 64.41, -36.63, -8.41

 

CMYK 48 / 90 / 0 / 31

HEX #5B12AF

RGB 91 18 175

HSL 267.9, 0.81%, 0.38%

LAB 28.78, 59.68, -67.25

 

CMYK 0 / 90 / 87 / 31

HEX #AF1217

RGB 175 18 23

HSL 358.09, 0.81%, 0.38%

LAB 37.13, 58.39, 41.48

 

CMYK 42 / 0 / 90 / 31

HEX #66AF12

RGB 102 175 18

HSL 87.9, 0.81%, 0.38%

LAB 64.59, -45.48, 63.08

 

Description

Color code: HEX #12AEAA | qconv.com Color code: HEX #12AEAA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 174 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 174 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 2 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 2% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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