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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #117D58 it is the complementary color #EE82A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #117D58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #117D58 shade: #167D53, #278F66, #38A179, #49B38C and #5AC59F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #117D58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #117D58 shade: #117D58, #006B45, #005932, #00471F and #00350C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #117D58 shade: #117D58, #117D3B, #117D1D, #217D11 and #3E7D11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #117D58 shade: #117D58, #117D75, #11687D, #114B7D and #112D7D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #117D58 shade matches the following richer shades: #117D58 and #05895C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #117D58 shade: #117D58, #1C7254, #286651, #335B4D and #3F4F49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #117D58 shade: #117D1D, #117D3A, #117D57, #117D74 and #11697D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #117D58 shade: #073525, #0C593E, #117D58, #16A172 and #1BC68B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #117D58 shade: #117D58, #11217D and #7D2C11

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #117D58 shade: #117D58, #57117D and #7D5711

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #117D58 shade: #117D58, #11217D, #7D1137 and #7D6D11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #117D58 shade: #117D58, #21117D, #7D1137 and #6D7D11

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 0 / 30 / 51

HEX #117D58

RGB 17 125 88

HSL 159.44, 0.76%, 0.28%

LAB 46.3, -37.91, 12.25

 

Complementary color

CMYK 0 / 45 / 30 / 7

HEX #EE82A7

RGB 238 130 167

HSL 339.44, 0.76%, 0.72%

LAB 67.23, 45.48, -0.98

 

CMYK 82 / 0 / 34 / 51

HEX #167D53

RGB 22 125 83

HSL 155.53, 0.7%, 0.29%

LAB 46.26, -38.58, 15.11

 

CMYK 73 / 0 / 29 / 44

HEX #278F66

RGB 39 143 102

HSL 156.35, 0.57%, 0.36%

LAB 52.99, -39.37, 13.53

 

CMYK 65 / 0 / 25 / 37

HEX #38A179

RGB 56 161 121

HSL 157.14, 0.48%, 0.43%

LAB 59.63, -39.77, 12.15

 

CMYK 59 / 0 / 22 / 30

HEX #49B38C

RGB 73 179 140

HSL 157.92, 0.42%, 0.49%

LAB 66.17, -39.93, 10.92

 

CMYK 54 / 0 / 19 / 23

HEX #5AC59F

RGB 90 197 159

HSL 158.69, 0.48%, 0.56%

LAB 72.63, -39.95, 9.81

 

CMYK 86 / 0 / 30 / 51

HEX #117D58

RGB 17 125 88

HSL 159.44, 0.76%, 0.28%

LAB 46.3, -37.91, 12.25

 

CMYK 100 / 0 / 36 / 58

HEX #006B45

RGB 0 107 69

HSL 158.69, 1%, 0.21%

LAB 39.49, -36.48, 14.02

 

CMYK 100 / 0 / 44 / 65

HEX #005932

RGB 0 89 50

HSL 153.71, 1%, 0.17%

LAB 32.65, -33.64, 16.18

 

CMYK 100 / 0 / 56 / 72

HEX #00471F

RGB 0 71 31

HSL 146.2, 1%, 0.14%

LAB 25.58, -30.51, 18.45

 

CMYK 100 / 0 / 77 / 79

HEX #00350C

RGB 0 53 12

HSL 133.58, 1%, 0.1%

LAB 18.24, -26.83, 20.39

 

CMYK 86 / 0 / 30 / 51

HEX #117D58

RGB 17 125 88

HSL 159.44, 0.76%, 0.28%

LAB 46.3, -37.91, 12.25

 

CMYK 86 / 0 / 53 / 51

HEX #117D3B

RGB 17 125 59

HSL 143.33, 0.76%, 0.28%

LAB 45.77, -43.96, 27.89

 

CMYK 86 / 0 / 77 / 51

HEX #117D1D

RGB 17 125 29

HSL 126.67, 0.76%, 0.28%

LAB 45.46, -47.77, 41.64

 

CMYK 74 / 0 / 86 / 51

HEX #217D11

RGB 33 125 17

HSL 111.11, 0.76%, 0.28%

LAB 45.68, -46.16, 45.89

 

CMYK 50 / 0 / 86 / 51

HEX #3E7D11

RGB 62 125 17

HSL 95, 0.76%, 0.28%

LAB 46.62, -38.52, 47.09

 

CMYK 86 / 0 / 30 / 51

HEX #117D58

RGB 17 125 88

HSL 159.44, 0.76%, 0.28%

LAB 46.3, -37.91, 12.25

 

CMYK 86 / 0 / 6 / 51

HEX #117D75

RGB 17 125 117

HSL 175.56, 0.76%, 0.28%

LAB 47.07, -29.85, -3.73

 

CMYK 86 / 17 / 0 / 51

HEX #11687D

RGB 17 104 125

HSL 191.67, 0.76%, 0.28%

LAB 40.41, -16.24, -18.57

 

CMYK 86 / 40 / 0 / 51

HEX #114B7D

RGB 17 75 125

HSL 207.78, 0.76%, 0.28%

LAB 30.95, 1.54, -33.38

 

CMYK 86 / 64 / 0 / 51

HEX #112D7D

RGB 17 45 125

HSL 224.44, 0.76%, 0.28%

LAB 21.86, 22.54, -48.07

 

CMYK 86 / 0 / 30 / 51

HEX #117D58

RGB 17 125 88

HSL 159.44, 0.76%, 0.28%

LAB 46.3, -37.91, 12.25

 

CMYK 96 / 0 / 33 / 46

HEX #05895C

RGB 5 137 92

HSL 159.55, 0.93%, 0.28%

LAB 50.33, -42.69, 15.48

 

CMYK 86 / 0 / 30 / 51

HEX #117D58

RGB 17 125 88

HSL 159.44, 0.76%, 0.28%

LAB 46.3, -37.91, 12.25

 

CMYK 75 / 0 / 26 / 55

HEX #1C7254

RGB 28 114 84

HSL 159.07, 0.61%, 0.28%

LAB 42.64, -32.78, 9.53

 

CMYK 61 / 0 / 21 / 60

HEX #286651

RGB 40 102 81

HSL 159.68, 0.44%, 0.28%

LAB 38.81, -25.55, 5.96

 

CMYK 44 / 0 / 15 / 64

HEX #335B4D

RGB 51 91 77

HSL 159, 0.28%, 0.28%

LAB 35.44, -17.84, 3.67

 

CMYK 20 / 0 / 8 / 69

HEX #3F4F49

RGB 63 79 73

HSL 157.5, 0.11%, 0.28%

LAB 32.1, -7.71, 1.46

 

CMYK 86 / 0 / 77 / 51

HEX #117D1D

RGB 17 125 29

HSL 126.67, 0.76%, 0.28%

LAB 45.46, -47.77, 41.64

 

CMYK 86 / 0 / 54 / 51

HEX #117D3A

RGB 17 125 58

HSL 142.78, 0.76%, 0.28%

LAB 45.76, -44.12, 28.41

 

CMYK 86 / 0 / 30 / 51

HEX #117D57

RGB 17 125 87

HSL 158.89, 0.76%, 0.28%

LAB 46.28, -38.16, 12.8

 

CMYK 86 / 0 / 7 / 51

HEX #117D74

RGB 17 125 116

HSL 175, 0.76%, 0.28%

LAB 47.04, -30.15, -3.19

 

CMYK 86 / 16 / 0 / 51

HEX #11697D

RGB 17 105 125

HSL 191.11, 0.76%, 0.28%

LAB 40.74, -16.8, -18.07

 

CMYK 87 / 0 / 30 / 79

HEX #073525

RGB 7 53 37

HSL 159.13, 0.77%, 0.12%

LAB 18.91, -19.84, 5.82

 

CMYK 87 / 0 / 30 / 65

HEX #0C593E

RGB 12 89 62

HSL 158.96, 0.76%, 0.2%

LAB 33.07, -29.39, 9.46

 

CMYK 86 / 0 / 30 / 51

HEX #117D58

RGB 17 125 88

HSL 159.44, 0.76%, 0.28%

LAB 46.3, -37.91, 12.25

 

CMYK 86 / 0 / 29 / 37

HEX #16A172

RGB 22 161 114

HSL 159.71, 0.76%, 0.36%

LAB 58.86, -45.94, 14.89

 

CMYK 86 / 0 / 30 / 22

HEX #1BC68B

RGB 27 198 139

HSL 159.3, 0.76%, 0.44%

LAB 71.2, -54.22, 18.37

 

CMYK 86 / 0 / 30 / 51

HEX #117D58

RGB 17 125 88

HSL 159.44, 0.76%, 0.28%

LAB 46.3, -37.91, 12.25

 

CMYK 86 / 74 / 0 / 51

HEX #11217D

RGB 17 33 125

HSL 231.11, 0.76%, 0.28%

LAB 18.75, 30.8, -53.18

 

CMYK 0 / 65 / 86 / 51

HEX #7D2C11

RGB 125 44 17

HSL 15, 0.76%, 0.28%

LAB 29.92, 33.8, 34.3

 

CMYK 86 / 0 / 30 / 51

HEX #117D58

RGB 17 125 88

HSL 159.44, 0.76%, 0.28%

LAB 46.3, -37.91, 12.25

 

CMYK 30 / 86 / 0 / 51

HEX #57117D

RGB 87 17 125

HSL 278.89, 0.76%, 0.28%

LAB 23.36, 47.91, -45.33

 

CMYK 0 / 30 / 86 / 51

HEX #7D5711

RGB 125 87 17

HSL 38.89, 0.76%, 0.28%

LAB 39.94, 9.47, 43.12

 

CMYK 86 / 0 / 30 / 51

HEX #117D58

RGB 17 125 88

HSL 159.44, 0.76%, 0.28%

LAB 46.3, -37.91, 12.25

 

CMYK 86 / 74 / 0 / 51

HEX #11217D

RGB 17 33 125

HSL 231.11, 0.76%, 0.28%

LAB 18.75, 30.8, -53.18

 

CMYK 0 / 86 / 56 / 51

HEX #7D1137

RGB 125 17 55

HSL 338.89, 0.76%, 0.28%

LAB 26.84, 46.14, 6.86

 

CMYK 0 / 13 / 86 / 51

HEX #7D6D11

RGB 125 109 17

HSL 51.11, 0.76%, 0.28%

LAB 46.09, -3.41, 48.37

 

CMYK 86 / 0 / 30 / 51

HEX #117D58

RGB 17 125 88

HSL 159.44, 0.76%, 0.28%

LAB 46.3, -37.91, 12.25

 

CMYK 74 / 86 / 0 / 51

HEX #21117D

RGB 33 17 125

HSL 248.89, 0.76%, 0.28%

LAB 16.53, 41.07, -56.82

 

CMYK 0 / 86 / 56 / 51

HEX #7D1137

RGB 125 17 55

HSL 338.89, 0.76%, 0.28%

LAB 26.84, 46.14, 6.86

 

CMYK 13 / 0 / 86 / 51

HEX #6D7D11

RGB 109 125 17

HSL 68.89, 0.76%, 0.28%

LAB 49.45, -19.67, 50.66

 

Description

Color code: HEX #117D58 | qconv.com Color code: HEX #117D58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 125 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 125 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, none magenta, 30 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 0% 30% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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