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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #123A71 it is the complementary color #EDC58E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #123A71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #123A71 shade: #173A6C, #284C7F, #395E92, #4A70A5 and #5B82B8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #123A71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #123A71 shade: #123A71, #01285E, #00164B, #000438 and #000025

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #123A71 shade: #113A72, #112072, #1D1172, #371172 and #511172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #123A71 shade: #113A72, #112072 and #111172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #123A71 shade matches the following richer shades: #113A72 and #07387D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #123A71 shade: #113A72, #1C3C67, #273E5D, #323F52 and #3C4147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #123A71 shade: #116F72, #115572, #113B72, #112272 and #1B1172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #123A71 shade: #06162B, #0C284F, #113A72, #174C96 and #1D5FBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #123A71 shade: #123A71, #5C1172 and #627211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #123A71 shade: #123A71, #72113B and #3B7211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #123A71 shade: #123A71, #5C1172, #724811 and #287211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #123A71 shade: #123A71, #72116C, #724811 and #117218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 49 / 0 / 56

HEX #123A71

RGB 18 58 113

HSL 214.74, 0.73%, 0.26%

LAB 24.79, 8.28, -35.68

 

Complementary color

CMYK 0 / 17 / 40 / 7

HEX #EDC58E

RGB 237 197 142

HSL 34.74, 0.73%, 0.74%

LAB 81.78, 6.92, 32.9

 

CMYK 79 / 46 / 0 / 58

HEX #173A6C

RGB 23 58 108

HSL 215.29, 0.65%, 0.26%

LAB 24.61, 6.81, -32.75

 

CMYK 69 / 40 / 0 / 50

HEX #284C7F

RGB 40 76 127

HSL 215.17, 0.52%, 0.33%

LAB 32.15, 4.89, -32.67

 

CMYK 61 / 36 / 0 / 43

HEX #395E92

RGB 57 94 146

HSL 215.06, 0.44%, 0.4%

LAB 39.5, 3.55, -32.6

 

CMYK 55 / 32 / 0 / 35

HEX #4A70A5

RGB 74 112 165

HSL 214.95, 0.38%, 0.47%

LAB 46.66, 2.56, -32.56

 

CMYK 51 / 29 / 0 / 28

HEX #5B82B8

RGB 91 130 184

HSL 214.84, 0.4%, 0.54%

LAB 53.65, 1.79, -32.57

 

CMYK 84 / 49 / 0 / 56

HEX #123A71

RGB 18 58 113

HSL 214.74, 0.73%, 0.26%

LAB 24.79, 8.28, -35.68

 

CMYK 99 / 57 / 0 / 63

HEX #01285E

RGB 1 40 94

HSL 214.84, 0.98%, 0.19%

LAB 17.14, 11.42, -35.7

 

CMYK 100 / 71 / 0 / 71

HEX #00164B

RGB 0 22 75

HSL 222.4, 1%, 0.15%

LAB 9.66, 16.4, -35.05

 

CMYK 100 / 93 / 0 / 78

HEX #000438

RGB 0 4 56

HSL 235.71, 1%, 0.11%

LAB 3.36, 16.52, -31.82

 

CMYK 100 / 100 / 0 / 85

HEX #000025

RGB 0 0 37

HSL 240, 1%, 0.07%

LAB 1.21, 8.48, -20.89

 

CMYK 85 / 49 / 0 / 55

HEX #113A72

RGB 17 58 114

HSL 214.64, 0.74%, 0.26%

LAB 24.83, 8.59, -36.25

 

CMYK 85 / 72 / 0 / 55

HEX #112072

RGB 17 32 114

HSL 230.72, 0.74%, 0.26%

LAB 17.31, 27.18, -48.5

 

CMYK 75 / 85 / 0 / 55

HEX #1D1172

RGB 29 17 114

HSL 247.42, 0.74%, 0.26%

LAB 14.83, 37.25, -52.57

 

CMYK 52 / 85 / 0 / 55

HEX #371172

RGB 55 17 114

HSL 263.51, 0.74%, 0.26%

LAB 17.59, 40.2, -47.92

 

CMYK 29 / 85 / 0 / 55

HEX #511172

RGB 81 17 114

HSL 279.59, 0.74%, 0.26%

LAB 21.45, 44.41, -41.45

 

CMYK 85 / 49 / 0 / 55

HEX #113A72

RGB 17 58 114

HSL 214.64, 0.74%, 0.26%

LAB 24.83, 8.59, -36.25

 

CMYK 85 / 72 / 0 / 55

HEX #112072

RGB 17 32 114

HSL 230.72, 0.74%, 0.26%

LAB 17.31, 27.18, -48.5

 

CMYK 85 / 85 / 0 / 55

HEX #111172

RGB 17 17 114

HSL 240, 0.74%, 0.26%

LAB 14.03, 36.41, -53.92

 

CMYK 85 / 49 / 0 / 55

HEX #113A72

RGB 17 58 114

HSL 214.64, 0.74%, 0.26%

LAB 24.83, 8.59, -36.25

 

CMYK 94 / 55 / 0 / 51

HEX #07387D

RGB 7 56 125

HSL 215.08, 0.89%, 0.26%

LAB 24.81, 13.95, -43.27

 

CMYK 85 / 49 / 0 / 55

HEX #113A72

RGB 17 58 114

HSL 214.64, 0.74%, 0.26%

LAB 24.83, 8.59, -36.25

 

CMYK 73 / 42 / 0 / 60

HEX #1C3C67

RGB 28 60 103

HSL 214.4, 0.57%, 0.26%

LAB 25.13, 4.17, -28.7

 

CMYK 58 / 33 / 0 / 64

HEX #273E5D

RGB 39 62 93

HSL 214.44, 0.41%, 0.26%

LAB 25.76, 1.33, -21.19

 

CMYK 39 / 23 / 0 / 68

HEX #323F52

RGB 50 63 82

HSL 215.63, 0.24%, 0.26%

LAB 26.28, 0.18, -13.16

 

CMYK 15 / 8 / 0 / 72

HEX #3C4147

RGB 60 65 71

HSL 212.73, 0.08%, 0.26%

LAB 27.29, -0.6, -4.35

 

CMYK 85 / 3 / 0 / 55

HEX #116F72

RGB 17 111 114

HSL 181.86, 0.74%, 0.26%

LAB 42.31, -23.85, -9.02

 

CMYK 85 / 25 / 0 / 55

HEX #115572

RGB 17 85 114

HSL 197.94, 0.74%, 0.26%

LAB 33.63, -9.27, -22.31

 

CMYK 85 / 48 / 0 / 55

HEX #113B72

RGB 17 59 114

HSL 214.02, 0.74%, 0.26%

LAB 25.14, 7.89, -35.75

 

CMYK 85 / 70 / 0 / 55

HEX #112272

RGB 17 34 114

HSL 229.48, 0.74%, 0.26%

LAB 17.82, 25.8, -47.66

 

CMYK 76 / 85 / 0 / 55

HEX #1B1172

RGB 27 17 114

HSL 246.19, 0.74%, 0.26%

LAB 14.67, 37.09, -52.84

 

CMYK 86 / 49 / 0 / 83

HEX #06162B

RGB 6 22 43

HSL 214.05, 0.76%, 0.1%

LAB 7.11, 2.05, -16.2

 

CMYK 85 / 49 / 0 / 69

HEX #0C284F

RGB 12 40 79

HSL 214.93, 0.74%, 0.18%

LAB 16.31, 5.82, -26.98

 

CMYK 85 / 49 / 0 / 55

HEX #113A72

RGB 17 58 114

HSL 214.64, 0.74%, 0.26%

LAB 24.83, 8.59, -36.25

 

CMYK 85 / 49 / 0 / 41

HEX #174C96

RGB 23 76 150

HSL 214.96, 0.73%, 0.34%

LAB 33.03, 11.74, -45.41

 

CMYK 84 / 49 / 0 / 27

HEX #1D5FBA

RGB 29 95 186

HSL 214.78, 0.73%, 0.42%

LAB 41.2, 14.07, -53.65

 

CMYK 84 / 49 / 0 / 56

HEX #123A71

RGB 18 58 113

HSL 214.74, 0.73%, 0.26%

LAB 24.79, 8.28, -35.68

 

CMYK 19 / 85 / 0 / 55

HEX #5C1172

RGB 92 17 114

HSL 286.39, 0.74%, 0.26%

LAB 23.31, 46.46, -38.35

 

CMYK 14 / 0 / 85 / 55

HEX #627211

RGB 98 114 17

HSL 69.9, 0.74%, 0.26%

LAB 45.18, -18.91, 46.63

 

CMYK 84 / 49 / 0 / 56

HEX #123A71

RGB 18 58 113

HSL 214.74, 0.73%, 0.26%

LAB 24.79, 8.28, -35.68

 

CMYK 0 / 85 / 48 / 55

HEX #72113B

RGB 114 17 59

HSL 334.02, 0.74%, 0.26%

LAB 24.62, 43.39, 0.64

 

CMYK 48 / 0 / 85 / 55

HEX #3B7211

RGB 59 114 17

HSL 94.02, 0.74%, 0.26%

LAB 42.77, -34.91, 43.57

 

CMYK 84 / 49 / 0 / 56

HEX #123A71

RGB 18 58 113

HSL 214.74, 0.73%, 0.26%

LAB 24.79, 8.28, -35.68

 

CMYK 19 / 85 / 0 / 55

HEX #5C1172

RGB 92 17 114

HSL 286.39, 0.74%, 0.26%

LAB 23.31, 46.46, -38.35

 

CMYK 0 / 37 / 85 / 55

HEX #724811

RGB 114 72 17

HSL 34.02, 0.74%, 0.26%

LAB 34.5, 13.19, 37.78

 

CMYK 65 / 0 / 85 / 55

HEX #287211

RGB 40 114 17

HSL 105.77, 0.74%, 0.26%

LAB 42.04, -40.66, 42.63

 

CMYK 84 / 49 / 0 / 56

HEX #123A71

RGB 18 58 113

HSL 214.74, 0.73%, 0.26%

LAB 24.79, 8.28, -35.68

 

CMYK 0 / 85 / 5 / 55

HEX #72116C

RGB 114 17 108

HSL 303.71, 0.74%, 0.26%

LAB 26.91, 49.88, -28.49

 

CMYK 0 / 37 / 85 / 55

HEX #724811

RGB 114 72 17

HSL 34.02, 0.74%, 0.26%

LAB 34.5, 13.19, 37.78

 

CMYK 85 / 0 / 79 / 55

HEX #117218

RGB 17 114 24

HSL 124.33, 0.74%, 0.26%

LAB 41.56, -44.56, 39.62

 

Description

Color code: HEX #123A71 | qconv.com Color code: HEX #123A71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 58 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 58 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 49 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 49% 0% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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