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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #118739 it is the complementary color #EE78C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #118739. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #118739 shade: #168734, #279947, #38AB5A, #49BD6D and #5ACF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #118739. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #118739 shade: #118739, #007526, #006313, #005100 and #003F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #118739 shade: #108839, #108819, #288810, #488810 and #698810

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #118739 shade: #108839, #108859, #108879, #107688 and #105688

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #118739 shade matches the following richer shades: #108839 and #049435

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #118739 shade: #108839, #1D7B3D, #296F41, #356345 and #425649

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #118739 shade: #288810, #108818, #108838, #108858 and #108878

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #118739 shade: #073E1A, #0C6329, #108839, #15AC48 and #19D158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #118739 shade: #118739, #104888 and #881018

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #118739 shade: #118739, #381088 and #883810

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #118739 shade: #118739, #104888, #881060 and #885010

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #118739 shade: #118739, #102488, #881060 and #887410

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 58 / 47

HEX #118739

RGB 17 135 57

HSL 140.34, 0.78%, 0.3%

LAB 49.18, -47.83, 33.08

 

Complementary color

CMYK 0 / 50 / 17 / 7

HEX #EE78C6

RGB 238 120 198

HSL 320.34, 0.78%, 0.7%

LAB 66.28, 54.73, -19.86

 

CMYK 84 / 0 / 61 / 47

HEX #168734

RGB 22 135 52

HSL 135.93, 0.72%, 0.31%

LAB 49.19, -48.01, 35.58

 

CMYK 75 / 0 / 54 / 40

HEX #279947

RGB 39 153 71

HSL 136.84, 0.59%, 0.38%

LAB 55.75, -49.28, 34.01

 

CMYK 67 / 0 / 47 / 33

HEX #38AB5A

RGB 56 171 90

HSL 137.74, 0.51%, 0.45%

LAB 62.26, -49.98, 32.45

 

CMYK 61 / 0 / 42 / 26

HEX #49BD6D

RGB 73 189 109

HSL 138.62, 0.47%, 0.51%

LAB 68.69, -50.31, 30.96

 

CMYK 57 / 0 / 38 / 19

HEX #5ACF80

RGB 90 207 128

HSL 139.49, 0.55%, 0.58%

LAB 75.05, -50.42, 29.57

 

CMYK 87 / 0 / 58 / 47

HEX #118739

RGB 17 135 57

HSL 140.34, 0.78%, 0.3%

LAB 49.18, -47.83, 33.08

 

CMYK 100 / 0 / 68 / 54

HEX #007526

RGB 0 117 38

HSL 139.49, 1%, 0.23%

LAB 42.56, -45.73, 34.68

 

CMYK 100 / 0 / 81 / 61

HEX #006313

RGB 0 99 19

HSL 131.52, 1%, 0.19%

LAB 35.93, -41.89, 35.84

 

CMYK 100 / 0 / 100 / 68

HEX #005100

RGB 0 81 0

HSL 120, 1%, 0.16%

LAB 29.12, -37.49, 36.18

 

CMYK 100 / 0 / 100 / 75

HEX #003F00

RGB 0 63 0

HSL 120, 1%, 0.12%

LAB 22.14, -31.69, 29.7

 

CMYK 88 / 0 / 58 / 47

HEX #108839

RGB 16 136 57

HSL 140.5, 0.79%, 0.3%

LAB 49.51, -48.27, 33.47

 

CMYK 88 / 0 / 82 / 47

HEX #108819

RGB 16 136 25

HSL 124.5, 0.79%, 0.3%

LAB 49.24, -51.68, 46.73

 

CMYK 71 / 0 / 88 / 47

HEX #288810

RGB 40 136 16

HSL 108, 0.79%, 0.3%

LAB 49.61, -48.58, 49.73

 

CMYK 47 / 0 / 88 / 47

HEX #488810

RGB 72 136 16

HSL 92, 0.79%, 0.3%

LAB 50.71, -39.76, 51.12

 

CMYK 23 / 0 / 88 / 47

HEX #698810

RGB 105 136 16

HSL 75.5, 0.79%, 0.3%

LAB 52.56, -27, 53.43

 

CMYK 88 / 0 / 58 / 47

HEX #108839

RGB 16 136 57

HSL 140.5, 0.79%, 0.3%

LAB 49.51, -48.27, 33.47

 

CMYK 88 / 0 / 35 / 47

HEX #108859

RGB 16 136 89

HSL 156.5, 0.79%, 0.3%

LAB 50.03, -42.26, 16.79

 

CMYK 88 / 0 / 11 / 47

HEX #108879

RGB 16 136 121

HSL 172.5, 0.79%, 0.3%

LAB 50.8, -33.88, -0.59

 

CMYK 88 / 13 / 0 / 47

HEX #107688

RGB 16 118 136

HSL 189, 0.79%, 0.3%

LAB 45.42, -20.08, -17.5

 

CMYK 88 / 37 / 0 / 47

HEX #105688

RGB 16 86 136

HSL 205, 0.79%, 0.3%

LAB 35.09, -1.22, -33.59

 

CMYK 88 / 0 / 58 / 47

HEX #108839

RGB 16 136 57

HSL 140.5, 0.79%, 0.3%

LAB 49.51, -48.27, 33.47

 

CMYK 97 / 0 / 64 / 42

HEX #049435

RGB 4 148 53

HSL 140.42, 0.95%, 0.3%

LAB 53.45, -53.63, 39.95

 

CMYK 88 / 0 / 58 / 47

HEX #108839

RGB 16 136 57

HSL 140.5, 0.79%, 0.3%

LAB 49.51, -48.27, 33.47

 

CMYK 76 / 0 / 50 / 52

HEX #1D7B3D

RGB 29 123 61

HSL 140.43, 0.62%, 0.3%

LAB 45.31, -41.27, 26.28

 

CMYK 63 / 0 / 41 / 56

HEX #296F41

RGB 41 111 65

HSL 140.57, 0.46%, 0.3%

LAB 41.57, -33.17, 19.28

 

CMYK 46 / 0 / 30 / 61

HEX #356345

RGB 53 99 69

HSL 140.87, 0.3%, 0.3%

LAB 38.04, -23.3, 12.25

 

CMYK 23 / 0 / 15 / 66

HEX #425649

RGB 66 86 73

HSL 141, 0.13%, 0.3%

LAB 34.59, -10.72, 5.07

 

CMYK 71 / 0 / 88 / 47

HEX #288810

RGB 40 136 16

HSL 108, 0.79%, 0.3%

LAB 49.61, -48.58, 49.73

 

CMYK 88 / 0 / 82 / 47

HEX #108818

RGB 16 136 24

HSL 124, 0.79%, 0.3%

LAB 49.23, -51.75, 47.04

 

CMYK 88 / 0 / 59 / 47

HEX #108838

RGB 16 136 56

HSL 140, 0.79%, 0.3%

LAB 49.5, -48.42, 33.96

 

CMYK 88 / 0 / 35 / 47

HEX #108858

RGB 16 136 88

HSL 156, 0.79%, 0.3%

LAB 50.01, -42.48, 17.33

 

CMYK 88 / 0 / 12 / 47

HEX #108878

RGB 16 136 120

HSL 172, 0.79%, 0.3%

LAB 50.77, -34.18, -0.05

 

CMYK 89 / 0 / 58 / 76

HEX #073E1A

RGB 7 62 26

HSL 140.73, 0.8%, 0.14%

LAB 22.18, -26.6, 17.25

 

CMYK 88 / 0 / 59 / 61

HEX #0C6329

RGB 12 99 41

HSL 140, 0.78%, 0.22%

LAB 36.29, -37.89, 25.96

 

CMYK 88 / 0 / 58 / 47

HEX #108839

RGB 16 136 57

HSL 140.5, 0.79%, 0.3%

LAB 49.51, -48.27, 33.47

 

CMYK 88 / 0 / 58 / 33

HEX #15AC48

RGB 21 172 72

HSL 140.26, 0.78%, 0.38%

LAB 61.77, -57.81, 40.68

 

CMYK 88 / 0 / 58 / 18

HEX #19D158

RGB 25 209 88

HSL 140.54, 0.79%, 0.46%

LAB 73.88, -67.2, 47.49

 

CMYK 87 / 0 / 58 / 47

HEX #118739

RGB 17 135 57

HSL 140.34, 0.78%, 0.3%

LAB 49.18, -47.83, 33.08

 

CMYK 88 / 47 / 0 / 47

HEX #104888

RGB 16 72 136

HSL 212, 0.79%, 0.3%

LAB 30.69, 8.07, -40.61

 

CMYK 0 / 88 / 82 / 47

HEX #881018

RGB 136 16 24

HSL 356, 0.79%, 0.3%

LAB 28.57, 47.84, 29.93

 

CMYK 87 / 0 / 58 / 47

HEX #118739

RGB 17 135 57

HSL 140.34, 0.78%, 0.3%

LAB 49.18, -47.83, 33.08

 

CMYK 59 / 88 / 0 / 47

HEX #381088

RGB 56 16 136

HSL 260, 0.79%, 0.3%

LAB 20, 46.75, -57.97

 

CMYK 0 / 59 / 88 / 47

HEX #883810

RGB 136 56 16

HSL 20, 0.79%, 0.3%

LAB 34.19, 32.11, 39.25

 

CMYK 87 / 0 / 58 / 47

HEX #118739

RGB 17 135 57

HSL 140.34, 0.78%, 0.3%

LAB 49.18, -47.83, 33.08

 

CMYK 88 / 47 / 0 / 47

HEX #104888

RGB 16 72 136

HSL 212, 0.79%, 0.3%

LAB 30.69, 8.07, -40.61

 

CMYK 0 / 88 / 29 / 47

HEX #881060

RGB 136 16 96

HSL 320, 0.79%, 0.3%

LAB 30.52, 53.42, -14.76

 

CMYK 0 / 41 / 88 / 47

HEX #885010

RGB 136 80 16

HSL 32, 0.79%, 0.3%

LAB 39.6, 18.74, 43.76

 

CMYK 87 / 0 / 58 / 47

HEX #118739

RGB 17 135 57

HSL 140.34, 0.78%, 0.3%

LAB 49.18, -47.83, 33.08

 

CMYK 88 / 74 / 0 / 47

HEX #102488

RGB 16 36 136

HSL 230, 0.79%, 0.3%

LAB 20.63, 32.98, -57.01

 

CMYK 0 / 88 / 29 / 47

HEX #881060

RGB 136 16 96

HSL 320, 0.79%, 0.3%

LAB 30.52, 53.42, -14.76

 

CMYK 0 / 15 / 88 / 47

HEX #887410

RGB 136 116 16

HSL 50, 0.79%, 0.3%

LAB 49.21, -2.18, 51.69

 

Description

Color code: HEX #118739 | qconv.com Color code: HEX #118739 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 135 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 135 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 58 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 58% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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