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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1287C3 it is the complementary color #ED783C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1287C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1287C3 shade: #1787BE, #2899D1, #39ABE4, #4ABDF7 and #5BCFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1287C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1287C3 shade: #1287C3, #0175B0, #00639D, #00518A and #003F77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1287C3 shade: #1287C3, #1257C3, #1227C3, #2C12C3 and #5C12C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1287C3 shade: #1287C3, #1257C3, #1227C3 and #1212C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1287C3 shade matches the following richer shades: #1287C3 and #008DD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1287C3 shade: #1287C3, #2382B2, #347CA1, #467690 and #57717E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1287C3 shade: #12C3A0, #12B8C3, #1288C3, #1259C3 and #1229C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1287C3 shade: #0B5378, #0E6D9E, #1287C3, #16A1E9 and #3BB0EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1287C3 shade: #1287C3, #7112C3 and #C3B812

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1287C3 shade: #1287C3, #C31288 and #88C312

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1287C3 shade: #1287C3, #7112C3, #C34D12 and #65C312

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1287C3 shade: #1287C3, #A612C3, #C34D12 and #2FC312

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 31 / 0 / 24

HEX #1287C3

RGB 18 135 195

HSL 200.34, 0.83%, 0.42%

LAB 53.38, -7.92, -39.44

 

Complementary color

CMYK 0 / 49 / 75 / 7

HEX #ED783C

RGB 237 120 60

HSL 20.34, 0.83%, 0.58%

LAB 63.15, 41.06, 52.11

 

CMYK 88 / 29 / 0 / 25

HEX #1787BE

RGB 23 135 190

HSL 199.76, 0.78%, 0.42%

LAB 53.2, -9.49, -36.87

 

CMYK 81 / 27 / 0 / 18

HEX #2899D1

RGB 40 153 209

HSL 199.88, 0.68%, 0.49%

LAB 59.74, -11.43, -37.33

 

CMYK 75 / 25 / 0 / 11

HEX #39ABE4

RGB 57 171 228

HSL 200, 0.76%, 0.56%

LAB 66.21, -12.97, -37.73

 

CMYK 70 / 23 / 0 / 3

HEX #4ABDF7

RGB 74 189 247

HSL 200.12, 0.92%, 0.63%

LAB 72.61, -14.19, -38.08

 

CMYK 64 / 19 / 0 / 0

HEX #5BCFFF

RGB 91 207 255

HSL 197.56, 1%, 0.68%

LAB 78.5, -18.57, -33.2

 

CMYK 91 / 31 / 0 / 24

HEX #1287C3

RGB 18 135 195

HSL 200.34, 0.83%, 0.42%

LAB 53.38, -7.92, -39.44

 

CMYK 99 / 34 / 0 / 31

HEX #0175B0

RGB 1 117 176

HSL 200.23, 0.99%, 0.35%

LAB 46.8, -5.29, -38.91

 

CMYK 100 / 37 / 0 / 38

HEX #00639D

RGB 0 99 157

HSL 202.17, 1%, 0.31%

LAB 40.18, -1.87, -38.21

 

CMYK 100 / 41 / 0 / 46

HEX #00518A

RGB 0 81 138

HSL 204.78, 1%, 0.27%

LAB 33.39, 1.84, -37.53

 

CMYK 100 / 47 / 0 / 53

HEX #003F77

RGB 0 63 119

HSL 208.24, 1%, 0.23%

LAB 26.41, 5.88, -36.9

 

CMYK 91 / 31 / 0 / 24

HEX #1287C3

RGB 18 135 195

HSL 200.34, 0.83%, 0.42%

LAB 53.38, -7.92, -39.44

 

CMYK 91 / 55 / 0 / 24

HEX #1257C3

RGB 18 87 195

HSL 216.61, 0.83%, 0.42%

LAB 39.39, 22.19, -61.85

 

CMYK 91 / 80 / 0 / 24

HEX #1227C3

RGB 18 39 195

HSL 232.88, 0.83%, 0.42%

LAB 28.17, 51.99, -80.31

 

CMYK 77 / 91 / 0 / 24

HEX #2C12C3

RGB 44 18 195

HSL 248.81, 0.83%, 0.42%

LAB 26.47, 61.37, -83.1

 

CMYK 53 / 91 / 0 / 24

HEX #5C12C3

RGB 92 18 195

HSL 265.08, 0.83%, 0.42%

LAB 30.99, 64.49, -75.46

 

CMYK 91 / 31 / 0 / 24

HEX #1287C3

RGB 18 135 195

HSL 200.34, 0.83%, 0.42%

LAB 53.38, -7.92, -39.44

 

CMYK 91 / 55 / 0 / 24

HEX #1257C3

RGB 18 87 195

HSL 216.61, 0.83%, 0.42%

LAB 39.39, 22.19, -61.85

 

CMYK 91 / 80 / 0 / 24

HEX #1227C3

RGB 18 39 195

HSL 232.88, 0.83%, 0.42%

LAB 28.17, 51.99, -80.31

 

CMYK 91 / 91 / 0 / 24

HEX #1212C3

RGB 18 18 195

HSL 240, 0.83%, 0.42%

LAB 25.26, 60.64, -85.14

 

CMYK 91 / 31 / 0 / 24

HEX #1287C3

RGB 18 135 195

HSL 200.34, 0.83%, 0.42%

LAB 53.38, -7.92, -39.44

 

CMYK 100 / 34 / 0 / 16

HEX #008DD5

RGB 0 141 213

HSL 200.28, 1%, 0.42%

LAB 55.94, -5.27, -45.58

 

CMYK 91 / 31 / 0 / 24

HEX #1287C3

RGB 18 135 195

HSL 200.34, 0.83%, 0.42%

LAB 53.38, -7.92, -39.44

 

CMYK 80 / 27 / 0 / 30

HEX #2382B2

RGB 35 130 178

HSL 200.14, 0.67%, 0.42%

LAB 51.31, -10.02, -32.93

 

CMYK 68 / 23 / 0 / 37

HEX #347CA1

RGB 52 124 161

HSL 200.37, 0.51%, 0.42%

LAB 49.15, -10.29, -26.4

 

CMYK 51 / 18 / 0 / 44

HEX #467690

RGB 70 118 144

HSL 201.08, 0.35%, 0.42%

LAB 47.33, -8.68, -19.17

 

CMYK 31 / 10 / 0 / 51

HEX #57717E

RGB 87 113 126

HSL 200, 0.18%, 0.42%

LAB 46.1, -6.14, -10.26

 

CMYK 91 / 0 / 18 / 24

HEX #12C3A0

RGB 18 195 160

HSL 168.14, 0.83%, 0.42%

LAB 70.66, -48.51, 6.26

 

CMYK 91 / 6 / 0 / 24

HEX #12B8C3

RGB 18 184 195

HSL 183.73, 0.83%, 0.42%

LAB 68.28, -33.61, -16.44

 

CMYK 91 / 30 / 0 / 24

HEX #1288C3

RGB 18 136 195

HSL 200, 0.83%, 0.42%

LAB 53.68, -8.5, -38.96

 

CMYK 91 / 54 / 0 / 24

HEX #1259C3

RGB 18 89 195

HSL 215.93, 0.83%, 0.42%

LAB 39.94, 20.87, -60.95

 

CMYK 91 / 79 / 0 / 24

HEX #1229C3

RGB 18 41 195

HSL 232.2, 0.83%, 0.42%

LAB 28.52, 50.95, -79.71

 

CMYK 91 / 31 / 0 / 53

HEX #0B5378

RGB 11 83 120

HSL 200.37, 0.83%, 0.26%

LAB 33.17, -6.18, -26.78

 

CMYK 91 / 31 / 0 / 38

HEX #0E6D9E

RGB 14 109 158

HSL 200.42, 0.84%, 0.34%

LAB 43.51, -6.91, -33.53

 

CMYK 91 / 31 / 0 / 24

HEX #1287C3

RGB 18 135 195

HSL 200.34, 0.83%, 0.42%

LAB 53.38, -7.92, -39.44

 

CMYK 91 / 31 / 0 / 9

HEX #16A1E9

RGB 22 161 233

HSL 200.47, 0.83%, 0.5%

LAB 62.96, -8.53, -45.61

 

CMYK 75 / 25 / 0 / 7

HEX #3BB0EC

RGB 59 176 236

HSL 200.34, 0.82%, 0.58%

LAB 68.05, -12.75, -39.24

 

CMYK 91 / 31 / 0 / 24

HEX #1287C3

RGB 18 135 195

HSL 200.34, 0.83%, 0.42%

LAB 53.38, -7.92, -39.44

 

CMYK 42 / 91 / 0 / 24

HEX #7112C3

RGB 113 18 195

HSL 272.2, 0.83%, 0.42%

LAB 33.74, 66.64, -70.84

 

CMYK 0 / 6 / 91 / 24

HEX #C3B812

RGB 195 184 18

HSL 56.27, 0.83%, 0.42%

LAB 73.5, -11.84, 72.9

 

CMYK 91 / 31 / 0 / 24

HEX #1287C3

RGB 18 135 195

HSL 200.34, 0.83%, 0.42%

LAB 53.38, -7.92, -39.44

 

CMYK 0 / 91 / 30 / 24

HEX #C31288

RGB 195 18 136

HSL 320, 0.83%, 0.42%

LAB 43.96, 70.9, -18.31

 

CMYK 30 / 0 / 91 / 24

HEX #88C312

RGB 136 195 18

HSL 80, 0.83%, 0.42%

LAB 72.43, -41.59, 70.29

 

CMYK 91 / 31 / 0 / 24

HEX #1287C3

RGB 18 135 195

HSL 200.34, 0.83%, 0.42%

LAB 53.38, -7.92, -39.44

 

CMYK 42 / 91 / 0 / 24

HEX #7112C3

RGB 113 18 195

HSL 272.2, 0.83%, 0.42%

LAB 33.74, 66.64, -70.84

 

CMYK 0 / 61 / 91 / 24

HEX #C34D12

RGB 195 77 18

HSL 20, 0.83%, 0.42%

LAB 48.2, 44.77, 53.75

 

CMYK 48 / 0 / 91 / 24

HEX #65C312

RGB 101 195 18

HSL 91.86, 0.83%, 0.42%

LAB 70.76, -53.65, 68.22

 

CMYK 91 / 31 / 0 / 24

HEX #1287C3

RGB 18 135 195

HSL 200.34, 0.83%, 0.42%

LAB 53.38, -7.92, -39.44

 

CMYK 15 / 91 / 0 / 24

HEX #A612C3

RGB 166 18 195

HSL 290.17, 0.83%, 0.42%

LAB 41.97, 73.84, -57.06

 

CMYK 0 / 61 / 91 / 24

HEX #C34D12

RGB 195 77 18

HSL 20, 0.83%, 0.42%

LAB 48.2, 44.77, 53.75

 

CMYK 76 / 0 / 91 / 24

HEX #2FC312

RGB 47 195 18

HSL 110.17, 0.83%, 0.42%

LAB 69.24, -66.12, 66.33

 

Description

Color code: HEX #1287C3 | qconv.com Color code: HEX #1287C3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 135 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 135 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 31 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 31% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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