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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10B0E0 it is the complementary color #EF4F1F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10B0E0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10B0E0 shade: #15B0DB, #26C2EE, #37D4FF, #48E6FF and #59F8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10B0E0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10B0E0 shade: #10B0E0, #009ECD, #008CBA, #007AA7 and #006894

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10B0E0 shade: #0FAFE0, #0F77E0, #0F3FE0, #170FE0 and #500FE0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10B0E0 shade: #0FAFE0, #0F77E0, #0F3FE0 and #0F0FE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10B0E0 shade matches the following richer shades: #0FAFE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10B0E0 shade: #0FAFE0, #22A5CC, #369BB9, #4990A5 and #5D8692

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10B0E0 shade: #0FE09E, #0FE0D5, #0FB2E0, #0F7BE0 and #0F43E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10B0E0 shade: #0A7392, #0C91B9, #0FAFE0, #28C2F0 and #4FCDF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10B0E0 shade: #10B0E0, #660FE0 and #E0B90F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10B0E0 shade: #10B0E0, #E00FB2 and #B2E00F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10B0E0 shade: #10B0E0, #660FE0, #E03C0F and #89E00F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10B0E0 shade: #10B0E0, #A50FE0, #E03C0F and #4AE00F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 21 / 0 / 12

HEX #10B0E0

RGB 16 176 224

HSL 193.85, 0.87%, 0.47%

LAB 66.93, -20.11, -34.45

 

Complementary color

CMYK 0 / 67 / 87 / 6

HEX #EF4F1F

RGB 239 79 31

HSL 13.85, 0.87%, 0.53%

LAB 56.13, 59.5, 58.43

 

CMYK 90 / 20 / 0 / 14

HEX #15B0DB

RGB 21 176 219

HSL 193.03, 0.83%, 0.47%

LAB 66.77, -21.62, -31.96

 

CMYK 84 / 18 / 0 / 7

HEX #26C2EE

RGB 38 194 238

HSL 193.2, 0.85%, 0.54%

LAB 73, -23.47, -32.66

 

CMYK 78 / 17 / 0 / 0

HEX #37D4FF

RGB 55 212 255

HSL 192.9, 1%, 0.61%

LAB 79.11, -25.62, -32.33

 

CMYK 72 / 10 / 0 / 0

HEX #48E6FF

RGB 72 230 255

HSL 188.2, 1%, 0.64%

LAB 84.58, -32.57, -23.93

 

CMYK 65 / 3 / 0 / 0

HEX #59F8FF

RGB 89 248 255

HSL 182.53, 1%, 0.67%

LAB 90.08, -38.74, -15.59

 

CMYK 93 / 21 / 0 / 12

HEX #10B0E0

RGB 16 176 224

HSL 193.85, 0.87%, 0.47%

LAB 66.93, -20.11, -34.45

 

CMYK 100 / 23 / 0 / 20

HEX #009ECD

RGB 0 158 205

HSL 193.76, 1%, 0.4%

LAB 60.66, -17.74, -33.69

 

CMYK 100 / 25 / 0 / 27

HEX #008CBA

RGB 0 140 186

HSL 194.84, 1%, 0.36%

LAB 54.35, -14.8, -32.81

 

CMYK 100 / 27 / 0 / 35

HEX #007AA7

RGB 0 122 167

HSL 196.17, 1%, 0.33%

LAB 47.89, -11.75, -31.94

 

CMYK 100 / 30 / 0 / 42

HEX #006894

RGB 0 104 148

HSL 197.84, 1%, 0.29%

LAB 41.28, -8.54, -31.09

 

CMYK 93 / 22 / 0 / 12

HEX #0FAFE0

RGB 15 175 224

HSL 194.07, 0.87%, 0.47%

LAB 66.63, -19.63, -34.92

 

CMYK 93 / 47 / 0 / 12

HEX #0F77E0

RGB 15 119 224

HSL 210.14, 0.87%, 0.47%

LAB 50.31, 12.81, -60.77

 

CMYK 93 / 72 / 0 / 12

HEX #0F3FE0

RGB 15 63 224

HSL 226.22, 0.87%, 0.47%

LAB 36.06, 48.37, -84.04

 

CMYK 90 / 93 / 0 / 12

HEX #170FE0

RGB 23 15 224

HSL 242.3, 0.87%, 0.47%

LAB 29.17, 69.21, -95.49

 

CMYK 64 / 93 / 0 / 12

HEX #500FE0

RGB 80 15 224

HSL 258.66, 0.87%, 0.47%

LAB 32.76, 71.16, -89.41

 

CMYK 93 / 22 / 0 / 12

HEX #0FAFE0

RGB 15 175 224

HSL 194.07, 0.87%, 0.47%

LAB 66.63, -19.63, -34.92

 

CMYK 93 / 47 / 0 / 12

HEX #0F77E0

RGB 15 119 224

HSL 210.14, 0.87%, 0.47%

LAB 50.31, 12.81, -60.77

 

CMYK 93 / 72 / 0 / 12

HEX #0F3FE0

RGB 15 63 224

HSL 226.22, 0.87%, 0.47%

LAB 36.06, 48.37, -84.04

 

CMYK 93 / 93 / 0 / 12

HEX #0F0FE0

RGB 15 15 224

HSL 240, 0.87%, 0.47%

LAB 28.97, 69.12, -95.84

 

CMYK 93 / 22 / 0 / 12

HEX #0FAFE0

RGB 15 175 224

HSL 194.07, 0.87%, 0.47%

LAB 66.63, -19.63, -34.92

 

CMYK 93 / 22 / 0 / 12

HEX #0FAFE0

RGB 15 175 224

HSL 194.07, 0.87%, 0.47%

LAB 66.63, -19.63, -34.92

 

CMYK 83 / 19 / 0 / 20

HEX #22A5CC

RGB 34 165 204

HSL 193.76, 0.71%, 0.47%

LAB 63.02, -20.18, -29.45

 

CMYK 71 / 16 / 0 / 27

HEX #369BB9

RGB 54 155 185

HSL 193.74, 0.55%, 0.47%

LAB 59.64, -19.06, -23.97

 

CMYK 56 / 13 / 0 / 35

HEX #4990A5

RGB 73 144 165

HSL 193.7, 0.39%, 0.47%

LAB 56.17, -16.11, -17.87

 

CMYK 36 / 8 / 0 / 43

HEX #5D8692

RGB 93 134 146

HSL 193.58, 0.22%, 0.47%

LAB 53.44, -10.98, -10.95

 

CMYK 93 / 0 / 29 / 12

HEX #0FE09E

RGB 15 224 158

HSL 161.05, 0.87%, 0.47%

LAB 79.55, -60.33, 19.85

 

CMYK 93 / 0 / 5 / 12

HEX #0FE0D5

RGB 15 224 213

HSL 176.84, 0.87%, 0.47%

LAB 80.86, -46.39, -7.36

 

CMYK 93 / 21 / 0 / 12

HEX #0FB2E0

RGB 15 178 224

HSL 193.21, 0.87%, 0.47%

LAB 67.52, -21.19, -33.54

 

CMYK 93 / 45 / 0 / 12

HEX #0F7BE0

RGB 15 123 224

HSL 209, 0.87%, 0.47%

LAB 51.44, 10.31, -58.95

 

CMYK 93 / 70 / 0 / 12

HEX #0F43E0

RGB 15 67 224

HSL 225.07, 0.87%, 0.47%

LAB 36.93, 45.97, -82.61

 

CMYK 93 / 21 / 0 / 43

HEX #0A7392

RGB 10 115 146

HSL 193.68, 0.87%, 0.31%

LAB 44.8, -15.18, -24.39

 

CMYK 94 / 22 / 0 / 27

HEX #0C91B9

RGB 12 145 185

HSL 193.87, 0.88%, 0.39%

LAB 55.92, -17.47, -29.78

 

CMYK 93 / 22 / 0 / 12

HEX #0FAFE0

RGB 15 175 224

HSL 194.07, 0.87%, 0.47%

LAB 66.63, -19.63, -34.92

 

CMYK 83 / 19 / 0 / 6

HEX #28C2F0

RGB 40 194 240

HSL 193.8, 0.87%, 0.55%

LAB 73.11, -22.67, -33.57

 

CMYK 67 / 15 / 0 / 5

HEX #4FCDF2

RGB 79 205 242

HSL 193.62, 0.86%, 0.63%

LAB 77.12, -23.34, -28.4

 

CMYK 93 / 21 / 0 / 12

HEX #10B0E0

RGB 16 176 224

HSL 193.85, 0.87%, 0.47%

LAB 66.93, -20.11, -34.45

 

CMYK 54 / 93 / 0 / 12

HEX #660FE0

RGB 102 15 224

HSL 264.98, 0.87%, 0.47%

LAB 35.1, 72.63, -85.46

 

CMYK 0 / 17 / 93 / 12

HEX #E0B90F

RGB 224 185 15

HSL 48.8, 0.87%, 0.47%

LAB 76.42, 0.28, 76.73

 

CMYK 93 / 21 / 0 / 12

HEX #10B0E0

RGB 16 176 224

HSL 193.85, 0.87%, 0.47%

LAB 66.93, -20.11, -34.45

 

CMYK 0 / 93 / 21 / 12

HEX #E00FB2

RGB 224 15 178

HSL 313.21, 0.87%, 0.47%

LAB 51.16, 81.91, -31.87

 

CMYK 21 / 0 / 93 / 12

HEX #B2E00F

RGB 178 224 15

HSL 73.21, 0.87%, 0.47%

LAB 83.34, -38.21, 80.45

 

CMYK 93 / 21 / 0 / 12

HEX #10B0E0

RGB 16 176 224

HSL 193.85, 0.87%, 0.47%

LAB 66.93, -20.11, -34.45

 

CMYK 54 / 93 / 0 / 12

HEX #660FE0

RGB 102 15 224

HSL 264.98, 0.87%, 0.47%

LAB 35.1, 72.63, -85.46

 

CMYK 0 / 73 / 93 / 12

HEX #E03C0F

RGB 224 60 15

HSL 12.92, 0.87%, 0.47%

LAB 50.82, 61.42, 58.89

 

CMYK 39 / 0 / 93 / 12

HEX #89E00F

RGB 137 224 15

HSL 84.98, 0.87%, 0.47%

LAB 81.11, -53.29, 77.73

 

CMYK 93 / 21 / 0 / 12

HEX #10B0E0

RGB 16 176 224

HSL 193.85, 0.87%, 0.47%

LAB 66.93, -20.11, -34.45

 

CMYK 26 / 93 / 0 / 12

HEX #A50FE0

RGB 165 15 224

HSL 283.06, 0.87%, 0.47%

LAB 43.83, 79.26, -70.79

 

CMYK 0 / 73 / 93 / 12

HEX #E03C0F

RGB 224 60 15

HSL 12.92, 0.87%, 0.47%

LAB 50.82, 61.42, 58.89

 

CMYK 67 / 0 / 93 / 12

HEX #4AE00F

RGB 74 224 15

HSL 103.06, 0.87%, 0.47%

LAB 78.93, -70.39, 75.05

 

Description

Color code: HEX #10B0E0 | qconv.com Color code: HEX #10B0E0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 176 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 176 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 21 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 21% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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