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Color name
HEX #11AC2C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11AC2C it is the complementary color #EE53D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11AC2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11AC2C shade: #16AC27, #27BE3A, #38D04D, #49E260 and #5AF473

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11AC2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11AC2C shade: #11AC2C, #009A19, #008806, #007600 and #006400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11AC2C shade: #10AB2B, #1FAB10, #49AB10, #73AB10 and #9CAB10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11AC2C shade: #10AB2B, #10AB55, #10AB7F, #10ABA9 and #1084AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11AC2C shade matches the following richer shades: #10AB2B and #01BA21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11AC2C shade: #10AB2B, #209C35, #2F8D3F, #3E7D49 and #4E6E53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11AC2C shade: #49AB10, #20AB10, #10AB2A, #10AB54 and #10AB7D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11AC2C shade: #096018, #0D8622, #10AB2B, #14D135 and #25E947

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11AC2C shade: #11AC2C, #1072AB and #AB1035

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11AC2C shade: #11AC2C, #2A10AB and #AB2A10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11AC2C shade: #11AC2C, #1072AB, #AB1091 and #AB4910

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11AC2C shade: #11AC2C, #1044AB, #AB1091 and #AB7810

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 74 / 33

HEX #11AC2C

RGB 17 172 44

HSL 130.45, 0.82%, 0.37%

LAB 61.49, -61.19, 52.27

 

Complementary color

CMYK 0 / 65 / 11 / 7

HEX #EE53D3

RGB 238 83 211

HSL 310.45, 0.82%, 0.63%

LAB 60.84, 72.72, -35.57

 

CMYK 87 / 0 / 77 / 33

HEX #16AC27

RGB 22 172 39

HSL 126.8, 0.77%, 0.38%

LAB 61.5, -61.18, 54.03

 

CMYK 79 / 0 / 69 / 25

HEX #27BE3A

RGB 39 190 58

HSL 127.55, 0.66%, 0.45%

LAB 67.7, -63.3, 53.48

 

CMYK 73 / 0 / 63 / 18

HEX #38D04D

RGB 56 208 77

HSL 128.29, 0.62%, 0.52%

LAB 73.86, -64.74, 52.45

 

CMYK 68 / 0 / 58 / 11

HEX #49E260

RGB 73 226 96

HSL 129.02, 0.73%, 0.59%

LAB 79.98, -65.69, 51.21

 

CMYK 63 / 0 / 53 / 4

HEX #5AF473

RGB 90 244 115

HSL 129.74, 0.88%, 0.65%

LAB 86.06, -66.29, 49.89

 

CMYK 90 / 0 / 74 / 33

HEX #11AC2C

RGB 17 172 44

HSL 130.45, 0.82%, 0.37%

LAB 61.49, -61.19, 52.27

 

CMYK 100 / 0 / 84 / 40

HEX #009A19

RGB 0 154 25

HSL 129.74, 1%, 0.3%

LAB 55.26, -58.2, 52.33

 

CMYK 100 / 0 / 96 / 47

HEX #008806

RGB 0 136 6

HSL 122.65, 1%, 0.27%

LAB 49.03, -53.81, 51.01

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 91 / 0 / 75 / 33

HEX #10AB2B

RGB 16 171 43

HSL 130.45, 0.83%, 0.37%

LAB 61.14, -61.04, 52.28

 

CMYK 82 / 0 / 91 / 33

HEX #1FAB10

RGB 31 171 16

HSL 114.19, 0.83%, 0.37%

LAB 61.18, -61.15, 59.71

 

CMYK 57 / 0 / 91 / 33

HEX #49AB10

RGB 73 171 16

HSL 97.94, 0.83%, 0.37%

LAB 62.15, -52.93, 60.92

 

CMYK 33 / 0 / 91 / 33

HEX #73AB10

RGB 115 171 16

HSL 81.68, 0.83%, 0.37%

LAB 64.01, -39.13, 63.22

 

CMYK 9 / 0 / 91 / 33

HEX #9CAB10

RGB 156 171 16

HSL 65.81, 0.83%, 0.37%

LAB 66.7, -22.31, 66.52

 

CMYK 91 / 0 / 75 / 33

HEX #10AB2B

RGB 16 171 43

HSL 130.45, 0.83%, 0.37%

LAB 61.14, -61.04, 52.28

 

CMYK 91 / 0 / 50 / 33

HEX #10AB55

RGB 16 171 85

HSL 146.71, 0.83%, 0.37%

LAB 61.56, -55.86, 34

 

CMYK 91 / 0 / 26 / 33

HEX #10AB7F

RGB 16 171 127

HSL 162.97, 0.83%, 0.37%

LAB 62.31, -47.22, 12.49

 

CMYK 91 / 0 / 1 / 33

HEX #10ABA9

RGB 16 171 169

HSL 179.23, 0.83%, 0.37%

LAB 63.43, -35.65, -9.31

 

CMYK 91 / 23 / 0 / 33

HEX #1084AB

RGB 16 132 171

HSL 195.1, 0.83%, 0.37%

LAB 51.33, -15.19, -28.89

 

CMYK 91 / 0 / 75 / 33

HEX #10AB2B

RGB 16 171 43

HSL 130.45, 0.83%, 0.37%

LAB 61.14, -61.04, 52.28

 

CMYK 99 / 0 / 82 / 27

HEX #01BA21

RGB 1 186 33

HSL 130.38, 0.99%, 0.37%

LAB 65.93, -66.84, 60.01

 

CMYK 91 / 0 / 75 / 33

HEX #10AB2B

RGB 16 171 43

HSL 130.45, 0.83%, 0.37%

LAB 61.14, -61.04, 52.28

 

CMYK 79 / 0 / 66 / 39

HEX #209C35

RGB 32 156 53

HSL 130.16, 0.66%, 0.37%

LAB 56.43, -53.74, 43.35

 

CMYK 67 / 0 / 55 / 45

HEX #2F8D3F

RGB 47 141 63

HSL 130.21, 0.5%, 0.37%

LAB 51.85, -44.49, 33.38

 

CMYK 50 / 0 / 42 / 51

HEX #3E7D49

RGB 62 125 73

HSL 130.48, 0.34%, 0.37%

LAB 47.2, -32.33, 22.26

 

CMYK 29 / 0 / 25 / 57

HEX #4E6E53

RGB 78 110 83

HSL 129.38, 0.17%, 0.37%

LAB 43.35, -17.62, 11.42

 

CMYK 57 / 0 / 91 / 33

HEX #49AB10

RGB 73 171 16

HSL 97.94, 0.83%, 0.37%

LAB 62.15, -52.93, 60.92

 

CMYK 81 / 0 / 91 / 33

HEX #20AB10

RGB 32 171 16

HSL 113.81, 0.83%, 0.37%

LAB 61.19, -61.03, 59.73

 

CMYK 91 / 0 / 75 / 33

HEX #10AB2A

RGB 16 171 42

HSL 130.06, 0.83%, 0.37%

LAB 61.14, -61.12, 52.63

 

CMYK 91 / 0 / 51 / 33

HEX #10AB54

RGB 16 171 84

HSL 146.32, 0.83%, 0.37%

LAB 61.55, -56.03, 34.49

 

CMYK 91 / 0 / 27 / 33

HEX #10AB7D

RGB 16 171 125

HSL 162.19, 0.83%, 0.37%

LAB 62.27, -47.71, 13.54

 

CMYK 91 / 0 / 75 / 62

HEX #096018

RGB 9 96 24

HSL 130.34, 0.83%, 0.21%

LAB 34.98, -39.4, 32.87

 

CMYK 90 / 0 / 75 / 47

HEX #0D8622

RGB 13 134 34

HSL 130.41, 0.82%, 0.29%

LAB 48.58, -50.61, 42.86

 

CMYK 91 / 0 / 75 / 33

HEX #10AB2B

RGB 16 171 43

HSL 130.45, 0.83%, 0.37%

LAB 61.14, -61.04, 52.28

 

CMYK 90 / 0 / 75 / 18

HEX #14D135

RGB 20 209 53

HSL 130.48, 0.83%, 0.45%

LAB 73.55, -71.14, 61.26

 

CMYK 84 / 0 / 70 / 9

HEX #25E947

RGB 37 233 71

HSL 130.41, 0.82%, 0.53%

LAB 81.36, -75.34, 62.9

 

CMYK 90 / 0 / 74 / 33

HEX #11AC2C

RGB 17 172 44

HSL 130.45, 0.82%, 0.37%

LAB 61.49, -61.19, 52.27

 

CMYK 91 / 33 / 0 / 33

HEX #1072AB

RGB 16 114 171

HSL 202.06, 0.83%, 0.37%

LAB 45.75, -4.76, -37.63

 

CMYK 0 / 91 / 69 / 33

HEX #AB1035

RGB 171 16 53

HSL 345.68, 0.83%, 0.37%

LAB 36.53, 58.69, 22.82

 

CMYK 90 / 0 / 74 / 33

HEX #11AC2C

RGB 17 172 44

HSL 130.45, 0.82%, 0.37%

LAB 61.49, -61.19, 52.27

 

CMYK 75 / 91 / 0 / 33

HEX #2A10AB

RGB 42 16 171

HSL 250.06, 0.83%, 0.37%

LAB 23.01, 55.37, -74.55

 

CMYK 0 / 75 / 91 / 33

HEX #AB2A10

RGB 171 42 16

HSL 10.06, 0.83%, 0.37%

LAB 38.47, 50.85, 45.39

 

CMYK 90 / 0 / 74 / 33

HEX #11AC2C

RGB 17 172 44

HSL 130.45, 0.82%, 0.37%

LAB 61.49, -61.19, 52.27

 

CMYK 91 / 33 / 0 / 33

HEX #1072AB

RGB 16 114 171

HSL 202.06, 0.83%, 0.37%

LAB 45.75, -4.76, -37.63

 

CMYK 0 / 91 / 15 / 33

HEX #AB1091

RGB 171 16 145

HSL 310.06, 0.83%, 0.37%

LAB 39.7, 67.32, -30.78

 

CMYK 0 / 57 / 91 / 33

HEX #AB4910

RGB 171 73 16

HSL 22.06, 0.83%, 0.37%

LAB 43.45, 37.49, 49.1

 

CMYK 90 / 0 / 74 / 33

HEX #11AC2C

RGB 17 172 44

HSL 130.45, 0.82%, 0.37%

LAB 61.49, -61.19, 52.27

 

CMYK 91 / 60 / 0 / 33

HEX #1044AB

RGB 16 68 171

HSL 219.87, 0.83%, 0.37%

LAB 32.22, 25.25, -59.38

 

CMYK 0 / 91 / 15 / 33

HEX #AB1091

RGB 171 16 145

HSL 310.06, 0.83%, 0.37%

LAB 39.7, 67.32, -30.78

 

CMYK 0 / 30 / 91 / 33

HEX #AB7810

RGB 171 120 16

HSL 40.26, 0.83%, 0.37%

LAB 54.16, 11.86, 57.27

 

Description

Color code: HEX #11AC2C | qconv.com Color code: HEX #11AC2C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 172 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 172 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 74 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 74% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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