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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #116343 it is the complementary color #EE9CBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #116343. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #116343 shade: #16633E, #277551, #388764, #499977 and #5AAB8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #116343. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #116343 shade: #116343, #005130, #003F1D, #002D0A and #001B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #116343 shade: #116443, #11642D, #116416, #216411 and #386411

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #116343 shade: #116443, #11645A, #115764, #114164 and #112A64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #116343 shade matches the following richer shades: #116443 and #076D45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #116343 shade: #116443, #1A5A41, #23513F, #2D473D and #363E3B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #116343 shade: #116416, #11642C, #116442, #116459 and #115964

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #116343 shade: #051D14, #0B412B, #116443, #16875B and #1CAA73

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #116343 shade: #116343, #112164 and #642111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #116343 shade: #116343, #421164 and #644211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #116343 shade: #116343, #112164, #641132 and #645311

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #116343 shade: #116343, #191164, #641132 and #5B6411

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 32 / 61

HEX #116343

RGB 17 99 67

HSL 156.59, 0.71%, 0.23%

LAB 36.83, -31.95, 11.61

 

Complementary color

CMYK 0 / 34 / 21 / 7

HEX #EE9CBC

RGB 238 156 188

HSL 336.59, 0.71%, 0.77%

LAB 73.28, 34.92, -3.81

 

CMYK 78 / 0 / 37 / 61

HEX #16633E

RGB 22 99 62

HSL 151.17, 0.64%, 0.24%

LAB 36.82, -32.4, 14.62

 

CMYK 67 / 0 / 31 / 54

HEX #277551

RGB 39 117 81

HSL 152.31, 0.5%, 0.31%

LAB 43.87, -32.87, 13.05

 

CMYK 59 / 0 / 26 / 47

HEX #388764

RGB 56 135 100

HSL 153.42, 0.41%, 0.37%

LAB 50.79, -32.98, 11.69

 

CMYK 52 / 0 / 22 / 40

HEX #499977

RGB 73 153 119

HSL 154.5, 0.35%, 0.44%

LAB 57.59, -32.92, 10.49

 

CMYK 47 / 0 / 19 / 33

HEX #5AAB8A

RGB 90 171 138

HSL 155.56, 0.33%, 0.51%

LAB 64.27, -32.76, 9.41

 

CMYK 83 / 0 / 32 / 61

HEX #116343

RGB 17 99 67

HSL 156.59, 0.71%, 0.23%

LAB 36.83, -31.95, 11.61

 

CMYK 100 / 0 / 41 / 68

HEX #005130

RGB 0 81 48

HSL 155.56, 1%, 0.16%

LAB 29.66, -30.84, 13.42

 

CMYK 100 / 0 / 54 / 75

HEX #003F1D

RGB 0 63 29

HSL 147.62, 1%, 0.12%

LAB 22.46, -27.74, 15.73

 

CMYK 100 / 0 / 78 / 82

HEX #002D0A

RGB 0 45 10

HSL 133.33, 1%, 0.09%

LAB 14.95, -24.08, 17.17

 

CMYK 100 / 0 / 100 / 89

HEX #001B00

RGB 0 27 0

HSL 120, 1%, 0.05%

LAB 7.08, -14.46, 10.34

 

CMYK 83 / 0 / 33 / 61

HEX #116443

RGB 17 100 67

HSL 156.14, 0.71%, 0.23%

LAB 37.19, -32.39, 12.1

 

CMYK 83 / 0 / 55 / 61

HEX #11642D

RGB 17 100 45

HSL 140.24, 0.71%, 0.23%

LAB 36.79, -36.96, 24.39

 

CMYK 83 / 0 / 78 / 61

HEX #116416

RGB 17 100 22

HSL 123.61, 0.71%, 0.23%

LAB 36.54, -39.95, 35.36

 

CMYK 67 / 0 / 83 / 61

HEX #216411

RGB 33 100 17

HSL 108.43, 0.71%, 0.23%

LAB 36.89, -37.12, 37.71

 

CMYK 44 / 0 / 83 / 61

HEX #386411

RGB 56 100 17

HSL 91.81, 0.71%, 0.23%

LAB 37.83, -29.81, 38.94

 

CMYK 83 / 0 / 33 / 61

HEX #116443

RGB 17 100 67

HSL 156.14, 0.71%, 0.23%

LAB 37.19, -32.39, 12.1

 

CMYK 83 / 0 / 10 / 61

HEX #11645A

RGB 17 100 90

HSL 172.77, 0.71%, 0.23%

LAB 37.79, -26, -1.1

 

CMYK 83 / 13 / 0 / 61

HEX #115764

RGB 17 87 100

HSL 189.4, 0.71%, 0.23%

LAB 33.68, -15.72, -13.48

 

CMYK 83 / 35 / 0 / 61

HEX #114164

RGB 17 65 100

HSL 205.3, 0.71%, 0.23%

LAB 26.22, -2.14, -25.07

 

CMYK 83 / 58 / 0 / 61

HEX #112A64

RGB 17 42 100

HSL 221.93, 0.71%, 0.23%

LAB 18.78, 14.18, -36.98

 

CMYK 83 / 0 / 33 / 61

HEX #116443

RGB 17 100 67

HSL 156.14, 0.71%, 0.23%

LAB 37.19, -32.39, 12.1

 

CMYK 94 / 0 / 37 / 57

HEX #076D45

RGB 7 109 69

HSL 156.47, 0.88%, 0.23%

LAB 40.27, -36.7, 15.09

 

CMYK 83 / 0 / 33 / 61

HEX #116443

RGB 17 100 67

HSL 156.14, 0.71%, 0.23%

LAB 37.19, -32.39, 12.1

 

CMYK 71 / 0 / 28 / 65

HEX #1A5A41

RGB 26 90 65

HSL 156.56, 0.55%, 0.23%

LAB 33.8, -26.87, 8.66

 

CMYK 57 / 0 / 22 / 68

HEX #23513F

RGB 35 81 63

HSL 156.52, 0.4%, 0.23%

LAB 30.88, -20.75, 5.85

 

CMYK 37 / 0 / 14 / 72

HEX #2D473D

RGB 45 71 61

HSL 156.92, 0.22%, 0.23%

LAB 27.85, -12.55, 2.87

 

CMYK 13 / 0 / 5 / 76

HEX #363E3B

RGB 54 62 59

HSL 157.5, 0.07%, 0.23%

LAB 25.4, -4.04, 0.71

 

CMYK 83 / 0 / 78 / 61

HEX #116416

RGB 17 100 22

HSL 123.61, 0.71%, 0.23%

LAB 36.54, -39.95, 35.36

 

CMYK 83 / 0 / 56 / 61

HEX #11642C

RGB 17 100 44

HSL 139.52, 0.71%, 0.23%

LAB 36.77, -37.13, 24.92

 

CMYK 83 / 0 / 34 / 61

HEX #116442

RGB 17 100 66

HSL 155.42, 0.71%, 0.23%

LAB 37.16, -32.63, 12.67

 

CMYK 83 / 0 / 11 / 61

HEX #116459

RGB 17 100 89

HSL 172.05, 0.71%, 0.23%

LAB 37.76, -26.3, -0.53

 

CMYK 83 / 11 / 0 / 61

HEX #115964

RGB 17 89 100

HSL 187.95, 0.71%, 0.23%

LAB 34.36, -16.86, -12.44

 

CMYK 83 / 0 / 31 / 89

HEX #051D14

RGB 5 29 20

HSL 157.5, 0.71%, 0.07%

LAB 8.67, -11.62, 3.3

 

CMYK 83 / 0 / 34 / 75

HEX #0B412B

RGB 11 65 43

HSL 155.56, 0.71%, 0.15%

LAB 23.76, -23.38, 8.6

 

CMYK 83 / 0 / 33 / 61

HEX #116443

RGB 17 100 67

HSL 156.14, 0.71%, 0.23%

LAB 37.19, -32.39, 12.1

 

CMYK 84 / 0 / 33 / 47

HEX #16875B

RGB 22 135 91

HSL 156.64, 0.72%, 0.31%

LAB 49.8, -40.84, 15.36

 

CMYK 84 / 0 / 32 / 33

HEX #1CAA73

RGB 28 170 115

HSL 156.76, 0.72%, 0.39%

LAB 61.86, -48.73, 18.48

 

CMYK 83 / 0 / 32 / 61

HEX #116343

RGB 17 99 67

HSL 156.59, 0.71%, 0.23%

LAB 36.83, -31.95, 11.61

 

CMYK 83 / 67 / 0 / 61

HEX #112164

RGB 17 33 100

HSL 228.43, 0.71%, 0.23%

LAB 16.14, 20.79, -41.28

 

CMYK 0 / 67 / 83 / 61

HEX #642111

RGB 100 33 17

HSL 11.57, 0.71%, 0.23%

LAB 23.13, 29.33, 26.14

 

CMYK 83 / 0 / 32 / 61

HEX #116343

RGB 17 99 67

HSL 156.59, 0.71%, 0.23%

LAB 36.83, -31.95, 11.61

 

CMYK 34 / 83 / 0 / 61

HEX #421164

RGB 66 17 100

HSL 275.42, 0.71%, 0.23%

LAB 17.82, 38.34, -38.32

 

CMYK 0 / 34 / 83 / 61

HEX #644211

RGB 100 66 17

HSL 35.42, 0.71%, 0.23%

LAB 30.99, 10.05, 33.85

 

CMYK 83 / 0 / 32 / 61

HEX #116343

RGB 17 99 67

HSL 156.59, 0.71%, 0.23%

LAB 36.83, -31.95, 11.61

 

CMYK 83 / 67 / 0 / 61

HEX #112164

RGB 17 33 100

HSL 228.43, 0.71%, 0.23%

LAB 16.14, 20.79, -41.28

 

CMYK 0 / 83 / 50 / 61

HEX #641132

RGB 100 17 50

HSL 336.14, 0.71%, 0.23%

LAB 21.36, 38.41, 1.78

 

CMYK 0 / 17 / 83 / 61

HEX #645311

RGB 100 83 17

HSL 47.71, 0.71%, 0.23%

LAB 35.86, -0.38, 38.37

 

CMYK 83 / 0 / 32 / 61

HEX #116343

RGB 17 99 67

HSL 156.59, 0.71%, 0.23%

LAB 36.83, -31.95, 11.61

 

CMYK 75 / 83 / 0 / 61

HEX #191164

RGB 25 17 100

HSL 245.78, 0.71%, 0.23%

LAB 12.78, 32.2, -46.79

 

CMYK 0 / 83 / 50 / 61

HEX #641132

RGB 100 17 50

HSL 336.14, 0.71%, 0.23%

LAB 21.36, 38.41, 1.78

 

CMYK 9 / 0 / 83 / 61

HEX #5B6411

RGB 91 100 17

HSL 66.51, 0.71%, 0.23%

LAB 40.21, -14.62, 42

 

Description

Color code: HEX #116343 | qconv.com Color code: HEX #116343 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 99 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 99 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 32 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 32% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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