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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12AE6F it is the complementary color #ED5190. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12AE6F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12AE6F shade: #17AE6A, #28C07D, #39D290, #4AE4A3 and #5BF6B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12AE6F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12AE6F shade: #12AE6F, #019C5C, #008A49, #007836 and #006623

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12AE6F shade: #12AF6F, #12AF45, #12AF1B, #33AF12 and #5EAF12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12AE6F shade: #12AF6F, #12AF9A, #129AAF, #126FAF and #1245AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12AE6F shade matches the following richer shades: #12AF6F and #02BF73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12AE6F shade: #12AF6F, #229F6C, #319069, #418066 and #517063

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12AE6F shade: #12AF1A, #12AF44, #12AF6D, #12AF97 and #129DAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12AE6F shade: #0A6440, #0E8A58, #12AF6F, #16D487 and #2BE89C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12AE6F shade: #12AE6F, #1234AF and #AF2F12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12AE6F shade: #12AE6F, #6D12AF and #AF6D12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12AE6F shade: #12AE6F, #1234AF, #AF1253 and #AF8D12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12AE6F shade: #12AE6F, #1F12AF, #AF1253 and #A2AF12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 36 / 32

HEX #12AE6F

RGB 18 174 111

HSL 155.77, 0.81%, 0.38%

LAB 62.97, -51.9, 22.15

 

Complementary color

CMYK 0 / 66 / 39 / 7

HEX #ED5190

RGB 237 81 144

HSL 335.77, 0.81%, 0.62%

LAB 57.94, 64.82, -1.37

 

CMYK 87 / 0 / 39 / 32

HEX #17AE6A

RGB 23 174 106

HSL 152.98, 0.77%, 0.39%

LAB 62.92, -52.57, 24.78

 

CMYK 79 / 0 / 35 / 25

HEX #28C07D

RGB 40 192 125

HSL 153.55, 0.66%, 0.45%

LAB 69.21, -53.78, 23.12

 

CMYK 73 / 0 / 31 / 18

HEX #39D290

RGB 57 210 144

HSL 154.12, 0.63%, 0.52%

LAB 75.44, -54.57, 21.6

 

CMYK 68 / 0 / 29 / 11

HEX #4AE4A3

RGB 74 228 163

HSL 154.68, 0.74%, 0.59%

LAB 81.61, -55.08, 20.22

 

CMYK 63 / 0 / 26 / 4

HEX #5BF6B6

RGB 91 246 182

HSL 155.23, 0.9%, 0.66%

LAB 87.73, -55.38, 18.95

 

CMYK 90 / 0 / 36 / 32

HEX #12AE6F

RGB 18 174 111

HSL 155.77, 0.81%, 0.38%

LAB 62.97, -51.9, 22.15

 

CMYK 99 / 0 / 41 / 39

HEX #019C5C

RGB 1 156 92

HSL 155.23, 0.99%, 0.31%

LAB 56.64, -50.1, 23.97

 

CMYK 100 / 0 / 47 / 46

HEX #008A49

RGB 0 138 73

HSL 151.74, 1%, 0.27%

LAB 50.28, -47.4, 26.01

 

CMYK 100 / 0 / 55 / 53

HEX #007836

RGB 0 120 54

HSL 147, 1%, 0.24%

LAB 43.8, -44.42, 28.09

 

CMYK 100 / 0 / 66 / 60

HEX #006623

RGB 0 102 35

HSL 140.59, 1%, 0.2%

LAB 37.16, -41.11, 30.05

 

CMYK 90 / 0 / 37 / 31

HEX #12AF6F

RGB 18 175 111

HSL 155.54, 0.81%, 0.38%

LAB 63.29, -52.27, 22.58

 

CMYK 90 / 0 / 61 / 31

HEX #12AF45

RGB 18 175 69

HSL 139.49, 0.81%, 0.38%

LAB 62.69, -59.4, 43.16

 

CMYK 90 / 0 / 85 / 31

HEX #12AF1B

RGB 18 175 27

HSL 123.44, 0.81%, 0.38%

LAB 62.4, -63.12, 58.37

 

CMYK 71 / 0 / 90 / 31

HEX #33AF12

RGB 51 175 18

HSL 107.39, 0.81%, 0.38%

LAB 62.85, -59.24, 60.92

 

CMYK 46 / 0 / 90 / 31

HEX #5EAF12

RGB 94 175 18

HSL 90.96, 0.81%, 0.38%

LAB 64.23, -48.14, 62.64

 

CMYK 90 / 0 / 37 / 31

HEX #12AF6F

RGB 18 175 111

HSL 155.54, 0.81%, 0.38%

LAB 63.29, -52.27, 22.58

 

CMYK 90 / 0 / 12 / 31

HEX #12AF9A

RGB 18 175 154

HSL 171.97, 0.81%, 0.38%

LAB 64.26, -41.71, 0.29

 

CMYK 90 / 12 / 0 / 31

HEX #129AAF

RGB 18 154 175

HSL 188.03, 0.81%, 0.38%

LAB 58.35, -25.38, -20.35

 

CMYK 90 / 37 / 0 / 31

HEX #126FAF

RGB 18 111 175

HSL 204.46, 0.81%, 0.38%

LAB 45.07, -1.26, -41.04

 

CMYK 90 / 61 / 0 / 31

HEX #1245AF

RGB 18 69 175

HSL 220.51, 0.81%, 0.38%

LAB 32.88, 26.28, -60.7

 

CMYK 90 / 0 / 37 / 31

HEX #12AF6F

RGB 18 175 111

HSL 155.54, 0.81%, 0.38%

LAB 63.29, -52.27, 22.58

 

CMYK 99 / 0 / 40 / 25

HEX #02BF73

RGB 2 191 115

HSL 155.87, 0.98%, 0.38%

LAB 68.4, -57.95, 27.26

 

CMYK 90 / 0 / 37 / 31

HEX #12AF6F

RGB 18 175 111

HSL 155.54, 0.81%, 0.38%

LAB 63.29, -52.27, 22.58

 

CMYK 79 / 0 / 32 / 38

HEX #229F6C

RGB 34 159 108

HSL 155.52, 0.65%, 0.38%

LAB 58.24, -45.3, 17.4

 

CMYK 66 / 0 / 27 / 44

HEX #319069

RGB 49 144 105

HSL 155.37, 0.49%, 0.38%

LAB 53.62, -37.36, 12.74

 

CMYK 49 / 0 / 20 / 50

HEX #418066

RGB 65 128 102

HSL 155.24, 0.33%, 0.38%

LAB 48.91, -26.9, 7.93

 

CMYK 28 / 0 / 12 / 56

HEX #517063

RGB 81 112 99

HSL 154.84, 0.16%, 0.38%

LAB 44.57, -14.22, 3.61

 

CMYK 90 / 0 / 85 / 31

HEX #12AF1A

RGB 18 175 26

HSL 123.06, 0.81%, 0.38%

LAB 62.39, -63.17, 58.62

 

CMYK 90 / 0 / 61 / 31

HEX #12AF44

RGB 18 175 68

HSL 139.11, 0.81%, 0.38%

LAB 62.68, -59.53, 43.61

 

CMYK 90 / 0 / 38 / 31

HEX #12AF6D

RGB 18 175 109

HSL 154.78, 0.81%, 0.38%

LAB 63.25, -52.69, 23.61

 

CMYK 90 / 0 / 14 / 31

HEX #12AF97

RGB 18 175 151

HSL 170.83, 0.81%, 0.38%

LAB 64.18, -42.54, 1.84

 

CMYK 90 / 10 / 0 / 31

HEX #129DAF

RGB 18 157 175

HSL 186.88, 0.81%, 0.38%

LAB 59.29, -26.89, -18.93

 

CMYK 90 / 0 / 36 / 61

HEX #0A6440

RGB 10 100 64

HSL 156, 0.82%, 0.22%

LAB 37.02, -33.89, 13.66

 

CMYK 90 / 0 / 36 / 46

HEX #0E8A58

RGB 14 138 88

HSL 155.81, 0.82%, 0.3%

LAB 50.66, -43.43, 18.21

 

CMYK 90 / 0 / 37 / 31

HEX #12AF6F

RGB 18 175 111

HSL 155.54, 0.81%, 0.38%

LAB 63.29, -52.27, 22.58

 

CMYK 90 / 0 / 36 / 17

HEX #16D487

RGB 22 212 135

HSL 155.68, 0.81%, 0.46%

LAB 75.46, -60.53, 26.26

 

CMYK 81 / 0 / 33 / 9

HEX #2BE89C

RGB 43 232 156

HSL 155.87, 0.8%, 0.54%

LAB 82.18, -61.91, 24.54

 

CMYK 90 / 0 / 36 / 32

HEX #12AE6F

RGB 18 174 111

HSL 155.77, 0.81%, 0.38%

LAB 62.97, -51.9, 22.15

 

CMYK 90 / 70 / 0 / 31

HEX #1234AF

RGB 18 52 175

HSL 227.01, 0.81%, 0.38%

LAB 28.59, 37.5, -67.74

 

CMYK 0 / 73 / 90 / 31

HEX #AF2F12

RGB 175 47 18

HSL 11.08, 0.81%, 0.38%

LAB 39.9, 50.4, 45.99

 

CMYK 90 / 0 / 36 / 32

HEX #12AE6F

RGB 18 174 111

HSL 155.77, 0.81%, 0.38%

LAB 62.97, -51.9, 22.15

 

CMYK 38 / 90 / 0 / 31

HEX #6D12AF

RGB 109 18 175

HSL 274.78, 0.81%, 0.38%

LAB 31.3, 61.82, -63.01

 

CMYK 0 / 38 / 90 / 31

HEX #AF6D12

RGB 175 109 18

HSL 34.78, 0.81%, 0.38%

LAB 51.94, 19.87, 55.26

 

CMYK 90 / 0 / 36 / 32

HEX #12AE6F

RGB 18 174 111

HSL 155.77, 0.81%, 0.38%

LAB 62.97, -51.9, 22.15

 

CMYK 90 / 70 / 0 / 31

HEX #1234AF

RGB 18 52 175

HSL 227.01, 0.81%, 0.38%

LAB 28.59, 37.5, -67.74

 

CMYK 0 / 90 / 53 / 31

HEX #AF1253

RGB 175 18 83

HSL 335.16, 0.81%, 0.38%

LAB 38.15, 61.28, 5.85

 

CMYK 0 / 19 / 90 / 31

HEX #AF8D12

RGB 175 141 18

HSL 47.01, 0.81%, 0.38%

LAB 60.08, 2.04, 61.62

 

CMYK 90 / 0 / 36 / 32

HEX #12AE6F

RGB 18 174 111

HSL 155.77, 0.81%, 0.38%

LAB 62.97, -51.9, 22.15

 

CMYK 82 / 90 / 0 / 31

HEX #1F12AF

RGB 31 18 175

HSL 244.97, 0.81%, 0.38%

LAB 23.06, 55.38, -76.89

 

CMYK 0 / 90 / 53 / 31

HEX #AF1253

RGB 175 18 83

HSL 335.16, 0.81%, 0.38%

LAB 38.15, 61.28, 5.85

 

CMYK 7 / 0 / 90 / 31

HEX #A2AF12

RGB 162 175 18

HSL 64.97, 0.81%, 0.38%

LAB 68.3, -21.67, 67.66

 

Description

Color code: HEX #12AE6F | qconv.com Color code: HEX #12AE6F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 174 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 174 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 36 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 36% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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