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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #111762 it is the complementary color #EEE89D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #111762. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #111762 shade: #16175D, #272970, #383B83, #494D96 and #5A5FA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #111762. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #111762 shade: #111762, #00054F, #00003C, #000029 and #000016

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #111762 shade: #111763, #211163, #371163, #4D1163 and #631163

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #111762 shade: #111763 and #111163

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #111762 shade matches the following richer shades: #111763 and #080F6D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #111762 shade: #111763, #1B1F5A, #242750, #2E2F47 and #37383D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #111762 shade: #114463, #112E63, #111863, #201163 and #361163

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #111762 shade: #05071D, #0B0F40, #111763, #171F86 and #1D28A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #111762 shade: #111762, #63115A and #396311

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #111762 shade: #111762, #631118 and #186311

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #111762 shade: #111762, #63115A, #635C11 and #11631B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #111762 shade: #111762, #631141, #635C11 and #116333

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 77 / 0 / 62

HEX #111762

RGB 17 23 98

HSL 235.56, 0.7%, 0.23%

LAB 13.31, 27, -44.6

 

Complementary color

CMYK 0 / 3 / 34 / 7

HEX #EEE89D

RGB 238 232 157

HSL 55.56, 0.7%, 0.77%

LAB 90.93, -8.93, 37.26

 

CMYK 76 / 75 / 0 / 64

HEX #16175D

RGB 22 23 93

HSL 239.15, 0.62%, 0.23%

LAB 13.07, 25.61, -41.66

 

CMYK 65 / 63 / 0 / 56

HEX #272970

RGB 39 41 112

HSL 238.36, 0.48%, 0.3%

LAB 20.78, 23.08, -41.48

 

CMYK 57 / 55 / 0 / 49

HEX #383B83

RGB 56 59 131

HSL 237.6, 0.4%, 0.37%

LAB 28.4, 21.08, -41.11

 

CMYK 51 / 49 / 0 / 41

HEX #494D96

RGB 73 77 150

HSL 236.88, 0.35%, 0.44%

LAB 35.84, 19.51, -40.76

 

CMYK 47 / 44 / 0 / 34

HEX #5A5FA9

RGB 90 95 169

HSL 236.2, 0.31%, 0.51%

LAB 43.1, 18.27, -40.48

 

CMYK 83 / 77 / 0 / 62

HEX #111762

RGB 17 23 98

HSL 235.56, 0.7%, 0.23%

LAB 13.31, 27, -44.6

 

CMYK 100 / 94 / 0 / 69

HEX #00054F

RGB 0 5 79

HSL 236.2, 1%, 0.15%

LAB 6.08, 29.28, -43.73

 

CMYK 100 / 100 / 0 / 76

HEX #00003C

RGB 0 0 60

HSL 240, 1%, 0.12%

LAB 2.95, 20.71, -35.41

 

CMYK 100 / 100 / 0 / 84

HEX #000029

RGB 0 0 41

HSL 240, 1%, 0.08%

LAB 1.45, 10.16, -23.62

 

CMYK 100 / 100 / 0 / 91

HEX #000016

RGB 0 0 22

HSL 240, 1%, 0.04%

LAB 0.52, 3.68, -10.01

 

CMYK 83 / 77 / 0 / 61

HEX #111763

RGB 17 23 99

HSL 235.61, 0.71%, 0.23%

LAB 13.43, 27.38, -45.08

 

CMYK 67 / 83 / 0 / 61

HEX #211163

RGB 33 17 99

HSL 251.71, 0.71%, 0.23%

LAB 13.38, 32.76, -45.11

 

CMYK 44 / 83 / 0 / 61

HEX #371163

RGB 55 17 99

HSL 267.8, 0.71%, 0.23%

LAB 16.07, 36.07, -40.59

 

CMYK 22 / 83 / 0 / 61

HEX #4D1163

RGB 77 17 99

HSL 283.9, 0.71%, 0.23%

LAB 19.55, 40.3, -34.77

 

CMYK 0 / 83 / 0 / 61

HEX #631163

RGB 99 17 99

HSL 300, 0.71%, 0.23%

LAB 23.52, 45.05, -28.19

 

CMYK 83 / 77 / 0 / 61

HEX #111763

RGB 17 23 99

HSL 235.61, 0.71%, 0.23%

LAB 13.43, 27.38, -45.08

 

CMYK 83 / 83 / 0 / 61

HEX #111163

RGB 17 17 99

HSL 240, 0.71%, 0.23%

LAB 12.1, 31.15, -47.28

 

CMYK 83 / 77 / 0 / 61

HEX #111763

RGB 17 23 99

HSL 235.61, 0.71%, 0.23%

LAB 13.43, 27.38, -45.08

 

CMYK 93 / 86 / 0 / 57

HEX #080F6D

RGB 8 15 109

HSL 235.84, 0.86%, 0.23%

LAB 12.59, 35.32, -53.07

 

CMYK 83 / 77 / 0 / 61

HEX #111763

RGB 17 23 99

HSL 235.61, 0.71%, 0.23%

LAB 13.43, 27.38, -45.08

 

CMYK 70 / 66 / 0 / 65

HEX #1B1F5A

RGB 27 31 90

HSL 236.19, 0.54%, 0.23%

LAB 15.23, 19.58, -36.1

 

CMYK 55 / 51 / 0 / 69

HEX #242750

RGB 36 39 80

HSL 235.91, 0.38%, 0.23%

LAB 17.48, 11.93, -25.69

 

CMYK 35 / 34 / 0 / 72

HEX #2E2F47

RGB 46 47 71

HSL 237.6, 0.21%, 0.23%

LAB 20.32, 6.25, -15.07

 

CMYK 10 / 8 / 0 / 76

HEX #37383D

RGB 55 56 61

HSL 230, 0.05%, 0.23%

LAB 23.6, 0.77, -3.26

 

CMYK 83 / 31 / 0 / 61

HEX #114463

RGB 17 68 99

HSL 202.68, 0.71%, 0.23%

LAB 27.17, -4.52, -22.93

 

CMYK 83 / 54 / 0 / 61

HEX #112E63

RGB 17 46 99

HSL 218.78, 0.71%, 0.23%

LAB 19.94, 10.8, -34.44

 

CMYK 83 / 76 / 0 / 61

HEX #111863

RGB 17 24 99

HSL 234.88, 0.71%, 0.23%

LAB 13.67, 26.72, -44.68

 

CMYK 68 / 83 / 0 / 61

HEX #201163

RGB 32 17 99

HSL 250.98, 0.71%, 0.23%

LAB 13.28, 32.63, -45.28

 

CMYK 45 / 83 / 0 / 61

HEX #361163

RGB 54 17 99

HSL 267.07, 0.71%, 0.23%

LAB 15.93, 35.9, -40.83

 

CMYK 83 / 76 / 0 / 89

HEX #05071D

RGB 5 7 29

HSL 235, 0.71%, 0.07%

LAB 2.47, 4.13, -12.62

 

CMYK 83 / 77 / 0 / 75

HEX #0B0F40

RGB 11 15 64

HSL 235.47, 0.71%, 0.15%

LAB 7.07, 18.07, -31.54

 

CMYK 83 / 77 / 0 / 61

HEX #111763

RGB 17 23 99

HSL 235.61, 0.71%, 0.23%

LAB 13.43, 27.38, -45.08

 

CMYK 83 / 77 / 0 / 47

HEX #171F86

RGB 23 31 134

HSL 235.68, 0.71%, 0.31%

LAB 19.57, 35.84, -57.5

 

CMYK 83 / 76 / 0 / 34

HEX #1D28A9

RGB 29 40 169

HSL 235.29, 0.71%, 0.39%

LAB 25.69, 43.24, -68.91

 

CMYK 83 / 77 / 0 / 62

HEX #111762

RGB 17 23 98

HSL 235.56, 0.7%, 0.23%

LAB 13.31, 27, -44.6

 

CMYK 0 / 83 / 9 / 61

HEX #63115A

RGB 99 17 90

HSL 306.59, 0.71%, 0.23%

LAB 22.97, 43.5, -23.12

 

CMYK 42 / 0 / 83 / 61

HEX #396311

RGB 57 99 17

HSL 90.73, 0.71%, 0.23%

LAB 37.54, -28.97, 38.69

 

CMYK 83 / 77 / 0 / 62

HEX #111762

RGB 17 23 98

HSL 235.56, 0.7%, 0.23%

LAB 13.31, 27, -44.6

 

CMYK 0 / 83 / 76 / 61

HEX #631118

RGB 99 17 24

HSL 354.88, 0.71%, 0.23%

LAB 20.52, 36.12, 18.75

 

CMYK 76 / 0 / 83 / 61

HEX #186311

RGB 24 99 17

HSL 114.88, 0.71%, 0.23%

LAB 36.29, -38.79, 37.05

 

CMYK 83 / 77 / 0 / 62

HEX #111762

RGB 17 23 98

HSL 235.56, 0.7%, 0.23%

LAB 13.31, 27, -44.6

 

CMYK 0 / 83 / 9 / 61

HEX #63115A

RGB 99 17 90

HSL 306.59, 0.71%, 0.23%

LAB 22.97, 43.5, -23.12

 

CMYK 0 / 7 / 83 / 61

HEX #635C11

RGB 99 92 17

HSL 54.88, 0.71%, 0.23%

LAB 38.46, -6.22, 40.69

 

CMYK 83 / 0 / 73 / 61

HEX #11631B

RGB 17 99 27

HSL 127.32, 0.71%, 0.23%

LAB 36.22, -39.1, 32.89

 

CMYK 83 / 77 / 0 / 62

HEX #111762

RGB 17 23 98

HSL 235.56, 0.7%, 0.23%

LAB 13.31, 27, -44.6

 

CMYK 0 / 83 / 34 / 61

HEX #631141

RGB 99 17 65

HSL 324.88, 0.71%, 0.23%

LAB 21.71, 39.81, -8.16

 

CMYK 0 / 7 / 83 / 61

HEX #635C11

RGB 99 92 17

HSL 54.88, 0.71%, 0.23%

LAB 38.46, -6.22, 40.69

 

CMYK 83 / 0 / 48 / 61

HEX #116333

RGB 17 99 51

HSL 144.88, 0.71%, 0.23%

LAB 36.52, -35.48, 20.67

 

Description

Color code: HEX #111762 | qconv.com Color code: HEX #111762 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 23 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 23 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 77 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 77% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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