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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11B057 it is the complementary color #EE4FA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11B057. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11B057 shade: #16B052, #27C265, #38D478, #49E68B and #5AF89E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11B057. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11B057 shade: #11B057, #009E44, #008C31, #007A1E and #00680B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11B057 shade: #11B057, #11B02C, #21B011, #4CB011 and #76B011

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11B057 shade: #11B057, #11B082, #11B0AD, #1188B0 and #115DB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11B057 shade matches the following richer shades: #11B057 and #01C055

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11B057 shade: #11B057, #21A059, #30915B, #40815D and #50715E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11B057 shade: #21B011, #11B02B, #11B056, #11B080 and #11B0AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11B057 shade: #0A6532, #0D8A44, #11B057, #15D56A and #2AE97E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11B057 shade: #11B057, #114BB0 and #B01611

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11B057 shade: #11B057, #5611B0 and #B05611

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11B057 shade: #11B057, #114BB0, #B0116B and #B07611

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11B057 shade: #11B057, #111CB0, #B0116B and #B0A511

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 51 / 31

HEX #11B057

RGB 17 176 87

HSL 146.42, 0.82%, 0.38%

LAB 63.23, -57.17, 35.06

 

Complementary color

CMYK 0 / 67 / 29 / 7

HEX #EE4FA8

RGB 238 79 168

HSL 326.42, 0.82%, 0.62%

LAB 58.6, 68.51, -14.38

 

CMYK 88 / 0 / 53 / 31

HEX #16B052

RGB 22 176 82

HSL 143.38, 0.78%, 0.39%

LAB 63.2, -57.6, 37.54

 

CMYK 80 / 0 / 48 / 24

HEX #27C265

RGB 39 194 101

HSL 144, 0.67%, 0.46%

LAB 69.44, -59.06, 35.86

 

CMYK 74 / 0 / 43 / 17

HEX #38D478

RGB 56 212 120

HSL 144.62, 0.64%, 0.53%

LAB 75.63, -60.03, 34.26

 

CMYK 68 / 0 / 40 / 10

HEX #49E68B

RGB 73 230 139

HSL 145.22, 0.76%, 0.59%

LAB 81.77, -60.65, 32.75

 

CMYK 64 / 0 / 36 / 3

HEX #5AF89E

RGB 90 248 158

HSL 145.82, 0.92%, 0.66%

LAB 87.86, -61.02, 31.34

 

CMYK 90 / 0 / 51 / 31

HEX #11B057

RGB 17 176 87

HSL 146.42, 0.82%, 0.38%

LAB 63.23, -57.17, 35.06

 

CMYK 100 / 0 / 57 / 38

HEX #009E44

RGB 0 158 68

HSL 145.82, 1%, 0.31%

LAB 56.95, -55.05, 36.85

 

CMYK 100 / 0 / 65 / 45

HEX #008C31

RGB 0 140 49

HSL 141, 1%, 0.27%

LAB 50.66, -51.82, 38.63

 

CMYK 100 / 0 / 75 / 52

HEX #007A1E

RGB 0 122 30

HSL 134.75, 1%, 0.24%

LAB 44.25, -48.2, 39.97

 

CMYK 100 / 0 / 89 / 59

HEX #00680B

RGB 0 104 11

HSL 126.35, 1%, 0.2%

LAB 37.71, -44.02, 40.11

 

CMYK 90 / 0 / 51 / 31

HEX #11B057

RGB 17 176 87

HSL 146.42, 0.82%, 0.38%

LAB 63.23, -57.17, 35.06

 

CMYK 90 / 0 / 75 / 31

HEX #11B02C

RGB 17 176 44

HSL 130.19, 0.82%, 0.38%

LAB 62.8, -62.38, 53.59

 

CMYK 81 / 0 / 90 / 31

HEX #21B011

RGB 33 176 17

HSL 113.96, 0.82%, 0.38%

LAB 62.86, -62.37, 60.98

 

CMYK 57 / 0 / 90 / 31

HEX #4CB011

RGB 76 176 17

HSL 97.74, 0.82%, 0.38%

LAB 63.86, -53.89, 62.23

 

CMYK 33 / 0 / 90 / 31

HEX #76B011

RGB 118 176 17

HSL 81.89, 0.82%, 0.38%

LAB 65.7, -40.15, 64.52

 

CMYK 90 / 0 / 51 / 31

HEX #11B057

RGB 17 176 87

HSL 146.42, 0.82%, 0.38%

LAB 63.23, -57.17, 35.06

 

CMYK 90 / 0 / 26 / 31

HEX #11B082

RGB 17 176 130

HSL 162.64, 0.82%, 0.38%

LAB 63.98, -48.43, 13.18

 

CMYK 90 / 0 / 2 / 31

HEX #11B0AD

RGB 17 176 173

HSL 178.87, 0.82%, 0.38%

LAB 65.11, -36.69, -9.03

 

CMYK 90 / 23 / 0 / 31

HEX #1188B0

RGB 17 136 176

HSL 195.09, 0.82%, 0.38%

LAB 52.8, -15.54, -29.48

 

CMYK 90 / 47 / 0 / 31

HEX #115DB0

RGB 17 93 176

HSL 211.32, 0.82%, 0.38%

LAB 39.72, 10.54, -50.19

 

CMYK 90 / 0 / 51 / 31

HEX #11B057

RGB 17 176 87

HSL 146.42, 0.82%, 0.38%

LAB 63.23, -57.17, 35.06

 

CMYK 99 / 0 / 56 / 25

HEX #01C055

RGB 1 192 85

HSL 146.39, 0.99%, 0.38%

LAB 68.29, -63.44, 42.22

 

CMYK 90 / 0 / 51 / 31

HEX #11B057

RGB 17 176 87

HSL 146.42, 0.82%, 0.38%

LAB 63.23, -57.17, 35.06

 

CMYK 79 / 0 / 44 / 37

HEX #21A059

RGB 33 160 89

HSL 146.46, 0.66%, 0.38%

LAB 58.21, -49.68, 27.7

 

CMYK 67 / 0 / 37 / 43

HEX #30915B

RGB 48 145 91

HSL 146.6, 0.5%, 0.38%

LAB 53.64, -41.02, 20.64

 

CMYK 50 / 0 / 28 / 49

HEX #40815D

RGB 64 129 93

HSL 146.77, 0.34%, 0.38%

LAB 48.98, -29.69, 13.26

 

CMYK 29 / 0 / 17 / 56

HEX #50715E

RGB 80 113 94

HSL 145.45, 0.17%, 0.38%

LAB 44.69, -16.24, 6.77

 

CMYK 81 / 0 / 90 / 31

HEX #21B011

RGB 33 176 17

HSL 113.96, 0.82%, 0.38%

LAB 62.86, -62.37, 60.98

 

CMYK 90 / 0 / 76 / 31

HEX #11B02B

RGB 17 176 43

HSL 129.81, 0.82%, 0.38%

LAB 62.8, -62.46, 53.94

 

CMYK 90 / 0 / 51 / 31

HEX #11B056

RGB 17 176 86

HSL 146.04, 0.82%, 0.38%

LAB 63.21, -57.33, 35.55

 

CMYK 90 / 0 / 27 / 31

HEX #11B080

RGB 17 176 128

HSL 161.89, 0.82%, 0.38%

LAB 63.94, -48.91, 14.22

 

CMYK 90 / 0 / 3 / 31

HEX #11B0AB

RGB 17 176 171

HSL 178.11, 0.82%, 0.38%

LAB 65.05, -37.29, -8

 

CMYK 90 / 0 / 50 / 60

HEX #0A6532

RGB 10 101 50

HSL 146.37, 0.82%, 0.22%

LAB 37.12, -37.29, 21.98

 

CMYK 91 / 0 / 51 / 46

HEX #0D8A44

RGB 13 138 68

HSL 146.4, 0.83%, 0.3%

LAB 50.31, -47.46, 28.75

 

CMYK 90 / 0 / 51 / 31

HEX #11B057

RGB 17 176 87

HSL 146.42, 0.82%, 0.38%

LAB 63.23, -57.17, 35.06

 

CMYK 90 / 0 / 50 / 16

HEX #15D56A

RGB 21 213 106

HSL 146.56, 0.82%, 0.46%

LAB 75.32, -66.14, 40.72

 

CMYK 82 / 0 / 46 / 9

HEX #2AE97E

RGB 42 233 126

HSL 146.39, 0.81%, 0.54%

LAB 81.99, -67.92, 39.4

 

CMYK 90 / 0 / 51 / 31

HEX #11B057

RGB 17 176 87

HSL 146.42, 0.82%, 0.38%

LAB 63.23, -57.17, 35.06

 

CMYK 90 / 57 / 0 / 31

HEX #114BB0

RGB 17 75 176

HSL 218.11, 0.82%, 0.38%

LAB 34.57, 22.57, -58.53

 

CMYK 0 / 88 / 90 / 31

HEX #B01611

RGB 176 22 17

HSL 1.89, 0.82%, 0.38%

LAB 37.56, 57.81, 44.76

 

CMYK 90 / 0 / 51 / 31

HEX #11B057

RGB 17 176 87

HSL 146.42, 0.82%, 0.38%

LAB 63.23, -57.17, 35.06

 

CMYK 51 / 90 / 0 / 31

HEX #5611B0

RGB 86 17 176

HSL 266.04, 0.82%, 0.38%

LAB 28.15, 59.65, -68.9

 

CMYK 0 / 51 / 90 / 31

HEX #B05611

RGB 176 86 17

HSL 26.04, 0.82%, 0.38%

LAB 46.88, 32.84, 51.72

 

CMYK 90 / 0 / 51 / 31

HEX #11B057

RGB 17 176 87

HSL 146.42, 0.82%, 0.38%

LAB 63.23, -57.17, 35.06

 

CMYK 90 / 57 / 0 / 31

HEX #114BB0

RGB 17 75 176

HSL 218.11, 0.82%, 0.38%

LAB 34.57, 22.57, -58.53

 

CMYK 0 / 90 / 39 / 31

HEX #B0116B

RGB 176 17 107

HSL 326.04, 0.82%, 0.38%

LAB 39.06, 63.79, -8.09

 

CMYK 0 / 33 / 90 / 31

HEX #B07611

RGB 176 118 17

HSL 38.11, 0.82%, 0.38%

LAB 54.27, 15.26, 57.38

 

CMYK 90 / 0 / 51 / 31

HEX #11B057

RGB 17 176 87

HSL 146.42, 0.82%, 0.38%

LAB 63.23, -57.17, 35.06

 

CMYK 90 / 84 / 0 / 31

HEX #111CB0

RGB 17 28 176

HSL 235.85, 0.82%, 0.38%

LAB 23.95, 51.26, -76.03

 

CMYK 0 / 90 / 39 / 31

HEX #B0116B

RGB 176 17 107

HSL 326.04, 0.82%, 0.38%

LAB 39.06, 63.79, -8.09

 

CMYK 0 / 6 / 90 / 31

HEX #B0A511

RGB 176 165 17

HSL 55.85, 0.82%, 0.38%

LAB 66.66, -10.41, 67.02

 

Description

Color code: HEX #11B057 | qconv.com Color code: HEX #11B057 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 176 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 176 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 51 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 51% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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