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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12A93F it is the complementary color #ED56C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12A93F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12A93F shade: #17A93A, #28BB4D, #39CD60, #4ADF73 and #5BF186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12A93F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12A93F shade: #12A93F, #01972C, #008519, #007306 and #006100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12A93F shade: #11AA3F, #11AA16, #36AA11, #60AA11 and #89AA11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12A93F shade: #11AA3F, #11AA68, #11AA91, #119AAA and #1171AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12A93F shade matches the following richer shades: #11AA3F and #02BA39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12A93F shade: #11AA3F, #219B45, #308C4B, #3F7C51 and #4E6D58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12A93F shade: #38AA11, #11AA14, #11AA3D, #11AA65 and #11AA8E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12A93F shade: #0A6023, #0E8531, #11AA3F, #15D04D and #26E860

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12A93F shade: #12A93F, #1160AA and #AA1123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12A93F shade: #12A93F, #3D11AA and #AA3D11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12A93F shade: #12A93F, #1160AA, #AA117F and #AA5B11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12A93F shade: #12A93F, #1133AA, #AA117F and #AA8911

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 63 / 34

HEX #12A93F

RGB 18 169 63

HSL 137.88, 0.81%, 0.37%

LAB 60.66, -58.24, 43.58

 

Complementary color

CMYK 0 / 64 / 19 / 7

HEX #ED56C0

RGB 237 86 192

HSL 317.88, 0.81%, 0.63%

LAB 60.31, 68.62, -25.61

 

CMYK 86 / 0 / 66 / 34

HEX #17A93A

RGB 23 169 58

HSL 134.38, 0.76%, 0.38%

LAB 60.66, -58.41, 45.81

 

CMYK 79 / 0 / 59 / 27

HEX #28BB4D

RGB 40 187 77

HSL 135.1, 0.65%, 0.45%

LAB 66.92, -60.1, 44.44

 

CMYK 72 / 0 / 53 / 20

HEX #39CD60

RGB 57 205 96

HSL 135.81, 0.6%, 0.51%

LAB 73.14, -61.19, 42.97

 

CMYK 67 / 0 / 48 / 13

HEX #4ADF73

RGB 74 223 115

HSL 136.51, 0.7%, 0.58%

LAB 79.31, -61.88, 41.5

 

CMYK 62 / 0 / 44 / 5

HEX #5BF186

RGB 91 241 134

HSL 137.2, 0.84%, 0.65%

LAB 85.43, -62.28, 40.07

 

CMYK 89 / 0 / 63 / 34

HEX #12A93F

RGB 18 169 63

HSL 137.88, 0.81%, 0.37%

LAB 60.66, -58.24, 43.58

 

CMYK 99 / 0 / 71 / 41

HEX #01972C

RGB 1 151 44

HSL 137.2, 0.99%, 0.3%

LAB 54.37, -55.76, 44.86

 

CMYK 100 / 0 / 81 / 48

HEX #008519

RGB 0 133 25

HSL 131.28, 1%, 0.26%

LAB 48.06, -51.99, 45.56

 

CMYK 100 / 0 / 95 / 55

HEX #007306

RGB 0 115 6

HSL 123.13, 1%, 0.23%

LAB 41.65, -47.61, 44.78

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 90 / 0 / 63 / 33

HEX #11AA3F

RGB 17 170 63

HSL 138.04, 0.82%, 0.37%

LAB 60.98, -58.63, 43.94

 

CMYK 90 / 0 / 87 / 33

HEX #11AA16

RGB 17 170 22

HSL 121.96, 0.82%, 0.37%

LAB 60.72, -61.98, 58.05

 

CMYK 68 / 0 / 90 / 33

HEX #36AA11

RGB 54 170 17

HSL 105.49, 0.82%, 0.37%

LAB 61.29, -57.06, 59.79

 

CMYK 44 / 0 / 90 / 33

HEX #60AA11

RGB 96 170 17

HSL 89.02, 0.82%, 0.37%

LAB 62.74, -45.52, 61.6

 

CMYK 19 / 0 / 90 / 33

HEX #89AA11

RGB 137 170 17

HSL 72.94, 0.82%, 0.37%

LAB 65.05, -29.88, 64.46

 

CMYK 90 / 0 / 63 / 33

HEX #11AA3F

RGB 17 170 63

HSL 138.04, 0.82%, 0.37%

LAB 60.98, -58.63, 43.94

 

CMYK 90 / 0 / 39 / 33

HEX #11AA68

RGB 17 170 104

HSL 154.12, 0.82%, 0.37%

LAB 61.54, -51.94, 24

 

CMYK 90 / 0 / 15 / 33

HEX #11AA91

RGB 17 170 145

HSL 170.2, 0.82%, 0.37%

LAB 62.43, -42.09, 2.65

 

CMYK 90 / 9 / 0 / 33

HEX #119AAA

RGB 17 154 170

HSL 186.27, 0.82%, 0.37%

LAB 58.16, -27.1, -17.8

 

CMYK 90 / 34 / 0 / 33

HEX #1171AA

RGB 17 113 170

HSL 202.35, 0.82%, 0.37%

LAB 45.4, -4.49, -37.6

 

CMYK 90 / 0 / 63 / 33

HEX #11AA3F

RGB 17 170 63

HSL 138.04, 0.82%, 0.37%

LAB 60.98, -58.63, 43.94

 

CMYK 99 / 0 / 69 / 27

HEX #02BA39

RGB 2 186 57

HSL 137.93, 0.98%, 0.37%

LAB 66.08, -64.95, 52.06

 

CMYK 90 / 0 / 63 / 33

HEX #11AA3F

RGB 17 170 63

HSL 138.04, 0.82%, 0.37%

LAB 60.98, -58.63, 43.94

 

CMYK 79 / 0 / 55 / 39

HEX #219B45

RGB 33 155 69

HSL 137.7, 0.65%, 0.37%

LAB 56.28, -51.19, 35.63

 

CMYK 66 / 0 / 46 / 45

HEX #308C4B

RGB 48 140 75

HSL 137.61, 0.49%, 0.37%

LAB 51.72, -41.97, 26.91

 

CMYK 49 / 0 / 35 / 51

HEX #3F7C51

RGB 63 124 81

HSL 137.7, 0.33%, 0.37%

LAB 47.06, -30.07, 17.54

 

CMYK 28 / 0 / 19 / 57

HEX #4E6D58

RGB 78 109 88

HSL 139.35, 0.17%, 0.37%

LAB 43.15, -16.04, 8.15

 

CMYK 67 / 0 / 90 / 33

HEX #38AA11

RGB 56 170 17

HSL 104.71, 0.82%, 0.37%

LAB 61.33, -56.65, 59.85

 

CMYK 90 / 0 / 88 / 33

HEX #11AA14

RGB 17 170 20

HSL 121.18, 0.82%, 0.37%

LAB 60.71, -62.06, 58.47

 

CMYK 90 / 0 / 64 / 33

HEX #11AA3D

RGB 17 170 61

HSL 137.25, 0.82%, 0.37%

LAB 60.96, -58.87, 44.81

 

CMYK 90 / 0 / 41 / 33

HEX #11AA65

RGB 17 170 101

HSL 152.94, 0.82%, 0.37%

LAB 61.49, -52.54, 25.54

 

CMYK 90 / 0 / 16 / 33

HEX #11AA8E

RGB 17 170 142

HSL 169.02, 0.82%, 0.37%

LAB 62.36, -42.91, 4.22

 

CMYK 90 / 0 / 64 / 62

HEX #0A6023

RGB 10 96 35

HSL 137.44, 0.81%, 0.21%

LAB 35.11, -37.92, 27.72

 

CMYK 89 / 0 / 63 / 48

HEX #0E8531

RGB 14 133 49

HSL 137.65, 0.81%, 0.29%

LAB 48.37, -48.54, 36.07

 

CMYK 90 / 0 / 63 / 33

HEX #11AA3F

RGB 17 170 63

HSL 138.04, 0.82%, 0.37%

LAB 60.98, -58.63, 43.94

 

CMYK 90 / 0 / 63 / 18

HEX #15D04D

RGB 21 208 77

HSL 137.97, 0.82%, 0.45%

LAB 73.42, -68.51, 51.84

 

CMYK 84 / 0 / 59 / 9

HEX #26E860

RGB 38 232 96

HSL 137.94, 0.81%, 0.53%

LAB 81.28, -72.3, 52.58

 

CMYK 89 / 0 / 63 / 34

HEX #12A93F

RGB 18 169 63

HSL 137.88, 0.81%, 0.37%

LAB 60.66, -58.24, 43.58

 

CMYK 90 / 44 / 0 / 33

HEX #1160AA

RGB 17 96 170

HSL 209.02, 0.82%, 0.37%

LAB 40.23, 6.16, -45.84

 

CMYK 0 / 90 / 79 / 33

HEX #AA1123

RGB 170 17 35

HSL 352.94, 0.82%, 0.37%

LAB 36.12, 57.53, 33.47

 

CMYK 89 / 0 / 63 / 34

HEX #12A93F

RGB 18 169 63

HSL 137.88, 0.81%, 0.37%

LAB 60.66, -58.24, 43.58

 

CMYK 64 / 90 / 0 / 33

HEX #3D11AA

RGB 61 17 170

HSL 257.25, 0.82%, 0.37%

LAB 24.62, 55.96, -71.22

 

CMYK 0 / 64 / 90 / 33

HEX #AA3D11

RGB 170 61 17

HSL 17.25, 0.82%, 0.37%

LAB 41.1, 42.87, 46.89

 

CMYK 89 / 0 / 63 / 34

HEX #12A93F

RGB 18 169 63

HSL 137.88, 0.81%, 0.37%

LAB 60.66, -58.24, 43.58

 

CMYK 90 / 44 / 0 / 33

HEX #1160AA

RGB 17 96 170

HSL 209.02, 0.82%, 0.37%

LAB 40.23, 6.16, -45.84

 

CMYK 0 / 90 / 25 / 33

HEX #AA117F

RGB 170 17 127

HSL 316.86, 0.82%, 0.37%

LAB 38.69, 64.65, -21.29

 

CMYK 0 / 46 / 90 / 33

HEX #AA5B11

RGB 170 91 17

HSL 29.02, 0.82%, 0.37%

LAB 47.06, 27.63, 51.47

 

CMYK 89 / 0 / 63 / 34

HEX #12A93F

RGB 18 169 63

HSL 137.88, 0.81%, 0.37%

LAB 60.66, -58.24, 43.58

 

CMYK 90 / 70 / 0 / 33

HEX #1133AA

RGB 17 51 170

HSL 226.67, 0.82%, 0.37%

LAB 27.82, 36.22, -66.02

 

CMYK 0 / 90 / 25 / 33

HEX #AA117F

RGB 170 17 127

HSL 316.86, 0.82%, 0.37%

LAB 38.69, 64.65, -21.29

 

CMYK 0 / 19 / 90 / 33

HEX #AA8911

RGB 170 137 17

HSL 47.06, 0.82%, 0.37%

LAB 58.49, 1.94, 60.37

 

Description

Color code: HEX #12A93F | qconv.com Color code: HEX #12A93F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 169 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 169 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 63 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 63% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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