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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #126220 it is the complementary color #ED9DDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #126220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #126220 shade: #17621B, #28742E, #398641, #4A9854 and #5BAA67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #126220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #126220 shade: #126220, #01500D, #003E00, #002C00 and #001A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #126220 shade: #126320, #196312, #2F6312, #456312 and #5B6312

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #126220 shade: #126320, #126336, #12634B, #126361 and #124E63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #126220 shade matches the following richer shades: #126320 and #086C1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #126220 shade: #126320, #1B5926, #25502C, #2E4632 and #383D39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #126220 shade: #2F6312, #1A6312, #12631F, #126335 and #12634A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #126220 shade: #051D09, #0B4014, #126320, #18852B and #1EA837

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #126220 shade: #126220, #124563 and #631225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #126220 shade: #126220, #1F1263 and #631F12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #126220 shade: #126220, #124563, #631255 and #632F12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #126220 shade: #126220, #122D63, #631255 and #634812

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 67 / 62

HEX #126220

RGB 18 98 32

HSL 130.5, 0.69%, 0.23%

LAB 35.92, -38, 30.21

 

Complementary color

CMYK 0 / 34 / 6 / 7

HEX #ED9DDF

RGB 237 157 223

HSL 310.5, 0.69%, 0.77%

LAB 74.47, 39.66, -21.26

 

CMYK 77 / 0 / 72 / 62

HEX #17621B

RGB 23 98 27

HSL 123.2, 0.62%, 0.24%

LAB 35.98, -37.71, 32.66

 

CMYK 66 / 0 / 60 / 55

HEX #28742E

RGB 40 116 46

HSL 124.74, 0.49%, 0.31%

LAB 42.97, -38.65, 31.42

 

CMYK 57 / 0 / 51 / 47

HEX #398641

RGB 57 134 65

HSL 126.23, 0.4%, 0.37%

LAB 49.86, -38.99, 29.98

 

CMYK 51 / 0 / 45 / 40

HEX #4A9854

RGB 74 152 84

HSL 127.69, 0.35%, 0.44%

LAB 56.64, -39.03, 28.55

 

CMYK 46 / 0 / 39 / 33

HEX #5BAA67

RGB 91 170 103

HSL 129.11, 0.32%, 0.51%

LAB 63.3, -38.9, 27.2

 

CMYK 82 / 0 / 67 / 62

HEX #126220

RGB 18 98 32

HSL 130.5, 0.69%, 0.23%

LAB 35.92, -38, 30.21

 

CMYK 99 / 0 / 84 / 69

HEX #01500D

RGB 1 80 13

HSL 129.11, 0.98%, 0.16%

LAB 28.83, -36.04, 31.13

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 100 / 0 / 100 / 83

HEX #002C00

RGB 0 44 0

HSL 120, 1%, 0.09%

LAB 14.41, -25.26, 20.55

 

CMYK 100 / 0 / 100 / 90

HEX #001A00

RGB 0 26 0

HSL 120, 1%, 0.05%

LAB 6.67, -13.63, 9.74

 

CMYK 82 / 0 / 68 / 61

HEX #126320

RGB 18 99 32

HSL 130.37, 0.69%, 0.23%

LAB 36.28, -38.37, 30.61

 

CMYK 75 / 0 / 82 / 61

HEX #196312

RGB 25 99 18

HSL 114.81, 0.69%, 0.23%

LAB 36.32, -38.51, 36.73

 

CMYK 53 / 0 / 82 / 61

HEX #2F6312

RGB 47 99 18

HSL 98.52, 0.69%, 0.23%

LAB 37.06, -32.51, 37.71

 

CMYK 30 / 0 / 82 / 61

HEX #456312

RGB 69 99 18

HSL 82.22, 0.69%, 0.23%

LAB 38.26, -24.03, 39.26

 

CMYK 8 / 0 / 82 / 61

HEX #5B6312

RGB 91 99 18

HSL 65.93, 0.69%, 0.23%

LAB 39.9, -14.03, 41.38

 

CMYK 82 / 0 / 68 / 61

HEX #126320

RGB 18 99 32

HSL 130.37, 0.69%, 0.23%

LAB 36.28, -38.37, 30.61

 

CMYK 82 / 0 / 45 / 61

HEX #126336

RGB 18 99 54

HSL 146.67, 0.69%, 0.23%

LAB 36.59, -34.74, 19.03

 

CMYK 82 / 0 / 24 / 61

HEX #12634B

RGB 18 99 75

HSL 162.22, 0.69%, 0.23%

LAB 37.04, -29.75, 7.04

 

CMYK 82 / 0 / 2 / 61

HEX #126361

RGB 18 99 97

HSL 178.52, 0.69%, 0.23%

LAB 37.69, -23.16, -5.56

 

CMYK 82 / 21 / 0 / 61

HEX #124E63

RGB 18 78 99

HSL 195.56, 0.69%, 0.23%

LAB 30.59, -10.68, -17.6

 

CMYK 82 / 0 / 68 / 61

HEX #126320

RGB 18 99 32

HSL 130.37, 0.69%, 0.23%

LAB 36.28, -38.37, 30.61

 

CMYK 93 / 0 / 76 / 58

HEX #086C1A

RGB 8 108 26

HSL 130.8, 0.86%, 0.23%

LAB 39.33, -43.36, 36.54

 

CMYK 82 / 0 / 68 / 61

HEX #126320

RGB 18 99 32

HSL 130.37, 0.69%, 0.23%

LAB 36.28, -38.37, 30.61

 

CMYK 70 / 0 / 57 / 65

HEX #1B5926

RGB 27 89 38

HSL 130.65, 0.53%, 0.23%

LAB 32.96, -31.84, 23.64

 

CMYK 54 / 0 / 45 / 69

HEX #25502C

RGB 37 80 44

HSL 129.77, 0.37%, 0.23%

LAB 30.19, -23.93, 16.74

 

CMYK 34 / 0 / 29 / 73

HEX #2E4632

RGB 46 70 50

HSL 130, 0.21%, 0.23%

LAB 27.27, -14.18, 9.17

 

CMYK 8 / 0 / 7 / 76

HEX #383D39

RGB 56 61 57

HSL 132, 0.04%, 0.23%

LAB 25.18, -3.03, 1.74

 

CMYK 53 / 0 / 82 / 61

HEX #2F6312

RGB 47 99 18

HSL 98.52, 0.69%, 0.23%

LAB 37.06, -32.51, 37.71

 

CMYK 74 / 0 / 82 / 61

HEX #1A6312

RGB 26 99 18

HSL 114.07, 0.69%, 0.23%

LAB 36.34, -38.3, 36.76

 

CMYK 82 / 0 / 69 / 61

HEX #12631F

RGB 18 99 31

HSL 129.63, 0.69%, 0.23%

LAB 36.27, -38.49, 31.08

 

CMYK 82 / 0 / 46 / 61

HEX #126335

RGB 18 99 53

HSL 145.93, 0.69%, 0.23%

LAB 36.57, -34.94, 19.59

 

CMYK 82 / 0 / 25 / 61

HEX #12634A

RGB 18 99 74

HSL 161.48, 0.69%, 0.23%

LAB 37.02, -30.02, 7.61

 

CMYK 83 / 0 / 69 / 89

HEX #051D09

RGB 5 29 9

HSL 130, 0.71%, 0.07%

LAB 8.4, -13.63, 8.63

 

CMYK 83 / 0 / 69 / 75

HEX #0B4014

RGB 11 64 20

HSL 130.19, 0.71%, 0.15%

LAB 22.96, -27.68, 21.67

 

CMYK 82 / 0 / 68 / 61

HEX #126320

RGB 18 99 32

HSL 130.37, 0.69%, 0.23%

LAB 36.28, -38.37, 30.61

 

CMYK 82 / 0 / 68 / 48

HEX #18852B

RGB 24 133 43

HSL 130.46, 0.69%, 0.31%

LAB 48.44, -48.19, 38.96

 

CMYK 82 / 0 / 67 / 34

HEX #1EA837

RGB 30 168 55

HSL 130.87, 0.7%, 0.39%

LAB 60.39, -57.7, 46.82

 

CMYK 82 / 0 / 67 / 62

HEX #126220

RGB 18 98 32

HSL 130.5, 0.69%, 0.23%

LAB 35.92, -38, 30.21

 

CMYK 82 / 30 / 0 / 61

HEX #124563

RGB 18 69 99

HSL 202.22, 0.69%, 0.23%

LAB 27.53, -5.04, -22.35

 

CMYK 0 / 82 / 63 / 61

HEX #631225

RGB 99 18 37

HSL 345.93, 0.69%, 0.23%

LAB 20.9, 36.61, 10.23

 

CMYK 82 / 0 / 67 / 62

HEX #126220

RGB 18 98 32

HSL 130.5, 0.69%, 0.23%

LAB 35.92, -38, 30.21

 

CMYK 69 / 82 / 0 / 61

HEX #1F1263

RGB 31 18 99

HSL 249.63, 0.69%, 0.23%

LAB 13.38, 31.96, -45.12

 

CMYK 0 / 69 / 82 / 61

HEX #631F12

RGB 99 31 18

HSL 9.63, 0.69%, 0.23%

LAB 22.57, 29.97, 24.91

 

CMYK 82 / 0 / 67 / 62

HEX #126220

RGB 18 98 32

HSL 130.5, 0.69%, 0.23%

LAB 35.92, -38, 30.21

 

CMYK 82 / 30 / 0 / 61

HEX #124563

RGB 18 69 99

HSL 202.22, 0.69%, 0.23%

LAB 27.53, -5.04, -22.35

 

CMYK 0 / 82 / 14 / 61

HEX #631255

RGB 99 18 85

HSL 310.37, 0.69%, 0.23%

LAB 22.8, 42.37, -20.06

 

CMYK 0 / 53 / 82 / 61

HEX #632F12

RGB 99 47 18

HSL 21.48, 0.69%, 0.23%

LAB 25.95, 21.23, 28.39

 

CMYK 82 / 0 / 67 / 62

HEX #126220

RGB 18 98 32

HSL 130.5, 0.69%, 0.23%

LAB 35.92, -38, 30.21

 

CMYK 82 / 55 / 0 / 61

HEX #122D63

RGB 18 45 99

HSL 220, 0.69%, 0.23%

LAB 19.66, 11.66, -34.89

 

CMYK 0 / 82 / 14 / 61

HEX #631255

RGB 99 18 85

HSL 310.37, 0.69%, 0.23%

LAB 22.8, 42.37, -20.06

 

CMYK 0 / 27 / 82 / 61

HEX #634812

RGB 99 72 18

HSL 40, 0.69%, 0.23%

LAB 32.55, 5.88, 34.84

 

Description

Color code: HEX #126220 | qconv.com Color code: HEX #126220 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 98 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 98 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 67 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 67% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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