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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #113E82 it is the complementary color #EEC17D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #113E82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #113E82 shade: #163E7D, #275090, #3862A3, #4974B6 and #5A86C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #113E82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #113E82 shade: #113E82, #002C6F, #001A5C, #000849 and #000036

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #113E82 shade: #113E82, #111F82, #211182, #3F1182 and #5E1182

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #113E82 shade: #113E82, #111F82 and #111182

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #113E82 shade matches the following richer shades: #113E82 and #053B8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #113E82 shade: #113E82, #1C4076, #28436A, #34455E and #404853

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #113E82 shade: #117B82, #115C82, #113E82, #112082 and #201182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #113E82 shade: #071B39, #0C2C5E, #113E82, #154FA7 and #1A61CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #113E82 shade: #113E82, #6C1182 and #6C8211

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #113E82 shade: #113E82, #82113E and #3E8211

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #113E82 shade: #113E82, #6C1182, #825511 and #278211

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #113E82 shade: #113E82, #821177, #825511 and #11821C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 52 / 0 / 49

HEX #113E82

RGB 17 62 130

HSL 216.11, 0.77%, 0.29%

LAB 27.23, 12.56, -42.47

 

Complementary color

CMYK 0 / 19 / 47 / 7

HEX #EEC17D

RGB 238 193 125

HSL 36.11, 0.77%, 0.71%

LAB 80.63, 7.68, 40.18

 

CMYK 82 / 50 / 0 / 51

HEX #163E7D

RGB 22 62 125

HSL 216.7, 0.7%, 0.29%

LAB 27.01, 10.96, -39.69

 

CMYK 73 / 44 / 0 / 44

HEX #275090

RGB 39 80 144

HSL 216.57, 0.57%, 0.36%

LAB 34.36, 8.61, -39.6

 

CMYK 66 / 40 / 0 / 36

HEX #3862A3

RGB 56 98 163

HSL 216.45, 0.49%, 0.43%

LAB 41.56, 6.89, -39.49

 

CMYK 60 / 36 / 0 / 29

HEX #4974B6

RGB 73 116 182

HSL 216.33, 0.43%, 0.5%

LAB 48.62, 5.58, -39.39

 

CMYK 55 / 33 / 0 / 21

HEX #5A86C9

RGB 90 134 201

HSL 216.22, 0.51%, 0.57%

LAB 55.52, 4.56, -39.33

 

CMYK 87 / 52 / 0 / 49

HEX #113E82

RGB 17 62 130

HSL 216.11, 0.77%, 0.29%

LAB 27.23, 12.56, -42.47

 

CMYK 100 / 60 / 0 / 56

HEX #002C6F

RGB 0 44 111

HSL 216.22, 1%, 0.22%

LAB 19.84, 16.04, -42.43

 

CMYK 100 / 72 / 0 / 64

HEX #001A5C

RGB 0 26 92

HSL 223.04, 1%, 0.18%

LAB 12.68, 21.02, -41.67

 

CMYK 100 / 89 / 0 / 71

HEX #000849

RGB 0 8 73

HSL 233.42, 1%, 0.14%

LAB 5.91, 24.79, -39.82

 

CMYK 100 / 100 / 0 / 79

HEX #000036

RGB 0 0 54

HSL 240, 1%, 0.11%

LAB 2.41, 16.91, -31.9

 

CMYK 87 / 52 / 0 / 49

HEX #113E82

RGB 17 62 130

HSL 216.11, 0.77%, 0.29%

LAB 27.23, 12.56, -42.47

 

CMYK 87 / 76 / 0 / 49

HEX #111F82

RGB 17 31 130

HSL 232.57, 0.77%, 0.29%

LAB 18.85, 33.98, -56.19

 

CMYK 75 / 87 / 0 / 49

HEX #211182

RGB 33 17 130

HSL 248.5, 0.77%, 0.29%

LAB 17.16, 42.61, -58.95

 

CMYK 52 / 87 / 0 / 49

HEX #3F1182

RGB 63 17 130

HSL 264.42, 0.77%, 0.29%

LAB 20.32, 45.58, -53.63

 

CMYK 28 / 87 / 0 / 49

HEX #5E1182

RGB 94 17 130

HSL 280.88, 0.77%, 0.29%

LAB 24.93, 50.17, -45.9

 

CMYK 87 / 52 / 0 / 49

HEX #113E82

RGB 17 62 130

HSL 216.11, 0.77%, 0.29%

LAB 27.23, 12.56, -42.47

 

CMYK 87 / 76 / 0 / 49

HEX #111F82

RGB 17 31 130

HSL 232.57, 0.77%, 0.29%

LAB 18.85, 33.98, -56.19

 

CMYK 87 / 87 / 0 / 49

HEX #111182

RGB 17 17 130

HSL 240, 0.77%, 0.29%

LAB 16.16, 41.72, -60.64

 

CMYK 87 / 52 / 0 / 49

HEX #113E82

RGB 17 62 130

HSL 216.11, 0.77%, 0.29%

LAB 27.23, 12.56, -42.47

 

CMYK 96 / 58 / 0 / 44

HEX #053B8E

RGB 5 59 142

HSL 216.35, 0.93%, 0.29%

LAB 27.05, 18.98, -50.22

 

CMYK 87 / 52 / 0 / 49

HEX #113E82

RGB 17 62 130

HSL 216.11, 0.77%, 0.29%

LAB 27.23, 12.56, -42.47

 

CMYK 76 / 46 / 0 / 54

HEX #1C4076

RGB 28 64 118

HSL 216, 0.62%, 0.29%

LAB 27.36, 7.47, -34.71

 

CMYK 62 / 37 / 0 / 58

HEX #28436A

RGB 40 67 106

HSL 215.45, 0.45%, 0.29%

LAB 28.13, 2.99, -25.83

 

CMYK 45 / 27 / 0 / 63

HEX #34455E

RGB 52 69 94

HSL 215.71, 0.29%, 0.29%

LAB 28.89, 0.67, -16.91

 

CMYK 23 / 13 / 0 / 67

HEX #404853

RGB 64 72 83

HSL 214.74, 0.13%, 0.29%

LAB 30.28, -0.46, -7.63

 

CMYK 87 / 5 / 0 / 49

HEX #117B82

RGB 17 123 130

HSL 183.72, 0.77%, 0.29%

LAB 46.84, -24.69, -11.78

 

CMYK 87 / 29 / 0 / 49

HEX #115C82

RGB 17 92 130

HSL 200.18, 0.77%, 0.29%

LAB 36.72, -7.3, -27.36

 

CMYK 87 / 52 / 0 / 49

HEX #113E82

RGB 17 62 130

HSL 216.11, 0.77%, 0.29%

LAB 27.23, 12.56, -42.47

 

CMYK 87 / 75 / 0 / 49

HEX #112082

RGB 17 32 130

HSL 232.04, 0.77%, 0.29%

LAB 19.07, 33.34, -55.81

 

CMYK 75 / 87 / 0 / 49

HEX #201182

RGB 32 17 130

HSL 247.96, 0.77%, 0.29%

LAB 17.08, 42.54, -59.08

 

CMYK 88 / 53 / 0 / 78

HEX #071B39

RGB 7 27 57

HSL 216, 0.78%, 0.13%

LAB 9.99, 4.99, -21.81

 

CMYK 87 / 53 / 0 / 63

HEX #0C2C5E

RGB 12 44 94

HSL 216.59, 0.77%, 0.21%

LAB 18.75, 9.51, -33.09

 

CMYK 87 / 52 / 0 / 49

HEX #113E82

RGB 17 62 130

HSL 216.11, 0.77%, 0.29%

LAB 27.23, 12.56, -42.47

 

CMYK 87 / 53 / 0 / 35

HEX #154FA7

RGB 21 79 167

HSL 216.16, 0.78%, 0.37%

LAB 35.09, 16.47, -52.33

 

CMYK 87 / 52 / 0 / 20

HEX #1A61CB

RGB 26 97 203

HSL 215.93, 0.77%, 0.45%

LAB 42.88, 19.24, -60.79

 

CMYK 87 / 52 / 0 / 49

HEX #113E82

RGB 17 62 130

HSL 216.11, 0.77%, 0.29%

LAB 27.23, 12.56, -42.47

 

CMYK 17 / 87 / 0 / 49

HEX #6C1182

RGB 108 17 130

HSL 288.32, 0.77%, 0.29%

LAB 27.3, 52.62, -41.94

 

CMYK 17 / 0 / 87 / 49

HEX #6C8211

RGB 108 130 17

HSL 71.68, 0.77%, 0.29%

LAB 50.91, -22.69, 51.88

 

CMYK 87 / 52 / 0 / 49

HEX #113E82

RGB 17 62 130

HSL 216.11, 0.77%, 0.29%

LAB 27.23, 12.56, -42.47

 

CMYK 0 / 87 / 52 / 49

HEX #82113E

RGB 130 17 62

HSL 336.11, 0.77%, 0.29%

LAB 28.1, 48.11, 4.05

 

CMYK 52 / 0 / 87 / 49

HEX #3E8211

RGB 62 130 17

HSL 96.11, 0.77%, 0.29%

LAB 48.3, -40.55, 48.59

 

CMYK 87 / 52 / 0 / 49

HEX #113E82

RGB 17 62 130

HSL 216.11, 0.77%, 0.29%

LAB 27.23, 12.56, -42.47

 

CMYK 17 / 87 / 0 / 49

HEX #6C1182

RGB 108 17 130

HSL 288.32, 0.77%, 0.29%

LAB 27.3, 52.62, -41.94

 

CMYK 0 / 35 / 87 / 49

HEX #825511

RGB 130 85 17

HSL 36.11, 0.77%, 0.29%

LAB 40.05, 13.04, 43.47

 

CMYK 70 / 0 / 87 / 49

HEX #278211

RGB 39 130 17

HSL 108.32, 0.77%, 0.29%

LAB 47.54, -46.67, 47.63

 

CMYK 87 / 52 / 0 / 49

HEX #113E82

RGB 17 62 130

HSL 216.11, 0.77%, 0.29%

LAB 27.23, 12.56, -42.47

 

CMYK 0 / 87 / 8 / 49

HEX #821177

RGB 130 17 119

HSL 305.84, 0.77%, 0.29%

LAB 30.59, 55.04, -29.5

 

CMYK 0 / 35 / 87 / 49

HEX #825511

RGB 130 85 17

HSL 36.11, 0.77%, 0.29%

LAB 40.05, 13.04, 43.47

 

CMYK 87 / 0 / 78 / 49

HEX #11821C

RGB 17 130 28

HSL 125.84, 0.77%, 0.29%

LAB 47.19, -49.47, 43.74

 

Description

Color code: HEX #113E82 | qconv.com Color code: HEX #113E82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 62 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 62 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 52 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 52% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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