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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #119677 it is the complementary color #EE6988. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #119677. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #119677 shade: #169672, #27A885, #38BA98, #49CCAB and #5ADEBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #119677. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #119677 shade: #119677, #008464, #007251, #00603E and #004E2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #119677 shade: #109778, #109753, #10972F, #169710 and #3A9710

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #119677 shade: #109778, #109297, #106E97, #104997 and #102597

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #119677 shade matches the following richer shades: #109778 and #03A57F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #119677 shade: #109778, #1E8970, #2C7C69, #396E62 and #47615B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #119677 shade: #109730, #109754, #109778, #109297 and #106F97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #119677 shade: #084D3D, #0C725A, #109778, #14BC95 and #19E1B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #119677 shade: #119677, #101597 and #974210

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #119677 shade: #119677, #781097 and #977810

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #119677 shade: #119677, #101597, #971030 and #979210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #119677 shade: #119677, #341097, #971030 and #739710

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 21 / 41

HEX #119677

RGB 17 150 119

HSL 166.02, 0.8%, 0.33%

LAB 55.34, -40.55, 7.12

 

Complementary color

CMYK 0 / 56 / 43 / 7

HEX #EE6988

RGB 238 105 136

HSL 346.02, 0.8%, 0.67%

LAB 61.7, 54.06, 8.73

 

CMYK 85 / 0 / 24 / 41

HEX #169672

RGB 22 150 114

HSL 163.13, 0.74%, 0.34%

LAB 55.28, -41.45, 9.88

 

CMYK 77 / 0 / 21 / 34

HEX #27A885

RGB 39 168 133

HSL 163.72, 0.62%, 0.41%

LAB 61.77, -42.47, 8.43

 

CMYK 70 / 0 / 18 / 27

HEX #38BA98

RGB 56 186 152

HSL 164.31, 0.54%, 0.47%

LAB 68.19, -43.12, 7.14

 

CMYK 64 / 0 / 16 / 20

HEX #49CCAB

RGB 73 204 171

HSL 164.89, 0.56%, 0.54%

LAB 74.54, -43.53, 5.99

 

CMYK 59 / 0 / 14 / 13

HEX #5ADEBE

RGB 90 222 190

HSL 165.45, 0.67%, 0.61%

LAB 80.81, -43.76, 4.94

 

CMYK 89 / 0 / 21 / 41

HEX #119677

RGB 17 150 119

HSL 166.02, 0.8%, 0.33%

LAB 55.34, -40.55, 7.12

 

CMYK 100 / 0 / 24 / 48

HEX #008464

RGB 0 132 100

HSL 165.45, 1%, 0.26%

LAB 48.79, -38.95, 8.72

 

CMYK 100 / 0 / 29 / 55

HEX #007251

RGB 0 114 81

HSL 162.63, 1%, 0.22%

LAB 42.2, -36.37, 10.63

 

CMYK 100 / 0 / 35 / 62

HEX #00603E

RGB 0 96 62

HSL 158.75, 1%, 0.19%

LAB 35.43, -33.67, 12.67

 

CMYK 100 / 0 / 45 / 69

HEX #004E2B

RGB 0 78 43

HSL 153.08, 1%, 0.15%

LAB 28.44, -30.77, 14.87

 

CMYK 89 / 0 / 21 / 41

HEX #109778

RGB 16 151 120

HSL 166.22, 0.81%, 0.33%

LAB 55.68, -40.78, 7.04

 

CMYK 89 / 0 / 45 / 41

HEX #109753

RGB 16 151 83

HSL 149.78, 0.81%, 0.33%

LAB 54.94, -49.19, 26.63

 

CMYK 89 / 0 / 69 / 41

HEX #10972F

RGB 16 151 47

HSL 133.78, 0.81%, 0.33%

LAB 54.5, -54.49, 43.79

 

CMYK 85 / 0 / 89 / 41

HEX #169710

RGB 22 151 16

HSL 117.33, 0.81%, 0.33%

LAB 54.39, -56.16, 53.8

 

CMYK 62 / 0 / 89 / 41

HEX #3A9710

RGB 58 151 16

HSL 101.33, 0.81%, 0.33%

LAB 55.14, -49.67, 54.75

 

CMYK 89 / 0 / 21 / 41

HEX #109778

RGB 16 151 120

HSL 166.22, 0.81%, 0.33%

LAB 55.68, -40.78, 7.04

 

CMYK 89 / 3 / 0 / 41

HEX #109297

RGB 16 146 151

HSL 182.22, 0.81%, 0.33%

LAB 54.97, -29.38, -11.78

 

CMYK 89 / 27 / 0 / 41

HEX #106E97

RGB 16 110 151

HSL 198.22, 0.81%, 0.33%

LAB 43.5, -10.07, -29.38

 

CMYK 89 / 52 / 0 / 41

HEX #104997

RGB 16 73 151

HSL 214.67, 0.81%, 0.33%

LAB 32.06, 13.64, -47.6

 

CMYK 89 / 75 / 0 / 41

HEX #102597

RGB 16 37 151

HSL 230.67, 0.81%, 0.33%

LAB 22.54, 37.94, -63.18

 

CMYK 89 / 0 / 21 / 41

HEX #109778

RGB 16 151 120

HSL 166.22, 0.81%, 0.33%

LAB 55.68, -40.78, 7.04

 

CMYK 98 / 0 / 23 / 35

HEX #03A57F

RGB 3 165 127

HSL 165.93, 0.96%, 0.33%

LAB 60.3, -45.41, 9.65

 

CMYK 89 / 0 / 21 / 41

HEX #109778

RGB 16 151 120

HSL 166.22, 0.81%, 0.33%

LAB 55.68, -40.78, 7.04

 

CMYK 78 / 0 / 18 / 46

HEX #1E8970

RGB 30 137 112

HSL 165.98, 0.64%, 0.33%

LAB 51.08, -35.51, 5.07

 

CMYK 65 / 0 / 15 / 51

HEX #2C7C69

RGB 44 124 105

HSL 165.75, 0.48%, 0.33%

LAB 46.94, -29.13, 3.24

 

CMYK 48 / 0 / 11 / 57

HEX #396E62

RGB 57 110 98

HSL 166.42, 0.32%, 0.33%

LAB 42.62, -20.88, 1.22

 

CMYK 27 / 0 / 6 / 62

HEX #47615B

RGB 71 97 91

HSL 166.15, 0.15%, 0.33%

LAB 38.97, -11.09, 0.27

 

CMYK 89 / 0 / 68 / 41

HEX #109730

RGB 16 151 48

HSL 134.22, 0.81%, 0.33%

LAB 54.51, -54.39, 43.37

 

CMYK 89 / 0 / 44 / 41

HEX #109754

RGB 16 151 84

HSL 150.22, 0.81%, 0.33%

LAB 54.95, -49, 26.11

 

CMYK 89 / 0 / 21 / 41

HEX #109778

RGB 16 151 120

HSL 166.22, 0.81%, 0.33%

LAB 55.68, -40.78, 7.04

 

CMYK 89 / 3 / 0 / 41

HEX #109297

RGB 16 146 151

HSL 182.22, 0.81%, 0.33%

LAB 54.97, -29.38, -11.78

 

CMYK 89 / 26 / 0 / 41

HEX #106F97

RGB 16 111 151

HSL 197.78, 0.81%, 0.33%

LAB 43.82, -10.66, -28.89

 

CMYK 90 / 0 / 21 / 70

HEX #084D3D

RGB 8 77 61

HSL 166.09, 0.81%, 0.17%

LAB 28.63, -24.52, 3.82

 

CMYK 89 / 0 / 21 / 55

HEX #0C725A

RGB 12 114 90

HSL 165.88, 0.81%, 0.25%

LAB 42.54, -33.06, 5.76

 

CMYK 89 / 0 / 21 / 41

HEX #109778

RGB 16 151 120

HSL 166.22, 0.81%, 0.33%

LAB 55.68, -40.78, 7.04

 

CMYK 89 / 0 / 21 / 26

HEX #14BC95

RGB 20 188 149

HSL 166.07, 0.81%, 0.41%

LAB 68.23, -48.37, 8.78

 

CMYK 89 / 0 / 21 / 12

HEX #19E1B2

RGB 25 225 178

HSL 165.9, 0.8%, 0.49%

LAB 80.33, -55.61, 10.45

 

CMYK 89 / 0 / 21 / 41

HEX #119677

RGB 17 150 119

HSL 166.02, 0.8%, 0.33%

LAB 55.34, -40.55, 7.12

 

CMYK 89 / 86 / 0 / 41

HEX #101597

RGB 16 21 151

HSL 237.78, 0.81%, 0.33%

LAB 19.56, 46.56, -68.13

 

CMYK 0 / 56 / 89 / 41

HEX #974210

RGB 151 66 16

HSL 22.22, 0.81%, 0.33%

LAB 38.75, 33.04, 44.02

 

CMYK 89 / 0 / 21 / 41

HEX #119677

RGB 17 150 119

HSL 166.02, 0.8%, 0.33%

LAB 55.34, -40.55, 7.12

 

CMYK 21 / 89 / 0 / 41

HEX #781097

RGB 120 16 151

HSL 286.22, 0.81%, 0.33%

LAB 30.87, 58.94, -49.09

 

CMYK 0 / 21 / 89 / 41

HEX #977810

RGB 151 120 16

HSL 46.22, 0.81%, 0.33%

LAB 51.89, 2.62, 54.52

 

CMYK 89 / 0 / 21 / 41

HEX #119677

RGB 17 150 119

HSL 166.02, 0.8%, 0.33%

LAB 55.34, -40.55, 7.12

 

CMYK 89 / 86 / 0 / 41

HEX #101597

RGB 16 21 151

HSL 237.78, 0.81%, 0.33%

LAB 19.56, 46.56, -68.13

 

CMYK 0 / 89 / 68 / 41

HEX #971030

RGB 151 16 48

HSL 345.78, 0.81%, 0.33%

LAB 32.18, 53.1, 19.66

 

CMYK 0 / 3 / 89 / 41

HEX #979210

RGB 151 146 16

HSL 57.78, 0.81%, 0.33%

LAB 59.14, -11.67, 60.31

 

CMYK 89 / 0 / 21 / 41

HEX #119677

RGB 17 150 119

HSL 166.02, 0.8%, 0.33%

LAB 55.34, -40.55, 7.12

 

CMYK 66 / 89 / 0 / 41

HEX #341097

RGB 52 16 151

HSL 256, 0.81%, 0.33%

LAB 21.34, 50.49, -65.1

 

CMYK 0 / 89 / 68 / 41

HEX #971030

RGB 151 16 48

HSL 345.78, 0.81%, 0.33%

LAB 32.18, 53.1, 19.66

 

CMYK 24 / 0 / 89 / 41

HEX #739710

RGB 115 151 16

HSL 76, 0.81%, 0.33%

LAB 57.86, -30.02, 58.14

 

Description

Color code: HEX #119677 | qconv.com Color code: HEX #119677 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 150 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 150 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 21 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 21% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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