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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #127C71 it is the complementary color #ED838E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #127C71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #127C71 shade: #177C6C, #288E7F, #39A092, #4AB2A5 and #5BC4B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #127C71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #127C71 shade: #127C71, #016A5E, #00584B, #004638 and #003425

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #127C71 shade: #117C71, #117C54, #117C38, #117C1B and #257C11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #127C71 shade: #117C71, #116B7C, #114E7C, #11317C and #11147C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #127C71 shade matches the following richer shades: #117C71 and #06887A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #127C71 shade: #117C71, #1D7168, #28655F, #345A56 and #404E4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #127C71 shade: #117C37, #117C53, #117C70, #116C7C and #11507C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #127C71 shade: #073430, #0C5850, #117C71, #17A192 and #1CC5B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #127C71 shade: #127C71, #1A117C and #7C4511

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #127C71 shade: #127C71, #70117C and #7C7011

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #127C71 shade: #127C71, #1A117C, #7C111E and #747C11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #127C71 shade: #127C71, #3A117C, #7C111E and #537C11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 9 / 51

HEX #127C71

RGB 18 124 113

HSL 173.77, 0.75%, 0.28%

LAB 46.63, -30.5, -2.01

 

Complementary color

CMYK 0 / 45 / 40 / 7

HEX #ED838E

RGB 237 131 142

HSL 353.77, 0.75%, 0.72%

LAB 66.66, 41.65, 12.31

 

CMYK 81 / 0 / 13 / 51

HEX #177C6C

RGB 23 124 108

HSL 170.5, 0.69%, 0.29%

LAB 46.55, -31.49, 0.85

 

CMYK 72 / 0 / 11 / 44

HEX #288E7F

RGB 40 142 127

HSL 171.18, 0.56%, 0.36%

LAB 53.31, -32.32, -0.37

 

CMYK 64 / 0 / 9 / 37

HEX #39A092

RGB 57 160 146

HSL 171.84, 0.47%, 0.43%

LAB 59.97, -32.82, -1.42

 

CMYK 58 / 0 / 7 / 30

HEX #4AB2A5

RGB 74 178 165

HSL 172.5, 0.41%, 0.49%

LAB 66.53, -33.1, -2.37

 

CMYK 54 / 0 / 6 / 23

HEX #5BC4B8

RGB 91 196 184

HSL 173.14, 0.47%, 0.56%

LAB 73, -33.25, -3.22

 

CMYK 85 / 0 / 9 / 51

HEX #127C71

RGB 18 124 113

HSL 173.77, 0.75%, 0.28%

LAB 46.63, -30.5, -2.01

 

CMYK 99 / 0 / 11 / 58

HEX #016A5E

RGB 1 106 94

HSL 173.14, 0.98%, 0.21%

LAB 39.79, -29.03, -0.65

 

CMYK 100 / 0 / 15 / 65

HEX #00584B

RGB 0 88 75

HSL 171.14, 1%, 0.17%

LAB 32.89, -26.44, 1.05

 

CMYK 100 / 0 / 20 / 73

HEX #004638

RGB 0 70 56

HSL 168, 1%, 0.14%

LAB 25.76, -23.69, 2.91

 

CMYK 100 / 0 / 29 / 80

HEX #003425

RGB 0 52 37

HSL 162.69, 1%, 0.1%

LAB 18.32, -20.81, 4.96

 

CMYK 86 / 0 / 9 / 51

HEX #117C71

RGB 17 124 113

HSL 173.83, 0.76%, 0.28%

LAB 46.61, -30.59, -2.03

 

CMYK 86 / 0 / 32 / 51

HEX #117C54

RGB 17 124 84

HSL 157.57, 0.76%, 0.28%

LAB 45.87, -38.47, 13.98

 

CMYK 86 / 0 / 55 / 51

HEX #117C38

RGB 17 124 56

HSL 141.87, 0.76%, 0.28%

LAB 45.39, -44.09, 29.01

 

CMYK 86 / 0 / 78 / 51

HEX #117C1B

RGB 17 124 27

HSL 125.61, 0.76%, 0.28%

LAB 45.1, -47.61, 42.03

 

CMYK 70 / 0 / 86 / 51

HEX #257C11

RGB 37 124 17

HSL 108.79, 0.76%, 0.28%

LAB 45.43, -44.99, 45.7

 

CMYK 86 / 0 / 9 / 51

HEX #117C71

RGB 17 124 113

HSL 173.83, 0.76%, 0.28%

LAB 46.61, -30.59, -2.03

 

CMYK 86 / 14 / 0 / 51

HEX #116B7C

RGB 17 107 124

HSL 189.53, 0.76%, 0.28%

LAB 41.36, -18.27, -16.52

 

CMYK 86 / 37 / 0 / 51

HEX #114E7C

RGB 17 78 124

HSL 205.79, 0.76%, 0.28%

LAB 31.86, -0.84, -31.32

 

CMYK 86 / 60 / 0 / 51

HEX #11317C

RGB 17 49 124

HSL 222.06, 0.76%, 0.28%

LAB 22.9, 19.27, -45.73

 

CMYK 86 / 84 / 0 / 51

HEX #11147C

RGB 17 20 124

HSL 238.32, 0.76%, 0.28%

LAB 15.87, 38.24, -57.3

 

CMYK 86 / 0 / 9 / 51

HEX #117C71

RGB 17 124 113

HSL 173.83, 0.76%, 0.28%

LAB 46.61, -30.59, -2.03

 

CMYK 96 / 0 / 10 / 47

HEX #06887A

RGB 6 136 122

HSL 173.54, 0.92%, 0.28%

LAB 50.75, -34.17, -1.27

 

CMYK 86 / 0 / 9 / 51

HEX #117C71

RGB 17 124 113

HSL 173.83, 0.76%, 0.28%

LAB 46.61, -30.59, -2.03

 

CMYK 74 / 0 / 8 / 56

HEX #1D7168

RGB 29 113 104

HSL 173.57, 0.59%, 0.28%

LAB 42.87, -26.61, -2.14

 

CMYK 60 / 0 / 6 / 60

HEX #28655F

RGB 40 101 95

HSL 174.1, 0.43%, 0.28%

LAB 38.87, -21.16, -2.52

 

CMYK 42 / 0 / 4 / 65

HEX #345A56

RGB 52 90 86

HSL 173.68, 0.27%, 0.28%

LAB 35.43, -14.59, -1.96

 

CMYK 18 / 0 / 1 / 69

HEX #404E4D

RGB 64 78 77

HSL 175.71, 0.1%, 0.28%

LAB 31.98, -5.75, -1.26

 

CMYK 86 / 0 / 56 / 51

HEX #117C37

RGB 17 124 55

HSL 141.31, 0.76%, 0.28%

LAB 45.37, -44.25, 29.52

 

CMYK 86 / 0 / 33 / 51

HEX #117C53

RGB 17 124 83

HSL 157.01, 0.76%, 0.28%

LAB 45.85, -38.7, 14.53

 

CMYK 86 / 0 / 10 / 51

HEX #117C70

RGB 17 124 112

HSL 173.27, 0.76%, 0.28%

LAB 46.58, -30.89, -1.48

 

CMYK 86 / 13 / 0 / 51

HEX #116C7C

RGB 17 108 124

HSL 188.97, 0.76%, 0.28%

LAB 41.69, -18.82, -16.01

 

CMYK 86 / 35 / 0 / 51

HEX #11507C

RGB 17 80 124

HSL 204.67, 0.76%, 0.28%

LAB 32.51, -2.14, -30.29

 

CMYK 87 / 0 / 8 / 80

HEX #073430

RGB 7 52 48

HSL 174.67, 0.76%, 0.12%

LAB 18.86, -15.79, -1.76

 

CMYK 86 / 0 / 9 / 65

HEX #0C5850

RGB 12 88 80

HSL 173.68, 0.76%, 0.2%

LAB 33.21, -23.68, -1.6

 

CMYK 86 / 0 / 9 / 51

HEX #117C71

RGB 17 124 113

HSL 173.83, 0.76%, 0.28%

LAB 46.61, -30.59, -2.03

 

CMYK 86 / 0 / 9 / 37

HEX #17A192

RGB 23 161 146

HSL 173.48, 0.75%, 0.36%

LAB 59.66, -37.47, -1.95

 

CMYK 86 / 0 / 9 / 23

HEX #1CC5B3

RGB 28 197 179

HSL 173.61, 0.75%, 0.44%

LAB 71.85, -43.68, -2.35

 

CMYK 85 / 0 / 9 / 51

HEX #127C71

RGB 18 124 113

HSL 173.77, 0.75%, 0.28%

LAB 46.63, -30.5, -2.01

 

CMYK 79 / 86 / 0 / 51

HEX #1A117C

RGB 26 17 124

HSL 245.05, 0.76%, 0.28%

LAB 15.88, 40.26, -57.27

 

CMYK 0 / 44 / 86 / 51

HEX #7C4511

RGB 124 69 17

HSL 29.16, 0.76%, 0.28%

LAB 35.17, 19.68, 38.91

 

CMYK 85 / 0 / 9 / 51

HEX #127C71

RGB 18 124 113

HSL 173.77, 0.75%, 0.28%

LAB 46.63, -30.5, -2.01

 

CMYK 10 / 86 / 0 / 51

HEX #70117C

RGB 112 17 124

HSL 293.27, 0.76%, 0.28%

LAB 27.58, 52.25, -37.68

 

CMYK 0 / 10 / 86 / 51

HEX #7C7011

RGB 124 112 17

HSL 53.27, 0.76%, 0.28%

LAB 46.86, -5.6, 48.98

 

CMYK 85 / 0 / 9 / 51

HEX #127C71

RGB 18 124 113

HSL 173.77, 0.75%, 0.28%

LAB 46.63, -30.5, -2.01

 

CMYK 79 / 86 / 0 / 51

HEX #1A117C

RGB 26 17 124

HSL 245.05, 0.76%, 0.28%

LAB 15.88, 40.26, -57.27

 

CMYK 0 / 86 / 76 / 51

HEX #7C111E

RGB 124 17 30

HSL 352.71, 0.76%, 0.28%

LAB 26.1, 44.28, 22.69

 

CMYK 6 / 0 / 86 / 51

HEX #747C11

RGB 116 124 17

HSL 64.49, 0.76%, 0.28%

LAB 49.7, -15.96, 51.09

 

CMYK 85 / 0 / 9 / 51

HEX #127C71

RGB 18 124 113

HSL 173.77, 0.75%, 0.28%

LAB 46.63, -30.5, -2.01

 

CMYK 53 / 86 / 0 / 51

HEX #3A117C

RGB 58 17 124

HSL 262.99, 0.76%, 0.28%

LAB 19.04, 43.34, -51.95

 

CMYK 0 / 86 / 76 / 51

HEX #7C111E

RGB 124 17 30

HSL 352.71, 0.76%, 0.28%

LAB 26.1, 44.28, 22.69

 

CMYK 33 / 0 / 86 / 51

HEX #537C11

RGB 83 124 17

HSL 82.99, 0.76%, 0.28%

LAB 47.36, -30.35, 48.15

 

Description

Color code: HEX #127C71 | qconv.com Color code: HEX #127C71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 124 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 124 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 9 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 9% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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