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Color name
HEX #12952D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12952D it is the complementary color #ED6AD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12952D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12952D shade: #179528, #28A73B, #39B94E, #4ACB61 and #5BDD74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12952D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12952D shade: #12952D, #01831A, #007107, #005F00 and #004D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12952D shade: #12952D, #1A9512, #3E9512, #619512 and #859512

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12952D shade: #12952D, #129550, #129574, #129395 and #127095

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12952D shade matches the following richer shades: #12952D and #04A325

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12952D shade: #12952D, #208835, #2D7A3D, #3B6C45 and #485F4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12952D shade: #3E9512, #1B9512, #12952C, #12954F and #129572

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12952D shade: #094C17, #0D7122, #12952D, #17BA38 and #1BDF43

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12952D shade: #12952D, #126195 and #95122C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12952D shade: #12952D, #2C1295 and #952C12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12952D shade: #12952D, #126195, #95127B and #954712

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12952D shade: #12952D, #123995, #95127B and #956E12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 70 / 42

HEX #12952D

RGB 18 149 45

HSL 132.37, 0.78%, 0.33%

LAB 53.83, -53.89, 43.91

 

Complementary color

CMYK 0 / 55 / 11 / 7

HEX #ED6AD2

RGB 237 106 210

HSL 312.37, 0.78%, 0.67%

LAB 64.13, 62.78, -29.9

 

CMYK 85 / 0 / 73 / 42

HEX #179528

RGB 23 149 40

HSL 128.1, 0.73%, 0.34%

LAB 53.85, -53.88, 45.98

 

CMYK 76 / 0 / 65 / 35

HEX #28A73B

RGB 40 167 59

HSL 128.98, 0.61%, 0.41%

LAB 60.25, -55.6, 44.98

 

CMYK 69 / 0 / 58 / 27

HEX #39B94E

RGB 57 185 78

HSL 129.84, 0.53%, 0.47%

LAB 66.61, -56.66, 43.69

 

CMYK 64 / 0 / 52 / 20

HEX #4ACB61

RGB 74 203 97

HSL 130.7, 0.55%, 0.54%

LAB 72.91, -57.27, 42.3

 

CMYK 59 / 0 / 48 / 13

HEX #5BDD74

RGB 91 221 116

HSL 131.54, 0.66%, 0.61%

LAB 79.16, -57.59, 40.91

 

CMYK 88 / 0 / 70 / 42

HEX #12952D

RGB 18 149 45

HSL 132.37, 0.78%, 0.33%

LAB 53.83, -53.89, 43.91

 

CMYK 99 / 0 / 80 / 49

HEX #01831A

RGB 1 131 26

HSL 131.54, 0.98%, 0.26%

LAB 47.38, -51.24, 44.57

 

CMYK 100 / 0 / 94 / 56

HEX #007107

RGB 0 113 7

HSL 123.72, 1%, 0.22%

LAB 40.94, -46.96, 43.94

 

CMYK 100 / 0 / 100 / 63

HEX #005F00

RGB 0 95 0

HSL 120, 1%, 0.19%

LAB 34.36, -41.84, 40.38

 

CMYK 100 / 0 / 100 / 70

HEX #004D00

RGB 0 77 0

HSL 120, 1%, 0.15%

LAB 27.59, -36.22, 34.92

 

CMYK 88 / 0 / 70 / 42

HEX #12952D

RGB 18 149 45

HSL 132.37, 0.78%, 0.33%

LAB 53.83, -53.89, 43.91

 

CMYK 83 / 0 / 88 / 42

HEX #1A9512

RGB 26 149 18

HSL 116.34, 0.78%, 0.33%

LAB 53.77, -55, 52.84

 

CMYK 58 / 0 / 88 / 42

HEX #3E9512

RGB 62 149 18

HSL 99.85, 0.78%, 0.33%

LAB 54.62, -47.82, 53.91

 

CMYK 35 / 0 / 88 / 42

HEX #619512

RGB 97 149 18

HSL 83.82, 0.78%, 0.33%

LAB 56.17, -36.22, 55.86

 

CMYK 11 / 0 / 88 / 42

HEX #859512

RGB 133 149 18

HSL 67.33, 0.78%, 0.33%

LAB 58.53, -21.26, 58.8

 

CMYK 88 / 0 / 70 / 42

HEX #12952D

RGB 18 149 45

HSL 132.37, 0.78%, 0.33%

LAB 53.83, -53.89, 43.91

 

CMYK 88 / 0 / 46 / 42

HEX #129550

RGB 18 149 80

HSL 148.4, 0.78%, 0.33%

LAB 54.24, -48.87, 27.34

 

CMYK 88 / 0 / 22 / 42

HEX #129574

RGB 18 149 116

HSL 164.89, 0.78%, 0.33%

LAB 54.95, -40.84, 8.28

 

CMYK 88 / 1 / 0 / 42

HEX #129395

RGB 18 147 149

HSL 180.92, 0.78%, 0.33%

LAB 55.24, -30.38, -10.22

 

CMYK 88 / 25 / 0 / 42

HEX #127095

RGB 18 112 149

HSL 196.95, 0.78%, 0.33%

LAB 44.07, -11.85, -27.31

 

CMYK 88 / 0 / 70 / 42

HEX #12952D

RGB 18 149 45

HSL 132.37, 0.78%, 0.33%

LAB 53.83, -53.89, 43.91

 

CMYK 98 / 0 / 77 / 36

HEX #04A325

RGB 4 163 37

HSL 132.45, 0.95%, 0.33%

LAB 58.37, -59.81, 51.59

 

CMYK 88 / 0 / 70 / 42

HEX #12952D

RGB 18 149 45

HSL 132.37, 0.78%, 0.33%

LAB 53.83, -53.89, 43.91

 

CMYK 76 / 0 / 61 / 47

HEX #208835

RGB 32 136 53

HSL 132.12, 0.62%, 0.33%

LAB 49.7, -46.83, 35.74

 

CMYK 63 / 0 / 50 / 52

HEX #2D7A3D

RGB 45 122 61

HSL 132.47, 0.46%, 0.33%

LAB 45.38, -37.65, 26.45

 

CMYK 45 / 0 / 36 / 58

HEX #3B6C45

RGB 59 108 69

HSL 132.24, 0.29%, 0.33%

LAB 41.35, -25.9, 16.79

 

CMYK 24 / 0 / 19 / 63

HEX #485F4D

RGB 72 95 77

HSL 133.04, 0.14%, 0.33%

LAB 38.02, -12.76, 7.51

 

CMYK 58 / 0 / 88 / 42

HEX #3E9512

RGB 62 149 18

HSL 99.85, 0.78%, 0.33%

LAB 54.62, -47.82, 53.91

 

CMYK 82 / 0 / 88 / 42

HEX #1B9512

RGB 27 149 18

HSL 115.88, 0.78%, 0.33%

LAB 53.78, -54.87, 52.86

 

CMYK 88 / 0 / 70 / 42

HEX #12952C

RGB 18 149 44

HSL 131.91, 0.78%, 0.33%

LAB 53.82, -54, 44.32

 

CMYK 88 / 0 / 47 / 42

HEX #12954F

RGB 18 149 79

HSL 147.94, 0.78%, 0.33%

LAB 54.23, -49.05, 27.86

 

CMYK 88 / 0 / 23 / 42

HEX #129572

RGB 18 149 114

HSL 163.97, 0.78%, 0.33%

LAB 54.91, -41.35, 9.35

 

CMYK 88 / 0 / 70 / 70

HEX #094C17

RGB 9 76 23

HSL 132.54, 0.79%, 0.17%

LAB 27.54, -32.31, 25.27

 

CMYK 88 / 0 / 70 / 56

HEX #0D7122

RGB 13 113 34

HSL 132.6, 0.79%, 0.25%

LAB 41.23, -43.71, 35.11

 

CMYK 88 / 0 / 70 / 42

HEX #12952D

RGB 18 149 45

HSL 132.37, 0.78%, 0.33%

LAB 53.83, -53.89, 43.91

 

CMYK 88 / 0 / 70 / 27

HEX #17BA38

RGB 23 186 56

HSL 132.15, 0.78%, 0.41%

LAB 66.2, -63.9, 52.62

 

CMYK 88 / 0 / 70 / 13

HEX #1BDF43

RGB 27 223 67

HSL 132.24, 0.78%, 0.49%

LAB 78.12, -73.57, 60.96

 

CMYK 88 / 0 / 70 / 42

HEX #12952D

RGB 18 149 45

HSL 132.37, 0.78%, 0.33%

LAB 53.83, -53.89, 43.91

 

CMYK 88 / 35 / 0 / 42

HEX #126195

RGB 18 97 149

HSL 203.82, 0.78%, 0.33%

LAB 39.32, -2.82, -34.76

 

CMYK 0 / 88 / 70 / 42

HEX #95122C

RGB 149 18 44

HSL 348.09, 0.78%, 0.33%

LAB 31.82, 51.94, 21.73

 

CMYK 88 / 0 / 70 / 42

HEX #12952D

RGB 18 149 45

HSL 132.37, 0.78%, 0.33%

LAB 53.83, -53.89, 43.91

 

CMYK 70 / 88 / 0 / 42

HEX #2C1295

RGB 44 18 149

HSL 251.91, 0.78%, 0.33%

LAB 20.59, 48.63, -65.13

 

CMYK 0 / 70 / 88 / 42

HEX #952C12

RGB 149 44 18

HSL 11.91, 0.78%, 0.33%

LAB 34.47, 42.73, 39.55

 

CMYK 88 / 0 / 70 / 42

HEX #12952D

RGB 18 149 45

HSL 132.37, 0.78%, 0.33%

LAB 53.83, -53.89, 43.91

 

CMYK 88 / 35 / 0 / 42

HEX #126195

RGB 18 97 149

HSL 203.82, 0.78%, 0.33%

LAB 39.32, -2.82, -34.76

 

CMYK 0 / 88 / 17 / 42

HEX #95127B

RGB 149 18 123

HSL 311.91, 0.78%, 0.33%

LAB 34.5, 59.46, -25.62

 

CMYK 0 / 52 / 88 / 42

HEX #954712

RGB 149 71 18

HSL 24.27, 0.78%, 0.33%

LAB 39.48, 29.6, 43.72

 

CMYK 88 / 0 / 70 / 42

HEX #12952D

RGB 18 149 45

HSL 132.37, 0.78%, 0.33%

LAB 53.83, -53.89, 43.91

 

CMYK 88 / 62 / 0 / 42

HEX #123995

RGB 18 57 149

HSL 222.14, 0.78%, 0.33%

LAB 27.37, 24.02, -54.01

 

CMYK 0 / 88 / 17 / 42

HEX #95127B

RGB 149 18 123

HSL 311.91, 0.78%, 0.33%

LAB 34.5, 59.46, -25.62

 

CMYK 0 / 26 / 88 / 42

HEX #956E12

RGB 149 110 18

HSL 42.14, 0.78%, 0.33%

LAB 48.99, 7.43, 51.55

 

Description

Color code: HEX #12952D | qconv.com Color code: HEX #12952D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 149 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 149 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 70 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 70% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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