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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10DE96 it is the complementary color #EF2169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10DE96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10DE96 shade: #15DE91, #26F0A4, #37FFB7, #48FFCA and #59FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10DE96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10DE96 shade: #10DE96, #00CC83, #00BA70, #00A85D and #00964A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10DE96 shade: #0FE097, #0FE05E, #0FE026, #30E00F and #68E00F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10DE96 shade: #0FE097, #0FE0CF, #0FB8E0, #0F80E0 and #0F48E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10DE96 shade matches the following richer shades: #0FE097

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10DE96 shade: #0FE097, #22CC91, #36B98B, #49A585 and #5D927F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10DE96 shade: #0FE027, #0FE05F, #0FE097, #0FE0CE and #0FB9E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10DE96 shade: #0A9263, #0CB97D, #0FE097, #28F0AA and #4FF2B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10DE96 shade: #10DE96, #0F2EE0 and #E0430F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10DE96 shade: #10DE96, #970FE0 and #E0970F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10DE96 shade: #10DE96, #0F2EE0, #E00F58 and #E0C00F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10DE96 shade: #10DE96, #2E0FE0, #E00F58 and #C0E00F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 32 / 13

HEX #10DE96

RGB 16 222 150

HSL 159.03, 0.87%, 0.47%

LAB 78.78, -61.3, 22.97

 

Complementary color

CMYK 0 / 86 / 56 / 6

HEX #EF2169

RGB 239 33 105

HSL 339.03, 0.87%, 0.53%

LAB 52.35, 75.94, 13.93

 

CMYK 91 / 0 / 35 / 13

HEX #15DE91

RGB 21 222 145

HSL 157.01, 0.83%, 0.48%

LAB 78.72, -62.12, 25.49

 

CMYK 84 / 0 / 32 / 6

HEX #26F0A4

RGB 38 240 164

HSL 157.43, 0.87%, 0.55%

LAB 84.7, -63.57, 23.86

 

CMYK 78 / 0 / 28 / 0

HEX #37FFB7

RGB 55 255 183

HSL 158.4, 1%, 0.61%

LAB 89.74, -63.56, 21.13

 

CMYK 72 / 0 / 21 / 0

HEX #48FFCA

RGB 72 255 202

HSL 162.62, 1%, 0.64%

LAB 90.4, -57.43, 12.33

 

CMYK 65 / 0 / 13 / 0

HEX #59FFDD

RGB 89 255 221

HSL 167.71, 1%, 0.67%

LAB 91.17, -50.59, 3.68

 

CMYK 93 / 0 / 32 / 13

HEX #10DE96

RGB 16 222 150

HSL 159.03, 0.87%, 0.47%

LAB 78.78, -61.3, 22.97

 

CMYK 100 / 0 / 36 / 20

HEX #00CC83

RGB 0 204 131

HSL 158.53, 1%, 0.4%

LAB 72.78, -59.38, 24.72

 

CMYK 100 / 0 / 40 / 27

HEX #00BA70

RGB 0 186 112

HSL 156.13, 1%, 0.36%

LAB 66.74, -56.86, 26.64

 

CMYK 100 / 0 / 45 / 34

HEX #00A85D

RGB 0 168 93

HSL 153.21, 1%, 0.33%

LAB 60.6, -54.22, 28.61

 

CMYK 100 / 0 / 51 / 41

HEX #00964A

RGB 0 150 74

HSL 149.6, 1%, 0.29%

LAB 54.35, -51.42, 30.63

 

CMYK 93 / 0 / 33 / 12

HEX #0FE097

RGB 15 224 151

HSL 159.04, 0.87%, 0.47%

LAB 79.41, -61.84, 23.31

 

CMYK 93 / 0 / 58 / 12

HEX #0FE05E

RGB 15 224 94

HSL 142.68, 0.87%, 0.47%

LAB 78.59, -71.6, 50.29

 

CMYK 93 / 0 / 83 / 12

HEX #0FE026

RGB 15 224 38

HSL 126.6, 0.87%, 0.47%

LAB 78.2, -76.53, 70.02

 

CMYK 79 / 0 / 93 / 12

HEX #30E00F

RGB 48 224 15

HSL 110.53, 0.87%, 0.47%

LAB 78.45, -74.56, 74.46

 

CMYK 54 / 0 / 93 / 12

HEX #68E00F

RGB 104 224 15

HSL 94.45, 0.87%, 0.47%

LAB 79.78, -63.37, 76.1

 

CMYK 93 / 0 / 33 / 12

HEX #0FE097

RGB 15 224 151

HSL 159.04, 0.87%, 0.47%

LAB 79.41, -61.84, 23.31

 

CMYK 93 / 0 / 8 / 12

HEX #0FE0CF

RGB 15 224 207

HSL 175.12, 0.87%, 0.47%

LAB 80.69, -48.07, -4.41

 

CMYK 93 / 18 / 0 / 12

HEX #0FB8E0

RGB 15 184 224

HSL 191.48, 0.87%, 0.47%

LAB 69.3, -24.28, -30.78

 

CMYK 93 / 43 / 0 / 12

HEX #0F80E0

RGB 15 128 224

HSL 207.56, 0.87%, 0.47%

LAB 52.86, 7.21, -56.66

 

CMYK 93 / 68 / 0 / 12

HEX #0F48E0

RGB 15 72 224

HSL 223.64, 0.87%, 0.47%

LAB 38.05, 42.91, -80.75

 

CMYK 93 / 0 / 33 / 12

HEX #0FE097

RGB 15 224 151

HSL 159.04, 0.87%, 0.47%

LAB 79.41, -61.84, 23.31

 

CMYK 93 / 0 / 33 / 12

HEX #0FE097

RGB 15 224 151

HSL 159.04, 0.87%, 0.47%

LAB 79.41, -61.84, 23.31

 

CMYK 83 / 0 / 29 / 20

HEX #22CC91

RGB 34 204 145

HSL 159.18, 0.71%, 0.47%

LAB 73.27, -54.61, 18.03

 

CMYK 71 / 0 / 25 / 27

HEX #36B98B

RGB 54 185 139

HSL 158.93, 0.55%, 0.47%

LAB 67.54, -46.11, 13.32

 

CMYK 56 / 0 / 19 / 35

HEX #49A585

RGB 73 165 133

HSL 159.13, 0.39%, 0.47%

LAB 61.67, -35.25, 8.41

 

CMYK 36 / 0 / 13 / 43

HEX #5D927F

RGB 93 146 127

HSL 158.49, 0.22%, 0.47%

LAB 56.5, -22.1, 4.51

 

CMYK 93 / 0 / 83 / 12

HEX #0FE027

RGB 15 224 39

HSL 126.89, 0.87%, 0.47%

LAB 78.2, -76.48, 69.78

 

CMYK 93 / 0 / 58 / 12

HEX #0FE05F

RGB 15 224 95

HSL 142.97, 0.87%, 0.47%

LAB 78.6, -71.47, 49.85

 

CMYK 93 / 0 / 33 / 12

HEX #0FE097

RGB 15 224 151

HSL 159.04, 0.87%, 0.47%

LAB 79.41, -61.84, 23.31

 

CMYK 93 / 0 / 8 / 12

HEX #0FE0CE

RGB 15 224 206

HSL 174.83, 0.87%, 0.47%

LAB 80.67, -48.34, -3.92

 

CMYK 93 / 17 / 0 / 12

HEX #0FB9E0

RGB 15 185 224

HSL 191.2, 0.87%, 0.47%

LAB 69.6, -24.78, -30.33

 

CMYK 93 / 0 / 32 / 43

HEX #0A9263

RGB 10 146 99

HSL 159.26, 0.87%, 0.31%

LAB 53.52, -44.32, 15.9

 

CMYK 94 / 0 / 32 / 27

HEX #0CB97D

RGB 12 185 125

HSL 159.19, 0.88%, 0.39%

LAB 66.72, -53.29, 19.68

 

CMYK 93 / 0 / 33 / 12

HEX #0FE097

RGB 15 224 151

HSL 159.04, 0.87%, 0.47%

LAB 79.41, -61.84, 23.31

 

CMYK 83 / 0 / 29 / 6

HEX #28F0AA

RGB 40 240 170

HSL 159, 0.87%, 0.55%

LAB 84.83, -62.14, 20.96

 

CMYK 67 / 0 / 24 / 5

HEX #4FF2B9

RGB 79 242 185

HSL 159.02, 0.86%, 0.63%

LAB 86.34, -55.11, 15.4

 

CMYK 93 / 0 / 32 / 13

HEX #10DE96

RGB 16 222 150

HSL 159.03, 0.87%, 0.47%

LAB 78.78, -61.3, 22.97

 

CMYK 93 / 79 / 0 / 12

HEX #0F2EE0

RGB 15 46 224

HSL 231.1, 0.87%, 0.47%

LAB 32.78, 57.68, -89.48

 

CMYK 0 / 70 / 93 / 12

HEX #E0430F

RGB 224 67 15

HSL 14.93, 0.87%, 0.47%

LAB 51.72, 58.94, 59.45

 

CMYK 93 / 0 / 32 / 13

HEX #10DE96

RGB 16 222 150

HSL 159.03, 0.87%, 0.47%

LAB 78.78, -61.3, 22.97

 

CMYK 33 / 93 / 0 / 12

HEX #970FE0

RGB 151 15 224

HSL 279.04, 0.87%, 0.47%

LAB 41.69, 77.5, -74.37

 

CMYK 0 / 33 / 93 / 12

HEX #E0970F

RGB 224 151 15

HSL 39.04, 0.87%, 0.47%

LAB 68.03, 18.31, 70.59

 

CMYK 93 / 0 / 32 / 13

HEX #10DE96

RGB 16 222 150

HSL 159.03, 0.87%, 0.47%

LAB 78.78, -61.3, 22.97

 

CMYK 93 / 79 / 0 / 12

HEX #0F2EE0

RGB 15 46 224

HSL 231.1, 0.87%, 0.47%

LAB 32.78, 57.68, -89.48

 

CMYK 0 / 93 / 61 / 12

HEX #E00F58

RGB 224 15 88

HSL 339.04, 0.87%, 0.47%

LAB 48.13, 73.85, 18.06

 

CMYK 0 / 14 / 93 / 12

HEX #E0C00F

RGB 224 192 15

HSL 50.81, 0.87%, 0.47%

LAB 78.22, -3.35, 78.07

 

CMYK 93 / 0 / 32 / 13

HEX #10DE96

RGB 16 222 150

HSL 159.03, 0.87%, 0.47%

LAB 78.78, -61.3, 22.97

 

CMYK 79 / 93 / 0 / 12

HEX #2E0FE0

RGB 46 15 224

HSL 248.9, 0.87%, 0.47%

LAB 30.17, 69.71, -93.8

 

CMYK 0 / 93 / 61 / 12

HEX #E00F58

RGB 224 15 88

HSL 339.04, 0.87%, 0.47%

LAB 48.13, 73.85, 18.06

 

CMYK 14 / 0 / 93 / 12

HEX #C0E00F

RGB 192 224 15

HSL 69.19, 0.87%, 0.47%

LAB 84.25, -32.63, 81.55

 

Description

Color code: HEX #10DE96 | qconv.com Color code: HEX #10DE96 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 222 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 222 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 32 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 32% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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