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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #12682A it is the complementary color #ED97D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #12682A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #12682A shade: #176825, #287A38, #398C4B, #4A9E5E and #5BB071

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #12682A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #12682A shade: #12682A, #015617, #004404, #003200 and #002000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #12682A shade: #12682A, #126813, #286812, #3F6812 and #566812

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #12682A shade: #12682A, #126841, #126858, #126068 and #124968

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #12682A shade matches the following richer shades: #12682A and #087125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #12682A shade: #12682A, #1C5E2E, #265433, #304A37 and #39403B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #12682A shade: #296812, #126812, #126829, #126840 and #126856

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #12682A shade: #05210D, #0C441C, #12682A, #188B38 and #1EAE46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #12682A shade: #12682A, #124068 and #68121D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #12682A shade: #12682A, #291268 and #682912

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #12682A shade: #12682A, #124068, #681251 and #683A12

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #12682A shade: #12682A, #122668, #681251 and #685412

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 60 / 59

HEX #12682A

RGB 18 104 42

HSL 136.74, 0.7%, 0.24%

LAB 38.19, -38.82, 27.72

 

Complementary color

CMYK 0 / 36 / 10 / 7

HEX #ED97D5

RGB 237 151 213

HSL 316.74, 0.7%, 0.76%

LAB 72.85, 41.11, -18.23

 

CMYK 78 / 0 / 64 / 59

HEX #176825

RGB 23 104 37

HSL 130.37, 0.64%, 0.25%

LAB 38.23, -38.75, 30.36

 

CMYK 67 / 0 / 54 / 52

HEX #287A38

RGB 40 122 56

HSL 131.71, 0.51%, 0.32%

LAB 45.16, -39.6, 28.84

 

CMYK 59 / 0 / 46 / 45

HEX #398C4B

RGB 57 140 75

HSL 133.01, 0.42%, 0.39%

LAB 51.99, -39.91, 27.31

 

CMYK 53 / 0 / 41 / 38

HEX #4A9E5E

RGB 74 158 94

HSL 134.29, 0.36%, 0.45%

LAB 58.71, -39.93, 25.87

 

CMYK 48 / 0 / 36 / 31

HEX #5BB071

RGB 91 176 113

HSL 135.53, 0.35%, 0.52%

LAB 65.33, -39.8, 24.54

 

CMYK 83 / 0 / 60 / 59

HEX #12682A

RGB 18 104 42

HSL 136.74, 0.7%, 0.24%

LAB 38.19, -38.82, 27.72

 

CMYK 99 / 0 / 73 / 66

HEX #015617

RGB 1 86 23

HSL 135.53, 0.98%, 0.17%

LAB 31.17, -37.05, 29.23

 

CMYK 100 / 0 / 94 / 73

HEX #004404

RGB 0 68 4

HSL 123.53, 1%, 0.13%

LAB 24.14, -32.95, 30.11

 

CMYK 100 / 0 / 100 / 80

HEX #003200

RGB 0 50 0

HSL 120, 1%, 0.1%

LAB 16.9, -27.33, 23.7

 

CMYK 100 / 0 / 100 / 87

HEX #002000

RGB 0 32 0

HSL 120, 1%, 0.06%

LAB 9.26, -18.77, 13.51

 

CMYK 83 / 0 / 60 / 59

HEX #12682A

RGB 18 104 42

HSL 136.74, 0.7%, 0.24%

LAB 38.19, -38.82, 27.72

 

CMYK 83 / 0 / 82 / 59

HEX #126813

RGB 18 104 19

HSL 120.7, 0.7%, 0.24%

LAB 37.98, -41.44, 37.94

 

CMYK 62 / 0 / 83 / 59

HEX #286812

RGB 40 104 18

HSL 104.65, 0.7%, 0.24%

LAB 38.54, -36.74, 39.03

 

CMYK 39 / 0 / 83 / 59

HEX #3F6812

RGB 63 104 18

HSL 88.6, 0.7%, 0.24%

LAB 39.58, -28.91, 40.38

 

CMYK 17 / 0 / 83 / 59

HEX #566812

RGB 86 104 18

HSL 72.56, 0.7%, 0.24%

LAB 41.09, -19.06, 42.32

 

CMYK 83 / 0 / 60 / 59

HEX #12682A

RGB 18 104 42

HSL 136.74, 0.7%, 0.24%

LAB 38.19, -38.82, 27.72

 

CMYK 83 / 0 / 38 / 59

HEX #126841

RGB 18 104 65

HSL 152.79, 0.7%, 0.24%

LAB 38.57, -34.44, 15.18

 

CMYK 83 / 0 / 15 / 59

HEX #126858

RGB 18 104 88

HSL 168.84, 0.7%, 0.24%

LAB 39.13, -28.43, 2.08

 

CMYK 83 / 8 / 0 / 59

HEX #126068

RGB 18 96 104

HSL 185.58, 0.7%, 0.24%

LAB 36.92, -19.2, -11.04

 

CMYK 83 / 30 / 0 / 59

HEX #124968

RGB 18 73 104

HSL 201.63, 0.7%, 0.24%

LAB 29.14, -5.61, -23.03

 

CMYK 83 / 0 / 60 / 59

HEX #12682A

RGB 18 104 42

HSL 136.74, 0.7%, 0.24%

LAB 38.19, -38.82, 27.72

 

CMYK 93 / 0 / 67 / 56

HEX #087125

RGB 8 113 37

HSL 136.57, 0.87%, 0.24%

LAB 41.21, -43.82, 33.67

 

CMYK 83 / 0 / 60 / 59

HEX #12682A

RGB 18 104 42

HSL 136.74, 0.7%, 0.24%

LAB 38.19, -38.82, 27.72

 

CMYK 70 / 0 / 51 / 63

HEX #1C5E2E

RGB 28 94 46

HSL 136.36, 0.54%, 0.24%

LAB 34.9, -32.37, 21.53

 

CMYK 55 / 0 / 39 / 67

HEX #265433

RGB 38 84 51

HSL 136.96, 0.38%, 0.24%

LAB 31.79, -24.21, 14.6

 

CMYK 35 / 0 / 26 / 71

HEX #304A37

RGB 48 74 55

HSL 136.15, 0.21%, 0.24%

LAB 28.91, -14.61, 8.25

 

CMYK 11 / 0 / 8 / 75

HEX #39403B

RGB 57 64 59

HSL 137.14, 0.06%, 0.24%

LAB 26.31, -4.07, 2.07

 

CMYK 61 / 0 / 83 / 59

HEX #296812

RGB 41 104 18

HSL 103.95, 0.7%, 0.24%

LAB 38.58, -36.45, 39.07

 

CMYK 83 / 0 / 83 / 59

HEX #126812

RGB 18 104 18

HSL 120, 0.7%, 0.24%

LAB 37.97, -41.51, 38.28

 

CMYK 83 / 0 / 61 / 59

HEX #126829

RGB 18 104 41

HSL 136.05, 0.7%, 0.24%

LAB 38.18, -38.97, 28.23

 

CMYK 83 / 0 / 38 / 59

HEX #126840

RGB 18 104 64

HSL 152.09, 0.7%, 0.24%

LAB 38.55, -34.67, 15.75

 

CMYK 83 / 0 / 17 / 59

HEX #126856

RGB 18 104 86

HSL 167.44, 0.7%, 0.24%

LAB 39.07, -29.01, 3.22

 

CMYK 85 / 0 / 61 / 87

HEX #05210D

RGB 5 33 13

HSL 137.14, 0.74%, 0.07%

LAB 10.18, -16.04, 9.44

 

CMYK 82 / 0 / 59 / 73

HEX #0C441C

RGB 12 68 28

HSL 137.14, 0.7%, 0.16%

LAB 24.63, -27.86, 19.1

 

CMYK 83 / 0 / 60 / 59

HEX #12682A

RGB 18 104 42

HSL 136.74, 0.7%, 0.24%

LAB 38.19, -38.82, 27.72

 

CMYK 83 / 0 / 60 / 45

HEX #188B38

RGB 24 139 56

HSL 136.7, 0.71%, 0.32%

LAB 50.62, -48.61, 35.31

 

CMYK 83 / 0 / 60 / 32

HEX #1EAE46

RGB 30 174 70

HSL 136.67, 0.71%, 0.4%

LAB 62.5, -57.88, 42.5

 

CMYK 83 / 0 / 60 / 59

HEX #12682A

RGB 18 104 42

HSL 136.74, 0.7%, 0.24%

LAB 38.19, -38.82, 27.72

 

CMYK 83 / 38 / 0 / 59

HEX #124068

RGB 18 64 104

HSL 207.91, 0.7%, 0.24%

LAB 26.14, 0.32, -27.76

 

CMYK 0 / 83 / 72 / 59

HEX #68121D

RGB 104 18 29

HSL 352.33, 0.7%, 0.24%

LAB 21.82, 37.7, 17.18

 

CMYK 83 / 0 / 60 / 59

HEX #12682A

RGB 18 104 42

HSL 136.74, 0.7%, 0.24%

LAB 38.19, -38.82, 27.72

 

CMYK 61 / 83 / 0 / 59

HEX #291268

RGB 41 18 104

HSL 256.05, 0.7%, 0.24%

LAB 14.97, 34.87, -45.77

 

CMYK 0 / 61 / 83 / 59

HEX #682912

RGB 104 41 18

HSL 16.05, 0.7%, 0.24%

LAB 25.48, 26.83, 28.2

 

CMYK 83 / 0 / 60 / 59

HEX #12682A

RGB 18 104 42

HSL 136.74, 0.7%, 0.24%

LAB 38.19, -38.82, 27.72

 

CMYK 83 / 38 / 0 / 59

HEX #124068

RGB 18 64 104

HSL 207.91, 0.7%, 0.24%

LAB 26.14, 0.32, -27.76

 

CMYK 0 / 83 / 22 / 59

HEX #681251

RGB 104 18 81

HSL 316.05, 0.7%, 0.24%

LAB 23.57, 43.04, -16.1

 

CMYK 0 / 44 / 83 / 59

HEX #683A12

RGB 104 58 18

HSL 27.91, 0.7%, 0.24%

LAB 29.44, 16.95, 32.1

 

CMYK 83 / 0 / 60 / 59

HEX #12682A

RGB 18 104 42

HSL 136.74, 0.7%, 0.24%

LAB 38.19, -38.82, 27.72

 

CMYK 83 / 63 / 0 / 59

HEX #122668

RGB 18 38 104

HSL 226.05, 0.7%, 0.24%

LAB 17.98, 18.93, -40.89

 

CMYK 0 / 83 / 22 / 59

HEX #681251

RGB 104 18 81

HSL 316.05, 0.7%, 0.24%

LAB 23.57, 43.04, -16.1

 

CMYK 0 / 19 / 83 / 59

HEX #685412

RGB 104 84 18

HSL 46.05, 0.7%, 0.24%

LAB 36.61, 1.04, 38.84

 

Description

Color code: HEX #12682A | qconv.com Color code: HEX #12682A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 104 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 104 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 60 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 60% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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