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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #10B581 it is the complementary color #EF4A7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #10B581. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #10B581 shade: #15B57C, #26C78F, #37D9A2, #48EBB5 and #59FDC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #10B581. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #10B581 shade: #10B581, #00A36E, #00915B, #007F48 and #006D35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #10B581 shade: #0FB682, #0FB655, #0FB628, #24B60F and #51B60F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #10B581 shade: #0FB682, #0FB6AF, #0F91B6, #0F64B6 and #0F37B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #10B581 shade matches the following richer shades: #0FB682

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #10B581 shade: #0FB682, #20A67C, #309676, #408670 and #50766A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #10B581 shade: #0FB628, #0FB655, #0FB682, #0FB6AE and #0F92B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #10B581 shade: #096B4C, #0C9167, #0FB682, #13DC9D and #2CECB0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #10B581 shade: #10B581, #0F23B6 and #B63F0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #10B581 shade: #10B581, #820FB6 and #B6820F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #10B581 shade: #10B581, #0F23B6, #B60F44 and #B6A30F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #10B581 shade: #10B581, #2E0FB6, #B60F44 and #98B60F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 0 / 29 / 29

HEX #10B581

RGB 16 181 129

HSL 161.09, 0.84%, 0.39%

LAB 65.55, -50.67, 15.91

 

Complementary color

CMYK 0 / 69 / 47 / 6

HEX #EF4A7E

RGB 239 74 126

HSL 341.09, 0.84%, 0.61%

LAB 56.84, 66.32, 7.67

 

CMYK 88 / 0 / 31 / 29

HEX #15B57C

RGB 21 181 124

HSL 158.63, 0.79%, 0.4%

LAB 65.48, -51.52, 18.55

 

CMYK 81 / 0 / 28 / 22

HEX #26C78F

RGB 38 199 143

HSL 159.13, 0.68%, 0.46%

LAB 71.72, -52.77, 16.96

 

CMYK 75 / 0 / 25 / 15

HEX #37D9A2

RGB 55 217 162

HSL 159.63, 0.68%, 0.53%

LAB 77.9, -53.65, 15.52

 

CMYK 69 / 0 / 23 / 8

HEX #48EBB5

RGB 72 235 181

HSL 160.12, 0.8%, 0.6%

LAB 84.03, -54.25, 14.21

 

CMYK 65 / 0 / 21 / 1

HEX #59FDC8

RGB 89 253 200

HSL 160.61, 0.98%, 0.67%

LAB 90.11, -54.64, 13.01

 

CMYK 91 / 0 / 29 / 29

HEX #10B581

RGB 16 181 129

HSL 161.09, 0.84%, 0.39%

LAB 65.55, -50.67, 15.91

 

CMYK 100 / 0 / 33 / 36

HEX #00A36E

RGB 0 163 110

HSL 160.49, 1%, 0.32%

LAB 59.27, -48.87, 17.65

 

CMYK 100 / 0 / 37 / 43

HEX #00915B

RGB 0 145 91

HSL 157.66, 1%, 0.28%

LAB 52.96, -46.3, 19.61

 

CMYK 100 / 0 / 43 / 50

HEX #007F48

RGB 0 127 72

HSL 154.02, 1%, 0.25%

LAB 46.51, -43.58, 21.66

 

CMYK 100 / 0 / 51 / 57

HEX #006D35

RGB 0 109 53

HSL 149.17, 1%, 0.21%

LAB 39.91, -40.66, 23.8

 

CMYK 92 / 0 / 29 / 29

HEX #0FB682

RGB 15 182 130

HSL 161.32, 0.85%, 0.39%

LAB 65.88, -50.88, 15.83

 

CMYK 92 / 0 / 53 / 29

HEX #0FB655

RGB 15 182 85

HSL 145.15, 0.85%, 0.39%

LAB 65.13, -59.6, 38.41

 

CMYK 92 / 0 / 78 / 29

HEX #0FB628

RGB 15 182 40

HSL 128.98, 0.85%, 0.39%

LAB 64.73, -64.58, 56.84

 

CMYK 80 / 0 / 92 / 29

HEX #24B60F

RGB 36 182 15

HSL 112.46, 0.85%, 0.39%

LAB 64.86, -63.84, 63.03

 

CMYK 55 / 0 / 92 / 29

HEX #51B60F

RGB 81 182 15

HSL 96.29, 0.85%, 0.39%

LAB 65.93, -54.75, 64.37

 

CMYK 92 / 0 / 29 / 29

HEX #0FB682

RGB 15 182 130

HSL 161.32, 0.85%, 0.39%

LAB 65.88, -50.88, 15.83

 

CMYK 92 / 0 / 4 / 29

HEX #0FB6AF

RGB 15 182 175

HSL 177.49, 0.85%, 0.39%

LAB 67.02, -38.91, -7.3

 

CMYK 92 / 20 / 0 / 29

HEX #0F91B6

RGB 15 145 182

HSL 193.29, 0.85%, 0.39%

LAB 55.82, -18.4, -28.23

 

CMYK 92 / 45 / 0 / 29

HEX #0F64B6

RGB 15 100 182

HSL 209.46, 0.85%, 0.39%

LAB 42.14, 8.29, -49.81

 

CMYK 92 / 70 / 0 / 29

HEX #0F37B6

RGB 15 55 182

HSL 225.63, 0.85%, 0.39%

LAB 29.94, 38.08, -69.69

 

CMYK 92 / 0 / 29 / 29

HEX #0FB682

RGB 15 182 130

HSL 161.32, 0.85%, 0.39%

LAB 65.88, -50.88, 15.83

 

CMYK 92 / 0 / 29 / 29

HEX #0FB682

RGB 15 182 130

HSL 161.32, 0.85%, 0.39%

LAB 65.88, -50.88, 15.83

 

CMYK 81 / 0 / 25 / 35

HEX #20A67C

RGB 32 166 124

HSL 161.19, 0.68%, 0.39%

LAB 60.81, -44.65, 12.07

 

CMYK 68 / 0 / 21 / 41

HEX #309676

RGB 48 150 118

HSL 161.18, 0.52%, 0.39%

LAB 55.84, -37.08, 8.46

 

CMYK 52 / 0 / 16 / 47

HEX #408670

RGB 64 134 112

HSL 161.14, 0.35%, 0.39%

LAB 51.05, -27.71, 5.14

 

CMYK 32 / 0 / 10 / 54

HEX #50766A

RGB 80 118 106

HSL 161.05, 0.19%, 0.39%

LAB 46.58, -16.24, 2.33

 

CMYK 92 / 0 / 78 / 29

HEX #0FB628

RGB 15 182 40

HSL 128.98, 0.85%, 0.39%

LAB 64.73, -64.58, 56.84

 

CMYK 92 / 0 / 53 / 29

HEX #0FB655

RGB 15 182 85

HSL 145.15, 0.85%, 0.39%

LAB 65.13, -59.6, 38.41

 

CMYK 92 / 0 / 29 / 29

HEX #0FB682

RGB 15 182 130

HSL 161.32, 0.85%, 0.39%

LAB 65.88, -50.88, 15.83

 

CMYK 92 / 0 / 4 / 29

HEX #0FB6AE

RGB 15 182 174

HSL 177.13, 0.85%, 0.39%

LAB 66.99, -39.21, -6.79

 

CMYK 92 / 20 / 0 / 29

HEX #0F92B6

RGB 15 146 182

HSL 192.93, 0.85%, 0.39%

LAB 56.12, -18.94, -27.75

 

CMYK 92 / 0 / 29 / 58

HEX #096B4C

RGB 9 107 76

HSL 161.02, 0.84%, 0.23%

LAB 39.74, -33.97, 10.2

 

CMYK 92 / 0 / 29 / 43

HEX #0C9167

RGB 12 145 103

HSL 161.05, 0.85%, 0.31%

LAB 53.29, -42.86, 13.32

 

CMYK 92 / 0 / 29 / 29

HEX #0FB682

RGB 15 182 130

HSL 161.32, 0.85%, 0.39%

LAB 65.88, -50.88, 15.83

 

CMYK 91 / 0 / 29 / 14

HEX #13DC9D

RGB 19 220 157

HSL 161.19, 0.84%, 0.47%

LAB 78.32, -58.91, 18.68

 

CMYK 81 / 0 / 25 / 7

HEX #2CECB0

RGB 44 236 176

HSL 161.25, 0.83%, 0.55%

LAB 83.79, -58.99, 16.41

 

CMYK 91 / 0 / 29 / 29

HEX #10B581

RGB 16 181 129

HSL 161.09, 0.84%, 0.39%

LAB 65.55, -50.67, 15.91

 

CMYK 92 / 81 / 0 / 29

HEX #0F23B6

RGB 15 35 182

HSL 232.81, 0.85%, 0.39%

LAB 25.81, 49.72, -76.53

 

CMYK 0 / 65 / 92 / 29

HEX #B63F0F

RGB 182 63 15

HSL 17.25, 0.85%, 0.39%

LAB 43.56, 46.3, 50.37

 

CMYK 91 / 0 / 29 / 29

HEX #10B581

RGB 16 181 129

HSL 161.09, 0.84%, 0.39%

LAB 65.55, -50.67, 15.91

 

CMYK 29 / 92 / 0 / 29

HEX #820FB6

RGB 130 15 182

HSL 281.32, 0.85%, 0.39%

LAB 34.93, 66.63, -61.11

 

CMYK 0 / 29 / 92 / 29

HEX #B6820F

RGB 182 130 15

HSL 41.32, 0.85%, 0.39%

LAB 57.98, 11.24, 60.98

 

CMYK 91 / 0 / 29 / 29

HEX #10B581

RGB 16 181 129

HSL 161.09, 0.84%, 0.39%

LAB 65.55, -50.67, 15.91

 

CMYK 92 / 81 / 0 / 29

HEX #0F23B6

RGB 15 35 182

HSL 232.81, 0.85%, 0.39%

LAB 25.81, 49.72, -76.53

 

CMYK 0 / 92 / 63 / 29

HEX #B60F44

RGB 182 15 68

HSL 340.96, 0.85%, 0.39%

LAB 39.08, 62.48, 16.98

 

CMYK 0 / 10 / 92 / 29

HEX #B6A30F

RGB 182 163 15

HSL 53.17, 0.85%, 0.39%

LAB 66.65, -6.71, 67.59

 

CMYK 91 / 0 / 29 / 29

HEX #10B581

RGB 16 181 129

HSL 161.09, 0.84%, 0.39%

LAB 65.55, -50.67, 15.91

 

CMYK 75 / 92 / 0 / 29

HEX #2E0FB6

RGB 46 15 182

HSL 251.14, 0.85%, 0.39%

LAB 24.64, 58.82, -78.43

 

CMYK 0 / 92 / 63 / 29

HEX #B60F44

RGB 182 15 68

HSL 340.96, 0.85%, 0.39%

LAB 39.08, 62.48, 16.98

 

CMYK 16 / 0 / 92 / 29

HEX #98B60F

RGB 152 182 15

HSL 70.78, 0.85%, 0.39%

LAB 69.59, -29.38, 68.86

 

Description

Color code: HEX #10B581 | qconv.com Color code: HEX #10B581 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 181 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 181 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, none magenta, 29 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 0% 29% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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