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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12603E it is the complementary color #ED9FC1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12603E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12603E shade: #176039, #28724C, #39845F, #4A9672 and #5BA885

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12603E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12603E shade: #12603E, #014E2B, #003C18, #002A05 and #001800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12603E shade: #115E3C, #115E28, #115E13, #245E11 and #395E11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12603E shade: #115E3C, #115E51, #11565E, #11415E and #112D5E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12603E shade matches the following richer shades: #115E3C and #08673E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12603E shade: #115E3C, #1B553B, #244C3A, #2D4339 and #363938

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12603E shade: #115E13, #115E27, #115E3B, #115E50 and #11575E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12603E shade: #041810, #0B3B26, #115E3C, #188053 and #1FA369

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12603E shade: #12603E, #11255E and #5E1D11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12603E shade: #12603E, #3B115E and #5E3B11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12603E shade: #12603E, #11255E, #5E1134 and #5E4B11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12603E shade: #12603E, #15115E, #5E1134 and #5A5E11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 35 / 62

HEX #12603E

RGB 18 96 62

HSL 153.85, 0.68%, 0.22%

LAB 35.68, -31.71, 13.06

 

Complementary color

CMYK 0 / 33 / 19 / 7

HEX #ED9FC1

RGB 237 159 193

HSL 333.85, 0.68%, 0.78%

LAB 73.97, 33.74, -5.56

 

CMYK 76 / 0 / 41 / 62

HEX #176039

RGB 23 96 57

HSL 147.95, 0.61%, 0.23%

LAB 35.68, -32.04, 16.08

 

CMYK 65 / 0 / 33 / 55

HEX #28724C

RGB 40 114 76

HSL 149.19, 0.48%, 0.3%

LAB 42.77, -32.43, 14.49

 

CMYK 57 / 0 / 28 / 48

HEX #39845F

RGB 57 132 95

HSL 150.4, 0.4%, 0.37%

LAB 49.74, -32.48, 13.1

 

CMYK 51 / 0 / 24 / 41

HEX #4A9672

RGB 74 150 114

HSL 151.58, 0.34%, 0.44%

LAB 56.57, -32.37, 11.88

 

CMYK 46 / 0 / 21 / 34

HEX #5BA885

RGB 91 168 133

HSL 152.73, 0.31%, 0.51%

LAB 63.28, -32.18, 10.78

 

CMYK 81 / 0 / 35 / 62

HEX #12603E

RGB 18 96 62

HSL 153.85, 0.68%, 0.22%

LAB 35.68, -31.71, 13.06

 

CMYK 99 / 0 / 45 / 69

HEX #014E2B

RGB 1 78 43

HSL 152.73, 0.97%, 0.15%

LAB 28.46, -30.64, 14.9

 

CMYK 100 / 0 / 60 / 76

HEX #003C18

RGB 0 60 24

HSL 144, 1%, 0.12%

LAB 21.2, -27.54, 17.21

 

CMYK 100 / 0 / 88 / 84

HEX #002A05

RGB 0 42 5

HSL 127.14, 1%, 0.08%

LAB 13.63, -23.72, 17.49

 

CMYK 100 / 0 / 100 / 91

HEX #001800

RGB 0 24 0

HSL 120, 1%, 0.05%

LAB 5.9, -12.05, 8.62

 

CMYK 82 / 0 / 36 / 63

HEX #115E3C

RGB 17 94 60

HSL 153.51, 0.69%, 0.22%

LAB 34.9, -31.45, 13.21

 

CMYK 82 / 0 / 57 / 63

HEX #115E28

RGB 17 94 40

HSL 137.92, 0.69%, 0.22%

LAB 34.55, -35.47, 24.42

 

CMYK 82 / 0 / 80 / 63

HEX #115E13

RGB 17 94 19

HSL 121.56, 0.69%, 0.22%

LAB 34.34, -38.1, 34.34

 

CMYK 62 / 0 / 82 / 63

HEX #245E11

RGB 36 94 17

HSL 105.19, 0.69%, 0.22%

LAB 34.84, -33.94, 35.78

 

CMYK 39 / 0 / 82 / 63

HEX #395E11

RGB 57 94 17

HSL 88.83, 0.69%, 0.22%

LAB 35.82, -26.62, 37.06

 

CMYK 82 / 0 / 36 / 63

HEX #115E3C

RGB 17 94 60

HSL 153.51, 0.69%, 0.22%

LAB 34.9, -31.45, 13.21

 

CMYK 82 / 0 / 14 / 63

HEX #115E51

RGB 17 94 81

HSL 169.87, 0.69%, 0.22%

LAB 35.44, -25.78, 1.03

 

CMYK 82 / 9 / 0 / 63

HEX #11565E

RGB 17 86 94

HSL 186.23, 0.69%, 0.22%

LAB 33.1, -17.31, -10.59

 

CMYK 82 / 31 / 0 / 63

HEX #11415E

RGB 17 65 94

HSL 202.6, 0.69%, 0.22%

LAB 25.89, -4.59, -21.72

 

CMYK 82 / 52 / 0 / 63

HEX #112D5E

RGB 17 45 94

HSL 218.18, 0.69%, 0.22%

LAB 19.24, 9.38, -32.28

 

CMYK 82 / 0 / 36 / 63

HEX #115E3C

RGB 17 94 60

HSL 153.51, 0.69%, 0.22%

LAB 34.9, -31.45, 13.21

 

CMYK 92 / 0 / 40 / 60

HEX #08673E

RGB 8 103 62

HSL 154.11, 0.86%, 0.22%

LAB 38.02, -35.78, 16.2

 

CMYK 82 / 0 / 36 / 63

HEX #115E3C

RGB 17 94 60

HSL 153.51, 0.69%, 0.22%

LAB 34.9, -31.45, 13.21

 

CMYK 68 / 0 / 31 / 67

HEX #1B553B

RGB 27 85 59

HSL 153.1, 0.52%, 0.22%

LAB 31.91, -25.77, 9.76

 

CMYK 53 / 0 / 24 / 70

HEX #244C3A

RGB 36 76 58

HSL 153, 0.36%, 0.22%

LAB 29.03, -19.08, 6.41

 

CMYK 33 / 0 / 15 / 74

HEX #2D4339

RGB 45 67 57

HSL 152.73, 0.2%, 0.22%

LAB 26.35, -11.17, 3.32

 

CMYK 5 / 0 / 2 / 78

HEX #363938

RGB 54 57 56

HSL 160, 0.03%, 0.22%

LAB 23.66, -1.51, 0.17

 

CMYK 82 / 0 / 80 / 63

HEX #115E13

RGB 17 94 19

HSL 121.56, 0.69%, 0.22%

LAB 34.34, -38.1, 34.34

 

CMYK 82 / 0 / 59 / 63

HEX #115E27

RGB 17 94 39

HSL 137.14, 0.69%, 0.22%

LAB 34.54, -35.64, 24.95

 

CMYK 82 / 0 / 37 / 63

HEX #115E3B

RGB 17 94 59

HSL 152.73, 0.69%, 0.22%

LAB 34.88, -31.69, 13.79

 

CMYK 82 / 0 / 15 / 63

HEX #115E50

RGB 17 94 80

HSL 169.09, 0.69%, 0.22%

LAB 35.41, -26.08, 1.61

 

CMYK 82 / 7 / 0 / 63

HEX #11575E

RGB 17 87 94

HSL 185.45, 0.69%, 0.22%

LAB 33.44, -17.87, -10.07

 

CMYK 83 / 0 / 33 / 91

HEX #041810

RGB 4 24 16

HSL 156, 0.71%, 0.05%

LAB 6.47, -8.63, 2.52

 

CMYK 81 / 0 / 36 / 77

HEX #0B3B26

RGB 11 59 38

HSL 153.75, 0.69%, 0.14%

LAB 21.35, -21.79, 8.56

 

CMYK 82 / 0 / 36 / 63

HEX #115E3C

RGB 17 94 60

HSL 153.51, 0.69%, 0.22%

LAB 34.9, -31.45, 13.21

 

CMYK 81 / 0 / 35 / 50

HEX #188053

RGB 24 128 83

HSL 154.04, 0.68%, 0.3%

LAB 47.31, -39.57, 16.54

 

CMYK 81 / 0 / 36 / 36

HEX #1FA369

RGB 31 163 105

HSL 153.64, 0.68%, 0.38%

LAB 59.44, -47.88, 20.67

 

CMYK 81 / 0 / 35 / 62

HEX #12603E

RGB 18 96 62

HSL 153.85, 0.68%, 0.22%

LAB 35.68, -31.71, 13.06

 

CMYK 82 / 61 / 0 / 63

HEX #11255E

RGB 17 37 94

HSL 224.42, 0.69%, 0.22%

LAB 16.75, 15.31, -36.32

 

CMYK 0 / 69 / 82 / 63

HEX #5E1D11

RGB 94 29 17

HSL 9.35, 0.69%, 0.22%

LAB 21.2, 28.92, 23.75

 

CMYK 81 / 0 / 35 / 62

HEX #12603E

RGB 18 96 62

HSL 153.85, 0.68%, 0.22%

LAB 35.68, -31.71, 13.06

 

CMYK 37 / 82 / 0 / 63

HEX #3B115E

RGB 59 17 94

HSL 272.73, 0.69%, 0.22%

LAB 16.2, 35.48, -37.04

 

CMYK 0 / 37 / 82 / 63

HEX #5E3B11

RGB 94 59 17

HSL 32.73, 0.69%, 0.22%

LAB 28.24, 11.45, 30.92

 

CMYK 81 / 0 / 35 / 62

HEX #12603E

RGB 18 96 62

HSL 153.85, 0.68%, 0.22%

LAB 35.68, -31.71, 13.06

 

CMYK 82 / 61 / 0 / 63

HEX #11255E

RGB 17 37 94

HSL 224.42, 0.69%, 0.22%

LAB 16.75, 15.31, -36.32

 

CMYK 0 / 82 / 45 / 63

HEX #5E1134

RGB 94 17 52

HSL 332.73, 0.69%, 0.22%

LAB 20.16, 36.79, -1.53

 

CMYK 0 / 20 / 82 / 63

HEX #5E4B11

RGB 94 75 17

HSL 45.19, 0.69%, 0.22%

LAB 32.82, 1.48, 35.3

 

CMYK 81 / 0 / 35 / 62

HEX #12603E

RGB 18 96 62

HSL 153.85, 0.68%, 0.22%

LAB 35.68, -31.71, 13.06

 

CMYK 78 / 82 / 0 / 63

HEX #15115E

RGB 21 17 94

HSL 243.12, 0.69%, 0.22%

LAB 11.75, 29.7, -44.51

 

CMYK 0 / 82 / 45 / 63

HEX #5E1134

RGB 94 17 52

HSL 332.73, 0.69%, 0.22%

LAB 20.16, 36.79, -1.53

 

CMYK 4 / 0 / 82 / 63

HEX #5A5E11

RGB 90 94 17

HSL 63.12, 0.69%, 0.22%

LAB 38.23, -11.76, 40.18

 

Description

Color code: HEX #12603E | qconv.com Color code: HEX #12603E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 96 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 96 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 35 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 35% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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