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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #111159 it is the complementary color #EEEEA6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #111159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #111159 shade: #161154, #272367, #38357A, #49478D and #5A59A0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #111159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #111159 shade: #111159, #000046, #000033, #000020 and #00000D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #111159 shade: #111159, #241159, #381159, #4C1159 and #591154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #111159 shade: #111159

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #111159 shade matches the following richer shades: #111159 and #080862

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #111159 shade: #111159, #191951, #222248, #2B2B3F and #333337

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #111159 shade: #113759, #112459, #111159, #241159 and #371159

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #111159 shade: #030314, #0A0A37, #111159, #17177C and #1E1E9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #111159 shade: #111159, #59114B and #2E5911

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #111159 shade: #111159, #591111 and #115911

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #111159 shade: #111159, #59114B, #595911 and #11591F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #111159 shade: #111159, #591135, #595911 and #115935

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 81 / 0 / 65

HEX #111159

RGB 17 17 89

HSL 240, 0.68%, 0.21%

LAB 10.86, 27.47, -42.62

 

Complementary color

CMYK 0 / 0 / 30 / 7

HEX #EEEEA6

RGB 238 238 166

HSL 60, 0.68%, 0.79%

LAB 92.61, -10.84, 34.95

 

CMYK 74 / 80 / 0 / 67

HEX #161154

RGB 22 17 84

HSL 244.48, 0.66%, 0.2%

LAB 10.64, 26.16, -39.57

 

CMYK 62 / 66 / 0 / 60

HEX #272367

RGB 39 35 103

HSL 243.53, 0.49%, 0.27%

LAB 18.42, 23.88, -39.47

 

CMYK 54 / 57 / 0 / 52

HEX #38357A

RGB 56 53 122

HSL 242.61, 0.39%, 0.34%

LAB 26.13, 21.98, -39.12

 

CMYK 48 / 50 / 0 / 45

HEX #49478D

RGB 73 71 141

HSL 241.71, 0.33%, 0.42%

LAB 33.66, 20.47, -38.77

 

CMYK 44 / 44 / 0 / 37

HEX #5A59A0

RGB 90 89 160

HSL 240.85, 0.29%, 0.49%

LAB 40.99, 19.26, -38.49

 

CMYK 81 / 81 / 0 / 65

HEX #111159

RGB 17 17 89

HSL 240, 0.68%, 0.21%

LAB 10.86, 27.47, -42.62

 

CMYK 100 / 100 / 0 / 73

HEX #000046

RGB 0 0 70

HSL 240, 1%, 0.14%

LAB 3.99, 27.1, -40.87

 

CMYK 100 / 100 / 0 / 80

HEX #000033

RGB 0 0 51

HSL 240, 1%, 0.1%

LAB 2.16, 15.17, -30.07

 

CMYK 100 / 100 / 0 / 87

HEX #000020

RGB 0 0 32

HSL 240, 1%, 0.06%

LAB 0.94, 6.62, -17.34

 

CMYK 100 / 100 / 0 / 95

HEX #00000D

RGB 0 0 13

HSL 240, 1%, 0.03%

LAB 0.26, 1.84, -5.02

 

CMYK 81 / 81 / 0 / 65

HEX #111159

RGB 17 17 89

HSL 240, 0.68%, 0.21%

LAB 10.86, 27.47, -42.62

 

CMYK 60 / 81 / 0 / 65

HEX #241159

RGB 36 17 89

HSL 255.83, 0.68%, 0.21%

LAB 12.59, 29.91, -39.71

 

CMYK 37 / 81 / 0 / 65

HEX #381159

RGB 56 17 89

HSL 272.5, 0.68%, 0.21%

LAB 15.29, 33.57, -35.18

 

CMYK 15 / 81 / 0 / 65

HEX #4C1159

RGB 76 17 89

HSL 289.17, 0.68%, 0.21%

LAB 18.62, 37.92, -29.64

 

CMYK 0 / 81 / 6 / 65

HEX #591154

RGB 89 17 84

HSL 304.17, 0.68%, 0.21%

LAB 20.69, 40.05, -22.83

 

CMYK 81 / 81 / 0 / 65

HEX #111159

RGB 17 17 89

HSL 240, 0.68%, 0.21%

LAB 10.86, 27.47, -42.62

 

CMYK 81 / 81 / 0 / 65

HEX #111159

RGB 17 17 89

HSL 240, 0.68%, 0.21%

LAB 10.86, 27.47, -42.62

 

CMYK 92 / 92 / 0 / 62

HEX #080862

RGB 8 8 98

HSL 240, 0.85%, 0.21%

LAB 9.85, 35.08, -50.35

 

CMYK 81 / 81 / 0 / 65

HEX #111159

RGB 17 17 89

HSL 240, 0.68%, 0.21%

LAB 10.86, 27.47, -42.62

 

CMYK 69 / 69 / 0 / 68

HEX #191951

RGB 25 25 81

HSL 240, 0.53%, 0.21%

LAB 12.58, 20.02, -34.33

 

CMYK 53 / 53 / 0 / 72

HEX #222248

RGB 34 34 72

HSL 240, 0.36%, 0.21%

LAB 15.23, 12.09, -23.84

 

CMYK 32 / 32 / 0 / 75

HEX #2B2B3F

RGB 43 43 63

HSL 240, 0.19%, 0.21%

LAB 18.37, 5.5, -12.65

 

CMYK 7 / 7 / 0 / 78

HEX #333337

RGB 51 51 55

HSL 240, 0.04%, 0.21%

LAB 21.38, 0.96, -2.52

 

CMYK 81 / 38 / 0 / 65

HEX #113759

RGB 17 55 89

HSL 208.33, 0.68%, 0.21%

LAB 22.21, 0.08, -24.25

 

CMYK 81 / 60 / 0 / 65

HEX #112459

RGB 17 36 89

HSL 224.17, 0.68%, 0.21%

LAB 16.01, 13.91, -34.18

 

CMYK 81 / 81 / 0 / 65

HEX #111159

RGB 17 17 89

HSL 240, 0.68%, 0.21%

LAB 10.86, 27.47, -42.62

 

CMYK 60 / 81 / 0 / 65

HEX #241159

RGB 36 17 89

HSL 255.83, 0.68%, 0.21%

LAB 12.59, 29.91, -39.71

 

CMYK 38 / 81 / 0 / 65

HEX #371159

RGB 55 17 89

HSL 271.67, 0.68%, 0.21%

LAB 15.14, 33.37, -35.44

 

CMYK 85 / 85 / 0 / 92

HEX #030314

RGB 3 3 20

HSL 240, 0.74%, 0.05%

LAB 1.22, 2.79, -7.59

 

CMYK 82 / 82 / 0 / 78

HEX #0A0A37

RGB 10 10 55

HSL 240, 0.69%, 0.13%

LAB 5.04, 16.02, -28.36

 

CMYK 81 / 81 / 0 / 65

HEX #111159

RGB 17 17 89

HSL 240, 0.68%, 0.21%

LAB 10.86, 27.47, -42.62

 

CMYK 81 / 81 / 0 / 51

HEX #17177C

RGB 23 23 124

HSL 240, 0.69%, 0.29%

LAB 16.75, 36.97, -55.84

 

CMYK 81 / 81 / 0 / 38

HEX #1E1E9F

RGB 30 30 159

HSL 240, 0.68%, 0.37%

LAB 22.68, 45.4, -67.83

 

CMYK 81 / 81 / 0 / 65

HEX #111159

RGB 17 17 89

HSL 240, 0.68%, 0.21%

LAB 10.86, 27.47, -42.62

 

CMYK 0 / 81 / 16 / 65

HEX #59114B

RGB 89 17 75

HSL 311.67, 0.68%, 0.21%

LAB 20.17, 38.52, -17.55

 

CMYK 48 / 0 / 81 / 65

HEX #2E5911

RGB 46 89 17

HSL 95.83, 0.68%, 0.21%

LAB 33.49, -28.5, 34.6

 

CMYK 81 / 81 / 0 / 65

HEX #111159

RGB 17 17 89

HSL 240, 0.68%, 0.21%

LAB 10.86, 27.47, -42.62

 

CMYK 0 / 81 / 81 / 65

HEX #591111

RGB 89 17 17

HSL 0, 0.68%, 0.21%

LAB 18.21, 32.36, 20.06

 

CMYK 81 / 0 / 81 / 65

HEX #115911

RGB 17 89 17

HSL 120, 0.68%, 0.21%

LAB 32.49, -36.48, 33.28

 

CMYK 81 / 81 / 0 / 65

HEX #111159

RGB 17 17 89

HSL 240, 0.68%, 0.21%

LAB 10.86, 27.47, -42.62

 

CMYK 0 / 81 / 16 / 65

HEX #59114B

RGB 89 17 75

HSL 311.67, 0.68%, 0.21%

LAB 20.17, 38.52, -17.55

 

CMYK 0 / 0 / 81 / 65

HEX #595911

RGB 89 89 17

HSL 60, 0.68%, 0.21%

LAB 36.57, -9.39, 38.62

 

CMYK 81 / 0 / 65 / 65

HEX #11591F

RGB 17 89 31

HSL 131.67, 0.68%, 0.21%

LAB 32.62, -34.91, 26.95

 

CMYK 81 / 81 / 0 / 65

HEX #111159

RGB 17 17 89

HSL 240, 0.68%, 0.21%

LAB 10.86, 27.47, -42.62

 

CMYK 0 / 81 / 40 / 65

HEX #591135

RGB 89 17 53

HSL 330, 0.68%, 0.21%

LAB 19.15, 35.38, -3.85

 

CMYK 0 / 0 / 81 / 65

HEX #595911

RGB 89 89 17

HSL 60, 0.68%, 0.21%

LAB 36.57, -9.39, 38.62

 

CMYK 81 / 0 / 40 / 65

HEX #115935

RGB 17 89 53

HSL 150, 0.68%, 0.21%

LAB 32.96, -30.9, 14.84

 

Description

Color code: HEX #111159 | qconv.com Color code: HEX #111159 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 17 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 17 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 81 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 81% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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