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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12907B it is the complementary color #ED6F84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12907B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12907B shade: #179076, #28A289, #39B49C, #4AC6AF and #5BD8C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12907B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12907B shade: #12907B, #017E68, #006C55, #005A42 and #00482F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12907B shade: #11917C, #119159, #119137, #119115 and #319111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12907B shade: #11917C, #118491, #116191, #113F91 and #111D91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12907B shade matches the following richer shades: #11917C and #049E84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12907B shade: #11917C, #1F8473, #2C766A, #396961 and #465C58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12907B shade: #119138, #11915A, #11917C, #118491 and #116291

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12907B shade: #08473D, #0D6C5C, #11917C, #16B59B and #1BDABA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12907B shade: #12907B, #161191 and #914911

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12907B shade: #12907B, #7C1191 and #917C11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12907B shade: #12907B, #161191, #911127 and #8D9111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12907B shade: #12907B, #3C1191, #911127 and #669111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 15 / 44

HEX #12907B

RGB 18 144 123

HSL 170, 0.78%, 0.32%

LAB 53.5, -36.78, 2.18

 

Complementary color

CMYK 0 / 53 / 44 / 7

HEX #ED6F84

RGB 237 111 132

HSL 350, 0.78%, 0.68%

LAB 62.54, 50.51, 12.2

 

CMYK 84 / 0 / 18 / 44

HEX #179076

RGB 23 144 118

HSL 167.11, 0.72%, 0.33%

LAB 53.42, -37.74, 4.95

 

CMYK 75 / 0 / 15 / 36

HEX #28A289

RGB 40 162 137

HSL 167.7, 0.6%, 0.4%

LAB 59.98, -38.71, 3.62

 

CMYK 68 / 0 / 13 / 29

HEX #39B49C

RGB 57 180 156

HSL 168.29, 0.52%, 0.46%

LAB 66.45, -39.33, 2.45

 

CMYK 63 / 0 / 12 / 22

HEX #4AC6AF

RGB 74 198 175

HSL 168.87, 0.52%, 0.53%

LAB 72.85, -39.71, 1.39

 

CMYK 58 / 0 / 10 / 15

HEX #5BD8C2

RGB 91 216 194

HSL 169.44, 0.62%, 0.6%

LAB 79.17, -39.94, 0.43

 

CMYK 88 / 0 / 15 / 44

HEX #12907B

RGB 18 144 123

HSL 170, 0.78%, 0.32%

LAB 53.5, -36.78, 2.18

 

CMYK 99 / 0 / 17 / 51

HEX #017E68

RGB 1 126 104

HSL 169.44, 0.98%, 0.25%

LAB 46.88, -35.21, 3.66

 

CMYK 100 / 0 / 21 / 58

HEX #006C55

RGB 0 108 85

HSL 167.22, 1%, 0.21%

LAB 40.21, -32.7, 5.43

 

CMYK 100 / 0 / 27 / 65

HEX #005A42

RGB 0 90 66

HSL 164, 1%, 0.18%

LAB 33.36, -30.04, 7.36

 

CMYK 100 / 0 / 35 / 72

HEX #00482F

RGB 0 72 47

HSL 159.17, 1%, 0.14%

LAB 26.27, -27.23, 9.45

 

CMYK 88 / 0 / 14 / 43

HEX #11917C

RGB 17 145 124

HSL 170.16, 0.79%, 0.32%

LAB 53.84, -37.01, 2.1

 

CMYK 88 / 0 / 39 / 43

HEX #119159

RGB 17 145 89

HSL 153.75, 0.79%, 0.32%

LAB 53.05, -45.69, 20.87

 

CMYK 88 / 0 / 62 / 43

HEX #119137

RGB 17 145 55

HSL 137.81, 0.79%, 0.32%

LAB 52.56, -51.51, 38.02

 

CMYK 88 / 0 / 86 / 43

HEX #119115

RGB 17 145 21

HSL 121.88, 0.79%, 0.32%

LAB 52.31, -54.6, 50.75

 

CMYK 66 / 0 / 88 / 43

HEX #319111

RGB 49 145 17

HSL 105, 0.79%, 0.32%

LAB 52.89, -49.68, 52.47

 

CMYK 88 / 0 / 14 / 43

HEX #11917C

RGB 17 145 124

HSL 170.16, 0.79%, 0.32%

LAB 53.84, -37.01, 2.1

 

CMYK 88 / 9 / 0 / 43

HEX #118491

RGB 17 132 145

HSL 186.09, 0.79%, 0.32%

LAB 50.29, -24.27, -15.37

 

CMYK 88 / 33 / 0 / 43

HEX #116191

RGB 17 97 145

HSL 202.5, 0.79%, 0.32%

LAB 39.09, -4.48, -32.72

 

CMYK 88 / 57 / 0 / 43

HEX #113F91

RGB 17 63 145

HSL 218.44, 0.79%, 0.32%

LAB 28.69, 18.14, -49.39

 

CMYK 88 / 80 / 0 / 43

HEX #111D91

RGB 17 29 145

HSL 234.38, 0.79%, 0.32%

LAB 20.21, 40.55, -63.33

 

CMYK 88 / 0 / 14 / 43

HEX #11917C

RGB 17 145 124

HSL 170.16, 0.79%, 0.32%

LAB 53.84, -37.01, 2.1

 

CMYK 97 / 0 / 16 / 38

HEX #049E84

RGB 4 158 132

HSL 169.87, 0.95%, 0.32%

LAB 58.17, -41.12, 3.79

 

CMYK 88 / 0 / 14 / 43

HEX #11917C

RGB 17 145 124

HSL 170.16, 0.79%, 0.32%

LAB 53.84, -37.01, 2.1

 

CMYK 77 / 0 / 13 / 48

HEX #1F8473

RGB 31 132 115

HSL 169.9, 0.62%, 0.32%

LAB 49.53, -32.27, 1.09

 

CMYK 63 / 0 / 10 / 54

HEX #2C766A

RGB 44 118 106

HSL 170.27, 0.46%, 0.32%

LAB 44.99, -25.91, -0.18

 

CMYK 46 / 0 / 8 / 59

HEX #396961

RGB 57 105 97

HSL 170, 0.3%, 0.32%

LAB 40.95, -18.47, -0.6

 

CMYK 24 / 0 / 4 / 64

HEX #465C58

RGB 70 92 88

HSL 169.09, 0.14%, 0.32%

LAB 37.23, -9.26, -0.44

 

CMYK 88 / 0 / 61 / 43

HEX #119138

RGB 17 145 56

HSL 138.28, 0.79%, 0.32%

LAB 52.57, -51.38, 37.56

 

CMYK 88 / 0 / 38 / 43

HEX #11915A

RGB 17 145 90

HSL 154.22, 0.79%, 0.32%

LAB 53.07, -45.47, 20.34

 

CMYK 88 / 0 / 14 / 43

HEX #11917C

RGB 17 145 124

HSL 170.16, 0.79%, 0.32%

LAB 53.84, -37.01, 2.1

 

CMYK 88 / 9 / 0 / 43

HEX #118491

RGB 17 132 145

HSL 186.09, 0.79%, 0.32%

LAB 50.29, -24.27, -15.37

 

CMYK 88 / 32 / 0 / 43

HEX #116291

RGB 17 98 145

HSL 202.03, 0.79%, 0.32%

LAB 39.41, -5.1, -32.22

 

CMYK 89 / 0 / 14 / 72

HEX #08473D

RGB 8 71 61

HSL 170.48, 0.8%, 0.15%

LAB 26.43, -21.53, 0.64

 

CMYK 88 / 0 / 15 / 58

HEX #0D6C5C

RGB 13 108 92

HSL 169.89, 0.79%, 0.24%

LAB 40.55, -29.65, 1.69

 

CMYK 88 / 0 / 14 / 43

HEX #11917C

RGB 17 145 124

HSL 170.16, 0.79%, 0.32%

LAB 53.84, -37.01, 2.1

 

CMYK 88 / 0 / 14 / 29

HEX #16B59B

RGB 22 181 155

HSL 170.19, 0.78%, 0.4%

LAB 66.2, -43.78, 2.57

 

CMYK 88 / 0 / 15 / 15

HEX #1BDABA

RGB 27 218 186

HSL 169.95, 0.78%, 0.48%

LAB 78.42, -50.69, 3.46

 

CMYK 88 / 0 / 15 / 44

HEX #12907B

RGB 18 144 123

HSL 170, 0.78%, 0.32%

LAB 53.5, -36.78, 2.18

 

CMYK 85 / 88 / 0 / 43

HEX #161191

RGB 22 17 145

HSL 242.34, 0.79%, 0.32%

LAB 18.43, 46.62, -66.27

 

CMYK 0 / 50 / 88 / 43

HEX #914911

RGB 145 73 17

HSL 26.25, 0.79%, 0.32%

LAB 39.28, 26.77, 43.69

 

CMYK 88 / 0 / 15 / 44

HEX #12907B

RGB 18 144 123

HSL 170, 0.78%, 0.32%

LAB 53.5, -36.78, 2.18

 

CMYK 14 / 88 / 0 / 43

HEX #7C1191

RGB 124 17 145

HSL 290.16, 0.79%, 0.32%

LAB 31.18, 58.29, -44.87

 

CMYK 0 / 14 / 88 / 43

HEX #917C11

RGB 145 124 17

HSL 50.16, 0.79%, 0.32%

LAB 52.37, -2.42, 54.4

 

CMYK 88 / 0 / 15 / 44

HEX #12907B

RGB 18 144 123

HSL 170, 0.78%, 0.32%

LAB 53.5, -36.78, 2.18

 

CMYK 85 / 88 / 0 / 43

HEX #161191

RGB 22 17 145

HSL 242.34, 0.79%, 0.32%

LAB 18.43, 46.62, -66.27

 

CMYK 0 / 88 / 73 / 43

HEX #911127

RGB 145 17 39

HSL 349.69, 0.79%, 0.32%

LAB 30.8, 50.79, 23.53

 

CMYK 3 / 0 / 88 / 43

HEX #8D9111

RGB 141 145 17

HSL 61.88, 0.79%, 0.32%

LAB 57.99, -15.66, 58.83

 

CMYK 88 / 0 / 15 / 44

HEX #12907B

RGB 18 144 123

HSL 170, 0.78%, 0.32%

LAB 53.5, -36.78, 2.18

 

CMYK 59 / 88 / 0 / 43

HEX #3C1191

RGB 60 17 145

HSL 260.16, 0.79%, 0.32%

LAB 21.6, 49.24, -60.93

 

CMYK 0 / 88 / 73 / 43

HEX #911127

RGB 145 17 39

HSL 349.69, 0.79%, 0.32%

LAB 30.8, 50.79, 23.53

 

CMYK 30 / 0 / 88 / 43

HEX #669111

RGB 102 145 17

HSL 80.16, 0.79%, 0.32%

LAB 55.19, -32.48, 55.36

 

Description

Color code: HEX #12907B | qconv.com Color code: HEX #12907B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 144 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 144 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 15 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 15% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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