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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #125F58 it is the complementary color #EDA0A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #125F58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #125F58 shade: #175F53, #287166, #398379, #4A958C and #5BA79F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #125F58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #125F58 shade: #125F58, #014D45, #003B32, #00291F and #00170C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #125F58 shade: #115E57, #115E42, #115E2E, #115E19 and #1E5E11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #125F58 shade: #115E57, #11505E, #113C5E, #11275E and #11125E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #125F58 shade matches the following richer shades: #115E57 and #08675E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #125F58 shade: #115E57, #1B554F, #244C48, #2D4341 and #363939

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #125F58 shade: #115E2D, #115E42, #115E56, #11515E and #113D5E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #125F58 shade: #041817, #0B3B37, #115E57, #188077 and #1FA397

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #125F58 shade: #125F58, #19115E and #5E3811

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #125F58 shade: #125F58, #56115E and #5E5611

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #125F58 shade: #125F58, #19115E, #5E1119 and #565E11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #125F58 shade: #125F58, #30115E, #5E1119 and #3F5E11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 7 / 63

HEX #125F58

RGB 18 95 88

HSL 174.55, 0.68%, 0.22%

LAB 36.02, -24, -2.47

 

Complementary color

CMYK 0 / 32 / 30 / 7

HEX #EDA0A7

RGB 237 160 167

HSL 354.55, 0.68%, 0.78%

LAB 73.5, 29.52, 8.09

 

CMYK 76 / 0 / 13 / 63

HEX #175F53

RGB 23 95 83

HSL 170, 0.61%, 0.23%

LAB 35.97, -24.83, 0.58

 

CMYK 65 / 0 / 10 / 56

HEX #287166

RGB 40 113 102

HSL 170.96, 0.48%, 0.3%

LAB 43.09, -25.32, -0.57

 

CMYK 56 / 0 / 8 / 49

HEX #398379

RGB 57 131 121

HSL 171.89, 0.39%, 0.37%

LAB 50.08, -25.53, -1.55

 

CMYK 50 / 0 / 6 / 42

HEX #4A958C

RGB 74 149 140

HSL 172.8, 0.34%, 0.44%

LAB 56.92, -25.58, -2.42

 

CMYK 46 / 0 / 5 / 35

HEX #5BA79F

RGB 91 167 159

HSL 173.68, 0.3%, 0.51%

LAB 63.64, -25.55, -3.2

 

CMYK 81 / 0 / 7 / 63

HEX #125F58

RGB 18 95 88

HSL 174.55, 0.68%, 0.22%

LAB 36.02, -24, -2.47

 

CMYK 99 / 0 / 10 / 70

HEX #014D45

RGB 1 77 69

HSL 173.68, 0.97%, 0.15%

LAB 28.76, -22.84, -1.17

 

CMYK 100 / 0 / 15 / 77

HEX #003B32

RGB 0 59 50

HSL 170.85, 1%, 0.12%

LAB 21.42, -20.13, 0.61

 

CMYK 100 / 0 / 24 / 84

HEX #00291F

RGB 0 41 31

HSL 165.37, 1%, 0.08%

LAB 13.74, -17.17, 2.63

 

CMYK 100 / 0 / 48 / 91

HEX #00170C

RGB 0 23 12

HSL 151.3, 1%, 0.05%

LAB 5.78, -9.62, 3.5

 

CMYK 82 / 0 / 7 / 63

HEX #115E57

RGB 17 94 87

HSL 174.55, 0.69%, 0.22%

LAB 35.62, -23.93, -2.43

 

CMYK 82 / 0 / 30 / 63

HEX #115E42

RGB 17 94 66

HSL 158.18, 0.69%, 0.22%

LAB 35.04, -29.97, 9.74

 

CMYK 82 / 0 / 51 / 63

HEX #115E2E

RGB 17 94 46

HSL 142.6, 0.69%, 0.22%

LAB 34.64, -34.42, 21.16

 

CMYK 82 / 0 / 73 / 63

HEX #115E19

RGB 17 94 25

HSL 126.23, 0.69%, 0.22%

LAB 34.39, -37.52, 31.83

 

CMYK 68 / 0 / 82 / 63

HEX #1E5E11

RGB 30 94 17

HSL 109.87, 0.69%, 0.22%

LAB 34.64, -35.57, 35.51

 

CMYK 82 / 0 / 7 / 63

HEX #115E57

RGB 17 94 87

HSL 174.55, 0.69%, 0.22%

LAB 35.62, -23.93, -2.43

 

CMYK 82 / 15 / 0 / 63

HEX #11505E

RGB 17 80 94

HSL 190.91, 0.69%, 0.22%

LAB 31.03, -13.88, -13.74

 

CMYK 82 / 36 / 0 / 63

HEX #113C5E

RGB 17 60 94

HSL 206.49, 0.69%, 0.22%

LAB 24.19, -1.26, -24.38

 

CMYK 82 / 59 / 0 / 63

HEX #11275E

RGB 17 39 94

HSL 222.86, 0.69%, 0.22%

LAB 17.36, 13.82, -35.33

 

CMYK 82 / 81 / 0 / 63

HEX #11125E

RGB 17 18 94

HSL 239.22, 0.69%, 0.22%

LAB 11.69, 28.71, -44.62

 

CMYK 82 / 0 / 7 / 63

HEX #115E57

RGB 17 94 87

HSL 174.55, 0.69%, 0.22%

LAB 35.62, -23.93, -2.43

 

CMYK 92 / 0 / 9 / 60

HEX #08675E

RGB 8 103 94

HSL 174.32, 0.86%, 0.22%

LAB 38.83, -27.04, -2.04

 

CMYK 82 / 0 / 7 / 63

HEX #115E57

RGB 17 94 87

HSL 174.55, 0.69%, 0.22%

LAB 35.62, -23.93, -2.43

 

CMYK 68 / 0 / 7 / 67

HEX #1B554F

RGB 27 85 79

HSL 173.79, 0.52%, 0.22%

LAB 32.47, -20.18, -2.03

 

CMYK 53 / 0 / 5 / 70

HEX #244C48

RGB 36 76 72

HSL 174, 0.36%, 0.22%

LAB 29.44, -15.24, -1.98

 

CMYK 33 / 0 / 3 / 74

HEX #2D4341

RGB 45 67 65

HSL 174.55, 0.2%, 0.22%

LAB 26.6, -9.09, -1.56

 

CMYK 5 / 0 / 0 / 78

HEX #363939

RGB 54 57 57

HSL 180, 0.03%, 0.22%

LAB 23.69, -1.28, -0.45

 

CMYK 82 / 0 / 52 / 63

HEX #115E2D

RGB 17 94 45

HSL 141.82, 0.69%, 0.22%

LAB 34.63, -34.61, 21.71

 

CMYK 82 / 0 / 30 / 63

HEX #115E42

RGB 17 94 66

HSL 158.18, 0.69%, 0.22%

LAB 35.04, -29.97, 9.74

 

CMYK 82 / 0 / 9 / 63

HEX #115E56

RGB 17 94 86

HSL 173.77, 0.69%, 0.22%

LAB 35.59, -24.24, -1.86

 

CMYK 82 / 14 / 0 / 63

HEX #11515E

RGB 17 81 94

HSL 190.13, 0.69%, 0.22%

LAB 31.38, -14.47, -13.21

 

CMYK 82 / 35 / 0 / 63

HEX #113D5E

RGB 17 61 94

HSL 205.71, 0.69%, 0.22%

LAB 24.53, -1.94, -23.85

 

CMYK 83 / 0 / 4 / 91

HEX #041817

RGB 4 24 23

HSL 177, 0.71%, 0.05%

LAB 6.69, -7.08, -1.7

 

CMYK 81 / 0 / 7 / 77

HEX #0B3B37

RGB 11 59 55

HSL 175, 0.69%, 0.14%

LAB 21.85, -16.65, -2.09

 

CMYK 82 / 0 / 7 / 63

HEX #115E57

RGB 17 94 87

HSL 174.55, 0.69%, 0.22%

LAB 35.62, -23.93, -2.43

 

CMYK 81 / 0 / 7 / 50

HEX #188077

RGB 24 128 119

HSL 174.81, 0.68%, 0.3%

LAB 48.22, -30.02, -3.21

 

CMYK 81 / 0 / 7 / 36

HEX #1FA397

RGB 31 163 151

HSL 174.55, 0.68%, 0.38%

LAB 60.53, -36.27, -3.47

 

CMYK 81 / 0 / 7 / 63

HEX #125F58

RGB 18 95 88

HSL 174.55, 0.68%, 0.22%

LAB 36.02, -24, -2.47

 

CMYK 73 / 82 / 0 / 63

HEX #19115E

RGB 25 17 94

HSL 246.23, 0.69%, 0.22%

LAB 12.06, 30.12, -43.98

 

CMYK 0 / 40 / 82 / 63

HEX #5E3811

RGB 94 56 17

HSL 30.39, 0.69%, 0.22%

LAB 27.43, 13.33, 30.13

 

CMYK 81 / 0 / 7 / 63

HEX #125F58

RGB 18 95 88

HSL 174.55, 0.68%, 0.22%

LAB 36.02, -24, -2.47

 

CMYK 9 / 82 / 0 / 63

HEX #56115E

RGB 86 17 94

HSL 293.77, 0.69%, 0.22%

LAB 20.78, 41.2, -29.41

 

CMYK 0 / 9 / 82 / 63

HEX #5E5611

RGB 94 86 17

HSL 53.77, 0.69%, 0.22%

LAB 36.13, -5.16, 38.39

 

CMYK 81 / 0 / 7 / 63

HEX #125F58

RGB 18 95 88

HSL 174.55, 0.68%, 0.22%

LAB 36.02, -24, -2.47

 

CMYK 73 / 82 / 0 / 63

HEX #19115E

RGB 25 17 94

HSL 246.23, 0.69%, 0.22%

LAB 12.06, 30.12, -43.98

 

CMYK 0 / 82 / 73 / 63

HEX #5E1119

RGB 94 17 25

HSL 353.77, 0.69%, 0.22%

LAB 19.44, 34.51, 16.5

 

CMYK 9 / 0 / 82 / 63

HEX #565E11

RGB 86 94 17

HSL 66.23, 0.69%, 0.22%

LAB 37.89, -13.68, 39.73

 

CMYK 81 / 0 / 7 / 63

HEX #125F58

RGB 18 95 88

HSL 174.55, 0.68%, 0.22%

LAB 36.02, -24, -2.47

 

CMYK 49 / 82 / 0 / 63

HEX #30115E

RGB 48 17 94

HSL 264.16, 0.69%, 0.22%

LAB 14.61, 33.45, -39.7

 

CMYK 0 / 82 / 73 / 63

HEX #5E1119

RGB 94 17 25

HSL 353.77, 0.69%, 0.22%

LAB 19.44, 34.51, 16.5

 

CMYK 33 / 0 / 82 / 63

HEX #3F5E11

RGB 63 94 17

HSL 84.16, 0.69%, 0.22%

LAB 36.18, -24.15, 37.53

 

Description

Color code: HEX #125F58 | qconv.com Color code: HEX #125F58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 95 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 95 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 7 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 7% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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