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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10FEA4 it is the complementary color #EF015B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10FEA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10FEA4 shade: #15FE9F, #26FFB2, #37FFC5, #48FFD8 and #59FFEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10FEA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10FEA4 shade: #10FEA4, #00EC91, #00DA7E, #00C86B and #00B658

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10FEA4 shade: #10FDA4, #10FD64, #10FD24, #3CFD10 and #7CFD10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10FEA4 shade: #10FDA4, #10FDE4, #10D7FD, #1097FD and #1057FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10FEA4 shade matches the following richer shades: #10FDA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10FEA4 shade: #10FDA4, #23EA9F, #37D79A, #4AC395 and #5EB091

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10FEA4 shade: #10FD24, #10FD63, #10FDA2, #10FDE2 and #10DAFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10FEA4 shade: #00BA74, #01E38E, #10FDA4, #39FEB3 and #62FEC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10FEA4 shade: #10FEA4, #103CFD and #FD4310

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10FEA4 shade: #10FEA4, #A210FD and #FDA210

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10FEA4 shade: #10FEA4, #103CFD, #FD106B and #FDD210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10FEA4 shade: #10FEA4, #2C10FD, #FD106B and #E2FD10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 35 / 0

HEX #10FEA4

RGB 16 254 164

HSL 157.31, 0.99%, 0.53%

LAB 88.77, -69.68, 29.37

 

Complementary color

CMYK 0 / 100 / 62 / 6

HEX #EF015B

RGB 239 1 91

HSL 337.31, 0.99%, 0.47%

LAB 50.84, 78.62, 20.39

 

CMYK 92 / 0 / 37 / 0

HEX #15FE9F

RGB 21 254 159

HSL 155.54, 0.99%, 0.54%

LAB 88.71, -70.46, 31.8

 

CMYK 85 / 0 / 30 / 0

HEX #26FFB2

RGB 38 255 178

HSL 158.71, 1%, 0.57%

LAB 89.46, -66.05, 23.25

 

CMYK 78 / 0 / 23 / 0

HEX #37FFC5

RGB 55 255 197

HSL 162.6, 1%, 0.61%

LAB 90.03, -60.47, 14.35

 

CMYK 72 / 0 / 15 / 0

HEX #48FFD8

RGB 72 255 216

HSL 167.21, 1%, 0.64%

LAB 90.71, -54.13, 5.56

 

CMYK 65 / 0 / 8 / 0

HEX #59FFEB

RGB 89 255 235

HSL 172.77, 1%, 0.67%

LAB 91.52, -47.12, -3.06

 

CMYK 94 / 0 / 35 / 0

HEX #10FEA4

RGB 16 254 164

HSL 157.31, 0.99%, 0.53%

LAB 88.77, -69.68, 29.37

 

CMYK 100 / 0 / 39 / 7

HEX #00EC91

RGB 0 236 145

HSL 156.86, 1%, 0.46%

LAB 82.93, -67.69, 31.12

 

CMYK 100 / 0 / 42 / 15

HEX #00DA7E

RGB 0 218 126

HSL 154.68, 1%, 0.43%

LAB 77.07, -65.19, 33

 

CMYK 100 / 0 / 47 / 22

HEX #00C86B

RGB 0 200 107

HSL 152.1, 1%, 0.39%

LAB 71.13, -62.58, 34.92

 

CMYK 100 / 0 / 52 / 29

HEX #00B658

RGB 0 182 88

HSL 149.01, 1%, 0.36%

LAB 65.09, -59.81, 36.86

 

CMYK 94 / 0 / 35 / 1

HEX #10FDA4

RGB 16 253 164

HSL 157.47, 0.98%, 0.53%

LAB 88.47, -69.33, 28.96

 

CMYK 94 / 0 / 60 / 1

HEX #10FD64

RGB 16 253 100

HSL 141.27, 0.98%, 0.53%

LAB 87.62, -79.47, 58.13

 

CMYK 94 / 0 / 86 / 1

HEX #10FD24

RGB 16 253 36

HSL 125.06, 0.98%, 0.53%

LAB 87.24, -84.37, 78.52

 

CMYK 76 / 0 / 94 / 1

HEX #3CFD10

RGB 60 253 16

HSL 108.86, 0.98%, 0.53%

LAB 87.61, -81.22, 81.98

 

CMYK 51 / 0 / 94 / 1

HEX #7CFD10

RGB 124 253 16

HSL 92.66, 0.98%, 0.53%

LAB 89.19, -68.01, 83.93

 

CMYK 94 / 0 / 35 / 1

HEX #10FDA4

RGB 16 253 164

HSL 157.47, 0.98%, 0.53%

LAB 88.47, -69.33, 28.96

 

CMYK 94 / 0 / 10 / 1

HEX #10FDE4

RGB 16 253 228

HSL 173.67, 0.98%, 0.53%

LAB 89.84, -54.36, -2

 

CMYK 94 / 15 / 0 / 1

HEX #10D7FD

RGB 16 215 253

HSL 189.62, 0.98%, 0.53%

LAB 79.5, -30.07, -30.7

 

CMYK 94 / 40 / 0 / 1

HEX #1097FD

RGB 16 151 253

HSL 205.82, 0.98%, 0.53%

LAB 61.08, 4.42, -59.59

 

CMYK 94 / 66 / 0 / 1

HEX #1057FD

RGB 16 87 253

HSL 222.03, 0.98%, 0.53%

LAB 44.26, 44.21, -86.89

 

CMYK 94 / 0 / 35 / 1

HEX #10FDA4

RGB 16 253 164

HSL 157.47, 0.98%, 0.53%

LAB 88.47, -69.33, 28.96

 

CMYK 94 / 0 / 35 / 1

HEX #10FDA4

RGB 16 253 164

HSL 157.47, 0.98%, 0.53%

LAB 88.47, -69.33, 28.96

 

CMYK 85 / 0 / 32 / 8

HEX #23EA9F

RGB 35 234 159

HSL 157.39, 0.83%, 0.53%

LAB 82.76, -62.66, 23.77

 

CMYK 74 / 0 / 28 / 16

HEX #37D79A

RGB 55 215 154

HSL 157.13, 0.67%, 0.53%

LAB 77.13, -54.64, 18.67

 

CMYK 62 / 0 / 24 / 24

HEX #4AC395

RGB 74 195 149

HSL 157.19, 0.5%, 0.53%

LAB 71.32, -44.63, 13.28

 

CMYK 47 / 0 / 18 / 31

HEX #5EB091

RGB 94 176 145

HSL 157.32, 0.34%, 0.53%

LAB 66.12, -32.52, 8.19

 

CMYK 94 / 0 / 86 / 1

HEX #10FD24

RGB 16 253 36

HSL 125.06, 0.98%, 0.53%

LAB 87.24, -84.37, 78.52

 

CMYK 94 / 0 / 61 / 1

HEX #10FD63

RGB 16 253 99

HSL 141.01, 0.98%, 0.53%

LAB 87.61, -79.59, 58.54

 

CMYK 94 / 0 / 36 / 1

HEX #10FDA2

RGB 16 253 162

HSL 156.96, 0.98%, 0.53%

LAB 88.43, -69.73, 29.92

 

CMYK 94 / 0 / 11 / 1

HEX #10FDE2

RGB 16 253 226

HSL 173.16, 0.98%, 0.53%

LAB 89.79, -54.89, -1.04

 

CMYK 94 / 14 / 0 / 1

HEX #10DAFD

RGB 16 218 253

HSL 188.86, 0.98%, 0.53%

LAB 80.37, -31.52, -29.36

 

CMYK 100 / 0 / 38 / 27

HEX #00BA74

RGB 0 186 116

HSL 157.42, 1%, 0.36%

LAB 66.81, -56.05, 24.61

 

CMYK 100 / 0 / 37 / 11

HEX #01E38E

RGB 1 227 142

HSL 157.43, 0.99%, 0.45%

LAB 80.12, -65.17, 28.9

 

CMYK 94 / 0 / 35 / 1

HEX #10FDA4

RGB 16 253 164

HSL 157.47, 0.98%, 0.53%

LAB 88.47, -69.33, 28.96

 

CMYK 78 / 0 / 30 / 0

HEX #39FEB3

RGB 57 254 179

HSL 157.16, 0.99%, 0.61%

LAB 89.4, -63.83, 22.69

 

CMYK 61 / 0 / 23 / 0

HEX #62FEC3

RGB 98 254 195

HSL 157.31, 0.99%, 0.69%

LAB 90.51, -54.6, 16.18

 

CMYK 94 / 0 / 35 / 0

HEX #10FEA4

RGB 16 254 164

HSL 157.31, 0.99%, 0.53%

LAB 88.77, -69.68, 29.37

 

CMYK 94 / 76 / 0 / 1

HEX #103CFD

RGB 16 60 253

HSL 228.86, 0.98%, 0.53%

LAB 38.61, 59.81, -96.22

 

CMYK 0 / 74 / 94 / 1

HEX #FD4310

RGB 253 67 16

HSL 12.91, 0.98%, 0.53%

LAB 57.01, 67.96, 65.09

 

CMYK 94 / 0 / 35 / 0

HEX #10FEA4

RGB 16 254 164

HSL 157.31, 0.99%, 0.53%

LAB 88.77, -69.68, 29.37

 

CMYK 36 / 94 / 0 / 1

HEX #A210FD

RGB 162 16 253

HSL 276.96, 0.98%, 0.53%

LAB 45.83, 84.25, -83.92

 

CMYK 0 / 36 / 94 / 1

HEX #FDA210

RGB 253 162 16

HSL 36.96, 0.98%, 0.53%

LAB 74.04, 24.8, 76.3

 

CMYK 94 / 0 / 35 / 0

HEX #10FEA4

RGB 16 254 164

HSL 157.31, 0.99%, 0.53%

LAB 88.77, -69.68, 29.37

 

CMYK 94 / 76 / 0 / 1

HEX #103CFD

RGB 16 60 253

HSL 228.86, 0.98%, 0.53%

LAB 38.61, 59.81, -96.22

 

CMYK 0 / 94 / 58 / 1

HEX #FD106B

RGB 253 16 107

HSL 336.96, 0.98%, 0.53%

LAB 54.36, 81.59, 15.92

 

CMYK 0 / 17 / 94 / 1

HEX #FDD210

RGB 253 210 16

HSL 49.11, 0.98%, 0.53%

LAB 85.51, -0.11, 84.57

 

CMYK 94 / 0 / 35 / 0

HEX #10FEA4

RGB 16 254 164

HSL 157.31, 0.99%, 0.53%

LAB 88.77, -69.68, 29.37

 

CMYK 83 / 94 / 0 / 1

HEX #2C10FD

RGB 44 16 253

HSL 247.09, 0.98%, 0.53%

LAB 33.98, 76.69, -103.91

 

CMYK 0 / 94 / 58 / 1

HEX #FD106B

RGB 253 16 107

HSL 336.96, 0.98%, 0.53%

LAB 54.36, 81.59, 15.92

 

CMYK 11 / 0 / 94 / 1

HEX #E2FD10

RGB 226 253 16

HSL 66.84, 0.98%, 0.53%

LAB 94.51, -32.26, 90.39

 

Description

Color code: HEX #10FEA4 | qconv.com Color code: HEX #10FEA4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 254 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 254 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 35 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 35% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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