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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #11968E it is the complementary color #EE6971. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #11968E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #11968E shade: #169689, #27A89C, #38BAAF, #49CCC2 and #5ADED5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #11968E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #11968E shade: #11968E, #00847B, #007268, #006055 and #004E42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #11968E shade: #10978F, #10976B, #109746, #109722 and #239710

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #11968E shade: #10978F, #107B97, #105697, #103297 and #101097

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #11968E shade matches the following richer shades: #10978F and #03A59B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #11968E shade: #10978F, #1E8983, #2C7C77, #396E6B and #47615F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #11968E shade: #109746, #10976A, #10978E, #107C97 and #105897

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #11968E shade: #084D49, #0C726C, #10978F, #14BCB2 and #19E1D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #11968E shade: #11968E, #221097 and #975810

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #11968E shade: #11968E, #8E1097 and #978E10

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #11968E shade: #11968E, #221097, #971019 and #859710

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #11968E shade: #11968E, #4B1097, #971019 and #5D9710

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 5 / 41

HEX #11968E

RGB 17 150 142

HSL 176.39, 0.8%, 0.33%

LAB 55.97, -34.03, -5.12

 

Complementary color

CMYK 0 / 56 / 53 / 7

HEX #EE6971

RGB 238 105 113

HSL 356.39, 0.8%, 0.67%

LAB 61.2, 51.96, 21.28

 

CMYK 85 / 0 / 9 / 41

HEX #169689

RGB 22 150 137

HSL 173.91, 0.74%, 0.34%

LAB 55.88, -35.17, -2.39

 

CMYK 77 / 0 / 7 / 34

HEX #27A89C

RGB 39 168 156

HSL 174.42, 0.62%, 0.41%

LAB 62.37, -36.3, -3.57

 

CMYK 70 / 0 / 6 / 27

HEX #38BAAF

RGB 56 186 175

HSL 174.92, 0.54%, 0.47%

LAB 68.79, -37.08, -4.61

 

CMYK 64 / 0 / 5 / 20

HEX #49CCC2

RGB 73 204 194

HSL 175.42, 0.56%, 0.54%

LAB 75.14, -37.63, -5.55

 

CMYK 59 / 0 / 4 / 13

HEX #5ADED5

RGB 90 222 213

HSL 175.91, 0.67%, 0.61%

LAB 81.41, -37.99, -6.41

 

CMYK 89 / 0 / 5 / 41

HEX #11968E

RGB 17 150 142

HSL 176.39, 0.8%, 0.33%

LAB 55.97, -34.03, -5.12

 

CMYK 100 / 0 / 7 / 48

HEX #00847B

RGB 0 132 123

HSL 175.91, 1%, 0.26%

LAB 49.41, -32.34, -3.82

 

CMYK 100 / 0 / 9 / 55

HEX #007268

RGB 0 114 104

HSL 174.74, 1%, 0.22%

LAB 42.81, -29.78, -2.26

 

CMYK 100 / 0 / 11 / 62

HEX #006055

RGB 0 96 85

HSL 173.13, 1%, 0.19%

LAB 36.03, -27.15, -0.62

 

CMYK 100 / 0 / 15 / 69

HEX #004E42

RGB 0 78 66

HSL 170.77, 1%, 0.15%

LAB 29.01, -24.44, 1.13

HEX #004E42

CMYK 89 / 0 / 5 / 41

HEX #10978F

RGB 16 151 143

HSL 176.44, 0.81%, 0.33%

LAB 56.31, -34.26, -5.18

 

CMYK 89 / 0 / 29 / 41

HEX #10976B

RGB 16 151 107

HSL 160.44, 0.81%, 0.33%

LAB 55.39, -44.05, 13.98

 

CMYK 89 / 0 / 54 / 41

HEX #109746

RGB 16 151 70

HSL 144, 0.81%, 0.33%

LAB 54.75, -51.45, 33.21

 

CMYK 89 / 0 / 77 / 41

HEX #109722

RGB 16 151 34

HSL 128, 0.81%, 0.33%

LAB 54.41, -55.68, 48.74

 

CMYK 77 / 0 / 89 / 41

HEX #239710

RGB 35 151 16

HSL 111.56, 0.81%, 0.33%

LAB 54.58, -54.43, 54.04

 

CMYK 89 / 0 / 5 / 41

HEX #10978F

RGB 16 151 143

HSL 176.44, 0.81%, 0.33%

LAB 56.31, -34.26, -5.18

 

CMYK 89 / 19 / 0 / 41

HEX #107B97

RGB 16 123 151

HSL 192.44, 0.81%, 0.33%

LAB 47.64, -17.46, -22.96

 

CMYK 89 / 43 / 0 / 41

HEX #105697

RGB 16 86 151

HSL 208.89, 0.81%, 0.33%

LAB 35.98, 4.9, -41.28

 

CMYK 89 / 67 / 0 / 41

HEX #103297

RGB 16 50 151

HSL 224.89, 0.81%, 0.33%

LAB 25.64, 29.5, -58.07

 

CMYK 89 / 89 / 0 / 41

HEX #101097

RGB 16 16 151

HSL 240, 0.81%, 0.33%

LAB 18.86, 48.64, -69.28

 

CMYK 89 / 0 / 5 / 41

HEX #10978F

RGB 16 151 143

HSL 176.44, 0.81%, 0.33%

LAB 56.31, -34.26, -5.18

 

CMYK 98 / 0 / 6 / 35

HEX #03A59B

RGB 3 165 155

HSL 176.3, 0.96%, 0.33%

LAB 61.04, -37.64, -5.01

 

CMYK 89 / 0 / 5 / 41

HEX #10978F

RGB 16 151 143

HSL 176.44, 0.81%, 0.33%

LAB 56.31, -34.26, -5.18

 

CMYK 78 / 0 / 4 / 46

HEX #1E8983

RGB 30 137 131

HSL 176.64, 0.64%, 0.33%

LAB 51.62, -30.08, -5.2

 

CMYK 65 / 0 / 4 / 51

HEX #2C7C77

RGB 44 124 119

HSL 176.25, 0.48%, 0.33%

LAB 47.34, -25.19, -4.45

 

CMYK 48 / 0 / 3 / 57

HEX #396E6B

RGB 57 110 107

HSL 176.6, 0.32%, 0.33%

LAB 42.89, -18.44, -3.82

 

CMYK 27 / 0 / 2 / 62

HEX #47615F

RGB 71 97 95

HSL 175.38, 0.15%, 0.33%

LAB 39.1, -10.11, -2.01

 

CMYK 89 / 0 / 54 / 41

HEX #109746

RGB 16 151 70

HSL 144, 0.81%, 0.33%

LAB 54.75, -51.45, 33.21

 

CMYK 89 / 0 / 30 / 41

HEX #10976A

RGB 16 151 106

HSL 160, 0.81%, 0.33%

LAB 55.36, -44.29, 14.51

 

CMYK 89 / 0 / 6 / 41

HEX #10978E

RGB 16 151 142

HSL 176, 0.81%, 0.33%

LAB 56.28, -34.56, -4.66

 

CMYK 89 / 18 / 0 / 41

HEX #107C97

RGB 16 124 151

HSL 192, 0.81%, 0.33%

LAB 47.96, -18.01, -22.46

 

CMYK 89 / 42 / 0 / 41

HEX #105897

RGB 16 88 151

HSL 208, 0.81%, 0.33%

LAB 36.6, 3.59, -40.3

 

CMYK 90 / 0 / 5 / 70

HEX #084D49

RGB 8 77 73

HSL 176.52, 0.81%, 0.17%

LAB 29.01, -20.71, -3.36

 

CMYK 89 / 0 / 5 / 55

HEX #0C726C

RGB 12 114 108

HSL 176.47, 0.81%, 0.25%

LAB 43.06, -27.71, -4.3

 

CMYK 89 / 0 / 5 / 41

HEX #10978F

RGB 16 151 143

HSL 176.44, 0.81%, 0.33%

LAB 56.31, -34.26, -5.18

 

CMYK 89 / 0 / 5 / 26

HEX #14BCB2

RGB 20 188 178

HSL 176.43, 0.81%, 0.41%

LAB 68.99, -40.48, -6.02

 

CMYK 89 / 0 / 5 / 12

HEX #19E1D5

RGB 25 225 213

HSL 176.4, 0.8%, 0.49%

LAB 81.22, -46.42, -6.82

 

CMYK 89 / 0 / 5 / 41

HEX #11968E

RGB 17 150 142

HSL 176.39, 0.8%, 0.33%

LAB 55.97, -34.03, -5.12

 

CMYK 77 / 89 / 0 / 41

HEX #221097

RGB 34 16 151

HSL 248, 0.81%, 0.33%

LAB 19.82, 49.34, -67.66

 

CMYK 0 / 42 / 89 / 41

HEX #975810

RGB 151 88 16

HSL 32, 0.81%, 0.33%

LAB 43.65, 20.95, 47.93

 

CMYK 89 / 0 / 5 / 41

HEX #11968E

RGB 17 150 142

HSL 176.39, 0.8%, 0.33%

LAB 55.97, -34.03, -5.12

 

CMYK 6 / 89 / 0 / 41

HEX #8E1097

RGB 142 16 151

HSL 296, 0.81%, 0.33%

LAB 34.71, 62.72, -42.7

 

CMYK 0 / 6 / 89 / 41

HEX #978E10

RGB 151 142 16

HSL 56, 0.81%, 0.33%

LAB 58, -9.54, 59.41

 

CMYK 89 / 0 / 5 / 41

HEX #11968E

RGB 17 150 142

HSL 176.39, 0.8%, 0.33%

LAB 55.97, -34.03, -5.12

 

CMYK 77 / 89 / 0 / 41

HEX #221097

RGB 34 16 151

HSL 248, 0.81%, 0.33%

LAB 19.82, 49.34, -67.66

 

CMYK 0 / 89 / 83 / 41

HEX #971019

RGB 151 16 25

HSL 356, 0.81%, 0.33%

LAB 31.85, 52.17, 33.69

 

CMYK 12 / 0 / 89 / 41

HEX #859710

RGB 133 151 16

HSL 68, 0.81%, 0.33%

LAB 59.12, -22.32, 59.69

 

CMYK 89 / 0 / 5 / 41

HEX #11968E

RGB 17 150 142

HSL 176.39, 0.8%, 0.33%

LAB 55.97, -34.03, -5.12

 

CMYK 50 / 89 / 0 / 41

HEX #4B1097

RGB 75 16 151

HSL 266.22, 0.81%, 0.33%

LAB 24, 52.68, -60.61

 

CMYK 0 / 89 / 83 / 41

HEX #971019

RGB 151 16 25

HSL 356, 0.81%, 0.33%

LAB 31.85, 52.17, 33.69

 

CMYK 38 / 0 / 89 / 41

HEX #5D9710

RGB 93 151 16

HSL 85.78, 0.81%, 0.33%

LAB 56.58, -38.67, 56.55

 

Description

Color code: HEX #11968E | qconv.com Color code: HEX #11968E | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 150 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 150 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 5 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 5% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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