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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #1211DD it is the complementary color #EDEE22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #1211DD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #1211DD shade: #1711D8, #2823EB, #3935FE, #4A47FF and #5B59FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #1211DD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #1211DD shade: #1211DD, #0100CA, #0000B7, #0000A4 and #000091

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #1211DD shade: #1110DE, #4910DE, #8010DE, #B810DE and #DE10CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #1211DD shade: #1110DE and #1010DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #1211DD shade matches the following richer shades: #1110DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #1211DD shade: #1110DE, #2424CB, #3837B8, #4B4AA4 and #5E5E91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #1211DD shade: #107EDE, #1047DE, #1010DE, #4710DE and #7E10DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #1211DD shade: #0B0B92, #0E0DB8, #1110DE, #2A29EE and #5150F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #1211DD shade: #1211DD, #DE10B5 and #63DE10

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #1211DD shade: #1211DD, #DE1010 and #10DE10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #1211DD shade: #1211DD, #DE10B5, #DEDE10 and #10DE3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #1211DD shade: #1211DD, #DE1077, #DEDE10 and #10DE77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 92 / 0 / 13

HEX #1211DD

RGB 18 17 221

HSL 240.29, 0.86%, 0.47%

LAB 28.77, 67.9, -94.43

 

Complementary color

CMYK 0 / 0 / 86 / 7

HEX #EDEE22

RGB 237 238 34

HSL 60.29, 0.86%, 0.53%

LAB 91.36, -20.45, 85.75

 

CMYK 89 / 92 / 0 / 15

HEX #1711D8

RGB 23 17 216

HSL 241.81, 0.85%, 0.46%

LAB 28.22, 66.66, -92.46

 

CMYK 83 / 85 / 0 / 8

HEX #2823EB

RGB 40 35 235

HSL 241.5, 0.83%, 0.53%

LAB 33.25, 66.5, -94.96

 

CMYK 78 / 79 / 0 / 0

HEX #3935FE

RGB 57 53 254

HSL 241.19, 0.99%, 0.6%

LAB 38.85, 65.13, -96.35

 

CMYK 71 / 72 / 0 / 0

HEX #4A47FF

RGB 74 71 255

HSL 240.98, 1%, 0.64%

LAB 43.04, 57.68, -89.95

 

CMYK 64 / 65 / 0 / 0

HEX #5B59FF

RGB 91 89 255

HSL 240.72, 1%, 0.67%

LAB 47.74, 49.58, -82.18

 

CMYK 92 / 92 / 0 / 13

HEX #1211DD

RGB 18 17 221

HSL 240.29, 0.86%, 0.47%

LAB 28.77, 67.9, -94.43

 

CMYK 100 / 100 / 0 / 21

HEX #0100CA

RGB 1 0 202

HSL 240.3, 1%, 0.4%

LAB 24.55, 66.45, -90.46

 

CMYK 100 / 100 / 0 / 28

HEX #0000B7

RGB 0 0 183

HSL 240, 1%, 0.36%

LAB 21.65, 61.73, -84.07

 

CMYK 100 / 100 / 0 / 36

HEX #0000A4

RGB 0 0 164

HSL 240, 1%, 0.32%

LAB 18.72, 56.92, -77.52

 

CMYK 100 / 100 / 0 / 43

HEX #000091

RGB 0 0 145

HSL 240, 1%, 0.28%

LAB 15.72, 52, -70.83

 

CMYK 92 / 93 / 0 / 13

HEX #1110DE

RGB 17 16 222

HSL 240.29, 0.87%, 0.47%

LAB 28.81, 68.39, -94.95

 

CMYK 67 / 93 / 0 / 13

HEX #4910DE

RGB 73 16 222

HSL 256.6, 0.87%, 0.47%

LAB 31.95, 70.09, -89.64

 

CMYK 42 / 93 / 0 / 13

HEX #8010DE

RGB 128 16 222

HSL 272.62, 0.87%, 0.47%

LAB 38.26, 74.38, -78.99

 

CMYK 17 / 93 / 0 / 13

HEX #B810DE

RGB 184 16 222

HSL 288.93, 0.87%, 0.47%

LAB 46.76, 81.4, -64.75

 

CMYK 0 / 93 / 8 / 13

HEX #DE10CD

RGB 222 16 205

HSL 304.95, 0.87%, 0.47%

LAB 52.18, 84.9, -45.95

 

CMYK 92 / 93 / 0 / 13

HEX #1110DE

RGB 17 16 222

HSL 240.29, 0.87%, 0.47%

LAB 28.81, 68.39, -94.95

 

CMYK 93 / 93 / 0 / 13

HEX #1010DE

RGB 16 16 222

HSL 240, 0.87%, 0.47%

LAB 28.78, 68.38, -94.99

 

CMYK 92 / 93 / 0 / 13

HEX #1110DE

RGB 17 16 222

HSL 240.29, 0.87%, 0.47%

LAB 28.81, 68.39, -94.95

 

CMYK 92 / 93 / 0 / 13

HEX #1110DE

RGB 17 16 222

HSL 240.29, 0.87%, 0.47%

LAB 28.81, 68.39, -94.95

 

CMYK 82 / 82 / 0 / 20

HEX #2424CB

RGB 36 36 203

HSL 240, 0.7%, 0.47%

LAB 29.28, 56.61, -83.12

 

CMYK 70 / 70 / 0 / 28

HEX #3837B8

RGB 56 55 184

HSL 240.47, 0.54%, 0.47%

LAB 31.88, 41.97, -67.61

 

CMYK 54 / 55 / 0 / 36

HEX #4B4AA4

RGB 75 74 164

HSL 240.67, 0.38%, 0.47%

LAB 36.13, 26.51, -48.73

 

CMYK 35 / 35 / 0 / 43

HEX #5E5E91

RGB 94 94 145

HSL 240, 0.21%, 0.47%

LAB 41.89, 12.82, -28.07

 

CMYK 93 / 43 / 0 / 13

HEX #107EDE

RGB 16 126 222

HSL 207.96, 0.87%, 0.47%

LAB 52.18, 7.71, -56.63

 

CMYK 93 / 68 / 0 / 13

HEX #1047DE

RGB 16 71 222

HSL 223.98, 0.87%, 0.47%

LAB 37.65, 42.83, -80.28

 

CMYK 93 / 93 / 0 / 13

HEX #1010DE

RGB 16 16 222

HSL 240, 0.87%, 0.47%

LAB 28.78, 68.38, -94.99

 

CMYK 68 / 93 / 0 / 13

HEX #4710DE

RGB 71 16 222

HSL 256.02, 0.87%, 0.47%

LAB 31.77, 69.99, -89.93

 

CMYK 43 / 93 / 0 / 13

HEX #7E10DE

RGB 126 16 222

HSL 272.04, 0.87%, 0.47%

LAB 37.99, 74.18, -79.45

 

CMYK 92 / 92 / 0 / 43

HEX #0B0B92

RGB 11 11 146

HSL 240, 0.86%, 0.31%

LAB 17.39, 48.82, -68.64

 

CMYK 92 / 93 / 0 / 28

HEX #0E0DB8

RGB 14 13 184

HSL 240.35, 0.87%, 0.39%

LAB 23.14, 58.99, -82.17

 

CMYK 92 / 93 / 0 / 13

HEX #1110DE

RGB 17 16 222

HSL 240.29, 0.87%, 0.47%

LAB 28.81, 68.39, -94.95

 

CMYK 82 / 83 / 0 / 7

HEX #2A29EE

RGB 42 41 238

HSL 240.3, 0.85%, 0.55%

LAB 34.5, 65.03, -94.58

 

CMYK 66 / 67 / 0 / 5

HEX #5150F1

RGB 81 80 241

HSL 240.37, 0.85%, 0.63%

LAB 44, 49.02, -80.51

 

CMYK 92 / 92 / 0 / 13

HEX #1211DD

RGB 18 17 221

HSL 240.29, 0.86%, 0.47%

LAB 28.77, 67.9, -94.43

 

CMYK 0 / 93 / 18 / 13

HEX #DE10B5

RGB 222 16 181

HSL 311.94, 0.87%, 0.47%

LAB 50.96, 81.8, -33.95

 

CMYK 55 / 0 / 93 / 13

HEX #63DE10

RGB 99 222 16

HSL 95.83, 0.87%, 0.47%

LAB 79, -63.99, 75.28

 

CMYK 92 / 92 / 0 / 13

HEX #1211DD

RGB 18 17 221

HSL 240.29, 0.86%, 0.47%

LAB 28.77, 67.9, -94.43

 

CMYK 0 / 93 / 93 / 13

HEX #DE1010

RGB 222 16 16

HSL 0, 0.87%, 0.47%

LAB 46.89, 70.86, 55.98

 

CMYK 93 / 0 / 93 / 13

HEX #10DE10

RGB 16 222 16

HSL 120, 0.87%, 0.47%

LAB 77.51, -76.73, 73.44

 

CMYK 92 / 92 / 0 / 13

HEX #1211DD

RGB 18 17 221

HSL 240.29, 0.86%, 0.47%

LAB 28.77, 67.9, -94.43

 

CMYK 0 / 93 / 18 / 13

HEX #DE10B5

RGB 222 16 181

HSL 311.94, 0.87%, 0.47%

LAB 50.96, 81.8, -33.95

 

CMYK 0 / 0 / 93 / 13

HEX #DEDE10

RGB 222 222 16

HSL 60, 0.87%, 0.47%

LAB 85.91, -19.26, 83.68

 

CMYK 93 / 0 / 74 / 13

HEX #10DE3A

RGB 16 222 58

HSL 132.23, 0.87%, 0.47%

LAB 77.67, -74.68, 63.69

 

CMYK 92 / 92 / 0 / 13

HEX #1211DD

RGB 18 17 221

HSL 240.29, 0.86%, 0.47%

LAB 28.77, 67.9, -94.43

 

CMYK 0 / 93 / 46 / 13

HEX #DE1077

RGB 222 16 119

HSL 330, 0.87%, 0.47%

LAB 48.55, 75.44, -0.48

 

CMYK 0 / 0 / 93 / 13

HEX #DEDE10

RGB 222 222 16

HSL 60, 0.87%, 0.47%

LAB 85.91, -19.26, 83.68

 

CMYK 93 / 0 / 46 / 13

HEX #10DE77

RGB 16 222 119

HSL 150, 0.87%, 0.47%

LAB 78.28, -67.21, 38.07

 

Description

Color code: HEX #1211DD | qconv.com Color code: HEX #1211DD | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 18 red, 17 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
18 17 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 92 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 92% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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