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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12868A it is the complementary color #ED7975. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12868A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12868A shade: #178685, #289898, #39AAAB, #4ABCBE and #5BCED1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12868A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12868A shade: #12868A, #017477, #006264, #005051 and #003E3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12868A shade: #12878B, #12678B, #12468B, #12258B and #1F128B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12868A shade: #12878B, #12678B, #12468B, #12258B and #12128B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12868A shade matches the following richer shades: #12878B and #059398

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12868A shade: #12878B, #1E7B7F, #2B6F72, #386465 and #455858

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12868A shade: #128B4F, #128B6F, #12878B, #12678B and #12468B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12868A shade: #084042, #0D6467, #12878B, #16ABB0 and #1BCED4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12868A shade: #12868A, #2E128B and #8B5F12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12868A shade: #12868A, #8B1287 and #878B12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12868A shade: #12868A, #2E128B, #8B1612 and #6F8B12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12868A shade: #12868A, #53128B, #8B1612 and #4A8B12

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 3 / 0 / 46

HEX #12868A

RGB 18 134 138

HSL 182, 0.77%, 0.31%

LAB 50.7, -27.53, -10.66

 

Complementary color

CMYK 0 / 49 / 51 / 7

HEX #ED7975

RGB 237 121 117

HSL 2, 0.77%, 0.69%

LAB 64.13, 44.23, 22.93

 

CMYK 83 / 0 / 1 / 47

HEX #178685

RGB 23 134 133

HSL 179.46, 0.71%, 0.31%

LAB 50.6, -28.72, -7.89

 

CMYK 74 / 0 / 0 / 40

HEX #289898

RGB 40 152 152

HSL 180, 0.58%, 0.38%

LAB 57.25, -29.8, -8.91

 

CMYK 67 / 1 / 0 / 33

HEX #39AAAB

RGB 57 170 171

HSL 180.53, 0.5%, 0.45%

LAB 63.8, -30.55, -9.8

 

CMYK 61 / 1 / 0 / 25

HEX #4ABCBE

RGB 74 188 190

HSL 181.03, 0.47%, 0.52%

LAB 70.27, -31.05, -10.6

 

CMYK 56 / 1 / 0 / 18

HEX #5BCED1

RGB 91 206 209

HSL 181.53, 0.56%, 0.59%

LAB 76.66, -31.4, -11.33

 

CMYK 87 / 3 / 0 / 46

HEX #12868A

RGB 18 134 138

HSL 182, 0.77%, 0.31%

LAB 50.7, -27.53, -10.66

 

CMYK 99 / 3 / 0 / 53

HEX #017477

RGB 1 116 119

HSL 181.53, 0.98%, 0.24%

LAB 43.99, -25.81, -9.53

 

CMYK 100 / 2 / 0 / 61

HEX #006264

RGB 0 98 100

HSL 181.2, 1%, 0.2%

LAB 37.22, -23.17, -8.15

 

CMYK 100 / 1 / 0 / 68

HEX #005051

RGB 0 80 81

HSL 180.74, 1%, 0.16%

LAB 30.23, -20.38, -6.68

 

CMYK 100 / 0 / 0 / 76

HEX #003E3E

RGB 0 62 62

HSL 180, 1%, 0.12%

LAB 22.98, -17.49, -5.14

 

CMYK 87 / 3 / 0 / 45

HEX #12878B

RGB 18 135 139

HSL 181.98, 0.77%, 0.31%

LAB 51.06, -27.7, -10.71

 

CMYK 87 / 26 / 0 / 45

HEX #12678B

RGB 18 103 139

HSL 197.85, 0.77%, 0.31%

LAB 40.72, -10.36, -26.55

 

CMYK 87 / 50 / 0 / 45

HEX #12468B

RGB 18 70 139

HSL 214.21, 0.77%, 0.31%

LAB 30.33, 10.86, -43.04

 

CMYK 87 / 73 / 0 / 45

HEX #12258B

RGB 18 37 139

HSL 230.58, 0.77%, 0.31%

LAB 21.27, 33.59, -57.84

 

CMYK 78 / 87 / 0 / 45

HEX #1F128B

RGB 31 18 139

HSL 246.45, 0.77%, 0.31%

LAB 18.31, 44.81, -62.72

 

CMYK 87 / 3 / 0 / 45

HEX #12878B

RGB 18 135 139

HSL 181.98, 0.77%, 0.31%

LAB 51.06, -27.7, -10.71

 

CMYK 87 / 26 / 0 / 45

HEX #12678B

RGB 18 103 139

HSL 197.85, 0.77%, 0.31%

LAB 40.72, -10.36, -26.55

 

CMYK 87 / 50 / 0 / 45

HEX #12468B

RGB 18 70 139

HSL 214.21, 0.77%, 0.31%

LAB 30.33, 10.86, -43.04

 

CMYK 87 / 73 / 0 / 45

HEX #12258B

RGB 18 37 139

HSL 230.58, 0.77%, 0.31%

LAB 21.27, 33.59, -57.84

 

CMYK 87 / 87 / 0 / 45

HEX #12128B

RGB 18 18 139

HSL 240, 0.77%, 0.31%

LAB 17.58, 44.18, -63.96

 

CMYK 87 / 3 / 0 / 45

HEX #12878B

RGB 18 135 139

HSL 181.98, 0.77%, 0.31%

LAB 51.06, -27.7, -10.71

 

CMYK 97 / 3 / 0 / 40

HEX #059398

RGB 5 147 152

HSL 182.04, 0.94%, 0.31%

LAB 55.24, -30.07, -11.95

 

CMYK 87 / 3 / 0 / 45

HEX #12878B

RGB 18 135 139

HSL 181.98, 0.77%, 0.31%

LAB 51.06, -27.7, -10.71

 

CMYK 76 / 3 / 0 / 50

HEX #1E7B7F

RGB 30 123 127

HSL 182.47, 0.62%, 0.31%

LAB 46.94, -24.36, -9.83

 

CMYK 62 / 3 / 0 / 55

HEX #2B6F72

RGB 43 111 114

HSL 182.54, 0.45%, 0.31%

LAB 42.91, -20.12, -8.07

 

CMYK 45 / 1 / 0 / 60

HEX #386465

RGB 56 100 101

HSL 181.33, 0.29%, 0.31%

LAB 39.4, -14.88, -5.34

 

CMYK 22 / 0 / 0 / 65

HEX #455858

RGB 69 88 88

HSL 180, 0.12%, 0.31%

LAB 35.89, -7.25, -2.41

 

CMYK 87 / 0 / 43 / 45

HEX #128B4F

RGB 18 139 79

HSL 150.25, 0.77%, 0.31%

LAB 50.87, -45.37, 23.52

 

CMYK 87 / 0 / 20 / 45

HEX #128B6F

RGB 18 139 111

HSL 166.12, 0.77%, 0.31%

LAB 51.54, -37.88, 6.29

 

CMYK 87 / 3 / 0 / 45

HEX #12878B

RGB 18 135 139

HSL 181.98, 0.77%, 0.31%

LAB 51.06, -27.7, -10.71

 

CMYK 87 / 26 / 0 / 45

HEX #12678B

RGB 18 103 139

HSL 197.85, 0.77%, 0.31%

LAB 40.72, -10.36, -26.55

 

CMYK 87 / 50 / 0 / 45

HEX #12468B

RGB 18 70 139

HSL 214.21, 0.77%, 0.31%

LAB 30.33, 10.86, -43.04

 

CMYK 88 / 3 / 0 / 74

HEX #084042

RGB 8 64 66

HSL 182.07, 0.78%, 0.15%

LAB 24.04, -16.03, -6.2

 

CMYK 87 / 3 / 0 / 60

HEX #0D6467

RGB 13 100 103

HSL 182, 0.78%, 0.23%

LAB 38.16, -22.18, -8.56

 

CMYK 87 / 3 / 0 / 45

HEX #12878B

RGB 18 135 139

HSL 181.98, 0.77%, 0.31%

LAB 51.06, -27.7, -10.71

 

CMYK 88 / 3 / 0 / 31

HEX #16ABB0

RGB 22 171 176

HSL 181.95, 0.78%, 0.39%

LAB 63.7, -33.17, -12.81

 

CMYK 87 / 3 / 0 / 17

HEX #1BCED4

RGB 27 206 212

HSL 181.95, 0.77%, 0.47%

LAB 75.53, -38.19, -14.77

 

CMYK 87 / 3 / 0 / 46

HEX #12868A

RGB 18 134 138

HSL 182, 0.77%, 0.31%

LAB 50.7, -27.53, -10.66

 

CMYK 67 / 87 / 0 / 45

HEX #2E128B

RGB 46 18 139

HSL 253.88, 0.77%, 0.31%

LAB 19.55, 45.9, -60.63

 

CMYK 0 / 32 / 87 / 45

HEX #8B5F12

RGB 139 95 18

HSL 38.18, 0.77%, 0.31%

LAB 43.82, 11.43, 46.78

 

CMYK 87 / 3 / 0 / 46

HEX #12868A

RGB 18 134 138

HSL 182, 0.77%, 0.31%

LAB 50.7, -27.53, -10.66

 

CMYK 0 / 87 / 3 / 45

HEX #8B1287

RGB 139 18 135

HSL 301.98, 0.77%, 0.31%

LAB 33.29, 59.17, -35.16

 

CMYK 3 / 0 / 87 / 45

HEX #878B12

RGB 135 139 18

HSL 61.98, 0.77%, 0.31%

LAB 55.75, -15.19, 56.55

 

CMYK 87 / 3 / 0 / 46

HEX #12868A

RGB 18 134 138

HSL 182, 0.77%, 0.31%

LAB 50.7, -27.53, -10.66

 

CMYK 67 / 87 / 0 / 45

HEX #2E128B

RGB 46 18 139

HSL 253.88, 0.77%, 0.31%

LAB 19.55, 45.9, -60.63

 

CMYK 0 / 84 / 87 / 45

HEX #8B1612

RGB 139 22 18

HSL 1.98, 0.77%, 0.31%

LAB 29.68, 47.09, 34.64

 

CMYK 20 / 0 / 87 / 45

HEX #6F8B12

RGB 111 139 18

HSL 73.88, 0.77%, 0.31%

LAB 53.91, -25.84, 54.27

 

CMYK 87 / 3 / 0 / 46

HEX #12868A

RGB 18 134 138

HSL 182, 0.77%, 0.31%

LAB 50.7, -27.53, -10.66

 

CMYK 40 / 87 / 0 / 45

HEX #53128B

RGB 83 18 139

HSL 272.23, 0.77%, 0.31%

LAB 24.12, 50.19, -52.94

 

CMYK 0 / 84 / 87 / 45

HEX #8B1612

RGB 139 22 18

HSL 1.98, 0.77%, 0.31%

LAB 29.68, 47.09, 34.64

 

CMYK 47 / 0 / 87 / 45

HEX #4A8B12

RGB 74 139 18

HSL 92.23, 0.77%, 0.31%

LAB 51.8, -40.25, 51.62

 

Description

Color code: HEX #12868A | qconv.com Color code: HEX #12868A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 134 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 134 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 3 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 3% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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