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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12621B it is the complementary color #ED9DE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12621B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12621B shade: #176216, #287429, #39863C, #4A984F and #5BAA62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12621B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12621B shade: #12621B, #015008, #003E00, #002C00 and #001A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12621B shade: #12631B, #1E6312, #346312, #4A6312 and #606312

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12621B shade: #12631B, #126331, #126346, #12635C and #125363

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12621B shade matches the following richer shades: #12631B and #086C13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12621B shade: #12631B, #1B5922, #255029, #2E4631 and #383D38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12621B shade: #356312, #1F6312, #12631A, #12632F and #126345

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12621B shade: #051D08, #0B4011, #12631B, #188524 and #1EA82E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12621B shade: #12621B, #124A63 and #63122A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12621B shade: #12621B, #1A1263 and #631A12

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12621B shade: #12621B, #124A63, #63125B and #632A12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12621B shade: #12621B, #123263, #63125B and #634212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 72 / 62

HEX #12621B

RGB 18 98 27

HSL 126.75, 0.69%, 0.23%

LAB 35.87, -38.59, 32.52

 

Complementary color

CMYK 0 / 34 / 4 / 7

HEX #ED9DE4

RGB 237 157 228

HSL 306.75, 0.69%, 0.77%

LAB 74.65, 40.53, -23.73

 

CMYK 77 / 0 / 78 / 62

HEX #176216

RGB 23 98 22

HSL 119.21, 0.63%, 0.24%

LAB 35.94, -38.21, 34.79

 

CMYK 66 / 0 / 65 / 55

HEX #287429

RGB 40 116 41

HSL 120.79, 0.49%, 0.31%

LAB 42.92, -39.29, 33.84

 

CMYK 57 / 0 / 55 / 47

HEX #39863C

RGB 57 134 60

HSL 122.34, 0.4%, 0.37%

LAB 49.79, -39.72, 32.5

 

CMYK 51 / 0 / 48 / 40

HEX #4A984F

RGB 74 152 79

HSL 123.85, 0.35%, 0.44%

LAB 56.56, -39.81, 31.1

 

CMYK 46 / 0 / 42 / 33

HEX #5BAA62

RGB 91 170 98

HSL 125.32, 0.32%, 0.51%

LAB 63.22, -39.72, 29.74

 

CMYK 82 / 0 / 72 / 62

HEX #12621B

RGB 18 98 27

HSL 126.75, 0.69%, 0.23%

LAB 35.87, -38.59, 32.52

 

CMYK 99 / 0 / 90 / 69

HEX #015008

RGB 1 80 8

HSL 125.32, 0.98%, 0.16%

LAB 28.8, -36.43, 32.89

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 100 / 0 / 100 / 83

HEX #002C00

RGB 0 44 0

HSL 120, 1%, 0.09%

LAB 14.41, -25.26, 20.55

 

CMYK 100 / 0 / 100 / 90

HEX #001A00

RGB 0 26 0

HSL 120, 1%, 0.05%

LAB 6.67, -13.63, 9.74

 

CMYK 82 / 0 / 73 / 61

HEX #12631B

RGB 18 99 27

HSL 126.67, 0.69%, 0.23%

LAB 36.24, -38.95, 32.91

 

CMYK 70 / 0 / 82 / 61

HEX #1E6312

RGB 30 99 18

HSL 111.11, 0.69%, 0.23%

LAB 36.45, -37.4, 36.9

 

CMYK 47 / 0 / 82 / 61

HEX #346312

RGB 52 99 18

HSL 94.81, 0.69%, 0.23%

LAB 37.29, -30.77, 38.01

 

CMYK 25 / 0 / 82 / 61

HEX #4A6312

RGB 74 99 18

HSL 78.52, 0.69%, 0.23%

LAB 38.59, -21.85, 39.7

 

CMYK 3 / 0 / 82 / 61

HEX #606312

RGB 96 99 18

HSL 62.22, 0.69%, 0.23%

LAB 40.34, -11.64, 41.94

 

CMYK 82 / 0 / 73 / 61

HEX #12631B

RGB 18 99 27

HSL 126.67, 0.69%, 0.23%

LAB 36.24, -38.95, 32.91

 

CMYK 82 / 0 / 51 / 61

HEX #126331

RGB 18 99 49

HSL 142.96, 0.69%, 0.23%

LAB 36.51, -35.71, 21.8

 

CMYK 82 / 0 / 29 / 61

HEX #126346

RGB 18 99 70

HSL 158.52, 0.69%, 0.23%

LAB 36.92, -31.06, 9.92

 

CMYK 82 / 0 / 7 / 61

HEX #12635C

RGB 18 99 92

HSL 174.81, 0.69%, 0.23%

LAB 37.53, -24.76, -2.72

 

CMYK 82 / 16 / 0 / 61

HEX #125363

RGB 18 83 99

HSL 191.85, 0.69%, 0.23%

LAB 32.29, -13.66, -14.97

 

CMYK 82 / 0 / 73 / 61

HEX #12631B

RGB 18 99 27

HSL 126.67, 0.69%, 0.23%

LAB 36.24, -38.95, 32.91

 

CMYK 93 / 0 / 82 / 58

HEX #086C13

RGB 8 108 19

HSL 126.6, 0.86%, 0.23%

LAB 39.28, -43.95, 39.15

 

CMYK 82 / 0 / 73 / 61

HEX #12631B

RGB 18 99 27

HSL 126.67, 0.69%, 0.23%

LAB 36.24, -38.95, 32.91

 

CMYK 70 / 0 / 62 / 65

HEX #1B5922

RGB 27 89 34

HSL 126.77, 0.53%, 0.23%

LAB 32.9, -32.45, 25.76

 

CMYK 54 / 0 / 49 / 69

HEX #255029

RGB 37 80 41

HSL 125.58, 0.37%, 0.23%

LAB 30.13, -24.48, 18.47

 

CMYK 34 / 0 / 30 / 73

HEX #2E4631

RGB 46 70 49

HSL 127.5, 0.21%, 0.23%

LAB 27.25, -14.39, 9.78

 

CMYK 8 / 0 / 8 / 76

HEX #383D38

RGB 56 61 56

HSL 120, 0.04%, 0.23%

LAB 25.15, -3.25, 2.36

 

CMYK 46 / 0 / 82 / 61

HEX #356312

RGB 53 99 18

HSL 94.07, 0.69%, 0.23%

LAB 37.34, -30.41, 38.07

 

CMYK 69 / 0 / 82 / 61

HEX #1F6312

RGB 31 99 18

HSL 110.37, 0.69%, 0.23%

LAB 36.48, -37.16, 36.94

 

CMYK 82 / 0 / 74 / 61

HEX #12631A

RGB 18 99 26

HSL 125.93, 0.69%, 0.23%

LAB 36.23, -39.06, 33.35

 

CMYK 82 / 0 / 53 / 61

HEX #12632F

RGB 18 99 47

HSL 141.48, 0.69%, 0.23%

LAB 36.48, -36.08, 22.89

 

CMYK 82 / 0 / 30 / 61

HEX #126345

RGB 18 99 69

HSL 157.78, 0.69%, 0.23%

LAB 36.9, -31.32, 10.49

 

CMYK 83 / 0 / 72 / 89

HEX #051D08

RGB 5 29 8

HSL 127.5, 0.71%, 0.07%

LAB 8.38, -13.77, 9.01

 

CMYK 83 / 0 / 73 / 75

HEX #0B4011

RGB 11 64 17

HSL 126.79, 0.71%, 0.15%

LAB 22.92, -28.09, 23.23

 

CMYK 82 / 0 / 73 / 61

HEX #12631B

RGB 18 99 27

HSL 126.67, 0.69%, 0.23%

LAB 36.24, -38.95, 32.91

 

CMYK 82 / 0 / 73 / 48

HEX #188524

RGB 24 133 36

HSL 126.61, 0.69%, 0.31%

LAB 48.38, -48.91, 41.9

 

CMYK 82 / 0 / 73 / 34

HEX #1EA82E

RGB 30 168 46

HSL 126.96, 0.7%, 0.39%

LAB 60.32, -58.57, 50.37

 

CMYK 82 / 0 / 72 / 62

HEX #12621B

RGB 18 98 27

HSL 126.75, 0.69%, 0.23%

LAB 35.87, -38.59, 32.52

 

CMYK 82 / 25 / 0 / 61

HEX #124A63

RGB 18 74 99

HSL 198.52, 0.69%, 0.23%

LAB 29.23, -8.22, -19.71

 

CMYK 0 / 82 / 58 / 61

HEX #63122A

RGB 99 18 42

HSL 342.22, 0.69%, 0.23%

LAB 21.03, 37.02, 6.89

 

CMYK 82 / 0 / 72 / 62

HEX #12621B

RGB 18 98 27

HSL 126.75, 0.69%, 0.23%

LAB 35.87, -38.59, 32.52

 

CMYK 74 / 82 / 0 / 61

HEX #1A1263

RGB 26 18 99

HSL 245.93, 0.69%, 0.23%

LAB 12.94, 31.39, -45.86

 

CMYK 0 / 74 / 82 / 61

HEX #631A12

RGB 99 26 18

HSL 5.93, 0.69%, 0.23%

LAB 21.71, 32.3, 24

 

CMYK 82 / 0 / 72 / 62

HEX #12621B

RGB 18 98 27

HSL 126.75, 0.69%, 0.23%

LAB 35.87, -38.59, 32.52

 

CMYK 82 / 25 / 0 / 61

HEX #124A63

RGB 18 74 99

HSL 198.52, 0.69%, 0.23%

LAB 29.23, -8.22, -19.71

 

CMYK 0 / 82 / 8 / 61

HEX #63125B

RGB 99 18 91

HSL 305.93, 0.69%, 0.23%

LAB 23.14, 43.36, -23.52

 

CMYK 0 / 58 / 82 / 61

HEX #632A12

RGB 99 42 18

HSL 17.78, 0.69%, 0.23%

LAB 24.8, 24.12, 27.22

 

CMYK 82 / 0 / 72 / 62

HEX #12621B

RGB 18 98 27

HSL 126.75, 0.69%, 0.23%

LAB 35.87, -38.59, 32.52

 

CMYK 82 / 49 / 0 / 61

HEX #123263

RGB 18 50 99

HSL 216.3, 0.69%, 0.23%

LAB 21.25, 8.02, -32.33

 

CMYK 0 / 82 / 8 / 61

HEX #63125B

RGB 99 18 91

HSL 305.93, 0.69%, 0.23%

LAB 23.14, 43.36, -23.52

 

CMYK 0 / 33 / 82 / 61

HEX #634212

RGB 99 66 18

HSL 35.56, 0.69%, 0.23%

LAB 30.86, 9.6, 33.22

 

Description

Color code: HEX #12621B | qconv.com Color code: HEX #12621B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 98 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 98 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 72 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 72% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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