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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10F38D it is the complementary color #EF0C72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10F38D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10F38D shade: #15F388, #26FF9B, #37FFAE, #48FFC1 and #59FFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10F38D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10F38D shade: #10F38D, #00E17A, #00CF67, #00BD54 and #00AB41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10F38D shade: #11F28D, #11F250, #11F214, #4BF211 and #88F211

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10F38D shade: #11F28D, #11F2CA, #11DEF2, #11A1F2 and #1164F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10F38D shade matches the following richer shades: #11F28D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10F38D shade: #11F28D, #25DE8B, #3ACA89, #4EB587 and #62A185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10F38D shade: #11F215, #11F251, #11F28D, #11F2C9 and #11DFF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10F38D shade: #08A860, #0ACF77, #11F28D, #38F4A0 and #5FF6B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10F38D shade: #10F38D, #1149F2 and #F23311

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10F38D shade: #10F38D, #8D11F2 and #F28D11

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10F38D shade: #10F38D, #1149F2, #F21176 and #F2BA11

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10F38D shade: #10F38D, #1C11F2, #F21176 and #E7F211

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 42 / 5

HEX #10F38D

RGB 16 243 141

HSL 153.04, 0.9%, 0.51%

LAB 85.06, -70.31, 35.94

 

Complementary color

CMYK 0 / 95 / 52 / 6

HEX #EF0C72

RGB 239 12 114

HSL 333.04, 0.9%, 0.49%

LAB 51.64, 79.23, 7.47

 

CMYK 91 / 0 / 44 / 5

HEX #15F388

RGB 21 243 136

HSL 151.08, 0.9%, 0.52%

LAB 85.02, -70.98, 38.35

 

CMYK 85 / 0 / 39 / 0

HEX #26FF9B

RGB 38 255 155

HSL 152.35, 1%, 0.57%

LAB 89.06, -70.59, 34.28

 

CMYK 78 / 0 / 32 / 0

HEX #37FFAE

RGB 55 255 174

HSL 155.7, 1%, 0.61%

LAB 89.57, -65.44, 25.47

 

CMYK 72 / 0 / 24 / 0

HEX #48FFC1

RGB 72 255 193

HSL 159.67, 1%, 0.64%

LAB 90.21, -59.45, 16.69

 

CMYK 65 / 0 / 17 / 0

HEX #59FFD4

RGB 89 255 212

HSL 164.46, 1%, 0.67%

LAB 90.96, -52.72, 8.03

 

CMYK 93 / 0 / 42 / 5

HEX #10F38D

RGB 16 243 141

HSL 153.04, 0.9%, 0.51%

LAB 85.06, -70.31, 35.94

 

CMYK 100 / 0 / 46 / 12

HEX #00E17A

RGB 0 225 122

HSL 152.53, 1%, 0.44%

LAB 79.19, -68.21, 37.74

 

CMYK 100 / 0 / 50 / 19

HEX #00CF67

RGB 0 207 103

HSL 149.86, 1%, 0.41%

LAB 73.29, -65.53, 39.64

 

CMYK 100 / 0 / 56 / 26

HEX #00BD54

RGB 0 189 84

HSL 146.67, 1%, 0.37%

LAB 67.3, -62.68, 41.51

 

CMYK 100 / 0 / 62 / 33

HEX #00AB41

RGB 0 171 65

HSL 142.81, 1%, 0.34%

LAB 61.23, -59.6, 43.28

 

CMYK 93 / 0 / 42 / 5

HEX #11F28D

RGB 17 242 141

HSL 153.07, 0.9%, 0.51%

LAB 84.76, -69.94, 35.55

 

CMYK 93 / 0 / 67 / 5

HEX #11F250

RGB 17 242 80

HSL 136.8, 0.9%, 0.51%

LAB 84.07, -78.4, 62.33

 

CMYK 93 / 0 / 92 / 5

HEX #11F214

RGB 17 242 20

HSL 120.8, 0.9%, 0.51%

LAB 83.8, -81.92, 78.19

 

CMYK 69 / 0 / 93 / 5

HEX #4BF211

RGB 75 242 17

HSL 104.53, 0.9%, 0.51%

LAB 84.5, -75.67, 79.43

 

CMYK 44 / 0 / 93 / 5

HEX #88F211

RGB 136 242 17

HSL 88.27, 0.9%, 0.51%

LAB 86.39, -60.5, 81.75

 

CMYK 93 / 0 / 42 / 5

HEX #11F28D

RGB 17 242 141

HSL 153.07, 0.9%, 0.51%

LAB 84.76, -69.94, 35.55

 

CMYK 93 / 0 / 17 / 5

HEX #11F2CA

RGB 17 242 202

HSL 169.33, 0.9%, 0.51%

LAB 85.95, -56.67, 5.89

 

CMYK 93 / 8 / 0 / 5

HEX #11DEF2

RGB 17 222 242

HSL 185.33, 0.9%, 0.51%

LAB 81.17, -36.84, -22.31

 

CMYK 93 / 33 / 0 / 5

HEX #11A1F2

RGB 17 161 242

HSL 201.6, 0.9%, 0.51%

LAB 63.36, -5.45, -49.93

 

CMYK 93 / 59 / 0 / 5

HEX #1164F2

RGB 17 100 242

HSL 217.87, 0.9%, 0.51%

LAB 46.5, 31.97, -77.06

 

CMYK 93 / 0 / 42 / 5

HEX #11F28D

RGB 17 242 141

HSL 153.07, 0.9%, 0.51%

LAB 84.76, -69.94, 35.55

 

CMYK 93 / 0 / 42 / 5

HEX #11F28D

RGB 17 242 141

HSL 153.07, 0.9%, 0.51%

LAB 84.76, -69.94, 35.55

 

CMYK 83 / 0 / 37 / 13

HEX #25DE8B

RGB 37 222 139

HSL 153.08, 0.74%, 0.51%

LAB 78.75, -62.24, 28.64

 

CMYK 71 / 0 / 32 / 21

HEX #3ACA89

RGB 58 202 137

HSL 152.92, 0.58%, 0.51%

LAB 72.86, -52.78, 21.77

 

CMYK 57 / 0 / 25 / 29

HEX #4EB587

RGB 78 181 135

HSL 153.2, 0.41%, 0.51%

LAB 66.84, -40.86, 14.61

 

CMYK 39 / 0 / 17 / 37

HEX #62A185

RGB 98 161 133

HSL 153.33, 0.25%, 0.51%

LAB 61.46, -26.83, 8.25

 

CMYK 93 / 0 / 91 / 5

HEX #11F215

RGB 17 242 21

HSL 121.07, 0.9%, 0.51%

LAB 83.8, -81.9, 78.06

 

CMYK 93 / 0 / 67 / 5

HEX #11F251

RGB 17 242 81

HSL 137.07, 0.9%, 0.51%

LAB 84.08, -78.3, 61.95

 

CMYK 93 / 0 / 42 / 5

HEX #11F28D

RGB 17 242 141

HSL 153.07, 0.9%, 0.51%

LAB 84.76, -69.94, 35.55

 

CMYK 93 / 0 / 17 / 5

HEX #11F2C9

RGB 17 242 201

HSL 169.07, 0.9%, 0.51%

LAB 85.93, -56.92, 6.38

 

CMYK 93 / 8 / 0 / 5

HEX #11DFF2

RGB 17 223 242

HSL 185.07, 0.9%, 0.51%

LAB 81.46, -37.3, -21.87

 

CMYK 95 / 0 / 43 / 34

HEX #08A860

RGB 8 168 96

HSL 153, 0.91%, 0.35%

LAB 60.69, -53.28, 27.16

 

CMYK 95 / 0 / 43 / 19

HEX #0ACF77

RGB 10 207 119

HSL 153.2, 0.91%, 0.43%

LAB 73.56, -62.43, 31.98

 

CMYK 93 / 0 / 42 / 5

HEX #11F28D

RGB 17 242 141

HSL 153.07, 0.9%, 0.51%

LAB 84.76, -69.94, 35.55

 

CMYK 77 / 0 / 34 / 4

HEX #38F4A0

RGB 56 244 160

HSL 153.19, 0.9%, 0.59%

LAB 86.05, -64.14, 27.77

 

CMYK 61 / 0 / 28 / 4

HEX #5FF6B2

RGB 95 246 178

HSL 152.98, 0.89%, 0.67%

LAB 87.76, -55.48, 21.05

 

CMYK 93 / 0 / 42 / 5

HEX #10F38D

RGB 16 243 141

HSL 153.04, 0.9%, 0.51%

LAB 85.06, -70.31, 35.94

 

CMYK 93 / 70 / 0 / 5

HEX #1149F2

RGB 17 73 242

HSL 225.07, 0.9%, 0.51%

LAB 40.07, 48.8, -87.62

 

CMYK 0 / 79 / 93 / 5

HEX #F23311

RGB 242 51 17

HSL 9.07, 0.9%, 0.51%

LAB 53.26, 69.49, 61.52

 

CMYK 93 / 0 / 42 / 5

HEX #10F38D

RGB 16 243 141

HSL 153.04, 0.9%, 0.51%

LAB 85.06, -70.31, 35.94

 

CMYK 42 / 93 / 0 / 5

HEX #8D11F2

RGB 141 17 242

HSL 273.07, 0.9%, 0.51%

LAB 41.96, 79.71, -84.21

 

CMYK 0 / 42 / 93 / 5

HEX #F28D11

RGB 242 141 17

HSL 33.07, 0.9%, 0.51%

LAB 68, 31.2, 71.24

 

CMYK 93 / 0 / 42 / 5

HEX #10F38D

RGB 16 243 141

HSL 153.04, 0.9%, 0.51%

LAB 85.06, -70.31, 35.94

 

CMYK 93 / 70 / 0 / 5

HEX #1149F2

RGB 17 73 242

HSL 225.07, 0.9%, 0.51%

LAB 40.07, 48.8, -87.62

 

CMYK 0 / 93 / 51 / 5

HEX #F21176

RGB 242 17 118

HSL 333.07, 0.9%, 0.51%

LAB 52.49, 79.74, 6.33

 

CMYK 0 / 23 / 93 / 5

HEX #F2BA11

RGB 242 186 17

HSL 45.07, 0.9%, 0.51%

LAB 78.48, 7.57, 78.79

 

CMYK 93 / 0 / 42 / 5

HEX #10F38D

RGB 16 243 141

HSL 153.04, 0.9%, 0.51%

LAB 85.06, -70.31, 35.94

 

CMYK 88 / 93 / 0 / 5

HEX #1C11F2

RGB 28 17 242

HSL 242.93, 0.9%, 0.51%

LAB 31.94, 73.44, -101.13

 

CMYK 0 / 93 / 51 / 5

HEX #F21176

RGB 242 17 118

HSL 333.07, 0.9%, 0.51%

LAB 52.49, 79.74, 6.33

 

CMYK 5 / 0 / 93 / 5

HEX #E7F211

RGB 231 242 17

HSL 62.93, 0.9%, 0.51%

LAB 91.92, -25.11, 88.46

 

Description

Color code: HEX #10F38D | qconv.com Color code: HEX #10F38D | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 243 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 243 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 42 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 42% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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