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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #128670 it is the complementary color #ED798F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #128670. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #128670 shade: #17866B, #28987E, #39AA91, #4ABCA4 and #5BCEB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #128670. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #128670 shade: #128670, #01745D, #00624A, #005037 and #003E24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #128670 shade: #128670, #128651, #128631, #128612 and #318612

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #128670 shade: #128670, #127D86, #125D86, #123E86 and #121F86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #128670 shade matches the following richer shades: #128670 and #059378

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #128670 shade: #128670, #1E7A68, #2B6D61, #376159 and #435551

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #128670 shade: #128631, #128650, #12866F, #127E86 and #125F86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #128670 shade: #083E33, #0D6252, #128670, #17AA8E and #1CCFAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #128670 shade: #128670, #121286 and #864012

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #128670 shade: #128670, #6F1286 and #866F12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #128670 shade: #128670, #121286, #861229 and #868612

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #128670 shade: #128670, #351286, #861229 and #638612

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 16 / 47

HEX #128670

RGB 18 134 112

HSL 168.62, 0.76%, 0.3%

LAB 49.92, -35.4, 3.37

 

Complementary color

CMYK 0 / 49 / 40 / 7

HEX #ED798F

RGB 237 121 143

HSL 348.62, 0.76%, 0.7%

LAB 64.69, 46.78, 8.95

 

CMYK 83 / 0 / 20 / 47

HEX #17866B

RGB 23 134 107

HSL 165.41, 0.71%, 0.31%

LAB 49.85, -36.31, 6.19

 

CMYK 74 / 0 / 17 / 40

HEX #28987E

RGB 40 152 126

HSL 166.07, 0.58%, 0.38%

LAB 56.5, -37.18, 4.84

 

CMYK 66 / 0 / 15 / 33

HEX #39AA91

RGB 57 170 145

HSL 166.73, 0.5%, 0.45%

LAB 63.06, -37.69, 3.65

 

CMYK 61 / 0 / 13 / 26

HEX #4ABCA4

RGB 74 188 164

HSL 167.37, 0.46%, 0.51%

LAB 69.54, -37.99, 2.58

 

CMYK 56 / 0 / 11 / 19

HEX #5BCEB7

RGB 91 206 183

HSL 168, 0.54%, 0.58%

LAB 75.94, -38.13, 1.61

 

CMYK 87 / 0 / 16 / 47

HEX #128670

RGB 18 134 112

HSL 168.62, 0.76%, 0.3%

LAB 49.92, -35.4, 3.37

 

CMYK 99 / 0 / 20 / 55

HEX #01745D

RGB 1 116 93

HSL 168, 0.98%, 0.23%

LAB 43.19, -33.91, 4.89

 

CMYK 100 / 0 / 24 / 62

HEX #00624A

RGB 0 98 74

HSL 165.31, 1%, 0.19%

LAB 36.42, -31.36, 6.74

 

CMYK 100 / 0 / 31 / 69

HEX #005037

RGB 0 80 55

HSL 161.25, 1%, 0.16%

LAB 29.45, -28.62, 8.76

 

CMYK 100 / 0 / 42 / 76

HEX #003E24

RGB 0 62 36

HSL 154.84, 1%, 0.12%

LAB 22.21, -25.7, 10.98

 

CMYK 87 / 0 / 16 / 47

HEX #128670

RGB 18 134 112

HSL 168.62, 0.76%, 0.3%

LAB 49.92, -35.4, 3.37

 

CMYK 87 / 0 / 40 / 47

HEX #128651

RGB 18 134 81

HSL 152.59, 0.76%, 0.3%

LAB 49.22, -43.05, 20.23

 

CMYK 87 / 0 / 63 / 47

HEX #128631

RGB 18 134 49

HSL 136.03, 0.76%, 0.3%

LAB 48.76, -48.5, 36.52

 

CMYK 87 / 0 / 87 / 47

HEX #128612

RGB 18 134 18

HSL 120, 0.76%, 0.3%

LAB 48.54, -51.27, 48.12

 

CMYK 63 / 0 / 87 / 47

HEX #318612

RGB 49 134 18

HSL 103.97, 0.76%, 0.3%

LAB 49.19, -45.72, 48.95

 

CMYK 87 / 0 / 16 / 47

HEX #128670

RGB 18 134 112

HSL 168.62, 0.76%, 0.3%

LAB 49.92, -35.4, 3.37

 

CMYK 87 / 7 / 0 / 47

HEX #127D86

RGB 18 125 134

HSL 184.66, 0.76%, 0.3%

LAB 47.65, -24.3, -12.92

 

CMYK 87 / 31 / 0 / 47

HEX #125D86

RGB 18 93 134

HSL 201.21, 0.76%, 0.3%

LAB 37.26, -6.26, -28.95

 

CMYK 87 / 54 / 0 / 47

HEX #123E86

RGB 18 62 134

HSL 217.24, 0.76%, 0.3%

LAB 27.56, 14.33, -44.43

 

CMYK 87 / 77 / 0 / 47

HEX #121F86

RGB 18 31 134

HSL 233.28, 0.76%, 0.3%

LAB 19.35, 35.51, -57.88

 

CMYK 87 / 0 / 16 / 47

HEX #128670

RGB 18 134 112

HSL 168.62, 0.76%, 0.3%

LAB 49.92, -35.4, 3.37

 

CMYK 97 / 0 / 18 / 42

HEX #059378

RGB 5 147 120

HSL 168.59, 0.93%, 0.3%

LAB 54.3, -39.66, 5.04

 

CMYK 87 / 0 / 16 / 47

HEX #128670

RGB 18 134 112

HSL 168.62, 0.76%, 0.3%

LAB 49.92, -35.4, 3.37

 

CMYK 75 / 0 / 15 / 52

HEX #1E7A68

RGB 30 122 104

HSL 168.26, 0.61%, 0.3%

LAB 45.9, -30.82, 2.29

 

CMYK 61 / 0 / 11 / 57

HEX #2B6D61

RGB 43 109 97

HSL 169.09, 0.43%, 0.3%

LAB 41.71, -24.09, 0.44

 

CMYK 43 / 0 / 8 / 62

HEX #376159

RGB 55 97 89

HSL 168.57, 0.28%, 0.3%

LAB 37.99, -16.81, -0.04

 

CMYK 21 / 0 / 5 / 67

HEX #435551

RGB 67 85 81

HSL 166.67, 0.12%, 0.3%

LAB 34.57, -7.9, 0.03

 

CMYK 87 / 0 / 63 / 47

HEX #128631

RGB 18 134 49

HSL 136.03, 0.76%, 0.3%

LAB 48.76, -48.5, 36.52

 

CMYK 87 / 0 / 40 / 47

HEX #128650

RGB 18 134 80

HSL 152.07, 0.76%, 0.3%

LAB 49.2, -43.26, 20.76

 

CMYK 87 / 0 / 17 / 47

HEX #12866F

RGB 18 134 111

HSL 168.1, 0.76%, 0.3%

LAB 49.89, -35.68, 3.91

 

CMYK 87 / 6 / 0 / 47

HEX #127E86

RGB 18 126 134

HSL 184.14, 0.76%, 0.3%

LAB 47.97, -24.81, -12.43

 

CMYK 87 / 29 / 0 / 47

HEX #125F86

RGB 18 95 134

HSL 200.17, 0.76%, 0.3%

LAB 37.9, -7.49, -27.93

 

CMYK 87 / 0 / 18 / 76

HEX #083E33

RGB 8 62 51

HSL 167.78, 0.77%, 0.14%

LAB 22.78, -20.05, 1.93

 

CMYK 87 / 0 / 16 / 62

HEX #0D6252

RGB 13 98 82

HSL 168.71, 0.77%, 0.22%

LAB 36.8, -27.87, 2.38

 

CMYK 87 / 0 / 16 / 47

HEX #128670

RGB 18 134 112

HSL 168.62, 0.76%, 0.3%

LAB 49.92, -35.4, 3.37

 

CMYK 86 / 0 / 16 / 33

HEX #17AA8E

RGB 23 170 142

HSL 168.57, 0.76%, 0.38%

LAB 62.41, -42.52, 4.3

 

CMYK 86 / 0 / 16 / 19

HEX #1CCFAD

RGB 28 207 173

HSL 168.6, 0.76%, 0.46%

LAB 74.76, -49.49, 5.13

 

CMYK 87 / 0 / 16 / 47

HEX #128670

RGB 18 134 112

HSL 168.62, 0.76%, 0.3%

LAB 49.92, -35.4, 3.37

 

CMYK 87 / 87 / 0 / 47

HEX #121286

RGB 18 18 134

HSL 240, 0.76%, 0.3%

LAB 16.9, 42.58, -61.93

 

CMYK 0 / 52 / 87 / 47

HEX #864012

RGB 134 64 18

HSL 23.79, 0.76%, 0.3%

LAB 35.55, 27.03, 39.43

 

CMYK 87 / 0 / 16 / 47

HEX #128670

RGB 18 134 112

HSL 168.62, 0.76%, 0.3%

LAB 49.92, -35.4, 3.37

 

CMYK 17 / 87 / 0 / 47

HEX #6F1286

RGB 111 18 134

HSL 288.1, 0.76%, 0.3%

LAB 28.2, 53.68, -42.97

 

CMYK 0 / 17 / 87 / 47

HEX #866F12

RGB 134 111 18

HSL 48.1, 0.76%, 0.3%

LAB 47.6, -0.23, 49.72

 

CMYK 87 / 0 / 16 / 47

HEX #128670

RGB 18 134 112

HSL 168.62, 0.76%, 0.3%

LAB 49.92, -35.4, 3.37

 

CMYK 87 / 87 / 0 / 47

HEX #121286

RGB 18 18 134

HSL 240, 0.76%, 0.3%

LAB 16.9, 42.58, -61.93

 

CMYK 0 / 87 / 69 / 47

HEX #861229

RGB 134 18 41

HSL 348.1, 0.76%, 0.3%

LAB 28.54, 47.53, 18.91

 

CMYK 0 / 0 / 87 / 47

HEX #868612

RGB 134 134 18

HSL 60, 0.76%, 0.3%

LAB 54.2, -12.99, 55.24

 

CMYK 87 / 0 / 16 / 47

HEX #128670

RGB 18 134 112

HSL 168.62, 0.76%, 0.3%

LAB 49.92, -35.4, 3.37

 

CMYK 60 / 87 / 0 / 47

HEX #351286

RGB 53 18 134

HSL 258.1, 0.76%, 0.3%

LAB 19.68, 45.14, -57.24

 

CMYK 0 / 87 / 69 / 47

HEX #861229

RGB 134 18 41

HSL 348.1, 0.76%, 0.3%

LAB 28.54, 47.53, 18.91

 

CMYK 26 / 0 / 87 / 47

HEX #638612

RGB 99 134 18

HSL 78.1, 0.76%, 0.3%

LAB 51.55, -28.49, 51.93

 

Description

Color code: HEX #128670 | qconv.com Color code: HEX #128670 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 134 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 134 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 16 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 16% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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